In The Vanishers’ Palace by Aliette de Bodard is a post-apocalyptic post-colonisation fantasy retelling of Beauty and the Beast. Yên is a rural scholar, who offers herself up to a dragon in her mother’s place to repay her village’s debts; Vu Côn is the dragon in question, trying to fix the world that the Vanisher’s destroyed and then abandoned. Together they live in the dangerous Escher-style nightmare that is the Vanishers’ palace, trying to raise Vu Côn’s teenage children and change the nightmare that the Vanishers left this world in.
The world-building is really cool; In the Vanishers’ Palace is set on a world that was modified beyond the inhabitants’ understanding by the Vanishers, who abandoned it when they grew bored – and people are actively trying to fix it. The scale of the problems are huge, and compounded by people like the leaders of Yên’s village, who are power-hungry monsters, but people are still trying, and that is something I need right now. And for all that the story is fantasy, it has science fiction elements woven in really well – yes, Vu Côn’s palace has impossible geometry, nonsensical architecture, and death lurking in every corner, but it also has a library that can just generate books, and a distinctly scifi room for Vu Côn’s patients. Plus, the magic of In The Vanishers’ Palace is language based, and the story gives Yên space to explore what is known about magic and the ways that common understanding isn’t always right made me happy!
The story itself takes the basic premise of Beauty and the Beast and focuses on it as a story of agency and independence. Vu Côn’s arc is specifically about her learning to trust people to make their own choices and have valuable knowledge and opinions of their own, and her romance with Yên is explicitly about them negotiating the consent and power dynamics of a relationship where one person starts as a prisoner/employee of the other. Vu Côn’s children are specifically trying to figure out who they are independent of their mother, and what role they can have in this world. And Yên is explicitly finding a role for herself after the danger of her village, where those not deemed “useful” and in danger from the village leaders. I enjoy the ways that motherhood, familial duty, and folklore are also woven into this story as integral threads as well, it really worked!
In conclusion: In The Vanishers’ Palace is the queer retelling of Beauty and the Beast that I didn’t know I needed, and it’s excellent. Definitely recommended.
[This review is based on an ARC from the author.]
Susan is a library assistant who uses her insider access to keep her shelves and to-read list permanently overflowing. She can usually be found writing for Hugo-winning media blog Lady Business or bringing the tweets and shouting on twitter.
