The Deep is the most beautiful book that I’ve read this year. It’s a lyrical novella based on a Hugo Award-nominated science-fiction song by clipping, a hip-hop group. The Deep is a reimagined mermaid story about an underwater society descended from African women tossed overboard during the transatlantic slave trade. We learn about the culture and history of these people, the wajinru, through the eyes of Yetu, their newest Historian.
Historians are responsible for holding the memories of every wanjinru who has lived, allowing individuals to live unburdened by the trauma of their collective past, only regaining temporary knowledge of their history through a yearly magic ritual. Yetu didn’t have a choice in taking on this calling, and she is overwhelmed by the weight of so many memories. In desperation, she tries to escape her role and carve a different path, one that brings her adventure, love with a surface dwelling “two-legged” woman, and a new respect for the power of memory.
Solomon packs a lot of eloquence into this small package and makes daring choices, like having the wanjinru appear fearsome to humans, rather than seductive sirens. The Deep feels longer than its 166 pages, in a good way. I enjoyed the wanjinru’s creative perspective on gender and relationships, and the way Solomon slowly explains the mystery of how their society came to be.
The story smoothly segues between Yetu’s present and the memories she carries. I sometimes dislike time jumps, but the inventive structure of the book made them feel seamless. However, I love complex worldbuilding and I found myself wishing for more explanation of the wanjinru’s fraught interactions with surface dwellers, alluded to through mentions of shipwrecks and oil rigs. The book’s atmospheric tone is gorgeous, but it also leaves some details to the reader’s imagination. For example, we never know exactly where in human geography Yetu is living.
The book imaginatively explores the nature and purpose of memories, generational trauma, and collective healing. It is so insightful that several times I gasped out loud while reading it. I appreciated the balance between the joy and ingenuity of the wajinru, and their painful history. I love books that use alternate history as social commentary and The Deep incorporates this with a light touch. It’s a powerful book, but also an engaging story with a sympathetic heroine. The Deep is a compelling and absorbing read that would appeal to lovers of feminist science fiction, underwater fantasy epics, or stories from the African diaspora.
