Carmella reviews The Confessions of Frannie Langton by Sara Collins

The Confessions of Frannie Langton by Sara Collins

“How can I confess what I don’t believe I’ve done?”

It’s 1826, and Frannie Langton is standing trial for the murder of her employers, the Benhams. She can’t remember a thing from that night, but she’s certain she didn’t do it – because she was in love with Mrs Benham. As she awaits sentencing, Frannie makes use of her time in Newgate prison to write her confessions.

The Confessions of Frannie Langton by Sara Collins is a Gothic murder mystery/romance reminiscent of Alias Grace or The Paying Guests, by way of Beloved and Wide Sargasso Sea. It takes us from a Jamaican plantation, where Frannie – a mixed-race house slave – is taught to read by her bored mistress, to a London townhouse, where she works as a maid for the beautiful Marguerite Benham. As Frannie writes of her emotionally-charged affair with Marguerite, she also reveals the traumatic secrets of her childhood, unravelling the two time periods side by side.

The concept alone would have been enough to win me over: it meets all my literary tick-boxes, and how often do you get to see a Black lesbian protagonist in mainstream historical fiction? (As Collins says, she was inspired to write about Frannie after questioning “why hadn’t a Black woman been the star of her own Gothic romance?”)

But alongside that, Sara Collins is a fantastic character writer. She crafts a strong and distinctive voice for Frannie, who makes a compellingly unreliable narrator, veering from intimate truth-telling to coy amnesia so you’re never sure if you should trust her. It takes a confident author to pull off a ‘whodunit’ where the main character is both the lead suspect and the lead detective, but Collins sustains the mystery to the end.

It’s important with historical fiction to transport your readers into the time period, and this is another place where Collins is adept. Her descriptions of life on a plantation and in 19th century London are beautifully vivid. They’re also clearly the product of careful research, with events and characters like Olaudah ‘Laddie’ Cambridge (a former servant of the Benhams now turned celebrity boxer) inspired by true history – in this case Bill Richmond. Although topics of racial, sexual and gender identity are often considered a modern preoccupation, Collins embeds them seamlessly into her historical setting, where they seem perfectly at home.

The Confessions of Frannie Langton is an intense, twisty read, which would appeal to anyone interested in Gothic romance, historical fiction, or a good mystery. I would give one word of caution, which is that the novel contains multiple depictions of gore and violence. It’s not for the faint-hearted (or weak-stomached) – but if you’re a fan of the penny dreadful genre then it’s perfect for you!

CONTENT WARNINGS: Slavery, racism, miscarriage, rape mentions, murder, violence

Anna reviews Roller Coaster by Karin Kallmaker

As I’ve mentioned before on this site, I’ve read pretty much everything written by Karin Kallmaker, and I am pleased to report that Roller Coaster is her best effort in years. The novel is almost twice as long as her usual work (according to her blog it’s the longest book of her career), and her deliberate approach pays off as she takes valuable time to develop her characters and build a believable scenario.

Two women, an aspiring chef and an aspiring actress, meet on a stalled roller coaster for a brief but candid exchange that changes each fundamentally. Twenty-three years later, Laura Izmani finds herself interviewing for the position of private chef for the famous stage actress Helen Baynor. Laura knows very well that Helen is the woman she met on the roller coaster, but is wary of bringing up the incident because she divulged her struggle with cocaine use at the time. Helen splits her time between New York and California, but her fierce devotion to her children–twins whose father died when they were in the womb–and money mean that she can afford the services of a personal chef to cook for them while she is out of state.

Laura has spent the intervening years roaming the globe, and is hoping to settle herself in a quiet place for a while before figuring out her next step. Her identity as the product of a Jamaican mother and a white father means that she’s acutely aware of potential outsider status, especially in the rich enclave in which Helen resides. For her part, Helen is struggling with the challenges of growing older in the public eye and finding roles so she can continue a remarkable career. She has sacrificed most personal relationships, aside from motherhood, to the pursue life on the stage.

As Laura and Helen encounter romantic challenges with other people, Kallmaker quietly but effectively sets the stage for their relationship as they live and work together in a family setting. But there are still several secrets between them–Laura continues to be reluctant about revealing their shared past–and Kallmaker makes her characters work for a satisfying conclusion. Recommended.

For a lesbian romance with a similarly driven actress as a main character, try Gun Brooke’s Course of Action.