The Sapphic Fantastic: Bi and Lesbian Fantasy Books

The Sapphic Fantastic!

In my time in the queer lit blogosphere, I’ve noticed that one of the categories that readers seem to be wanting for the most is sapphic fantasy books. And why not? Who wouldn’t want to read a book about a lesbian hobbit, or a pansexual lady knight, or a bisexual woman and her dragon? Clearly that’s an awesome set-up for a story. But although plenty of queer women fantasy books exist, there seems to be some difficulty connecting them with the readers looking for them.

Although I don’t read a ton of fantasy books, my passion for queer women books has led me to many sapphic fantasy books that I have loved. Here are some of my favourites, though by no means an exhaustive list!

Kushiel's Dart by Jacqueline Carey cover

Kushiel’s Dart by Jacqueline Carey

Kushiel’s Dart by Jacqueline Carey is not what I would call a light read. It’s 900 pages and packed with politics, religion, and BDSM sex–it’s tastefully done, I think, but that’s a big part of the novel. Phèdre is Servant of Naamah: a sex worker, a profession that is semi-spiritual and respected in this world. She also uses this to glean political information from her clients, who are both men and women. Although most of her relationships are with men, I would argue the most intense relationship she has is with another woman.

Check out my full review here.

the cover of The Unbroken

The Unbroken and The Faithless by C.L. Clark

This is a thought-provoking, complex book about two figures that end up on opposite sides of a colonialist occupation. Luca is a Balladarian (white) disabled princess trying to wrest back control of the throne by showing her worth in occupying Qazāl. Touraine is Qazāli (Black), but she was taken out of the empire to be brought up as a Balladarian soldier. Touraine briefly works for Luca before ending up on the other side of the war, but their limited interaction sparks a relationship between them that is as compelling as it is unhealthy.

Luca and Touraine are both deeply flawed, and we see the catastrophic consequences of their actions. This is a brutal, often bleak story that left me feeling wrung out… but I couldn’t stop thinking about it, and I ended up enjoying the second book in the trilogy even more than the first. I can’t wait until the last book comes out!

Check out my full review here.

the cover of The Book Eaters

The Book Eaters by Sunyi Dean

This dark fairy tale is part fantasy, part horror novel. It follows Devon, a book eater, who is part of one of the aristocratic houses of book eaters (think vampires, but they eat books instead of drinking blood). When we meet her, she’s on the run with a mind eater child. She’ll stop at nothing to keep Cai safe–including finding people for him to feed on, leaving them either dead or robbed of their memories and senses. Her only hope is to find the secretive house creating a drug that stops mind eaters from having to feed on minds to stay alive.

This is an unsettling read that also has a lot to say about gender. There is a minor romantic subplot with another woman, but the focus is really on Devon’s relationship with her son.

Check out my full review here.

Indigo Springs by A. M. Dellamonica cover

Indigo Springs by A.M. Dellamonica

Indigo Springs is set in our world, but one that has been contaminated by magic. We begin the book knowing the devastation this magic will wrought, then skip backwards to see how events unfold.

The main character is bisexual, and somehow this book managed (to me) to pull off a love triangle. I found the environmentalism aspect to this really interesting, and though I didn’t like the sequel as much, I really enjoyed this one.

Check out my full review here.

The Second Mango by Shira Glassman cover

The Mangoverse series by Shira Glassman

I would be remiss to make a sapphic fantasy list without including the Mangoverse series by Shira Glassman. Beginning with The Second Mango, this is set in a Jewish fantasy world and includes a whole range of diverse representations, including a demiromantic character.

I’ve only read the first book so far, but I’ve heard they only get better from there. This was such a fun read.

Check out my full review here.

Into the Drowning Deep by Mira Grant cover

Into the Drowning Deep by Mira Grant

Seven years ago, the ship Atargatis went to the Mariana Trench to make a mockumentary about mermaids. Unexpectedly, they seemed to find them! Unfortunately, the “mermaids” were deadly, and no one on the ship survived. Only a bit of footage shows what happened to them, and it’s believed to be faked. Now, another ship is being sent to follow up and find out what really happened.

The book begins with a large cast, including a bisexual main character (and an f/f romance), Deaf characters, and autistic characters.

This does get pretty grisly, so do go in expecting some horror element, but I didn’t find it scary.

Check out my full review here.

the cover of Spear by Nicola Griffith

Spear by Nicola Griffith

This follows an unnamed (at least, at first) main character raised in isolation, closely connected to nature, who disguises herself as a man and sets off to become a knight of King Artos’s court. This is a lofty goal for a girl in scavenged armor riding a bony horse, but she knows it’s her destiny. While I enjoyed the whole book, I thought the section that takes place at King Artos’s court is the most interesting—it’s probably not a coincidence that this is also the part when the book becomes even more queer, including an enthralling f/f love story. I found Spear a little tricky to get into because of all the Welsh names/terms, but it’s well worth hanging in there. These is a small book that packs a big punch!

Check out my full review here.

The Salt Roads by Nalo Hopkinson cover

The Salt Roads by Nalo Hopkinson

Nalo Hopkinson’s books are always a trip, and The Salt Roads is no exception. This book bounces between different POV characters and time periods, all bound together by their relationship to the goddess Ezili. This has a focus on racism, colonialism, and slavery while also including several queer characters. The Salt Roads isn’t linear, and you get rocketed from place and to place while also jumping through time, but it’s fascinating and compelling throughout.

Check out my full review here.

Falling in Love With Hominids by Nalo Hopkinson cover

Falling in Love With Hominids by Nalo Hopkinson

I’m cheating and putting in another Nalo Hopkinson book, even though only the novella has f/f content! Falling In Love With Hominids is worth reading for the novella alone, but this collection as a whole is one of my favourite books I’ve ever read. (And there is other queer content, just not f/f.) “Ours Is the Prettiest” is a Borderlands series, which means it shares characters and a setting with other authors. It also has an interesting look at a queer community and the complex, multi-layered relationships between everyone involved.

Check out my full review here.

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The Mirror Empire by Kameron Hurley cover

The Worldbreaker Saga by Kameron Hurley

The Worldbreaker Saga is a brutal, brilliant series. It is emphatically queer: it examines gender and sexuality from multiple angles, polyamorous configurations of genders are the norm for relationships, there are multiple nonbinary point of view characters, and the main character is attracted to women. It boasts a huge cast of point of view characters and an ever-expanding setting made up of distinct, detailed cultures. It is complex and ambitious, and it challenged me at every turn. This is grimdark epic fantasy, so it’s far from a comfortable read—but it’s so very worth it.

Check out my full review here.

Bearly a Lady by Cassandra Khaw cover

Bearly a Lady by Cassandra Khaw

I will admit, I was sold immediately when I heard “bisexual werebear novella.” The book opens with Zelda irritated that her transformation into a bear is continually destroying her wardrobe. She works for a fashion magazine, so she doesn’t take this lightly.

This is such a fun, light read. It’s quippy and snarky and smart. Because this barely (ha) breaks 100 pages, it keeps everything moving at a brisk pace, even if it is mostly romantic entanglements. Speaking of romance, the romance is mostly m/f. Zelda has several male love interests and one female love interest, but like Kushiel’s Dart, I would say that although the f/f pairing gets less “page time,” it has the most significance.

Check out my full review here.

Fire Logic by Laurie Marks cover

Fire Logic by Laurie J. Marks

In the high fantasy vein, I really enjoyed Fire Logic by Laurie J. Marks. (Although this is another series I’ve started but not finished, that says more about my flaws than the books’.) This is set in a world without homophobia—so if you ever want to escape into a queernorm world, fantasy is your genre. This is travelling/quest story, which I always enjoy, and although I was overwhelmed by being thrown into the complex world in the beginning, I quickly got my bearing. (Also, I love these new covers.)

Check out my full review here.

A Lake of Feathers and Moonbeams by Dax Murphy cover

A Lake of Feathers and Moonbeams by Dax Murray

A Lake of Feathers and Moonbeams is a queer Swan Lake retelling, and honestly, it just had to live up to that premise to win me over. Add to that the beautiful cover and the promise of a positive polyamorous relationship (f/f/nb), and I was sold. I was impressed to find that not only did this satisfy those queer fairy tale cravings, it went beyond that to create an engaging and emotionally compelling story in its own right. I loved this queer-positive fairy tale world, but I was pleasantly surprised to find that was only the backdrop for a subtle story about trust, betrayal, and new possibilities.

Check out my full review here.

Everfair by Nisi Shawl cover

Everfair by Nisi Shawl

Everfair by Nisi Shawl was a book I picked up without knowing it had queer content, so I was pleasantly surprised to found out this steampunk alternate history of the Congo also has several sapphic main characters! 

Everfair is a complex, thought-provoking read covering a lot of different perspectives on topics like war, colonialism, love, betrayal, and race. There is a ton packed into this, so prepare to settle in and really give it your full attention.

Check out my full review here.

the cover of The Dawnhounds

The Dawnhounds (Against the Quiet #1) by Sascha Stronach

This is a queer, Maori-inspired, pirate, biopunk fantasy with worldbuilding so intense that I will be honest, I often was not following it. It takes place mid-war, during a tense stalemate, in a city that’s bio-engineered plants to be buildings, weapons, and almost everything else.

Yat was once a street kid, then a cop, but being caught at a gay bar has left her barely hanging onto her job—and then barely clinging onto her life. I will say there’s a queer pirate found family element here, but it doesn’t come in until about halfway through the book.

I highly recommend reading this one and letting it wash over you, not getting too bogged down in the details. I might not have understood it all, but I am absolutely here for where the series goes next.

Check out my full review here.

the cover of The Chosen and the Beautiful

The Chosen and the Beautiful by Nghi Vo

This is a queer Vietnamese American The Great Gatsby retelling, which is all I needed to know to pick it up. Jordan is a fascinating main character. She’s adopted from Vietnam and was raised in a wealthy family. She has plenty of love affairs with men and women, and she frequents a gay bar. In this version of the story, Nick and Gatsby have their own romantic relationship, which makes the love triangle (or square or pentagon) between Daisy, Tom, Gatsby (and Nick and Jordan) even more fraught. The fantasy elements are mostly in the background, but they make this world even more enticing. This is a beautiful, absorbing story with an overwhelming atmosphere of magic, indulgence, and tragedy—this time with queer and Asian American angles that add depth to the story.

Check out my full review here.

the cover of Buffalo is the New Buffalo

Buffalo is the New Buffalo by Chelsea Vowel

This is a collection of Métis futurism stories that rejects the concept that “education is the new buffalo” and instead imagines how Métis worldviews have survived colonialism in the past and present, and how they can influence the future. One of my favourite things about this collection is that the stories include footnotes and are each followed by an essay explaining Vowell’s thought process behind them. Four of the stories have sapphic main characters, including one where a queer Indigenous feminist collective co-parent a kid together. This was such a thoughtful collection, and I’m eagerly anticipating whatever Chelsea Vowel writes next.

Check out my full review here.

Long Hidden: Speculative Fiction from the Margins of History edited by Rose Fox and Daniel José Older cover

Long Hidden: Speculative Fiction from the Margins of History edited by Rose Fox and Daniel José Older

This is an anthology that isn’t all queer women content, but although there are only two f/f stories, the quality of them makes up for it. Long Hidden: Speculative Fiction from the Margins of History edited by Rose Fox and Daniel José Older takes place between 1400-1900, mostly in North America and Europe, and is mostly made up of fantasy stories. It also includes beautiful illustrations. I really liked these, but I wish we had even more–especially in different time periods and geographical areas. Sequel, please!

Check out my full review here.

Young Adult Fantasy:

Girls Made of Snow and Glass by Melissa Bashardoust cover

Girls Made of Snow and Glass by Melissa Bashardoust

This is a fairy tale about misogyny. About the men who pit women against each other, and force them into limited roles. And the relationships that form between these women regardless. The love that they share even when told they should they should hate each other. The revolutionary power of love and forgiveness to break apart these narratives and allow for a new beginning. Ostensibly, this is a retelling of Snow White, but while it uses touchstones from that story, it isn’t restricted by it.

I loved that Girls Made of Snow and Glass took this fairy tale trope of the “Evil Queen”/”Evil Stepmother” and did a deep dive into imagining what could lead someone to feel like that was their only option. This is primarily about the complex relationship between Mina and her stepmother Lynet, but there is also an f/f romance that complements the narrative.

Check out my full review here.

The Lost Coast by Amy Rose Capetta cover

The Lost Coast by A. R. Capetta

I knew from the time that I heard about a YA novel featuring queer witches among the California redwood forests, I was hooked. To have six queer witches that celebrate their identities is—I hesitate to say—magical to read about. The group includes a grey ace nonbinary character, a Black bisexual character, a main character who identifies as queer, a character with synesthesia, a character with a limp, and a Filipino character. These characters discuss their labels and identities freely and without shame. This book includes a character casually using the phrase “femme as fuck.” Not only that, but Danny is a queer teenage girl who enjoys her sexuality. Kissing is her favourite thing to do, and she usually kisses girls.

Please pick up this story of chosen family and finding your own magic, and spread the word, because I know so many readers have been waiting for a story just like this.

Check out my full review here.

the cover of Labyrinth Lost

Labyrinth Lost by Zoraida Córdova

Labyrinth Lost is about Alex, a Brooklyn bruja who resents her own powers. She believes that magic has done nothing but harm her and her family, and she longs to be free of it. The magical system is inspired by multiple Latin American and Afro-Cuban cultures and beliefs. Although the book begins in our world, the majority is set in Los Lagos, an in-between world of gods and powerful, unearthly creatures.

Although the word “bisexual” isn’t used in the text, Alex finds herself pulled between two people: the brooding brujo she finds herself allied with, and her bubbly best friend, who is her constant source of light. (This is also an interracial romance between two girls of colour.)

Check out my full review here.

OF Fire and Stars by Audrey Coulthurst cover

Of Fire and Stars and Of Ice and Shadows by Audrey Coulthurst

This is the queer YA fantasy I’ve always dreamed of. It’s about two princesses who fall in love, but it’s also about court intrigue, betrayal, suppressed magical powers, and horses. It also is set in a world where same-sex relationships are not looked down on: the scandal is that one of the girls is betrothed to the other’s brother.

As much as I loved the first book, the sequel is even better: the story is compelling and the relationships deepen. I unabashedly fell in love with this duology, and I’m so glad that it exists for queer teen girls now.

Check out my full reviews of Of Fire and Stars and Of Ice and Shadows.

Dreadnought cover

Dreadnought and Sovereign by April Daniels

This is a trans lesbian superhero YA—but don’t expect it to be an escapist romp. This is a book that deals directly with intense transphobia (especially transmisogyny) and abuse.

Danny has enough on her plate just trying to survive her abusive household while being a closeted trans teenage girl, when getting caught in a superhero fight means that the hero Dreadnought passes on his powers to her as he dies. Being a superhero doesn’t mean that she escapes the problems she had before, though. Although she relishes being in a body that other people recognize as her gender, being a cape comes with risks—and the superhero community has its own transmisogynistic assholes. This isn’t escapist utopian fun: it’s battling bigotry armed with superpowers.

Check out my review of Dreadnought and the sequel, Sovereign.

Hocus Pocus and the All-New Sequel cover

Hocus Pocus and The All-New Sequel by A. W. Jantha

I am still shocked that this exists! A Disney book, a sequel to a beloved movie, that has a lesbian main character. The first half of the book is a novelization of the original movie, which you can skip. But all sequel is just what you’d expect from a Hocus Pocus sequel, but with added adorable lesbian crushes. I really don’t know how else to describe this except as a Hocus Pocus sequel with a lesbian main character. If that doesn’t sell you on it, what will? I dearly hope that is made into a movie (though I doubt it will be), because my childhood self would be so happy to see it. I was very disappointed to find out the Hocus Pocus sequel that just came out didn’t follow these plot.

Sweet & Bitter Magic by Adrienne Tooley cover

Sweet & Bitter Magic by Adrienne Tooley

Tamsin is a 17-year-old witch who was banished from her community of witches when she was 12, for committing the worse of magical crimes. Worse, she was cursed, and now she can’t feel love unless she takes it from others. Without love, she can’t see colors, taste food, or feel warmth. Wren is a source: someone made of magic, but who can’t use it herself. She would be an incredible boon for witches, but she’s kept herself hidden to stay safe. When a magical plague ravages the queendom (including Wren’s father), they team up to try to stop it.

This is a high fantasy story with big, world-ending stakes–but more importantly, it’s a slow burn sapphic romance. Tamsin and Wren have a perfect grumpy/sunshine dynamic. This is also a queernorm world, so there’s no homophobia!

Check out my full review here.

Those are some of my favourites! Looking for more? Check out the Lesbrary’s fantasy tag!

An earlier version of this post ran on Book Riot.

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Sapphic eBooks On Sale Today for Under $5!

a multicoloured graphic with the text Sapphic eBooks On Salt for Under $5

Fiction

Under The Udala Trees by Chinelo Okparanta for $1.99

Roses in the Mouth of a Lion by Bushra Rehman for $3.99

The Balance Tips by Joy Huang-Iris for $1.50

Romance

Can’t Let Her Go by Kianna Alexander for $3.99

Can’t Resist Her by Kianna Alexander for $3.99

Out on the Ice by Kelly Farmer for $1.99

Stars Collide by Rachel Lacey for $4.99

The Perks of Loving a Wallflower by Erica Ridley for $2.99

SFF and Horror

Iron & Velvet by Alexis Hall for $1.99

The Memory Librarian: And Other Stories of Dirty Computer by Janelle Monáe for $1.99

The City of Dusk by Tara Sim for $2.50

Our Wives Under the Sea by Julia Armfield for $3.99

Young Adult

She Gets the Girl by Rachael Lippincott and Alyson Derrick for $1.99

Just Your Local Bisexual Disaster by Andrea Mosqueda for $2.99

I’m the Girl by Courtney Summers for $2.99

The Midnight Girls by Alicia Jasinska $1.50

These Fleeting Shadows by Kate Alice Marshall for $2.99

Nonfiction

The Family Outing: A Memoir by Jessi Hempel for $2.50

The Women’s House of Detention: A Queer History of a Forgotten Prison by Hugh Ryan for $2.99

Outlaw Marriages: The Hidden Histories of Fifteen Extraordinary Same-Sex Couples by Rodger Streitmatter for $1.50

From Gay to Z: A Queer Compendium by Justin Elizabeth Sayre for $1.50

The Book of Pride: LGBTQ Heroes Who Changed the World by Mason Funk for $2.50

9 Essential Books for Baby Gays

Books for Baby Gays graphic

I have personally identified as bi since I was about 22, and 5 years on, I’ve now started thinking about what might have been different if I’d realised that any earlier, if my personal queer revelation had arrived during uni or high school. In this alternate imagined past, are there any books that could have fast-tracked my identity discovery? Or, are there any books that I didn’t know I needed or to look for when I ended up having my epiphany? My book picks have always felt very organic to me, but at the same time I seem to lean towards queer genre fiction a lot — a preference which is definitely not universal. And with all these thoughts recently running through my head, I decided while it may be too late to sit my past self down and make her think about what she wants and needs in light of the new perspective, it is definitely not too late to do the same for others.

So. The below is a non-comprehensive list of books you might consider picking up if you’re questioning your sexual orientation, or have recently started to identify as sapphic in whichever way that is for you. I’ve aimed for happy endings and not too much tragedy or pain over the course of these stories. With the help of some friends I managed to identify a number of categories that you might wish for in such a situation. Here I have highlighted one book per category, but you can find a larger list of suggestions on my blog (though without any blurbs). Now, without further ado, read on one and all!

Coming Out Under the Age of 12:

Star-Crossed by Barbara Dee cover

Star-Crossed by Barbara Dee (bi main character)

Mattie is chosen to play Romeo opposite her crush in the eighth grade production of Shakespeare’s most beloved play. Gemma, the new girl at school and crush in question, is brilliant, pretty, outgoing—and, if all that wasn’t enough: British. As the cast prepares for opening night, Mattie finds herself growing increasingly attracted to Gemma and confused, since, just days before, she had found herself crushing on a boy. If that wasn’t enough to deal with, things backstage at the production are starting to rival any Shakespearean drama!

Coming Out in High School:

the cover of You Should See Me in a Crown by Leah Johnson

You Should See Me In A Crown by Leah Johnson (Black lesbian main character)

Alright yes, everybody and their mother is recommending this one, but clearly that means there’s a reason! Liz Lighty has a plan that will get her out of her small, rich, prom-obsessed midwestern town forever: attend the uber-elite Pennington College and become a doctor. But when the financial aid she was counting on falls through, Liz’s plans come crashing down—until she’s reminded of her school’s scholarship for prom king and queen. Despite her devastating fear of the spotlight, she’s willing to do whatever it takes to get to Pennington. The only thing that makes it halfway bearable is the new girl in school, Mack. She’s smart, funny, and just as much of an outsider as Liz. But Mack is also in the running for queen…

Coming Out at University:

Learning Curves by Ceillie Simkiss cover

Learning Curves by Ceillie Simkiss (fat Puerto Rican lesbian main character with anxiety, panromantic ace love interest with ADHD)

With only two semesters of law school to go, Elena Mendez’s dream of working as a family lawyer for children is finally within reach. She can’t afford distractions, but she has no idea how much her life will change the day she lends her notes to Cora McLaughlin. Over weeks in the library together, they discover that as strong as they are apart, they’re stronger together. Through snowstorms and stolen moments, through loneliness and companionship, the two learn they can weather anything as long as they have each other. College may be strict, but when it comes to love, Cora and Elena are ahead of the learning curve.

Coming Out Later in Life:

Knit One, Girl Two by Shira Glassman cover. It shows an illustration of two women kissing and a cat playing with yarn.

Knit One, Girl Two by Shira Glassman (Jewish lesbian main character)

Small-batch independent yarn dyer Clara Ziegler is eager to brainstorm new color combinations.

When she sees Danielle Solomon’s paintings of Florida wildlife by chance at a neighborhood gallery, she finds her source of inspiration.

Outspoken, passionate, and complicated, Danielle herself soon proves even more captivating than her artwork…

Life After the Big Come Out:

Double Exposure by Chelsea Cameron cover

Double Exposure by Chelsea Cameron (bi trans woman main character, pan woman love interest)

Anna Corcoran’s life is hectic, but that’s how she likes it. Between her jobs at the Violet Hill Cafe, the local library, and doing publicity work for authors, she doesn’t have much time for anything else. Until Lacey Cole walks into the cafe and she feels like she’s been knocked off her axis. Lacey’s a photographer and writer and wants to do a profile on the cafe, including an interview with Anna. She’s game, but after spending a few days with Lacey, Anna is falling. Hard. The only problem is that Lacey isn’t going to be sticking around. As they get closer and closer, Anna wonders if maybe this would be the one time when Lacey would decide to stay put. With her.

Proper Escapism:

Water Witch cover

Water Witch: The Deceiver’s Grave by Nene Adams (identities unknown)

It is the eighteenth century in a world filled with magic and the Caribbean are a haven for pirates; the most feared of them all is Bess O’Bedlam, known as the Water Witch. Bess’ lust for riches knows no bounds and she is on the trail of the greatest prize ever taken—and thought lost for twenty-five years. When Bess meets Marguerite de Vries, the Dutch thief does not know she is the key to a king’s ransom. The Water Witch will use any means to find the loot, including seduction, but she had not reckoned on a fiery-tempered opponent determined to protect her heart at any cost. As the women are pitted against a deadly magical curse, they must overcome many enemies in their quest for the treasure… and each other’s love.

Romance Takes a Back Seat:

the cover of The Black Veins

The Black Veins by Ashia Monet (no romance, queer found family, bi Black main character, British Chinese ace trans man and Black bisexual ensemble characters)

In a world where magic thrives in secret city corners, a group of magicians embark on a road trip. Sixteen-year-old Blythe is one of seven Guardians: magicians powerful enough to cause worldwide panic with a snap of their fingers. But Blythe spends her days pouring latte art at her family’s coffee shop until magician anarchists crash into said coffee shop and kidnap her family. Heartbroken but determined, she packs up her family’s bright yellow Volkswagen, puts on a playlist, and embarks on a road trip across the United States to enlist the help of six strangers whose abilities are unparalleled—the other Guardians.

Classic:

Carmilla edited by Carmen Maria Machado cover

Carmilla by Joseph Sheridan Le Fanu, edited by Carmen Maria Machado (lesbian main character and love interest)

Isolated in a remote mansion in a central European forest, Laura longs for companionship when a carriage accident brings another young woman into her life: the secretive and sometimes erratic Carmilla. As Carmilla’s actions become more puzzling and volatile, Laura develops bizarre symptoms, and as her health goes into decline, Laura and her father discover something monstrous.

Joseph Sheridan Le Fanu’s compelling tale of a young woman’s seduction by a female vampire predates Bram Stoker’s Dracula by over a quarter century.

The History:

Sapphistries cover

Sapphistries: A Global History Of Love Between Women by Leila J. Rupp

From the ancient poet Sappho to tombois in contemporary Indonesia, women throughout history and around the globe have desired, loved, and had sex with other women. Sapphistries captures the multitude of ways that diverse societies have shaped female same-sex sexuality across time and place. We hear women in the sex-segregated spaces of convents and harems whispering words of love. We see women beginning to find each other on the streets of London and Amsterdam, in the aristocratic circles of Paris, in the factories of Shanghai. We find women’s desire and love for women meeting the light of day as Japanese schoolgirls fall in love, and lesbian bars and clubs spread from 1920s Berlin to 1950s Buffalo. And we encounter a world of difference in the twenty-first century, as transnational concepts and lesbian identities meet local understandings of how two women might love each other. Rupp also creatively employs fiction to imagine possibilities when there is no historical evidence.

Marieke (she / her) has a weakness for niche genres like fairy tale retellings and weird murder mysteries, especially when combined with a nice cup of tea. She also shares diverse reading resources on her blog letsreadwomen.tumblr.com

This post was originally published in 2021.

Lesbian Poetry: Because it Didn’t End with Sappho

Lesbian Poetry Selections and Recommendations

I’ve been researching the history of lesbian literature (as you do), and one of the things that I’ve learned is that lesbian poetry has been at the foundation of lesbian lit. Of course, Sappho is the one that started it all, though we have to make due with only fragments of her poetry, leaving us with tantalizing scraps of poems like:

and on a soft bed
delicate
you would let loose your longing

and neither any[          ]nor any
holy place nor
was there from which we were absent

no grove[         ]no dance
]no sound
[

One of the few (almost) complete poems we have still resonates today:

He seems to me equal to the gods that man
whoever he is who opposite you
sits and listens close
to your sweet speaking

and lovely laughing—oh it

puts the heart in my chest on wings
for when I look at you, even a moment, no speaking
is left in me

no: tongue breaks and thin
fire is racing under skin
and in eyes no sight and drumming
fills ears

and cold sweat holds me and shaking
grips me all, greener than grass
I am and dead—or almost
I seem to me.

But all is to be dared, because even a person of poverty . . .

(Both translated by Anne Carson in If Not, Winter: Fragments of Sappho)

Sappho is the foundation of queer women literature, including giving us the words lesbian and sapphic, but lesbian poetry books have in general been some of the first explicitly lesbian books published through time.

In the 1800s, Wu Tsao was a celebrated poet. Her poems were sung throughout China. And she was open about loving women. Among other topics, she wrote love poetry for courtesans, including this one:

For the Courtesan Ch’ing Lin

On your slender body
Your jade and coral girdle ornaments chime
Like those of a celestial companion
Come from the Green Jade City of Heaven.
One smile from you when we meet,
And I become speechless and forget every word.
For too long you have gathered flowers,
And leaned against the bamboos,
Your green sleeves growing cold,
In your deserted valley:
I can visualize you all alone,
A girl harboring her cryptic thoughts.

You glow like a perfumed lamp
In the gathering shadows.
We play wine games
And recite each other’s poems.
Then you sing `Remembering South of the River’
With its heart breaking verses. Then
We paint each other’s beautiful eyebrows.
I want to possess you completely –
Your jade body
And your promised heart.
It is Spring.
Vast mists cover the Five Lakes.
My dear, let me buy a red painted boat
And carry you away

(Translated by Kenneth Rexroth and Ling Chung in Women Poets of China)

In 1900 in France, Natalie Clifford Barney published Quelques Portraits-Sonnets de Femmes (Translated: Some Portrait-Sonnets of Women), a book of lesbian love poetry. When her father found out about this, he bought up the remaining stock of the title and had them burned.

A few years later, Renée Vivien (a lover of Barney’s) wrote and published her own lesbian poetry, chock-full of references to Sappho’s poems and not exactly subtextual in their content:

The Touch

The trees have kept some lingering sun in their branches,
Veiled like a woman, evoking another time,
The twilight passes, weeping. My fingers climb,
Trembling, provocative, the line of your haunches.

My ingenious fingers wait when they have found
The petal flesh beneath the robe they part.
How curious, complex, the touch, this subtle art–
As the dream of fragrance, the miracle of sound.

I follow slowly the graceful contours of your hips,
The curves of your shoulders, your neck, your unappeased breasts.
In your white voluptuousness my desire rests,
Swooning, refusing itself the kisses of your lips.

(The Muse of the Violets: Poems by Renée Vivien)

In 1923, the U.S. got its first book of lesbian poetry: On A Grey Thread by Elsa Gidlow. I’m including one from her later collection, Sapphic Songs:

For the Goddess Too Well Known

I have robbed the garrulous streets,
Thieved a fair girl from their blight,
I have stolen her for a sacrifice
That I shall make to this night.

I have brought her, laughing,
To my quietly dreaming garden.
For what will be done there
I ask no man pardon.

I brush the rouge from her cheeks,
Clean the black kohl from the rims
Of her eyes; loose her hair;
Uncover the glimmering, shy limbs.

I break wild roses, scatter them over her.
The thorns between us sting like love’s pain.
Her flesh, bitter and salt to my tongue,
I taste with endless kisses and taste again.

At dawn I leave her
Asleep in my wakening garden.
(For what was done there
I ask no man pardon.)

I can’t detail the entire history of lesbian poetry here, so I will skip to one of the biggest names: Audre Lorde, who has written incredible things about race, sexuality, and sexism, and casually includes lines like “And there is, for me, no difference between writing a good poem and moving into sunlight against the body of a woman I love” (Uses of the Erotic: The Erotic as Power).

Love Poem

Speak earth and bless me with what is richest
make sky flow honey out of my hips
rigid as mountains
spread over a valley
carved out by the mouth of rain.
And I knew when I entered her I was
high wind in her forests hollow
fingers whispering sound
honey flowed
from the split cup
impaled on a lance of tongues
on the tips of her breasts on her navel
and my breath
howling into her entrances
through lungs of pain.
Greedy as herring-gulls
or a child
I swing out over the earth
over and over
again.

(The Collected Poems of Audre Lorde)

A contemporary of Lorde’s who isn’t as well known is Pat Parker, who was another black lesbian feminist poet writing in the ’70s. I can’t help but include this one :

a Pat Parker poem titled “For Willyce.” It reads: “When i make love to you / i try / with each stroke of my tongue/ to say   i love you / to tease   i love you / to hammer   i love you / to melt   i love you // & your sounds drift down / oh god! / oh jesus! / and I think – / here it is, some dude’s / getting credit for what / a woman / has done, / again.”

(Pit Stop by Pat Parker)

Of course, lesbian poetry isn’t just a thing of the past. Recently, Julie R. Enszer’s collection Sisterhood left me completely shaken with this poem:

Zyklon B

Where should one draw the line?
…the line is very clearly Zyklon B.

The painters call before we move into the new house. Ma’am, they say—
I am not old enough to be a ma’am, but I don’t correct them—
Ma’am, they say, we smell gas.
I dismiss their concern. I say, Keep painting.
I say, You are already two weeks behind schedule.

Five days after we move in, I wake up sick. I vomit.
Gas filled our house. We open all the windows,
call the utility company. The stove regulator isn’t working.
It can’t be fixed. We buy a new Frigidaire.

This is what I know of life:
Love fiercely, even recklessly;
Laugh loudly, even raucously;
Risk everything, at least once;
Live openly, without abandon;
Build trust, be honest;
Buy American.

A year later our washing machine breaks.
I want a new German one—small, sleek, stylish.
I tell my wife, It is perfect for the kitchen.
Our washer and dryer are in the kitchen.
My wife says, They built the ovens.
We buy a new Frigidaire.

Degesch, a company affiliated with Degussa,
based in Dusseldorf,
is the world’s largest maker of specialty chemicals.
Degussa has an exemplary record
of examining the wartime past,
making restitution to victims. Still
The Memorial Foundation for the Murdered Jews of Europe
rejects a subcontract for Degussa.
Degesch manufactured gas pellets: Zyklon B.

This is what I know of gas:
May you never make a mistake that cannot be corrected.
May you never take an action that cannot be forgotten.

If you’re looking for coming out poetry, the tiny book When I Was Straight by Julie Marie Wade would be up your alley. It is divided into two sections: “When I Was Straight” and “After.”

When I Was Straight

I did not love women as I do now.
I loved them with my eyes closed, my back turned.
I loved them silent, & startled, & shy.

The world was a dreamless slumber party,
sleeping bags like straitjackets spread out on
the living room floor, my face pressed into a

slender pillow.

All night I woke to rain on the strangers’ windows.
No one remembered to leave a light on in the hall.
Someone’s father seemed always to be shaving.

When I stood up, I tried to tiptoe
around the sleeping bodies, their long hair
speckled with confetti, their faces blanched by the

porch-light moon.

I never knew exactly where the bathroom was.
I tried to wake the host girl to ask her, but she was
only one adrift in that sea of bodies. I was ashamed

to say they all looked the same to me, beautiful &
untouchable as stars. It would be years before
I learned to find anyone in the sumptuous,

terrifying dark.

This, of course, does not begin to scratch the surface in highlighting amazing lesbian poetry! Feel free to comment with of your favorites that I missed.

Some great resources for discovering more authors are: this list of LBT+ Women & Non-Binary Contemporary Poets (and if you are looking for other queer women poets, I can’t recommend Leah Lakshmi-Piepzna Samarasinha highly enough!), looking at the Lambda Literary Awards winner (and nominees) for the Lesbian Poetry category,  and the Goodreads list of Best Lesbian Poetry.

Probably the easiest way, though, is to try some lesbian poetry/literature anthologies, like Inseparable: Desire Between Women in Literature by Emma Donoghue, Chloe Plus Olivia: An Anthology of Lesbian Literature from the Seventeenth Century to the Present by Lillian Faderman, or My Lover Is a Woman: Contemporary Lesbian Love Poems edited by Lesléa Newman, and follow up on the poets who appeal to you!

This post originally ran on Book Riot.

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The 10 Most Highly Anticipated Sapphic Books Out in the Rest of 2023

a collage of the sapphic book covers listed with the text The Most Anticipated Sapphic Books of the Rest of 2023

This was such a difficult list to put together, because it is definitely not meant to be a list of all the good sapphic books coming out from July to December of 2023. These are just the 10 upcoming releases at the very top of my TBR. I also tried to select a range of genres, so you can find your next preorder!

The trouble with upcoming queer books is that I only have incomplete information, and the further out you look, the more limited it is. Trying to keep up with all the LGBTQ+ new releases would be a full-time job, and I’m sure I’d still miss a lot!

Nonetheless, even though this isn’t a complete list, it is a pretty great one. I’ve got a mix of YA, middle grade, and adult titles—and a surprising amount of fantasy and horror books, since they’re not usually my go-to genres. There are some of my favourite authors here, along with quite a few that are new to me.

That’s enough preamble! Let’s get ready to preorder!

the cover of Camp Damascus

Camp Damascus by Chuck Tingle (Horror) (July 11)

Yes, that Chuck Tingle, author of Pounded in the Butt by My Own Butt and so, so, so many others! This is Tingle’s Tor debut, and it looks to be a very different tone than his tongue-in-cheek romance/erotica ebooks.

Camp Damascus is in the mountains of Neverton, Montana, and it claims to be the most effective gay conversion camp in the country. It follow Rose, an autistic Christian woman who is trying to fight the feelings she has for her female friend. Then, of course, there’s the little matter of the demon woman she keeps seeing. And that’s just the beginning of the strange things happening to her.

This looks like an unsettling story of religious trauma, and what more horrific setting is there than a gay conversion camp? N.K. Jemisin calls this a “genuinely terrifying nightmare.”

the cover of The Third Daughter

The Third Daughter by Adrienne Tooley (YA Fantasy) (July 18)

I really enjoyed Tooley’s sapphic YA fantasy novel Sweet & Bitter Magic, so I’m looking forward to this new sapphic YA fantasy from her!

Elodie is a princess who has been trained to be queen her whole life—but then a third daughter, Brianne, is born to Elodie’s mother, a third daughter herself. Brianne has been prophesied as the return of the revered New Maiden. But Elodie is suspicious of the church’s motives, as well as Brianne’s ability to rule at 13, so she comes up with a plan to take the throne herself. She approaches the Apothecary Sabine for a sleeping potion, but Sabine accidentally gives her something much stronger. Now Sabine and Elodie have to work together to save Brianne from a never-ending slumber. And, of course, there’s a slow-burn romance developing between Sabine and Elodie, too!

the cover of Damned If You Do

Damned If You Do by Alex Brown (YA Horror-Comedy) (August 1)

This is described as “Queer Buffy the Vampire Slayer meets Filipino folklore in this horror comedy about a high school stage manager who accidentally sells her soul to a demon,” and personally, I’m sold.

High school is hell, and Cordelia just found out her guidance counselor, Fred, is a demon. Apparently, she made a deal with him to have her abusive father disappear, and then to forget she did it. Now Fred has a new bargain: help him to “neutralize” a rival demon and she’ll get her soul back—or refuse, and have to spend eternity with her father in hell. Suddenly, the hopeless crush she has on her best friend Veronica doesn’t seem like the biggest problem in her life.

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The Year My Life Went Down the Toilet by Jake Maia Arlow (Middle Grade Contemporary)

From the author of How to Excavate a Heart and Almost Flying, this a story about a queer middle schooler with a chronic illness who learns to find her community and accept even the messiest parts of herself.

Al is keeping a lot of secrets. Like that she has crushes on girls. And that her stomach never stops hurting. No one wants to hear about your bathroom problems, right? When she gets diagnosed with Crohn’s disease, though, it feels like everything anyone wants to talk to her about, to her embarrassment.

the cover of The Water Outlaws

The Water Outlaws by S.L. Huang (Fantasy) (August 22)

I thought S.L. Huang’s queer reverse “The Little Mermaid” retelling, The Little Homo Sapiens Scientist, was fascinating, so I’m excited to dive into another queer fantasy from her!

Lin Chong does weapon training with the emperors’ soldiers, keeping her head down in an environment that devalues her for her gender. Then, one powerful man upends her life, destroying everything she worked for. On the run, she joins the Bandits of Liangshan, a cutthroat group that defends the downtrodden. The Publishers Weekly review calls this a “wuxia eat-the-rich tale.” Yes, please!

the cover of Learned by Heart

Learned by Heart by Emma Donoghue (Historical Fiction) (August 29)

Emma Donoghue is one of my favourite authors of all time—even though I own an embarrassing amount of unread books by her. This one shot to the top of my TBR. It’s a historical fiction novel following the now famous Anne Lister during her time at a boarding school in York in 1805. There, she meets Eliza Raine, an orphan who was banished from India to England when she was six. The two 14-year-olds “fall secretly, deeply, and dangerously in love.”

I really enjoyed reading Inseparable by Emma Donoghue, which is a history of lesbian literature, so I know this will be extremely well-researched, especially since there is so much of Anne Lister’s writing to draw from!

the cover of Cooking with Monsters

Cooking With Monsters: A Beginner’s Guide to Culinary Combat by Jordan Alsaqa, illustrations by Vivian Truong (YA Fantasy Graphic Novel) (September 5)

If that title didn’t convince you, I don’t know what to tell you. This is giving me Space Battle Lunch Time vibes, and I’m so excited to pick it up.

Hana has just joined the Gourmand Academy of Culinary Combat, where you learn not only to fight monsters, but also to deliciously prepare them. How efficient! She’s having trouble keeping up, though, and she’s somehow already gained a rival in the form of another girl at school—and also a crush on said rival. Somebody put this in my hands already!

the cover of Monstrous

Monstrous by Jessica Lewis (YA Fantasy) (September 12)

Latavia is spending the summer with her aunt, and okay, yes, the town is a little creepy. But there’s also that cute girl working at the ice cream shop, so it’s not all bad.

Things get significantly worse when Latavia is dragged into the woods to be sacrificed to the monster there. What the townspeople weren’t expecting, though, was for her to make a deal with the monster to get revenge. She will stop at nothing to keep herself safe, even if it means endangering the town, her crush—and her family.

the cover of Bookshops & Bonedust

Bookshops & Bonedust (Legends and Lattes Prequel) by Travis Baldree (Cozy Fantasy) (November 7)

Cozy fantasy is the hot new genre, and I am 100% on board. I absolutely loved Legends & Lattes, so of course I’m going to be picking up the prequel—which is set at a bookshop!!

This follows Viv before she started the coffee shop. She’s recuperating from an injury in the sleepy town of Murk, passing time at the local bookshop. But it won’t be as boring as she expected: adventure seems to have followed her there after all, not to mention the possibility of a summer fling.

Also, look at that owl/pug on the cover! So cute!

the cover of Gwen and Art Are Not In Love

Gwen and Art Are Not In Love by Lex Croucher (YA Fantasy) (November 28)

Queer Arthuriana is a whole subgenre, and this looks like a very exciting new entry. It’s being pitched as “Heartstopper meets A Knight’s Tale.” Arthur, descended from King Arthur, has been betrothed to princess Gwendoline from birth, even though they hate each other.

As they are forced to spend time together, they soon find they have something in common: they’re both queer. They decide to set their animosity aside to cover for each other, as Art follows for Gwen’s brother and Gwen falls for her Lady Knight.


Which sapphic new releases out in the rest of 2023 are you most excited to pick up?

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New Sapphic Releases: Bi and Lesbian Books Out June 20, 2023!

I’m not sure why publishers packed so many exciting queer releases into the third week of June, but here we are! There are so many titles out today on my personal TBR, including queer litfic, a feminist western, a sapphic YA slasher, and so much more. I really enjoyed Courtney Gould’s previous sapphic YA horror book, The Dead and the Dark, so I’ll definitely be picking up Where Echoes Die. Also, nearly every bisexual woman has a horror story about being “unicorn hunted,” so I’m definitely intrigued by The Spare Room, which dials up the “horror” part of that equation. Oh, plus what looks a heartwarming Black F/F friends-to-lovers romance in Can’t Let Her Go! And the second book in the Her Majesty’s Royal Coven series! And and and! Sorry to your bank account and you’re welcome to your TBR for this list.

Fiction

Old Enough by Haley Jakobson (Bisexual Fiction)

the cover of Old Enough by Haley Jakobson

Savannah “Sav” Henry is almost the person she wants to be, or at least she’s getting closer. It’s the second semester of her sophomore year. She’s finally come out as bisexual, is making friends with the other queers in her dorm, and has just about recovered from her disastrous first queer “situationship.” She is cautiously optimistic that her life is about to begin.
 
But when she learns that Izzie, her best friend from childhood, has gotten engaged, Sav faces a crisis of confidence. Things with Izzie haven’t been the same since what happened between Sav and Izzie’s older brother when they were sixteen. Now, with the wedding around the corner, Sav is forced to reckon with trauma she thought she could put behind her.
 
On top of it all, Sav can’t stop thinking about Wes from her Gender Studies class—sweet, funny Wes, with their long eyelashes and green backpack. There’s something different here—with Wes and with her new friends (who delight in teasing her about this face-burning crush); it feels, terrifyingly, like they might truly see her in a way no one has before.
 
With a singularly funny, heartfelt voice, Old Enough explores queer love, community, and what it means to be a sexual assault survivor. Haley Jakobson has written a love letter to friendship and an honest depiction of what finding your people can feel like—for better or worse.

Mrs. S by K. Patrick (Sapphic Fiction)

the cover of Mrs S.

In an elite English boarding school where the girls kiss the marble statue of the famous dead author who used to walk the halls, a butch antipodean outsider arrives to take up the antiquated role of “matron.” Within this landscape of immense privilege, where difference is met with hostility, the matron finds herself unsure of her role, her accent and her body.

That is until she meets Mrs. S, the headmaster’s wife, a woman who is her polar opposite—an assured, authoritative paragon of femininity. Over the course of a long, restless summer, their unspoken yearning blooms into an illicit affair of electric intensity. But, as the summer fades, a choice must be made.

Seductive, stylish, and disarmingly wry, K Patrick’s bold and revelatory debut smolders with the heat of summer as it explores the queer experience and the force of forbidden love.

Lucky Red by Claudia Cravens (Sapphic Western)

the cover of Lucky Red

It’s the spring of 1877 and sixteen-year-old Bridget is already disillusioned when she arrives penniless in Dodge City with only her wits to keep her alive. Thanks to the allure of her bright red hair and country-girl beauty, she’s recruited to work at the Buffalo Queen, the only brothel in town run by women. Bridget takes to brothel life, appreciating the good food, good pay, and good friendships she forms with her fellow “sporting women.”
 
But as winter approaches, Bridget learns just how fleeting stability can be. With the arrival of out-of-towners—some ominous and downright menacing, others more alluring but potentially dangerous in their own ways, including a legendary female gunfighter who steals Bridget’s heart—tensions in Dodge City run high. When the Buffalo Queen’s peace and stability are threatened, Bridget must decide what she owes to the people she loves and what it looks like to claim her own destiny.

Mysteries and Thrillers

The Spare Room by Andrea Bartz (Bisexual Thriller)

the cover of The Spare Room

Kelly’s new life in Philadelphia has turned into a nightmare: She’s friendless and jobless, and the lockdown has her trapped in a tiny apartment with the man she gave up everything for, who’s just called off their wedding. The only bright spot is her newly rekindled friendship with her childhood friend Sabrina—now a glamorous bestselling author with a handsome, high-powered husband.

When Sabrina and Nathan offer Kelly an escape hatch, volunteering the spare room of their remote Virginia mansion, she jumps at the chance to run away from her old life. There, Kelly secretly finds herself falling for both her enchanting hosts—until one night, a wild and unexpected threesome leads the couple to open their marriage for her.

At first, Kelly loves being part of this risqué new world. But when she discovers that the last woman they invited into their marriage is missing, she starts to wonder if they could be dangerous . . . and if she might be next.

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Romance

Can’t Let Her Go by Kianna Alexander (F/F Romance)

the cover of Can't Let Her Go

Peaches Monroe and Jamie Hunt are core members of their Texas friend squad and have so much in common. They’re successful at their careers in personal care. They take Austin’s “Keep It Weird” vibe to heart, each leaning into their own unique talents and sense of style. And they’re both ready to go on to even bigger things. Is pushing past the boundaries of friendship into something deeper one of them? The red-hot fantasy is there…but so is real life.

Jamie’s college dreams will take her far from her hometown. She’s already road-tripping to possibilities from San Antonio to Houston. And Peaches has obligations of her own. Not only is she planning to expand her business, but she’s taking care of her family after her mother’s passing, leaving her overwhelmed and under pressure.

No matter how perfect Jamie and Peaches are for each other, is this the right time for romance? Finding their true selves comes first. Only then can they hope to pursue a future of lasting love—together.

Fantasy & Science Fiction

The Shadow Cabinet (HMRC #2) by Juno Dawson (Sapphic Fantasy)

the cover of The Shadow Cabinet

In the second installment of Juno Dawson’s “irresistible” fantasy trilogy (Lana Harper), a group of childhood friends and witches must choose between what is right and what is easy if they have any hope of keeping their coven–and their world–from tearing apart forever.

Niamh Kelly is dead. Her troubled twin, Ciara, now masquerades as the benevolent witch as Her Majesty’s Royal Coven prepares to crown her High Preistess.

Suffering from amnesia, Ciara can’t remember what she’s done–but if she wants to survive, she must fool Niamh’s adopted family and friends; the coven; and the murky Shadow Cabinet–a secret group of mundane civil servants who are already suspicious of witches. While she tries to rebuild her past, she realizes none of her past has forgotten her, including her former lover, renegade warlock Dabney Hale.

On the other end of the continent, Leonie Jackman is in search of Hale, rumored to be seeking a dark object of ultimate power somehow connected to the upper echelons of the British government. If the witches can’t figure out Hale’s machinations, and fast, all of witchkind will be in grave danger–along with the fate of all (wo)mankind.

Sharp, funny, provocative, and joyous, Juno Dawson’s sequel reimagines everything you think you knew about her coven and her witches in a story that spans continents and dives deep into the roots of England and its witchcraft. Ciara, Leonie, Elle, and Theo are fierce, angry, sexy, warm–and absolutely unapologetic as they fight for what they believe in, all in the name of sisterhood.

The Infinite Miles by Hannah Fergesen (Bisexual Sci-Fi)

the cover of The Infinite Miles

To save the future, she must return to the beginning.

Three years after her best friend Peggy went missing, Harper Starling is lost. Lost in her dead-end job, lost in her grief. All she has are regrets and reruns of her favorite science fiction show, Infinite Odyssey.

Then Peggy returns and demands to be taken to the Argonaut, the fictional main character of Infinite Odyssey. But the Argonaut is just that … fictional. Until the TV hero himself appears and spirits Harper away from her former best friend. Traveling through time, he explains that Peggy used to travel with him but is now under the thrall of an alien enemy known as the Incarnate–one that has destroyed countless solar systems.

Then he leaves Harper in 1971.

Stranded in the past, Harper must find a way to end the Incarnate’s thrall … without the help of the Argonaut. But the cosmos are nothing like the technicolor stars of the TV show she loves, and if Harper can’t find it in herself to believe–in the Argonaut, in Peggy, and most of all, in herself–she’ll be the Incarnate’s next casualty, along with the rest of the universe.

Young Adult

Ode to My First Car by Robin Gow (Bisexual F/F YA Contemporary)

the cover of Ode to My First Car

By the critically praised author of A Million Quiet Revolutions, this YA contemporary sapphic romance told in verse is about a bisexual teen girl who falls in and out of love over the course of one fateful summer.

It’s a few months before senior year and Claire Kemp, a closeted bisexual, is finally starting to admit she might be falling in love with her best friend, Sophia, who she’s known since they were four.

Trying to pay off the fine from the crash that totals Lars, her beloved car, Claire takes a job at the local nursing home up the street from her house. There she meets Lena, an eighty-eight-year-old lesbian woman who tells her stories about what it was like growing up gay in the 1950s and ’60s.

As Claire spends more time with Lena and grows more confident of her identity, another girl, Pen, comes into the picture, and Claire is caught between two loves–one familiar and well-worn, the other new and untested.

You’re Not Supposed to Die Tonight by Kalynn Bayron (Sapphic YA Horror)

the cover of You're Not Supposed to Die Tonight by Kalynn Bayron

Charity has the summer job of her dreams, playing the “final girl” at Camp Mirror Lake. Guests pay to be scared in this full-contact terror game, as Charity and her summer crew recreate scenes from a classic slasher film, The Curse of Camp Mirror Lake. The more realistic the fear, the better for business.

But the last weekend of the season, Charity’s co-workers begin disappearing. And when one ends up dead, Charity’s role as the final girl suddenly becomes all too real. If Charity and her girlfriend Bezi hope to survive the night, they’ll need figure out what this killer is after. As they unravel the bloody history of the real Mirror Lake, Charity discovers that there may be more to the story than she ever suspected . . .

Where Echoes Die by Courtney Gould (Queer YA Horror)

the cover of Where Echoes Die by Courtney Gould

Beck Birsching has been adrift since the death of her mother, a brilliant but troubled investigative reporter. She can’t stop herself from slipping into memories of happier days, longing for a time when things were more normal. So when a mysterious letter in her mother’s handwriting arrives in the mail that reads Come and find me, pointing to the small town at the center of her last investigation, Beck hopes that it may hold the answers.

But when Beck and her sister Riley arrive in Backravel, Arizona, it’s clear that something’s off. There are no cars, no cemeteries, no churches. The town is a mix of dilapidated military structures and new, shiny buildings, all overseen by a gleaming treatment center high on a plateau. No one seems to remember when they got there, and when Beck digs deeper into the town’s enigmatic leader and his daughter, Avery, she begins to suspect that they know more than they’re letting on.

As Beck and her sister search for answers about their mother, she and Avery are increasingly drawn together, and their unexpected connection brings up emotions Beck has fought to keep buried. Beck is desperate to hold onto the way things used to be, but when she starts losing herself in Backravel―and its connection to her mother― she risks losing her way back out.

Nonfiction

Through the Groves by Anne Hull (Lesbian Memoir)

the cover of Through the Groves by Anne Hull

A richly evocative coming-of-age memoir set in the Florida orange groves of the 1960s by a Pulitzer Prize–winning journalist

Anne Hull grew up in rural Central Florida, barefoot half the time and running through the orange groves her father’s family had worked for generations. The ground trembled from the vibrations of bulldozers and jackhammers clearing land for Walt Disney World. “Look now,” her father told her as they rode through the mossy landscape together. “It will all be gone.” But the real threat was at home, where Hull was pulled between her idealistic but self-destructive father and her mother, a glamorous outsider from Brooklyn struggling with her own aspirations. All the while, Hull felt the pressures of girlhood closing in. She dreamed of becoming a traveling salesman who ate in motel coffee shops, accompanied by her baton-twirling babysitter. As her sexual identity took shape, Hull knew the place she loved would never love her back and began plotting her escape.

Here, Hull captures it all―the smells and sounds of a disappearing way of life, the secret rituals and rhythms of a doomed family, the casual racism of the rural South in the 1960s, and the suffocating expectations placed on girls and women.

Vividly atmospheric and haunting, Through the Groves will speak to anyone who’s ever left home to cut a path of their own.

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The Best Sapphic Books of 2023 (So Far)

a collage of the covers listed with the text The Best Sapphic Books of 2023 (So Far)

The last year or two has brought such an abundance of sapphic books, especially in terms of traditionally published titles. Sapphic books have finally caught up to M/M books in traditional publishing, though there are still many queer identities as well as intersectionalities (trans sapphic books, sapphic books by authors of color, disabled sapphic books, etc) that have a long way to go. Still, it’s worth celebrating the wins we do have!

Here are a dozen of the sapphic books out in the first half of 2023 that Lesbrary reviewers have read and loved. This is nowhere near an exhaustive list of the fantastic bi and lesbian books out this year, of course! As much as we’d love to review every single sapphic book released, it’s just not possible. Let us know your favourites from this year!

the cover of Tell the Rest

Tell the Rest by Lucy Jane Bledsoe (Fiction)

This is a book about the aftermath of conversion therapy camp, following a gay and lesbian character in their lives as adults and then flashing back to their time at “Celebration Camp.”

Unsurprisingly, this isn’t a light read. It feels like an open wound: Delia especially is still hurting so much and hasn’t gotten closure. Eventually, though, we do see her begin to work through it, accompanied by the glimpses of the lives of the teenage girls she’s coaching.

If you like to read character studies and quiet stories about working through trauma—and trying to lead a high school girls’ basketball team to glory, because that really is a big focus—I highly recommend this one. It’s a thoughtful, sometimes painful, but effective narrative, and it’s one that’s interesting to read after books like The Miseducation of Cameron Post, because this looks at not just the immediate horror, but the aftermath of being taught to hate yourself as a young person.

Read Danika’s full review for more.

the cover of Wild Things

Wild Things by Laura Kay (Fiction)

Laura Kay could teach a masterclass on the low-key, wholesome, slightly messy queer rom com. Wild Things is a friends-to-lovers romance, but also a heartwarming exploration of found family. Kay breathes life into the book’s characters, all of whom are flawed and lovable and distinctly themselves. Ray, the effortlessly cool lesbian love interest, is spunky and enters every DIY farmhouse project with infectious enthusiasm. Will is the group’s token straight man, a sensitive soul leaning hard on his friends following a breakup with the woman who was supposed to have escaped to the countryside with him. Jamie is a Thai, biracial gay man who drags his friends to karaoke nights and forges a bond with the commune’s four chickens. It is impossible not to feel the love between this motley crew of friends, who simultaneously lift each other up and call each other out on their bullshit. Even minor characters feel fully realized and essential to the plot, driving home the notion that family extends far beyond blood relations, that everyone has a place to belong. 

Recommended for fans of droll British humor, readers of In at the Deep End and Queenie, and watchers of Fleabag and Feel Good.

Read Susannah’s full review for more.

the cover of Disenchantment

The Disenchantment by Celia Bell (Historical Fiction)

Celia Bell’s debut novel is a stunning example of queer historical fiction at its finest. 

Set in seventeenth-century Paris, The Disenchantment follows Baroness Marie Catherine, who lives in a world of luxury, entertainment, and intrigue. However, there is also an undercurrent of darkness racing through Parisian nobility: rumours of witchcraft, deliberate poisoning, and fraud abound, and the voracity of the rumour mill means no one is completely safe. Marie Catherine hides her own secrets. 

At the heart of Marie Catherine’s liberated existence beyond her husband is Victoire Rose de Bourbon, Mademoiselle de Conti. Androgynous, bold, and seemingly fearless, Victoire and Marie Catherine are lovers, and Victoire quickly proves to be a source of joy in Marie Catherine’s life. She admires Victoire’s confidence and freedom, and as the situation becomes more and more volatile in her home, Marie Catherine knows she must escape. When a violent murder occurs involving those close to Marie Catherine, she is faced with a choice, and the one she makes leads her down a path she could never have predicted, and toward people who are committed to protecting their own interests. 

This novel felt like a mix of genres in the best way—part literary fiction, historical fiction, crime fiction, mystery, and Gothic. It kept me guessing until the very end and felt like a thoroughly original, gorgeous historical portrait. 

Read Rachel’s full review for more.

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the cover of Sorry, Bro

Sorry, Bro by Taleen Voskuni (Romance)

Taleen Voskuni’s promising sapphic debut packs more than your average meet-cute romance. Sorry, Bro follows an Armenian American woman’s quest to balance familial duty, identity, career aspirations, and, of course, love.

As Nareh grows closer to Erebuni, she is forced to confront both her ambivalence about her ancestry as well as her bisexuality, which she fears will alienate her from the Armenian family she is just starting to better understand.

Voskuni does a beautiful job developing Nareh’s and Erebuni’s slow-simmering romance, which feels simultaneously familiar and refreshing. I rooted not only for their love, but for Nareh’s growth through the book as she carves a path that both empowers her and brings her closer to her family and greater community. I fell in love with Erebuni’s motley crew of Armenian American friends, who welcome Nareh into their fold and give her a newfound sense of belonging.

Read Susannah’s full review for more.

the cover of Tell Me I'm Worthless

Tell Me I’m Worthless by Alison Rumfitt (Horror)

The pull quote on the front cover of Tell Me I’m Worthless advertises it as “ambitious, brutal, and brilliant,” and I think that’s a good starting point, because it’s not a nice or neat horror book. There is a house, and it is haunted, but not by any singular ghosts. Rather, the house deals in corruption, trauma, and the little terrible voice in the back of your head, and it can’t be exorcised or rebuilt. Rumfitt shoves her characters to scrabble in the metaphorical blood and muck of their mutual trauma and asks them to deal with their own memories and the creeping rise of fascism in their lives.

Tell Me I’m Worthless stars two women, Alice and Ila, who are both dealing with the trauma of a shared event. In their past, they were a unit—best friends turned lovers, even if they didn’t really talk about their relationship. Before leaving university, they and their friend Hannah had all decided to spend the night in a haunted house. Alice and Ila walked out with conflicting memories of what happened; Hannah never walked out at all. Now, Alice has turned to drugs and alcohol to escape the ghosts she can see, and Ila has joined the TERFs in an attempt to process her memories. But the House hasn’t loosened its grip on their lives, and it’s calling them back once again.

I love the editors lately who are greenlighting queer horror that delve deeper into queer experiences and states of mind in unique ways. There’s some great work going on out there, and Tell Me I’m Worthless is going onto my rec list.

Read Maggie’s full review for more.

the cover of The Faithless

The Faithless (Magic of the Lost #2) by C. L. Clark (Fantasy)

I finished The Unbroken unsure if I would continue in the series: it’s a brilliant, fascinating military fantasy book that grapples with colonialism, and it absolutely wrung me out as I read it. Still, I couldn’t stop thinking about the world and characters, so by the time The Faithless came out, I was eagerly anticipating it.

I ended up loving this even more than the first volume. To avoid spoilers, I’ll say that while the first book takes place on the front lines of a bloody revolution, The Faithless is more about court intrigue and political machinations—still dramatic and exciting, but a little lighter than The Unbroken.

Then, of course, there’s the will-they-won’t-they tension between Touraine and Luca. The mutual pining! I enjoyed their dynamic more in this volume, because they’re closer to a level playing field.

Also, have you seen this cover?? What sapphic could resist?

Full review to come.

the cover of The Mimicking of Known Successes

The Mimicking of Known Successes by Malka Older (Science Fiction)

In The Mimicking of Known Successes, Malka Older creates a cozy murder mystery in humanity’s distant future on Jupiter. This novella was a delightful, satisfying read. The action clicked along nicely, the world-building was intriguing, and Mossa and Pleiti were great characters.

Mossa, an Investigator, is summoned to the furthest reaches of the network of floating platforms humanity has created to settle Jupiter in order to investigate a disappearance. The victim is a university man, and Mossa’s initial cursory investigation can find no supporting evidence of a supposed suicide, nor why the man would come to such a distant platform in the first place.  Seeking more insight into his politics and motivations, Mossa enlists the help of Pleiti, her ex-girlfriend. Pleiti is part of a team of Classical scholars who study ecosystems and environments as part of a larger movement to eventually rehabilitate and return to Earth. Together they explore university politics, Jupiter’s largest tourist attraction, and their re-kindling romantic tension with each other.

Read Maggie’s full review for more.

the cover of Going Bicoastal

Going Bicoastal by Dahlia Adler (Young Adult Contemporary)

This is the most bisexually structured book I’ve ever read. Natalya has to choose where to spend her summer: with her dad in NYC or with her estranged mother in LA. Oh no, forcing a bisexual to make a binary choice! But, Sliding Doors-style, we get to see the results of both: Going Bicoastal alternates chapters between NYC, where she gets to know the girl she’s been crushing on from a distance for ages, and LA, where she meets and falls for a guy at her internship.

Somehow, it felt completely natural to flip back and forth between the two, and (spoiler?) neither of them are the right choice or the wrong choice. This was surprisingly soothing to my anxious overthinker brain: whichever Natalya had picked, things would turn out okay for her. This is two YA romances in one, each with their own distinct dynamic. This is my favourite Dahlia Adler book yet, but definitely check out her others, too! And side note, you need to be following LGBTQ Reads, which is run by Dahlia Adler, because that’s how amazing she is.

This one and Imogen, Obviously both have Jewish main characters, which I’m happy to see is becoming more common in queer YA!

Full review to come.

the cover of Imogen, Obviously

Imogen, Obviously by Becky Albertalli (Young Adult Contemporary)

This book is the epitome of the enthusiastic ally to bisexual pipeline, and Imogen as a character broke my heart.

Imogen is straight ally surrounded by queer friends and family. So when her best friend, Lilli, admits she lied to her college friends and said they used to date, it’s no big deal to go along with it. But she worries about appropriating queerness, especially when she starts to get confusing feelings for Lilli’s friend, Tessa.

Imogen is a people-pleasing overthinker who analyzes herself to death, twisting herself into knots until she loses sight of the very obvious. In a social media graphic for the book, the author describes Imogen as having queer discourse brainworms, which is a good way to put it. She tries to educate herself about queer issues, but just ends up more confused.

I loved reading this, even if being inside Imogen’s head could be a little too relatable at times. This is actually my first Becky Albertalli read, but I can now confirm the hype is justified. I highly recommend it to any queer person who once also thought they were hopelessly straight.

Read Danika’s full review for more.

the cover of Forget Me Not

Forget Me Not by Alyson Derrick (Young Adult Contemporary)

This is an amnesia romance, but while that can sound like a soap opera premise—girl meets girl, girls fall in love, girl gets amnesia and forgets girl, girl tries to win her back—there’s an undercurrent of sadness here that keeps it feeling more grounded than that suggests.

There is a heartwarming romance at the heart of Forget Me Not, including that Stevie feels drawn to Nora even without her memories, and it’s adorable to watch her fall for Nora all over again. But the amnesia trope and almost-too-perfect relationship is tempered by the more serious context of the story, including Stevie’s internalized homophobia.

I meant to just read the first few chapters of this and found myself instead reading it in one day. Even though we know the answers, it was compelling to watch Stevie try to piece together what happened in the time she lost and consider whether she really needs to recover it or whether she should embrace the opportunity to start fresh.

Read Danika’s full review for more.

the cover of Out of Character

Out of Character by Jenna Miller (Young Adult Contemporary)

Cass is a fat, nerdy queer teenager who is obsessed with a book series and roleplays as one of the characters in an online community in order to escape from her stressful home life. It was nice to read about a main character who is so confident both in being fat and being a lesbian, especially as a teenager. There still aren’t many examples of that in media.

Even the side characters feel three dimensional, and the conflict here all comes from people having different perspectives, which are each valid. While there are a lot of elements to this story, including family as well as romance, it was the friendships that stood out to me, and how seriously they’re taken. They’re often messy and imperfect, but they’re also so important to Cass, and they can be unexpected and beautiful even when they’re messy.

I highly recommend this for nerdy queer teens and those who once were nerdy queer teens—though I’m sure lots of other readers would enjoy it, too.

Read Danika’s full review for more.

the cover of Moby Dyke

Moby Dyke: An Obsessive Quest to Track Down the Last Remaining Lesbian Bars in America by Krista Burton (Nonfiction)

This book really just had to live up to the title for me to love it, and it did.

Krista Burton used to run a blog called Effing Dykes that I followed and enjoyed, so I knew I was already a fan of her writing. In Moby Dyke, she weaves together a travelogue of lesbian bars, personal writing about her own life, and discussions about why lesbian bars keep closing.

This book has a charming, personal voice—it feels like a friend telling you a story. There are brief detours into the rest of Krista’s exploration of a city, and some glimpses into her personal life. It makes for a very readable book that somehow didn’t feel repetitive, even though each chapter is essentially the same thing: describing a new bar and recounting how patrons/owners answered her questions.

It’s interesting to get a broad look at how lesbian bars operate and how they describe themselves. Krista quickly found out that while these bars were usually owned by lesbians and were in some way lesbian bars, each of them said they “welcome everyone.” She discusses this push and pull between wanting to be inclusive and wanting to have a space just for queer people. 

I wasn’t sure if this would end up being a eulogy for lesbian bars, a document to preserve them before they all disappear forever, or whether it would be a celebration. Thankfully, it’s much more of the latter—spoiler alert: the number of lesbian bars has grown since she started writing the book!

Full review to come.

Support the Lesbrary on Patreon at $2 or more a month and be entered to win a queer women book every month! $10 and up patrons get guaranteed books throughout the year on top of the giveaways!

12 Sapphic Roller Derby Books for When You Miss the Track

a graphic with a photo of a roller derby game including two girl watching and leaning close to each other with the text Sapphic Roller Derby Books for When You Miss the Track

It seems ridiculous to try to explain why roller derby appeals to queer women. A woman-centric sport? People with different body types playing a hardcore sport together? Puns? What’s not to love? Unfortunately, there have not been nearly enough books or movies to capitalize on the inherent potential of an amazing sapphic roller derby romance. (I’m looking at you, Whip It.) I have been able to put together a list of 10 sapphic books that feature roller derby, but unfortunately, it’s not very diverse. There is one book on this list by an author of colour, but I hope that publishers seek out more roller derby stories from a variety of authors in the future, offering different points of view, because there’s no reason this list should be so white.

Kenzie Kickstarts a Team by Kit Rosewater cover

Kenzie Kickstarts a Team (The Derby Daredevils #1) by Kit Rosewater, illustrated by Sophie Escabasse

The Derby Daredevils is a beginning chapter book series about a junior roller derby team started by Kenzie, who is the point of view character in this first volume. Her mother is a derby girl, and she desperately wants her and her best friend to play in the new junior league, which means they have to put together a team, pronto. This is an adorable short chapter book with tons of illustrations, and a diverse cast of characters in terms of race, personality, and body types. Each volume in the series has a different point of view character. Kenzie has a crush on a girl, and she also has a trans dad. This is a perfect pick for kids just starting to get into chapter books. (Or adults, because I loved it.)

Bruised by Tanya Boteju cover

Bruised by Tanya Boteju

From the author of Kings, Queens, and In-Betweens, this follows Daya, who is just beginning in the roller derby world. She and her parents were in an accident, and only she survived; since then, she’s been looking for ways to deal with it, usually by throwing herself into physically painful situations. She hopes that the bruises from roller derby will distract her from the emotional pain, but being part of this community ends up meaning a lot more than an excuse to throw herself into danger. Not only is Daya queer, but most of the supporting characters are as well, including a nonbinary character.

On a Roll (Lumberjanes Volume 9) cover

On a Roll (Lumberjanes Volume 9) by Shannon Watters, Kat Leyh, Carolyn Nowak, Maarta Laiho, Aubrey Aiese, and Brooklyn Allen

There’s never a bad reason to read Lumberjanes, and volume 9 just happens to include a roller derby bout against some yetis!

Lumberjanes has been queer from the beginning, with an adorable romance between two of the girls, and it also has trans representation in the later volumes. This volume has a nonbinary character who starts using gender neutral pronouns and is immediately accepted! As always, this is a fun, heartwarming read.

Slam! by Pamela Ribon and Veronica Fish cover

Slam! by Pamela Ribon and Veronica Fish

Jennifer and Maise meet at “Fresh Meat” orientation and immediately hit it off—unfortunately, they’re put onto different teams. As they go from being rookies to finding their places on their teams, they begin to grow apart. Unfortunately, this isn’t the beginning of a friends-to-rivals romance, but we do get a lesbian character in Jennifer (who is on the cover).

Part of the appeal of roller derby is the close-knit friendships and community that grow from being part of a team, and that’s what Slam! focuses on—so this is more about the romance of friendship!

Kat & Mouse by Jacqueline Heat cover

Kat & Mouse by Jacqueline Heat

Dot Mauser is the “bad girl” of the roller derby track. As far as she’s concerned, the referee Kat has it out for her. Little does she know that while Kat is handing Dot plenty of penalties, she has her eye on her for different reasons. During the derby’s Pride event, these two find out that they’re both artists: Dot upcycles “junk” and Kat is a photographer. They form an unlikely alliance, though Dot is sure Kat hates her. There’s plenty of drama, and some darker topics than the premise would suggest, but there’s also a lot of heat between the two characters. Bonus: this is written by a roller derby girl herself, with a preface and appendix with more information.

the cover of Constitution Check

Constitution Check (A Dungeons & Dating Novel) by Katherine McIntyre

Tabby has a reputation as the roller derby stud–but she’s also a geeky accountant looking for a real relationship. Still, when she meets Kelly at the bar, she’s happy to agree to a fling. Kelly’s girlfriend recently died in a car accident, and she’s feeling guilty that she’s doing okay. A one night stand is just the thing to get her out of her head. The problem is that Tabby and Kelly keep running into each other, and they can’t deny the chemistry between them. Even still, it’s supposed to just be something casual…until Tabby injures herself and can’t go back to the roller derby track until she recovers. As Kelly helps take care of her, things are looking a lot less casual between them–but is Kelly ready for that?

Crash Into You by Diana Morland cover

Crash Into You by Diana Morland

Megan’s life revolves around roller derby, and she takes it very seriously. Yes, she’s constantly surrounded by beautiful women, but she’s never let that distract her. That is, until she finds herself falling head over heels (literally) for the opposing team’s blocker, Gianna.

Megan is determined to keep her focus on the competition, but it’s definitely hard to keep her eyes on the prize when she can’t stop looking at her opponent. This is a quick, fun romance with a fat love interest and some steamy scenes.

Roller Girl by Vanessa North cover

Roller Girl by Vanessa North

I might have done a romance bait-and-switch with Slam!, but don’t worry: most of the books on this list are proper romances. Roller Girl is about Tina, who is a recently divorced trans woman looking for a fresh start. When her very attractive butch plumber Joanna recommends roller derby, she jumps at the chance. The only problem is that Joanna is the coach, which means the plumber/derby girl is off limits. Will they be able to resist their mutual attraction? Will the sexual tension ever be resolved? Okay, yes, obviously. But will they be able to keep their secret relationship from the team?

the cover of The Real Thing by Laney Webber

The Real Thing by Laney Webber

Virginia Harris is the star of a lesbian web series, and it’s gone to her head. She’s used to being recognized, and has no problem finding women. So it shouldn’t come as a surprise when she is told by Allison that she was catfished by someone using her photo. Allison seems like the perfect girl, but she’s disheartened by the whole dating app experience and is ready to jump back into roller derby before she meets Virginia—can she separate the real Virginia from the catfish version she just fell for? This is one for fans of complex and “unlikable” female characters, because Virginia is a divisive love interest.

Troll or Derby by Red Tash cover

Troll or Derby by Red Tash

And now for something completely different. Roller Deb is an outcast in her town, but when her popular sister goes missing, it’s up to her to rescue her. In her search, she finds a world of trolls, fairies, gangsters, and a bloodthirsty version of roller derby. This is a dark fantasy and includes sex, drugs, and violence. Roller Deb first is pulled into this world as part of her rescue mission, but her roller derby skills make her powerful and sought-after here, and she will have to resist being pulled under completely if she wants to escape with her sister.

the cover of Brace for Impact

Brace for Impact: A Memoir by Gabe Montesanti

This a memoir about growing up queer in a small conservative town. Gabe’s perfectionism made her a competitive swimmer, but it also contributed to her eating disorder. In graduate school, she found refuge in roller derby, throwing herself into the deep end by joining one of the top leagues in the world. There, she finds escape in the physicality of the sport and community with her team. When an injury takes her away from the track, though, she has to face the unresolved trauma she’s been trying to ignore. This one comes recommended by Abby Wambach!

Color Jam Roller Derby Coloring Book cover

Color Jam Roller Derby Coloring Book by Margot Atwell

While I may hold roller derby’s appeal to queer women to be self-evident, Margot Atwell wrote a Huffington Post article called Why Is Roller Derby Important To So Many Queer Women? In it, she talked about why she wanted to honour queer women in her kickstarted roller derby colouring book, including how being part of the roller derby community helped her to discover her own sexuality and come out. This includes several portraits of queer roller derby role models.


And that’s it for sapphic roller derby books I could find! Feel free to let me know if I missed any! There is also a novella in Hot Ice: 3 Romance Novellas: “Ice on Wheels” by Aurora Rey, so there’s a bonus for you. I hope that in the coming years, we’ll see many more queer roller derby books come out, whether they’re F/F romances, nonbinary YA novels, bisexual comics, or anything else under the rainbow & roller derby umbrella!

An earlier version of this post ran on Book Riot.

Support the Lesbrary on Patreon at $2 or more a month and be entered to win a queer women book every month! $10 and up patrons get guaranteed books throughout the year on top of the giveaways!

Queer Book Blogs You Need to Read

a graphic with the text Queer Book Blogs You Need to Read against a rainbow bookshelf background, with pride laptop and phone graphics

I follow an absolutely ridiculous amount of blogs through an RSS feed reader in order to put together weekly link round ups. (Over 200, not counting the additional Google alerts.) I love being flooded with queer book recs, but it means sifting through a lot of content that isn’t totally relevant.

With that in mind, I thought I’d put together a quick primer to some of the most helpful sites on the internet where you can find queer books, especially sapphic books. Please let me know in the comments which sites you recommend that I missed!

LGBTQ Reads

LGBTQ Reads

LGBTQ Reads, as well as the accompanying tumblr, is one of my favourite corners of the queer bookternet. It’s run by Dahlia Adler, an author of amazing queer books like Home Field Advantage and Going Bicoastal, and she is constantly answering questions for recommendations, no matter how obscure the query, as well as putting together huge lists of recommendations in different genres.

Format: LGBTQ Reads has less in the way of reviews and much more varied content, including excerpts, lists of new LGBTQ releases, guest posts, interviews, cover reveals, and Fave Fives focused on a topic.

Representation focus: As the name suggests, it covers a range of representation.

Genre focus: All genres.

Reads Rainbow in a loopy font

Reads Rainbow

Reads Rainbow was started in 2018 by Anna and Charlotte, and it’s unique because it covers all kinds of queer media, including music and TV shows, though there is a focus on books.

Format: Reads Rainbow includes reviews, recommendations, interviews, guest posts, and lists of upcoming releases, among other formats.

Representation focus: Everything under the LGBTQ+ umbrella.

Genre focus: All genres.

Lambda Literary

Lambda Literary has been around since 1989! They have the annual Lambda Literary Awards, the biggest awards in LGBTQIA+ lit.

Format: Read Lambda Literary not just for the awards, but also the in-depth reviews and occasional news stories. Historically, it was much more focused on gay & lesbian books, but it has gotten better at representation in recent years.

Representation focus: This is probably the most even coverage on this list for the whole LGBTQIA acronym, at least proportionately to what’s published.

Genre focus: A range of genre, but focusing on traditionally published lit, especially “literary fiction.”

The Lesbian Review logo: the letters TLR in a pink and orange circle

The Lesbian Review

I don’t read a lot of romance novels myself, so I’m less familiar with these next two sites, but it would be a massive oversight to leave them off the list, because they do so such great coverage of sapphic romance! The Lesbian Review was started in 2014 and has amassed a wealth of sapphic romance reviews.

Format: TLR is mostly reviews, but the true strength of the site is its incredibly in-depth tagging system. You can find books by genre, sure, but also by the age of the protagonist, the tropes present, how many reviewers liked the book (the “legendary” category means six different reviewers consider it a favorite), and so much more.

Representation focus: As you can probably guess, this is focused on sapphic representation, especially lesbians.

Genre focus: There’s a focus on romance, but many of these are adventure romance, mystery romance, and other genre-blending books.

a banner with the text I Heart Sapphfic: find your next sapphic fiction read. Beside it is rainbow heart-shaped balloons with the text Celebrating 5 Years

I Heart Sapphfic

This is an unbelievably prolific site! There are usually several posts per day. It was started by author TB Markinson in 2017 as I Heart Lesfic, and now also has author Miranda MacLeod on board (and has rebranded).

Format: I’ll just quote their about page to get a sense of the rage of formats here: “reading challenges, books on sale, free books, best of the best polls, books of the month, pet photos, random facts about authors, SapphFic community news, author resources, and so much more. Plus the original Tuesday New Release Newsletter, of course.”

Representation focus: As you can probably guess, this is focused on sapphic representation, and their about page specifically mentions being trans- and nonbinary-inclusive.

Genre focus: There’s a focus on romance, especially (but not exclusively) from publishers like Bold Strokes Books and Bella Books.

the Okazu logo, showing two anime girls reading together

Okazu

Okazu describes itself as the “world’s oldest and most comprehensive blog on lesbian-themed Japanese cartoons, comics and related media,” and it’s the go-to place for English coverage of yuri manga and anime.

Format: Okazu includes both reviews of yuri anime and manga (including ones not yet available in English) as well as weekly round ups of all the yuri-related news. These news posts include updates on upcoming yuri manga and anime (including when they’re being translated into English) as well as all sorts of miscellanea, including some coverage of other sapphic comics.

Representation focus: Yuri (so, mostly sapphic).

Genre focus: Manga and anime, with the occasional Western-produced comic.

Autostraddle

Autostraddle | Books

These last two aren’t exclusively about queer books, but they have enough queer book coverage to justify including them! In fact, in any Lesbrary Link Round Up, Autostraddle will usually have the most articles linked. Their coverage of books in particular varies, because there are different writers at any given point, but there are always interesting bookish posts going up.

Format: Reviews, lists on a theme, in-depth discussions of a single book, upcoming queer releases, and more.

Representation focus: There is a focus queer women, but not exclusively.

Genre focus: A range.

Book Riot

Book Riot | LGBTQ

About eight years ago, I started writing for Book Riot. Now, I work there full time as an associate editor, including writing a twice weekly LGBTQ books newsletter called Our Queerest Shelves! Queer book coverage on the site has just gotten better and better, with so many thoughtful posts by a ton of different writers.

Format: Book Riot doesn’t do book reviews, so posts tend to be either lists on a theme or think pieces.

Representation focus: A range.

Genre focus: A range.

I can’t, of course, encompass all of the queer bookternet in a list of eight, but these are some of my favorites, and following them will quickly lead you to more. Because I can’t help it, though, here’s a bullet list of honorable mentions:

  • If you’re on tumblr (after you’ve followed the Lesbrary’s tumblr Bi and Lesbian Literature, of course!), check out Sapphic Book Club!
  • Casey the Canadian Lesbrarian is one of my favorite queer book bloggers! As the name suggests, Casey does talk about queer Canadian lit and queer women lit a lot, but she has branched out into more generally queer book content as well. You should also check out her queer book posts on Autostraddle!
  • Them also has some great queer book coverage, but they don’t post about books as often as most of the blogs included here.

This is far from a complete list, and I’m always looking for more! What are some of your favorite resources for finding queer books?

An earlier version of this article ran on Book Riot.

Support the Lesbrary on Patreon at $2 or more a month and be entered to win a queer women book every month! $10 and up patrons get guaranteed books throughout the year on top of the giveaways!

Do Queer Books Still Need a Happy Ending?

a photo of a queer couple kissing outside with one holding a book
image via Pexels

Hanging up in my living room is a canvas print of the cover of Satan Was a Lesbian by Fred Haley, and let me tell you, the illustration is exactly as over the top as the title is. It’s a perfect example of lesbian pulp fiction, a category of lesbian literary history I am fascinated with (which is why I collect them). But it’s also emblematic of why the question “Do queer books need a happy ending?” is so complicated.

Queer representation in mainstream media, whether in traditionally published books or TV shows, is still relatively new. Historically, queer characters have served a few functions, including the “monstrous lesbian” that seduces the innocent feminine woman, or the flamboyantly gay male side character who acts as comic relief. Then, there were lesbian characters meant for straight men to sexualize.

In the 1950s and 60s, pulp paperbacks were made possible by cheaper printing processes, and there was an explosion of titillating titles on drugstore racks–including lesbian pulp fiction. The assumption was that they were meant to be read by straight men, and many if not most of them were also written by straight men. Still, they were crucial to lesbians and other queer women of that time period, because for many people, it was their first exposure to the concept of lesbianism, and it suggested they weren’t alone. There were also queer women writing these books, sneaking in positive representation in.

What makes lesbian pulp relevant to this question, though, is that under obscenity laws of the time, the lesbian characters had to be punished. You could write a lesbian book just as long as it was meant to serve as a warning. They would often end with one or both women being killed, or being institutionalized, or one leaving to be with a man.

Relatedly, the first queer characters to show in TV and movies were generally villains–often murderers. This is the legacy of queer representation in media: if you found anything with queer representation, it was going to punish the queer character in the end, or they were gonna be the villain.

And this didn’t end in the 60s. The “Bury Your Gays” trope is recently named because of how often queer characters are killed off at disproportionate rates–especially queer women. In 2016, the death of Lexa in The 100 brought this issue to the forefront, as yet another queer woman character was a TV casualty–and in a death disturbingly mirroring Tara’s untimely demise in Buffy the Vampire Slayer 14 years earlier.

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It’s really only been in the last handful of years that queer books started to become more mainstream. Even then, it started with cis white allosexual gay male characters in YA, and very slowly was any other representation included. When I first started the Lesbrary in 2010, it was easy to keep up the handful of bi and lesbian books published by the Big 5 publishers every year. It’s only been in the last year or two that sapphic books have begun to catch up with queer men books in mainstream publishing.

Obviously, we still have a long way to go in terms of representation of the entire LGBTQIA2S+ community, especially intersectional representation, but it is a huge improvement. In the very beginning of queer YA, they were considered “issue” books–a “very special episode,” but in book form. They generally focused on coming out and dealing with homophobia, and they may have a bittersweet ending.

Then came books like Boy Meets Boy, which were beacons of light that were a real departure from previous depictions. We started to see more books where queer characters could have happy endings. And later, as more books like Simon vs the Homo Sapiens Agenda came out, there seemed to be a reaction against “Bury Your Gays” and depressing queer media in favour of lighter, more celebratory queer books.

Now, we’re at interesting point in mainstream queer lit (because smaller presses and self-published work has been doing this for decades) where more complicated narratives in queer books are beginning to surface. We’re seeing books that are neither solely about homophobia and suffering or perfect utopias. We’ve got queer horror and thriller books. We’re seeing books that explore with how race and culture can intersect with homophobia and with queer identity. And with that has come a backlash to books that don’t have a happy ending.

And that brings me back to my original question: do we still need queer books to have a happy ending?

Obviously, no one can dictate what all queer books have to be. There are books coming out with bittersweet and unhappy endings: that’s been happening, that’s still happening. But these books often see backlash as “bad representation.” Which is unfair, because there’s a difference between, say, a queer horror book that kills off some of its queer cast and a mainstream TV show that kills off its only queer character.

There is a subset of online readers on social media that is hostile to any stories that involve queer people and are dark or don’t have a happy ending. If that’s aimed at your own reading, that makes total sense: at some points in my life, I’ve only wanted to read happy queer books with a guaranteed happy ending. And there’s nothing wrong with only ever wanting that. The problem is when this preference becomes something aimed outward.

One of the consequences of attacking any queer book that has an unhappy ending or deals with dark subject matter is that this will be aimed at authors representing their own experiences: authors talking about their own community, upbringing, and culture. These same books can be life saving, especially for readers whose culture or race is rarely represented in queer media. Accusing these books of being “bad representation” just makes queer media more homogenous, pushing out anyone that doesn’t fit that mold.

But authors don’t have to justify why they’re writing dark or difficult queer books. They don’t have to make their own identity or labels public to get a pass to write those stories. Queer stories should exist in every genre, for every mood. That doesn’t mean you have to read them, but authors should be free to write them regardless. Critique the content, for sure: call out hateful messages and clumsy depictions. But leave space for queer books to be messy and to explore every facet of our existence.

I do want to give the caveat that readers should know what they’re getting into with a book, however. Don’t advertise a book as a fluffy queer romcom and then have one of them die at the end. But readers should be able to choose from a wide variety of queer books.

Unsurprisingly, I think the answer is that we need more of all of it. We need more happy, fluffy queer books, and we need queer books that deal with dark issues in a realistic way that maybe doesn’t always end happily. Personally, I don’t want to read about a straight person’s idea of what queer suffering is like, but I’m also not going to identity police authors. I want queer authors to be able to explore wherever their story it takes them. Dealing with those really difficult situations in stories can also help readers figure out how to survive it themselves, if it’s something that they’re going through. I also think we need optimism and happy endings and escapism. There should just be more of all of it: more queer representation, more queer books of every genre, of every variety, escapist and realist.

We need all of them, because the problem was never that there were unhappy endings. The problem was that there was no alternative. We need to see the whole messy, beautiful reality of queer life in our stories, including our tragedies and our triumphs.

This post was originally a Book Riot YouTube video.

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