What is “Queer Enough?”: Greedy: Notes from a Bisexual Who Wants Too Much by Jen Winston

Greedy cover

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In their book of essays, Jen Winston (she/they) covers various topics about her bisexual experience, from the adoption of random behaviors as “bisexual culture” out of a desperation to be seen to the grief of friendships evolving when your best friend becomes a “we.”

Winston talks through internalized biphobia and not feeling queer enough to be part of the LGBTQIA+ community. Throughout her journey of accepting her bisexuality, they learn that it’s not just an identity, but rather a lens through which to reimagine the world. This speaks to the idea that one’s sexual orientation is about more than just sex. It’s about breaking systems that hold us down and don’t allow us to demand what we deserve.

A few essays, especially toward the end of the collection, begin to show Winston’s journey through gender identity as well. She comes to the realization that much of her identity in womanhood is performative and created based on patriarchal values. Accepting their bisexuality led to an understanding of their gender being on the nonbinary spectrum.

BEGINNING OF TRIGGER WARNING: RAPE AND SEXUAL ASSAULT

Winston also opens up about instances of rape and sexual assault in essays like “A Girl Called Rhonda,” “The Power Dynamic” and “The Neon Sweater.” She goes into quite a bit of detail about the events, working through the question that many who experience assault do: Is this really rape? The lines of consent feel blurred in different situations because of social conditioning that tells women not to make a fuss. They even discuss how active, verbal consent isn’t nuanced enough because everybody reacts differently to different situations. Not saying no doesn’t mean it’s a yes.

END OF TRIGGER WARNING

One of the most fun essays was a piece written in the fairytale format. Winston tells the story of being attracted to emotionally unavailable men, an issue that stems from a culture of fairytales.

Overall, this is a funny, heart-wrenching and provocative collection of essays.

Danika reviews Love is an Ex-Country by Randa Jarrar

I can’t resist a book with a Carmen Maria Machado blurb, so I picked this up knowing very little about it. In theory, this is about Randa Jarrar’s road trip across the U.S., inspired by Tahia Carioca’s cross-country road trip. It took place in 2016 as a way to re-engage with her country, trying to find some connection with it after the alienation of Trump’s election. I say “in theory” because this book actually has very little to do with that trip. It’s an exploration of being a fat queer Arab woman in America through vignettes of her life.

Jarrar discusses what it’s like to be a white-passing Arab woman in the U.S., including having white people expect her to agree with their racist comments. She describes being pulled over by a police officer who is sympathetic, and even trying to convince him to give her a warning–she knows she is safe, being read as white. When she goes home, she discovers that Philando Castile was pulled over that same day. She also traces the history of tropes and stereotypes about Arabs in the U.S., and how that racism has transformed over time, often enforcing contradictory ideas.

While this is a memoir, it reminded me of an essay collection meets poetry: Jarrar often writes in short paragraphs juxtaposing different topics. In the space of one page, she examines dolls from half a dozen perspectives: as playthings, as childhood punching bags, as used in therapy, as gifts, as sexualized muse by certain artists, and being treated as one. It feels like there are spaces between these ideas for the reader to fill in, to actively make those connections.

This is a book that requires a lot of trigger warnings. She includes harrowing details of her abuse, including physical abuse by her father, domestic abuse, and reproductive coercion. She was briefly infamous for a tweet that was critical of Barbara Bush after her death, reacting to her feed praising her, saying, “Barbara Bush was a generous and smart and amazing racist who, along with her husband, raised a war criminal. Fuck outta here with your nice words.” In response, she received a barrage of hate mail, including vitriolic death threat emails that are included in this collection. She was doxed, and her critics attempted to get her fired–unsuccessfully, because she had tenure, but the university put out a statement denouncing her comments.

Jarrar is Palestinian, which informs her politics. She describes trying to visit Palestine, and the terrifying hoops she had to jump through. She spent the weeks before travel studying on exactly what to say to the Israeli border guards, whose names to use, which reasons were acceptable for visiting. She is detained by teenage Israel boys, who seem bored. They are kept for hours for seemingly no reason. Their passports are taken away. After facing a long line of bureaucratic hurdles, they can still be sent back to the U.S. for no apparent reason, unable to step foot in their home, kept out by another country.

Sexuality is fraught in Jarrar’s story, often accompanied by abuse. When she finds BDSM, it opens up new doors for her: “Until BDSM, a lot of sex felt like assault.” In this community, boundaries are respected. Everything is negotiated in advance, and nothing is taken for granted. Kink meant consent and safety, knowing exactly what to expect. Through it, she is able to reclaim sexuality, and finds empowerment both in taking control and being able to safely relinquish it.

This memoir left me with a lot to think about. Jarrar describes suffering through so much abuse in her life, and feeling trapped and powerless. She discusses racism and misogyny and how they underpin so much of American society. At the same time, there is hope here. She is also a proud fat queer Arab woman, unafraid to speak her mind. If you want a thoughtful, challenging memoir that will leave you thinking, definitely pick this one up.

My second husband did not want me to be on top. He made sounds, squirming and uncomfortable, when I was on top. He told me a year after we’d gotten together than my body crushed his. His body was smaller than my body. One afternoon, in bed, he nonchalantly told me that I needed to lose a hundred pounds. To shrink myself for him. (Conceivably) to be his equal. I would marry him, cry for years, and leave him, before I realized he did this because he could never make himself big enough–intellectually, financially, sexually–to be my equal.

Meagan Kimberly reviews Wow, No Thank You by Samantha Irby

Wow, No Thank You audiobook by Samantha Irby

I listened to this collection of essays on audio, in which Samantha Irby herself reads, which is how I highly recommend you consume this book. Irby brings her biting wit and raw honesty to each essay, making them feel more like confessions. But they create a lifeline to so many who feel the way she does, making readers feel more connected and less alone. And she does it all with great humor, never taking herself, or anything, too seriously.

She covers various topics, from critiquing personas and performances on social media in “Into the Gross” to how over she is of the criticism of people being addicted to their phones in “Hung-Up!” Irby has no problem calling out others who act like they’re better than the rest of the world. She understands that at the end of the day, everyone is a mess pretending to have their ish together.

“Girls Gone Mild” is by far the most relatable and funniest essay in the collection, in my opinion. She gives a hysterical rundown of a typical girls’ night out for women 30+ who can no longer handle spontaneous outings and drinking too much. Her elaborate, minute-by-minute detail of how she plans her nights out now that she’s older sounded all too familiar and had me laughing so hard I cried.

In “Late 1900s Time Capsule,” she breaks down a typical mixtape from her youth track by track, annotating how each song captivated her teen angst, pretentious thoughts and intense emotions. As she talks about including the Indigo Girls on her mixtape she declares, “What do you mean you’re surprised I ended up with a lady?” proving there is a way to joke about queerness without being offensive. She even talks about those bygone days when you really had to be sure you wanted to invest in buying a whole album, because you couldn’t just purchase a single track.

Irby doesn’t shy away from topics often considered taboo, especially for women. She freely discusses sexuality alongside romance and relationships. She even tackles the horrors of getting your period in “Hysterical!” While hilarious in its unabashed humor, it’s also a critique on how any talk that does happen around the menstrual cycle centers on white women’s bodies and experiences, thus neglecting BIPOC bodies.

In essays like “Body Negativity” and “Hollywood Summer,” she tackles issues with body image and lack of representation of fat people. Or rather, the dismal representation of fat people. Although she takes on the topic with her signature humor, it’s clear it’s a subject that cuts to the core, and anyone who’s ever lived as a fat person in this world can relate.

Overall, this essay collection will make you laugh, but also make you think. It’s smart, witty, sarcastic, and filled with tales of horror about living as an anxious individual. You can’t help but laugh alongside Irby’s commentary on everything from making a living as a writer to moving to the country from the big city.