Hannah interviews Ke Payne

KE Payne.jpg

British author Ke Payne has kindly agreed to answer some questions for this blog.

Ke Payne, can you introduce yourself in a few words/lines?

I’m a British YA lesbian author with Bold Strokes Books. I was born and grew up in Bath, in South West England, but now I live in chaotic bliss in the Cotswolds with my partner, one scruffy Jack Russell terrier and two not-so-scruffy guinea pigs.

As a child and teenager what were the books that made an impression on you?

I remember reading Charles Dickens’s A Christmas Carol at school, and it making quite an impression on me. While I had a sneaky feeling that I wouldn’t be visited by ghosts clad in clanking chains in the night if I was mean to someone, I was certainly struck by how important it is to treat everyone equally and with kindness. A book suggesting that one person can be shown the error of his ways, make him stop and think about which way his life is heading, then have a rethink and emerge a better person is as important today as when it was written 160 years ago.

Who are your favorite authors today and do you think their writings influence your own?

I’m a fan of Kate Morton, and love both the intricacies and Englishness of her novels. I like that her stories sway from the past to the present and back again, so that you can see how everything that happened in a character’s past influences everything about their present and, possibly, their future.

I wouldn’t say her writing influences me though. I’d love to be able to write something as complex as she does, but I can’t ever see that happening!

Who are your favorite lesbian authors?

Sarah Waters is a firm favourite. Her descriptions of London – whether Victorian or Second World War – are so evocative I can almost imagine the smog and noise. I love the way she weaves a story, with its various twists and turns too. Even though I’ve read Fingersmith lots of times, I still really enjoy the twist in it.

I also love a good Gerri Hill novel which, on a long summer afternoon lazing in the garden, can be hard to put down.

How many books have you written so far?

I’ve been lucky enough to have four novels published so far with Bold Strokes Books: 365 Daysme@you.comAnother 365 Days and The Road to Her. I’ve just had my fifth, Because of Her, accepted too. That’s scheduled for some time in 2014, I believe.

Why do you write YA fiction?

I write YA because I can remember just how much a book written specifically for a teenager/young person affected me at that age, both positively and sometimes negatively. After I wrote 365 Days, I had lots of emails and letters from teenage readers telling me just how true to life it was, and how much it had helped them personally. I also got lots of correspondence from people in their twenties, thirties and forties telling me they wished they’d been able to read a book like it when they were a teenager and going through the same anxieties that Clemmie, the main character, was going through. As a writer, it’s immensely gratifying to know that something you’ve written might have helped someone, in whatever small way, realise that they’re not alone, and that there are others out there sharing the same worries and confusion.

What other YA authors do you enjoy reading?

Michael Morpurgo who wrote, amongst others, War Horse. I think it’s important not to patronise YA readers and not to write more simply just because your target audience happens to be teenagers and young adults. Michael Morpurgo does that perfectly.

What inspired you to write your first novel?

About five years ago I found an old diary of mine on a visit home. It was one from when I was struggling to work out who I was, and every day’s entry was more anxiety-ridden than the last. Even though it made me a bit sad reading it, remembering a time when I was confused about my sexuality and in love with a girl at school who didn’t even know I existed, it still made me laugh as I’d peppered it with humour as, presumably, that was the only way I could cope with things back then.

After reading my diary I knew I wanted to write something that showed that, although being a teenager can be fraught with angst and unrequited love, it doesn’t have to be all doom and gloom, and that it’s important to find the funny in the most unfunny of situations. 365 Days was borne out of that, written as a diary, about a girl who, to all intents and purposes, is probably me…

Would you say that you write lesbian fiction or novels where lesbians are the main characters?

That’s a tricky question. I classify lesbian fiction as being fiction written exclusively for lesbians, so I would say I write novels where lesbians are the main characters. The plot should be more than just the fact they are lesbians – the fact that they are is secondary (and a bonus!) The main point is that each character is just trying to go about their lives, but inevitably a girl catches their eye and confuses things.

Did you know right from the start that you wanted to write this kind of novel?

No. I started life as a short story writer for UK women’s magazines but when a friend leant me some Gerri Hill books, I immediately realised that I wanted to write the kind of books that I would rather read myself.

I still write short stories (under a pseudonym) as they help pay the bills, but it’s writing YA novels that I enjoy the most.

Does it make a difference to be a British and/or a European author?

Definitely. 365 Days and its sequel, Another 365 Days are as British as afternoon tea and biscuits. My humour, too, is very British, and not everyone gets it. As I’m published by a US publisher, they do sometimes ask me to write things that are more universally understood, especially when it comes to brand names which could be exclusively British. Of course, I’m always more than happy to do that. However, I do still read comments from reviewers who complain that they can’t understand my English “slang”, and that, for them, it ruins the book.

Whilst that’s disappointing, it’s still slightly better than the comments I receive complaining about my “English mistakes”, when what they mean is “non-American English”. I guess you can’t please all the people all the time, can you?

How did you conceive the plot for The Road to Her?

My favourite British soap recently had a lesbian storyline, which was a first for that particular soap. It got me thinking: how would the two actresses playing these characters react if their on-screen chemistry spilled over into real life?

So I wrote The Road to Her, where my two main characters are well-known soap actresses who fall in love on screen, only to start to fall for each other off screen too. I wanted to know what they would do. Would they just see it as blurring fiction with real life, and ignore it, or would they act on those feelings? Maybe their careers would be more important to them? Or maybe they’re both just confused. So many questions needing so many answers…

Do you draw your inspiration for your main characters from real life? Or do you totally invent them?

They’re mostly figments of my imagination. However, there is a lovely character in me@you.com called Joey who might just be a little bit like my partner.

Do you have a favourite character? Which one and why?

I’ll always be very fond of Clemmie Atkins from 365 Days and Another 365 Days, possibly because she was my first ever character but more probably because she’s a total klutz and I love her for it.

Are you currently working on a new book? Would you mind telling us a little about it?

As I mentioned earlier, I recently found out that I’ve had another novel accepted for publication in 2014, so I’m really excited about that. It’s calledBecause of Her and features a main character called Tabby Morton whose life is turned upside down when she has to move to London when her father is headhunted by a major finance company. She’s enrolled in an exclusive school in the hope that it’ll finally make a lady of her, but she hates it. It’s only when the kind and lovely Eden Palmer walks into her classroom one day and catches her eye, that Tabby begins to think that life in London’s not so bad after all.

I’m also currently halfway through writing a sixth novel, provisionally titled Once The Clouds Have Gone, about a girl who has to return home after many years when father dies and she inherits his business. It’s another YA romance, so of course there’s a stunning girl waiting in the wings to stir things up a bit…

Thank you Ke for your availability and your time!

The Road to Her.jpg

Carol reviews Bella Key by Scarlet Chastain

BellaKey

Bella Key by Scarlet Chastain

Publisher: Evernight Publishing

Genre: Erotic Romance

Novella

Overview from Barnes & Noble:

Maddie Jacobs must be crazy. At least that’s what her mother thinks. Professionally, she’s confident and secure; personally, she’s a hot mess. Not even a marriage proposal from a man who adores her can quell her search for something more.

In need of an escape, Maddie flees to Key West’s most southern island, Bella Key, to rest and recharge at Casa Bonita. She almost gives up on weekend retreat when the Bed & Breakfast is closed for repairs until Sunny Rojas, the inn owner, extends an offer of friendship, sweet tea and a room. Still reeling from a breakup with her longtime partner, Sunny is thankful for the diversion from her own broken heart.

The arrival of a fierce storm forces the women’s emotional journey to a head and leads them into each other’s arms. But can Maddie throw her hangups to the wind and go with her heart? The magic of Bella Key teaches her that passion cannot be placed neatly into boxes labeled right and wrong, because love knows no boundaries.

Review: 3 1/2 out of 5 stars

First let’s be clear: this is a novella and approximately 75 pages in length.  The positive side of that is that it’s a nice easy read that can be completed during a lunch break, or two.  The downside, you might be left wanting more.  Typically I am not a huge fan of erotica but the sex scenes in this story are very well written and don’t feel forced.

Then there is the quirky yet likable character of Sunny who brings out the adventurous side of Maddie while essentially reminding her that what happens in Bella Key stays in Bella Key.

Despite the brevity of the story I found that I was satisfied with the ending and didn’t feel as if I was let down or something was missing.  I would recommend this to anyone who has a couple of hours that they want to fill, preferably while sitting on the beach or beside the pool.

Lena reviews The Third Kind of Horse by Michelle Auerbach

ThirdKindofHorse

Lyssa, the insecure and deeply sensitive narrator of “The Third Kind of Horse,” reminds the reader several times that her story is not a love story.  Each time it’s tossed off with such flippant conviction that we can’t help but believe her even as she falls in and out of love.   Michelle Auerbach’s novel is the story of a young queer activist attempting to navigate the disasters of 1980s New York City in the height of the AIDS crisis.  Lyssa works for the AIDS crisis hotline, protests the establishment and tries to figure out how to deal with sexual politics and chaos around her.

The story, like so many other coming-of-age narratives, spends the first half of the book dwelling in a decoupage of moments and scenes, content to rest in pensive contemplation.  We aren’t really sure what will make the plot move until the second half when things really pick up.  In the hands of a lesser writer, the book would probably flounder part-way and the second half’s resolution would seem like an insignificant payoff, but Auerbach flits through her plot so skillfully, knowing just when to pause and let her narrator ruminate and when to skip ahead, that she mostly gets away with it.

In Lyssa we find a strong and engaging narrator.  From the first chapter where she lists her grocery store purchases, including a carrot to later be used as a make-shift dildo, her voice is charming and interesting.  Auerbach creates a nice balance between philosophical introspections on AIDS activism and descriptions of characters like Lyssa’s roommate, known only as Lawrence of Arabia, “who seemed to go through life like it was one of those desert expanses in the movie, where there’s this huge seventy foot screen projecting a line of camels crossing an impossibly arid, inhospitable land with a tremendous sense of grandeur and hauteur.”  There are also a couple of short moments narrated by Lyssa’s friends and while I appreciated the new voices, I wasn’t entirely sure what their purpose was in a story already told by such a strong character.  Lyssa’s intelligent without feeling overwhelming or off-putting and her voice is a refreshing change from young narrators who are often pithy without real purpose.

Auerbach’s real strength is that she lets her narrator be in the moment.  She allows Lyssa’s youthful ignorance to come blasting through a painfully real landscape and in that she becomes wise.  As she attempts to make sense of the horrors around her, there are moments of confusion and crippling self-doubt born from being asked to grow up too fast without enough information.  There are also moments of desperate confidence, the hasty statements that come from pretending to be old and wise, to be in control as her actions and beliefs seem increasingly futile.  Not only does it give Lyssa a sense of youthful credibility, her changing emotions aptly mirror and illuminate the panic and confusion of the novel’s setting. Her youthful narration also makes Lyssa’s insistence that this novel about love is not a love story all the more effective.

The truth is we are reading a love story.  Despite dwelling in a world of hook-ups, Lyssa secretly wants a love story that she can’t find in her unfulfilling sex life with the woman of her dreams.  This is further complicated by her emotionally satisfying, but otherwise confusing relationship with the only straight man at her work.  At times this love triangle does border on melodrama, but Auerbach mostly keeps her head above it.

Beyond Lyssa’s own love stories, “The Third Kind of Horse” is a tale of the intense and confusing love bred from tragedy.  Stories of friends dying, sometimes alone, in a disease-ravaged city and an angry, terrified community trying to survive.

We struggle to process and move through the events of this fraught piece of recent history with the narrator of this beautiful and poetic story.

Karelia Stetz-Waters reviews From the Boots Up by Andi Marquette

Students often tell me that they want to major in English because they love to read. I am professionally obligated to be happy about this announcement. However, I have reservations. I enjoyed reading more in high school than I did after my two degrees in literature. Mind you I can spot a Shakespearean reference a mile away, but that’s not the same thing as curling up with a good book. Now when I curl up, I immediately start critiquing comma usage. It’s very trying.

That is why I was so pleased to find Andi Marquette’s From the Boots Up.  She has consistently good comma usage!

What? I haven’t sold you on the book yet? Let me try again.

Andi Marquette’s From the Boots Up tells the story of Meg, a hardworking ranch hand, and Gina the L.A. reporter who stays for a week to write a story about Meg’s ranch.  Meg and her father, who owns the ranch, hope the article will drive more traffic to the struggling dude ranch. All Meg has to do is entertain the annoying city slicker for one week. The only problem is that when Gina turns up, she isn’t an annoying city slicker at all.  Meg feels and instant connection to the beautiful and supremely capable Gina, an attraction that she must conceal in order to maintain her professional image at the ranch.

I was immediately hooked, and Marquette held my attention right through to the very end. The main characters are believable and likeable. Their attraction to each other is palpable. The supporting characters are interesting. The subplot (Meg coming out to her father) is as engaging as the main narrative.

What’s more, she makes the novella length work for her. I am not always a fan of the novella. To my taste, some novellas read like underdeveloped novels (or worse yet over-developed short stories). That’s not true here. From the Boots Up is exactly the right length for the story Marquette has to tell. It is qualitatively different from a novel, and it does not want to be a page longer or shorter.

All of this is made possible, of course, by the good writing (and I don’t just mean comma usage). Marquette’s pacing is right on the mark. Her descriptions are vivid. She also does a great job capturing flirtatious banter between the protagonists which is a difficult task. It’s easy for that kind of banter to sound artificial.  It doesn’t here.

Additionally, Marquette can turn a phrase in a way that is poetic without being showy.  Here are a few of my favorites:

She was dressed in jeans that fit her much too well for mixed company and a faded gray T-shirt that hung on her like a best friend.

Gina looked at Meg and a slow smile eased like a summer evening across her face.

Meg’s jaw dropped and the crowd quieted as Gina belted the lyrics in a low-down bluesy voice that could undress you from the next room.

I will definitely check out more of Marquette’s work, starting with Some Kind of River. The only question is whether or not I’ll be able to save it until I get to the beach.

On a side note, I wrote to Marquette with a question about the world of lesbian publishing. She wrote back a very kind and thorough response.  If you happen to pick your books based on the niceness of the author, I would give Marquette two thumbs up in that regard as well. But, you don’t have to take my word for it. Marquette will be appearing at the Left Coast Lesbian Conference in Palm Springs, California, October 9 – 13th 2013.  The conference promises to give readers a chance to mix and mingle with their favorite authors. It looks like fun and you can learn more here: https://www.facebook.com/leftcoastconference.

More about the reviewer at www.kareliastetzwaters.com

Link Round Up: June 21 – July 9

Sorry for the delay in posting links: I expected I would be able to spend more time on a computer last week while I was on vacation, and I am still catching up.

AThousandMornings   queersdigtimelords   binotes

AfterEllen posted Chin up, lesbians! Gertrude Stein got rejected too! and The AfterEllen.com Book Club: “A Thousand Mornings”.

Autostraddle posted Liberty Lit #23: A Spectacle To Taste.

Danika Leigh Ellis posted a (Mostly Lesbian) Book Haul!

Elisa posted LGBT Ebook and Print Releases, June 2013.

Lambda Literary posted

Nevada   6   secretcity

Queer Books Please posted

Sistahs On the Shelf posted Sistahs Sizzlin’ Reads 2013.

Women and Words posted

Imogen Binnie, author of Nevada, was intereviewed at Emily Books.

Rachel Dax was interviewed about The Legend Of Pope Joan at UK Lesbian Fiction.

Malinda Lo was interviewed at YALSA The Hub.

Radclyffe was interviewed at Women and Words.

Skim   RealityReality   SheRises

(Because I am behind on links, I won’t list every review that’s been done in the past two weeks. Check out C-Spot ReviewsLGBTQ Recs Month, Loving Venus – Loving Mars, Sistahs On the Shelf, and Terry’s Lesfic Reviews, who all posted new reviews lately.)

Canary by Nancy Jo Cullen was reviewed at Lambda Literary.

Dance Hall Road by Marion Douglas was reviewed by Casey the Canadian Lesbrarian.

Ghost Trio by Lillian Q. Irwin was reviewed by lesbian pulp author Ann Bannon at The Advocate.

Reality, Reality by Jackie Kay was reviewed at The Guardian.

Hungry Ghost: Tales of the Pack Book 2 by Allison Moon was reviewed at Lambda Literary.

Girl Friends by Milk Morinaga was reviewed at I’m Here. I’m Queer. What the Hell Do I Read?

It’s Our Prom (So Deal With It) by Julie Anne Peters was reviewed at Dreaming In Books.

Skim by Mariko and Jillian Tamaki was reviewed by Casey the Canadian Lesbrarian.

She Rises by Kate Worsley was reviewed at Unabridged Chick.

For even more links, check out the Lesbrary’s twitter pageWe’re also on Facebook and tumblr

This post has the covers linked to their Amazon pages. If you click through and buy something, I might get a small referral fee.

Tag reviewed Dancing with Venus by Roscoe James

Dancing
Usually if I don’t already know an author, I try to not read about them until I know how their work stands on its own. Once I’m done, I’ll decide if I’m interested in the rest of the writer’s work, and find out about them as a person on the way. The more critically I read, the more I realize it’s important to know the context of any reading material, especially fiction. Who wrote what you’re reading, and for what purpose? About a third of the way through Dancing with Venus, that’s exactly what I began wondering. Who wrote this, and why?
The novel starts out with clear, solid scenery and follows Jessie Butler, a blues singer who left home not to chase her dreams, but apparently to get away from her mother. She seems pretty cliche at first, a blues singer on a Greyhound home thinking about all the wrongs her mother committed against her as a teenager. She has a pink notebook she writes down her sexcapades in, except the first few entries are false. So far, we know Jessica Butler is a rough-and-tumble blues gal with a vendetta, going home for some reason. It isn’t clear at first why, which is a good hook to keep you reading, but the realization that she’s going home for a wedding and not some debilitating disease her sister left me frustrated; when I learned that Jessie had slept with her sister’s boyfriend some time ago, even moreso. The tie between Jessie and her sister, the drama of her sister getting married, barely makes an appearance.
It’s once Jessie is home and interacting with her engaged sisters’ friends that I began wondering about the author behind this novel and what their goal was. Jessie’s attitude toward other characters is superficial and feels contrived, and after the tenth time she mentally refers to her sister’s friends as the “cheer squad” I started getting uncomfortable. After the twentieth time Jessie is referred to with “Psycho Woman” as a nickname, I started feeling less like I was reading a lesbian erotica novel and more like I was watching a movie about infantile women catering to the male gaze.
Dancing with Venus is definitely lesbian erotica, though I don’t recall a single erotic scene that was exciting. Instead, I found myself cringing because words like “sopping” and “gullet” belong more in a cookbook than a sexy scene, and James tells instead of showing. The scenes, sexy or emotional, feel rushed and fall short of the depth they’re supposed to have. This is where the context becomes important for me; I’m not insistent on reading lesbian erotica written by lesbians, or even women, but it’s uncomfortable when every scene presented in a novel makes me question if the author really understands women. The degredation of the characters is too casual to be realistic, with the “cheer squad” and “Psycho Woman” and her “little pink book.” I didn’t feel like I was reading about adult lesbians, but about girls stuck in an awkward mix of affected Southern-style endearments and basic middle school language.
All in all, the characters weren’t convincing women for me, though the plot has a lot of potential. The push-and-pull between Jessie and Marci is frustrating and unfulfilling, but I feel this is due to the tell-don’t-show style of the writing more than anything, and that with skill it could be well-executed drama. I found myself not only indifferent, but eagerly waiting for Dancing with Venus to be over so I could reach a resolution and move on.

Marcia reviews Born Wicked: The Cahill Witch Chronicles, Book One, by Jessica Spotswood

BornWicked

Quick note: This review does not discuss in-novel lesbianism at length, as I consider the hints and reveal to be a pretty significant spoiler. You’ll just have to trust me. Lesbians are here.

The year is 1896, the place is New England — but it is not the New England we know, not even the New England of American history. In Born Wicked, author Jessica Spotswood spins the alternate history of an area settled and ruled by the Sisters of Persephone, a group of powerful witches who lead with the shocking notion that gender, race, and religion are no cause for discrimination. The Brotherhood (a Puritanical organization that rises out of the fear of powerful women) believes otherwise, however, and after a brutal war, the Brotherhood has conquered New England, murdered the witches, and established a new system that preaches the folly and uselessness of girls, and worse, the raw danger of witchcraft.

The Cahill sisters — eldest (and narrator of Born Wicked) Cate, middle child Maura, and precocious baby Tess — are witches. Their mother, now past on, was a witch in secret, and she has passed the gift (and the burden of secrecy) on to her daughters.

With a dead mother and a mostly absent father, arrangements for a governess are made. How will the Cahill girls keep their secret hidden with another nosy body sharing their roof? Complicating matters, Cate nears her seventeenth birthday — the date by which she must announce her intention to either marry, or join the Sisterhood — an offshoot of the Brotherhood Cate loathes. Cate also receives a letter from the mysterious Z. R. that warns her of coming danger and hints at a prophesy…

Aside from the alternate history that Spotswood crafts (a history that seems all too similar to a world that certain factions of the world might embrace now!), Born Wicked offers a solidly developed character study of a young girl charged with the protection and rearing of her still-younger sisters. The ever-present threat of magic being discovered, of the embrace of education, and of simply being female all press the plot forward at an exciting pace. A world set against women creates the need for various female networks — connections made in secret, and made stronger by what they hide from the men who would have them sent to the mysterious Haywood, or even killed.

The “lesbian” aspect of this story plays a primarily background role, as Cate is most certainly attracted to men, but I expect to see it expanded upon in the sequels. Even if Cate is interested in men, she is quite open-minded considering the society she was raised in: she is conscious of the proposed dangers of magic and of such folly as lust, but slowly begins to make choices for herself and her sisters, not some ingrained stigma. I actually found Cate’s male love interest to be utterly charming — and it takes a very particular kind of characterization to make me tolerate heterosexual romance in my leisure reading!

Pick up Born Wicked as soon as possible. You’ll be drawn in by the sisters, kept open-mouthed by the threat of the Brotherhood, and tickled when lesbianism is the icing on the cake of this already very delicious book. A quick read, and appropriate for younger readers as well as old, Born Wicked left me hungry and eager for the sequel, Star Cursed which is (thankfully!) out now.