Tag Archives: second chance romance

A Queer Futuristic Take on a Classic Mystery Setup: The Imposition of Unnecessary Obstacles By Malka Older

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the cover of The Imposition of Unnecessary Obstacles

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I love sapphic novellas with an unconventional blend of genre elements—so of course, after reading The Mimicking of Known Successes by Malka Older last year, I eagerly awaited the sequel, The Imposition of Unnecessary Obstacles. I had the sense I’d enjoy it even more as a series, with the chance for the lead investigators, Pleiti and Mossa, to deepen their relationship as they uncover further mysteries in space. I’m pleased to report that I was right.

I can best sum up this series’ mashup of elements with the following detail: At one point in the second book, Pleiti, who lives on a platform attached to the rings of Jupiter, sends a telegram to Io. As a series of standalone mysteries featuring a Holmesian duo, the books’ narrative style evokes the classics. As sci-fi novellas, they explore a future where humans were forced to leave Earth centuries ago due to a climate apocalypse. The compact page count lends itself to tight plots and focused theming, as well as worldbuilding the reader can easily absorb. As a sapphic love story, Pleiti and Mossa’s tale is one of college girlfriends who went their separate ways, only to come back together in a high-stakes environment that reignites their tender partnership.                   

These elements are tied together through the narration of Pleiti, who works at a university’s Classics department, combing old literature from Earth for details that might help the scientists recreate its ecosystem in a long-term project to make it habitable once more. As the Watson figure in this duo, she records the investigations that Mossa, a high-standards whirlwind of an investigator, drags her along for. The dynamic and style bring in that classic element, but they also make the sci-fi worldbuilding surprisingly approachable—it’s not difficult to justify the narrator going on a brief aside to explain an aspect of humanity’s life above Jupiter when she’s a professor recording the events in an old-fashioned narrative voice. The duo’s banter and history lend a coziness to the books that lighten the post-apocalyptic setting and threats of murder.  

With it being easy to disappear over the edge of the platforms and be lost forever, both books so far have dealt with missing person cases, where of course the plot thickens as murder and politics get involved. While I’ll try to avoid major plot spoilers for the second book and for the first book’s mystery, note that as I focus in on the sequel, the rest of the review will necessarily spoil the status quo at the end of the first book re: the main characters and their relationship.

In this second installment, Mossa and Pleiti are investigating the disappearances of a wide array of seemingly unconnected people at the university where Pleiti works. Their investigation takes them all the way to Io, where Mossa was born, and the reader learns more about the history of humans leaving Earth as well as some of the current politics. 

In the meantime, though Pleiti and Mossa rekindled their romance in the last book, Pleiti’s yearning remains in full force, as the characters are in a tentative stage of their relationship. Pleiti is still unsure where she stands with Mossa, and the same overthinking that helps her uncover mysteries proves to be counterproductive as she ponders the subtext of their interactions, not aided by Mossa’s intense personality. While investigating, they are able to fall back on their partnership as a source of security, but the hesitancy in their relationship maintains tension even in those quiet moments. This is my favorite stage to read about in a romance, as the characters share fondness, domesticity, and trust, but still have to navigate uncertain waters. 

One theme that lends itself well both to the book’s small scale and large scale concerns is the concept of home. Being from Io, Mossa has dealt with the preconceptions people have about her. Meanwhile, having been born on a platform, Pleiti is unmoored both by the openness of space travel and the solidity of a chunk of land. Her awkward attempts to prove to Mossa that she can nonetheless be open-minded about Mossa’s home provide a relatable human element to the bigger questions explored. As humanity as a whole has not been to Earth in centuries, the planet feels unreal to Pleiti, with all the classic Earthen literature she studies taking on a fairy tale quality. The idea of the very goal of her research—a return to a place she’s never been—actually happening in her lifetime thus unnerves her. 

This book also touches on themes of classism, as due to the current politics at the university, Pleiti is confronted with the fact that once again a rich man who did horrible things will be venerated. Meanwhile, nobody had noticed over a dozen people disappearing from that same university, in part because many of them had low-paying jobs. At one point, Pleiti wonders with some shame if she had subconsciously thought of a porter as enough of a person to be the subject of a missing person case. This subject is also touched upon on Io, with the discussion of which people had the means to escape Earth to begin with, and some families still being concerned with the supposed status of that lineage. 

As the plot unfolds, Mossa and Pleiti must confront the question of why humans impose unnecessary obstacles on their lives, whether it’s within a relationship or the very structure of society. Thankfully, with this book being just a little over 200 pages, there aren’t many obstacles to getting lost in its vision of the future.

Content notes: In addition to the obvious topics related to a climate apocalypse and (off-screen) murder, this book contains one homophobic microaggression and a brief discussion of eugenics. 

A High-Heat Heist: Double Exposure by Rien Gray

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the cover of Double Exposure

Note: While I’ve avoided major plot spoilers, this review is relatively detailed regarding the character arcs and themes.

Fittingly enough, I’ve been exposed to Double Exposure by Rien Gray twice. The first time was through the Happily Ever After Collective, which releases monthly romance novellas from a variety of authors. Last year, Double Exposure released to patrons along with other second chance romances, and I thoroughly enjoyed it. I’m delighted to have my own print copy of this book due to its recent wide release. 

Double Exposure is a romantic suspense novella about a pair of rival art thieves, Jillian Rhodes and Sloane Caffrey, who are hired to steal the same target—a never-before-seen collection of infamously scandalous photos. Ever since a steamy encounter gone awry, they have been at each other’s throats from a distance, but competing to pull off a heist at the Art Institute of Chicago brings the tension between them up close and personal. The stakes rise as they realize a larger game may be afoot—if they can overcome their own drama to uncover it. 

Jillian’s client is the son of the late photographer whose scandalous affair is depicted in the photos. For the client, retrieving them before the exhibit opens is a matter of his family’s honor. For Jillian, it is a matter of bragging rights. Sloane is just as determined to prove they’re the best by stealing the photos for a greedy baron. Though they loathe him, they’re happy to take a large sum of his money in exchange for a successful heist.

While the thieves are equals in ambition and ability, their approaches and backgrounds couldn’t be more different. As a charismatic con artist born into a rich family, Sloane steals to redistribute the wealth and return pieces stolen by colonizers. Meanwhile, the ever-pragmatic Jillian prefers stealth to small talk. She grew up with next to nothing and survived alone at a young age, so she still prioritizes self-preservation and independence. For all their differences, each acknowledges the other as their only worthy rival. What they lack is trust. After a messy misunderstanding left them brokenhearted, they have spent years sabotaging each other, turning to vengeance rather than risking reaching out. They’ve isolated themselves by placing each other on pedestals, untouchable, when they both yearn to be with the one person who might understand them.

Their second chance at love echoes a second chance at life, as the characters have already remade themselves. After traumatic childhoods, they cut ties with their families and built up their careers. Jillian has fought to claim the freedom, security, and access she once lacked, while Sloane strives to heal the damage of their family’s harmful legacy. Each of them attempts to take charge of their own futures and change the world around them. Double Exposure is interested in the different ways that people wield power, and what happens when that balance shifts, whether the power stems from perception, money and status, or institutions. This is mirrored in the ways that Sloane and Jillian, as exes and rivals, are constantly trying to one-up each other. Neither is used to the vulnerability that comes from a willful give-and-take, and they have already been burned by their last attempt to open up to each other. 

If you’re interested in romance that doesn’t follow the traditional formula, a second chance romance novella offers a unique opportunity. Because the two have already met, tried to be together, and broken up, this book reads almost like a more developed third act of a traditional romance novel. It explores the already established barriers between the two and challenges them to overcome those barriers. Meanwhile, they have a heist to worry about, as well as threats they aren’t even aware of.

Double Exposure effectively maintains its gripping suspense. The prose is precise, with each word and detail carefully chosen and arranged. The writing itself feels confident in a way that sells the characters’ competence. It leans hard into the satisfaction of watching masters at work, as both Sloane and Jillian approach the heist fully aware they are at the top of their field, with plenty of specialized knowledge woven into the narration to demonstrate it.        

For me, the most memorable aspect is the characters. I was especially drawn to Sloane due to their charm, cunning, and life’s mission. Being nonbinary, Sloane is keenly aware that their gender presentation affects how people perceive them, and they must keep this in mind as they take their more public, sociable approach to their work. This blog’s readers may also be glad to know that Jillian is bisexual and a side character is a lesbian.

If mutual pining, cutthroat competition, and intoxicating intensity appeal to you, then give this book a chance to break and mend your heart.

Content notes drawn from the book: In addition to explicit sex between consenting adults, this book contains “brief references to societal transphobia, historical anti-Black racism in Chicago, class discrimination, and exploitation of the opioid epidemic, as well as one incident of gun violence.”

Emory Rose is a lover of the written word, especially all things whimsical, fantastical, and romantic. They regularly participate in National Novel Writing Month as well as NYC Midnight’s fiction writing challenges. They are fueled by sapphic novellas and chocolate.

GBBO, but Sapphic and Bangladeshi: The Dos and Donuts of Love by Adiba Jaigirdar

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Adiba Jaigirdar, author of The Henna Wars and Hani and Ishu’s Guide to Fake Dating, has become known for her compulsively readable teen romances centering queer Bangladeshi-Irish characters. Her newest novel, The Dos and Donuts of Love, tackles fatphobia, racism, and familial expectations, this time on the set of a nationally televised baking competition. 

Seventeen-year-old Shireen Malik is at a low point heading into summer vacation. Her best (and only Bangladeshi) friend Fatima is spending most of summer vacation visiting family in Bangladesh, and Shireen is recovering from a recent breakup. Between shifts at her parents’ struggling donut shop You Drive Me Glazy, Shireen barely leaves her bedroom, marathon-watching Great British Bake Off, FaceTiming with Fatima, and obsessively checking her email for news from Junior Irish Baking Show. 

When Shireen receives a congratulatory email inviting her to be on the show, she feels like she has no one to celebrate with—her parents seem wary of the pressures of reality TV, Fatima is in a different time zone, and her ex is out of the picture. But Shireen is determined to prove herself as Ireland’s most talented young baker, and to represent her South Asian identity amid a mostly white pool of competitors. 

But when Shireen shows up to the first filming, she finds herself face to face with her ex Chris Huang. Chris is not just her ex, but also the daughter of her family’s rival donut shop owners. Shireen has to navigate the next few months of high-pressure competition confronting the hostile feelings from her recent breakup, and to complicate matters, she has developed feelings for Niamh, another charismatic contestant on the show.

I’ll be honest—I typically do not go for the increasingly popular baking/romance genre. But as a recent (and very late to the game) fan of Great British Bake Off, I was sucked right into this baking competition setting, the coziness and high stakes of which Jaigirdar very realistically brings to life. Shireen is a tenacious, lovable, fat-positive main character who, despite her self-confidence, falls prey to the toxic culture of reality TV fame and to the overwhelming feelings of teenage romance. Jaigirdar does a flawless job of balancing interpersonal drama with the more sobering issues of body standards and anti-Asian rhetoric thrown at Shireen and Chris as they progress through the competition. I look forward to working my way back through Jaigirdar’s previous books, which I suspect are equally fun, thoughtful, and heartwarming. 

A Cozy Sapphic Sci-Fi Mystery: The Mimicking of Known Successes by Malka Older

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In The Mimicking of Known Successes, Malka Older creates a cozy murder mystery in humanity’s distant future on Jupiter. I found this novella to be a delightful, satisfying read. The action clicked along nicely, the world-building was intriguing, and Mossa and Pleiti were great characters.

Mossa, an Investigator, is summoned to the furthest reaches of the network of floating platforms humanity has created to settle Jupiter in order to investigate a disappearance. The victim is a university man, and Mossa’s initial cursory investigation can find no supporting evidence of a supposed suicide, nor why the man would come to such a distant platform in the first place.  Seeking more insight into his politics and motivations, Mossa enlists the help of Pleiti, her ex-girlfriend.  Pleiti is part of a team of Classical scholars who study ecosystems and environments as part of a larger movement to eventually rehabilitate and return to Earth. Together they explore university politics, Jupiter’s largest tourist attraction, and their re-kindling romantic tension with each other.

I found The Mimicking of Known Successes to be an excellent cozy mystery and perfectly novella-paced. It was balanced between intriguing glimpses of world-building and the rising action. I adored how it had traditional mystery elements – a man has vanished! People are acting mysterious! Inter-departmental friction! – and at the same time, a lot of great sci-fi details. I was in love with the rail system and the descriptions of little businesses and industries that came about on Jupiter. But nothing overwhelmed the length of the novella, which is, in my opinion, a problem a lot of novellas have. I would love to read half a dozen more novellas set on this same world, but I don’t necessarily wish this one had been longer. It felt perfectly self-contained.

Mossa and Pleiti were also great characters. Mossa is intensely focused and not great with her interpersonal skills, but I liked how she was aware of her faults, and made efforts to correct them, even if she didn’t always succeed. I loved that Pleiti understood her though, and that Mossa valued and sought out Pleiti’s contributions to the case, even though Pleiti is trained as a scholar not an investigator. The tension of their past feelings for each other and the slow re-kindling of their relationship was great. I felt like there was a lot of romantic tension here for a novella but that it was well established and grounded, which was excellent.

In conclusion, if you’re looking for a quick but engaging read, The Mimicking of Known Successes is a great choice. Whether you’re a sci-fi fan who thinks you could use a little mystery or a mystery fan who thinks you could possibly branch into sci-fi, I think you could come into this book from either angle and be satisfied.

Nat reviews Plain English by Rachel Spangler

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the cover of Plain English by Rachel Spangler

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Rachel Spangler is probably one of my most read authors of sapphic romance because they are so darn reliable. I’ve never been disappointed. In my mind, I often refer to Spangler as “the author who writes sports romance,” and yeah, I’m a big sucker for a feel-good sports story. But Spangler’s writing is much more diverse than that label gives them credit for, and their newest book Plain English showcases that range.

I’d already read Full English last year, the first book in the English series, which is set in the small English town of Amberwick. Plain English, the third book, features many of the same characters. (I somehow missed the release of Modern English, the second book – more on that later.) It doesn’t matter much if you read the three English books out of order, but it’s always fun to have that experience of already knowing some of the established cast. That said, from the synopsis I was generally expecting a pretty straightforward continuation but with more royalty, angst and motorcycles. 

We’re introduced to a very flawed, sometimes infuriating protagonist Lady Phillipa Anne Marion Farne-Sacksley of Mulgrave. (Titles, titles, titles, announced in my best Robert Baratheon voice.) Lady Mulgrave, whose preferred name is Pip, or also literally any name that isn’t “Lady” Mulgrave, is a bit of a playboy with a Peter Pan complex. Here for a good time, not for a long time. We meet Pip in a way that immediately showcases their gay disaster profile: while sneaking out of a one night stand’s bedroom and wrecking a vintage motorcycle in a field within the span of a couple of hours. 

Enter Claire Bailey, a financially struggling artist looking to find her way after trying to keep her head above water in London for the last decade. Claire might be a bit of a mess herself, but she’s well on her way to getting that mess sorted. Learning (mostly) from past romantic mistakes, and moving forward with a new chapter of her life. Claire unexpectedly meets Pip by way of the aforementioned embarrassing motorcycle fiasco, and she immediately catches the aristocrat’s eye. Of course Pip is exactly Claire’s type, a type that embodies some big red flag energy wrapped up in a handsome, irresistible package. Claire knows any kind of relationship will end in disaster, and that Pip has a life and a path already mapped out due to the nature of English custom and aristocracy. And thus the perfectly reasonable idea of embarking on a short term relationship with plenty of boundaries (ha!) and absolutely no complications whatsoever (haha!). 

Don’t let the cheeky, playful banter between these two fool you. Claire and Pip are some of the most raw, vulnerable characters I’ve seen on the page in romance recently. The first love scene and the communication between them as they both navigate uncharted waters was perfectly executed. I also appreciated how Claire and Pip’s close friends set aside their personal feelings and frustrations to support someone they care about in their time of need, while acknowledging that Pip still has their own issues to work out. There’s a lot of hurt/comfort happening throughout, so buckle in. 

(Spoilers, highlight to read) Please excuse me while I jump forward to gush a bit about Pip’s character. We see a lot of adult characters in romance processing past trauma, healing, grieving – but we don’t always get to see them in the midst of a full-fledged identity crisis. Especially one involving gender identity. This was an unexpected aspect of the book, and I cannot stress how much I loved it. There were some moments in the book, especially as Pip deals with their conservative, controlling family, that really punched me right in the feels. I want to tell you so much more about it, but it’s best to just experience it for yourself. (End spoilers.)

Back to this book existing as part of a series – one reason I might recommend checking out Full English first is to experience the growth of a particular side character who returns in Plain English. We first meet Reggie in Full English when she’s just a pup, experiencing her adorably awkward and earnest interactions with the adults who recognize something familiar in her, which is explored further in Plain English. It is precious. You will love her. 

That said, I also realized while reading the book that I’d missed the second installment in the series, Modern English, and caught up after I started writing this review to make sure I hadn’t missed anything big. If you want more of an introduction to how aristocracy works and all those stodgy English rules, then maybe you’d prefer to read all three in order. Of the three books, Plain English was hands down my favorite, but as a series, they complement each other so well that it would be a shame not to read them all.  

Kayla Bell reviews Once Ghosted, Twice Shy by Alyssa Cole

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the cover of Once Ghosted, Twice Shy

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Have you ever wished for a sapphic romance that isn’t all about angst and homophobia and actually focuses on the development and drama of the characters? Look no further, because Alyssa Cole’s excellent novella Once Ghosted, Twice Shy has you covered. This entry into the Reluctant Royals universe follows Prince Thabiso’s assistant, Likotsi, as she navigates a romantic relationship with another woman, Fabiola. It’s a second chance romance full of tropes, but the genuine connection between Likotsi and Fab makes it truly unique. 

A lot of people might avoid this book because it takes place as part of the Reluctant Royals series, so they might not want to read this without having read the first book. I can safely say that this is nothing to worry about. I haven’t gotten to A Princess in Theory yet (it’s on my list) and I could totally keep up with the story. Reading the first book will obviously give you a little bit of background into Likotse’s life and make the story richer, but you definitely can read this as a standalone and keep up. 

The best part about this novella, in my opinion, is the characters. Likotsi’s type-A, methodical mindset plays well against Fabiola’s more go-with-the-flow type personality. The banter between the two women was lively, natural, and fun to read. Personally, I love the second chance romance trope, so I thought the ups and downs of the relationship were very fun to read. As with most romance novels, I found the love at first sight, conflict, and lack of communication at some points in the novel to be pretty irritating, but that part resolved quickly and the two ladies returned to their healthy, loving relationship. I also thought that Fabiola’s plotline was very authentic and relatable. I won’t spoil it, but it rang very true for me as someone who has been through something similar. Overall, it is so fantastic to see a book come out about a loving relationship between two queer, Black women, rich characters, that isn’t about trauma or angst. 

Another thing that was really fantastic about this novel was the setting. I’m born and raised in New York City, so I can be pretty particular about books that portray New York in an extremely romanticized and unrealistic way, or that paint New York as some sort of Disneyland for other people to come to and pursue their dreams without examining the lives and struggles of those of us actually from there. Luckily, Once Ghosted, Twice Shy does none of that. Don’t get me wrong, there are plenty of very fun, romantic moments at iconic places in the city in this book. But Cole’s New York felt incredibly authentic and alive. Far from using New York as a generic stand-in for any major urban area, as many romances do, in this book it was like this story couldn’t have taken place anywhere else. Plus, Fab and Likotsi end up at the Seaglass Carousel in Battery Park, which is one of my favorite places in the city. 

Once Ghosted, Twice Shy surprised me with how rich of a story it told in just ten chapters and an epilogue. I immediately became invested in Likotsi and Fabiola’s love story, and felt that warm, fuzzy feeling where most other romances make me roll my eyes. In the future, I will definitely be picking up more of Alyssa Cole’s romances and commend her for writing a book highlighting the experiences of two characters who wouldn’t often get the spotlight. 

Shana reviews Once Ghosted, Twice Shy by Alyssa Cole

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Once Ghosted, Twice Shy by Alyssa Cole

Once Ghosted, Twice Shy is a novella about a second chance romance between Likotsi, an African woman visiting New York City, and Fabiola, the Haitian-American femme from Brooklyn who she can’t stop thinking about.

The story is part of Alyssa Cole’s Reluctant Royals series, which primarily features straight couples. Likotsi was my favorite character from the first book, and I was thrilled when she got her own story. The cover is amazeballs! I would love to have it as a poster for my wall. I often get annoyed by singular queer stories in a straight-ish series because they feel like throwaways, but this book delighted me.

Likotsi is the assistant to Prince Thabiso, the protagonist in A Princess in Theory, the Coming to America + Black Panther mashup in which she features heavily. Likotsi lives in a fictional African country that feels vaguely like Lesotho, but even more like Wakanda. She lives a fairly luxurious life, thanks to her proximity to royalty. Likotsi frequently travels for work and loves her all-consuming job, but she struggles to take breaks from running the Prince’s life and getting his UN policy priorities passed. The book opens with Likotsi enjoying a rare weekend off in New York, doing touristy things. She’s trying to distract herself from brooding about the woman she met in NYC eight months ago. Unfortunately for her, on her very first morning of vacation she runs into the girl on the subway.

Fabiola is an aspiring jewelry artist, and an accountant who loves math. She spends a lot of time worrying about her extended family, some of whom are undocumented immigrants. Fabiola has a fantastic sense of style, and I found myself drooling over her femmy outfit descriptions. When Likotsi and Fabiola meet up in the subway car, they’re both wary of one another. Likotsi is still smarting about Fabiola dumping her without an explanation. Fabiola isn’t sure if Likotsi can handle her complicated family situation. They end up exploring Fabiola’s favorite parts of the City together, while we’re treated to flashbacks of their initial whirlwind romance. Likotsi and Fabiola first met through a dating app, but the casual connection they were both planning on, quickly turned more serious. So why did Fabiola end it so abruptly, and can a relationship work when they live on different continents?

This was a fast and lighthearted read. I loved the evocative New York City setting, and enjoyed vicariously tagging along on the heroines’ adventures. I sympathized with Fabiola even though she was a breaker-of-hearts, because her family’s situation is tough. However, because this is a fluffy romance, all problems are solved, with hot sex scenes along the way. The book has some royalty trope flavor, because one character has more social power than the other, but there weren’t any celebrity dynamics to get in the way.

I think Once Ghosted, Twice Shy works well as a standalone. There are passing references to characters from the previous book, and this story glosses over some of the cultural context of Likotsi’s country, but none of that would prevent a reader from following along with the story. The plot is pretty straightforward—women date, they fall in love, the end—which I found relaxing, but could be frustrating for readers looking for more twists and turns. I’m generally not a huge fan of flashbacks, and they sometimes disrupted the flow of the story here. But the flashbacks also added balance to their relationship dynamics, because Likotski drives their romance initially, and with Fabiola taking the lead the second time around.

I would love to read more characters like Likotsi in f/f romances. She’s a dandy who loves clothes; and an unapologetically romantic and squishy cinnamon roll. Likotsi has access to a great deal of power through her work, and I enjoyed seeing an African character in that role especially since Africans are underrepresented in American queer romance. I also adored watching the two women flirt by talking about math and art. The heroines in this slow burn story had excellent chemistry, and I was dying for them to get together. My main critique is that the book felt short. It’s only 106 pages, so we mostly see the characters on only a few epic dates. I was left wanting more of these two. Overall, a quick and pleasurable read.

Susan reviews Bingo Love by Tee Franklin and Jenn St-Onge

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Bingo Love by Tee Franklin cover

I’m pretty sure that I can’t discuss Tee Franklin and Jenn St-Onge’s Bingo Love without spoilers, because the things that naffed me off the most about it are all massive honking spoilers. It’s a second-chance romance; Mari and Hazel meet again in their sixties and decide to pick up where they left off as teenagers when their homophobic families forcibly separated them. The art is fantastic, I especially love the way that the colours are done, everyone’s looks are excellent. I liked how supportive and loving Hazel’s children were eventually, although the fact that Hazel gets homophobia from all generations of her family is upsetting. The dialogue was quite stilted, but some of the conversations – especially the ones about boundaries–were pretty good. And… That’s the most I can say about it without spoiling anyone. Abandon hope all ye who enter here and all that jazz!

Okay, so I was mostly on board with Bingo Love until it turned out to be The Notebook with queer women. (I wasn’t kidding about the spoilers!) Like, my hatred for The Notebook is as deep as the sea, so that particular reveal was hugely disappointing to me! It turned a few things that I thought were continuity errors into foreshadowing, which was good! It made the cold-open make sense, because as it was Hazel appears to hear someone begging for help after being made homeless by their homophobic family and immediately make it about how much worse queer people had it when she was a kid. No! It’s just how she launches into telling her life story to her wife with dementia. I guess queer women (and especially queer women of colour) deserve to have their own version of The Notebook, if that’s what they want? But for me, it was the tipping point where I couldn’t ignore the things that bugged me anymore.

For example: Mari and Hazel seeing each other for the first time in forty years and immediately running to kiss each other was baffling to me. They’re different people now! Surely there needed to be some build-up or getting to know the adult versions of themselves before the kissing and leaving their husbands! … Actually, I think lack of build-up is the problem for most of the book, because fifty to sixty years are whizzed over at lightspeed, which means that the relationships don’t feel like they have a solid foundation. Not to mention I’m fundamentally suspicious of Hazel’s therapist drawing a distinction between “someone who is the same gender as you” and “someone who identifies as the same gender as you,” because I can’t tell if it’s supposed to be trans-inclusive and missed, or if it’s just being transphobic.

I think what I’m saying here is that Bingo Love is flawed but could be serviceable for someone who isn’t me. The art is good, and getting to see two queer women of colour getting married with their families around them was worth the price of admission. It was just the stuff around that making me twitch.

[Caution warnings: homophobia, adultery, dementia]

Susan is a library assistant who uses her insider access to keep her shelves and to-read list permanently overflowing. She can usually be found as a contributing editor for Hugo-winning media blog Lady Business, or a reviewing for SFF Reviews and Smart Bitches Trashy Books. She brings the tweets and shouting on twitter.