Maggie reviews Cinderella is Dead by Kalynn Bayron

Cinderella is Dead by Kalynn Bayron

I was very excited to get ahold of this ebook, because I’ve been listening to a lot of YA audiobooks lately while doing other things, and so I’ve gotten on a fantasy YA kick. It’s great to read some exciting new releases and promote new books during a time when we all desperately need good distractions. Cinderella is Dead is not a re-telling of Cinderella, which is a trope that I do love but that I’m getting a tad bit weary of. Rather, it’s something I found even more exciting: imagining the consequences of a fairy tale after the tale, not just for the characters themselves, but generations down the line. Cinderella is Dead is perfect for those who want something more from the original Cinderella story.

The legend of Cinderella isn’t just a tale to the citizens of Lille. Rather, Cinderella was a real woman, and her legacy has grown and has been codified into the very law of the land. Every girl in the city must not only know the story by heart, but they are all commanded to dress up and attend a ball at the palace, just like Cinderella did. But rather than a romantic tradition, the events have been corrupted and used to control the citizenry by the corrupt monarchy. People pray to the spirit of Cinderella, not to wish for happiness, but to hope their daughters won’t be disappeared by the palace guard. Girls hope to find a suitor at the ball–but only because if they don’t they risk disappearing or being forced into menial labor. And they don’t get a choice about what man chooses them, or how he treats them after they get married. It’s truly a grim but intriguing imagining of how a beloved fairy tale could play out and be corrupted. CONTENT WARNINGS: this story deals with domestic violence, abuse, homophobia, human trafficking, and mentions of rape. The culture of Lille is dark, and its citizens who are not straight men go through a lot, which may seem like a lot in a book aimed at young adults, but what I find important is that our protagonists stand up to it, and meet and encourage other people to not accept these things as normal.

Enter Sophia, who harbors a forbidden love for her friend Erin, and a deep terror at being forced into a marriage where she will have no rights or say in her own life. Sophia refuses to accept the reality of Lille and wants to try to run away with Erin before the night of their own Ball when they’ll be trapped, but Erin can’t imagine taking such a risk and wants to do what is necessary to remain safe. The night of the Ball, Sophia is forced to flee by herself, and then she meets Constance, the last descendant of Cinderella’s Stepsisters. Confronted with new information about the true story of the Cinderella legend, and growing new feelings for a girl who is willing to fight by her side, Sophia has to decide how far she’s willing to go to create a better life for everyone in Lille.

It was really interesting to see not just the long-term effects of a fairy tale, but characters interacting with true events vs fictionalized versions. Over and over Sophia has to confront how the history she took as true but corrupted was actually propaganda from the start. And this book really took all the instantly recognizable elements of Cinderella–a blonde and beautiful Cinderella, glass slippers, the fairy godmother–and flipped them around while remaining firmly rooted in the original fairy tale.  The cover proclaims that Cinderella is Dead while Sophia stares out at us, Black, curly-haired, wearing the iconic blue Cinderella gown, but unabashedly, from page one, not interested in marrying a prince, and the story promptly drags us away from magicked pumpkins and mice and into witches, necromancy, and anti-royalist rebellion. In Lille, Cinderella was real, and her history was complicated, but her legacy is now Black, queer, and invested in taking down a tainted, misogynist monarchy.

I really enjoyed this book. It was a fun read, and the world-building and action picked up quickly. I really liked the slow peel-back of the Cinderella story, combined with how straightforward and brave Sophia and Constance were. [spoiler, highlight to read] I also really loved that Sophia had a first love, but then slowly realized she was more compatible with Constance. [end spoilers] The twists and turns managed to surprise me and keep me involved. It’s just a really good read, and we need more like it on the shelves, especially for young readers today.

Rachel Friars reviews Cinderella is Dead by Kalynn Bayron

Cinderella is Dead by Kalynn Bayron

Kalynn Bayron’s Cinderella is Dead is the queer fairy-tale retelling we needed in 2020.

Bayron’s novel is doing amazing things for queer fiction, fantasy, and YA. If there’s anything we need more of, it’s books like this, and more from Bayron herself. It’s been a long time since we’ve seen a Cinderella with queer girls. I can only recall Malinda Lo’s Ash (2009), which I read as a very confused teen, and still have on my shelf to this day. Bayron’s innovative and sparkling retelling is such a joy to read.

Cinderella is Dead takes place 200 years after the death of Cinderella. Based on the palace-approved version of the fairy tale that sixteen-year-old Sophia and her friends know by heart, Cinderella married her prince and lived happily ever after—for a time. Now, as a homage to Cinderella and her story, teenage girls are forced to appear at an Annual Ball, presided over by the current king, where all eligible men in the kingdom are free to select their wives. If a girl remains unselected…they are forfeit.

The novel opens with our main character, Sophia, preparing for the ball. However, Sophia would rather not go to any ball to be paraded in front of men who would have the authority to use her as they saw fit. Instead, she would rather marry her best friend, Erin. But things are complicated—the ball is not optional, and neither is conformity. After fleeing the palace the night of the ball—much like Cinderella herself, although under very different circumstances—Sophia finds herself in Cinderella’s tomb surrounded by the story she’s always known. However, when she meets Constance, the last descendant of Cinderella and her stepsisters, she learns that Cinderella’s story may not be so idyllic after all. What happened to the fairy godmother? Were the stepsisters actually ugly and monstrous? Sophia is determined to find the truth.

The novel is miraculous not only for its representation of queer and Black characters, but for its world, which seems to draw on both the conventions of the Cinderella story and history itself. Sophia is living in a world where queerness isn’t unheard of, but exists underground, subtly, or silently. She lives in a world where being different is unsafe, and the world around her struggles to catch up to her own bravery. In a world that demands absolute conformity, dissent comes at a steep price, and Bayron, through her characters, allows us to see the way queer people avoid that price in order to be who they are. This isn’t unheard of in centuries—or even decades—past, and is still relevant in some parts of the world today. So, even though the world of Cinderella is Dead has those elements of magic and fantasy that make the story so thrilling, there are also pieces of history that make it a important piece of queer literature.

The characters are vivid and thoughtfully presented, and each person close to Sophia presents us with a different view of queerness in a post-Cinderella world. Luke, the son of a family friend, is our window into the avenues through which people can explore their queerness, and the consequences of being discovered. Erin, by contrast, is one of the many portraits of the painful position of women—especially queer women—in this society. The fact that this story, with all of its intricacies, is structured around the story of Cinderella, makes it doubly fascinating.

One last word about the romance: Constance and Sophia are such a great pair! After a fraught dynamic with Erin, who struggles with her sexuality and society’s expectations, it’s clear that the relationship between Constance and Sophia is meant to be a vibrant alternative. Although I felt that their relationship could have used more detail in terms of the natural progression of their feelings for one another, that could just be me wanting more.

Overall, I loved this book and it was so much fun to read Bayron’s novel and to discover a world where queer girls can, quite literally, do anything. Although queer fairy-tale retellings have become more popular in recent years, we always need more, and we especially need more written by people of colour, and this one is particularly beautiful and unique.

Please visit Kalynn Bayron on her website, or on Twitter @KalynnBayron.

Content Warnings: abuse, domestic violence, homophobia.

Rachel Friars is a creative writer and academic living in Canada, dividing her time between Ontario and New Brunswick. When she’s not writing short fiction, she’s reading every queer novel she can find. Rachel holds two degrees in English literature and is currently pursuing a PhD in nineteenth-century lesbian literature and history.

You can find Rachel on Twitter @MsBookishBeauty or on Goodreads @Rachel Friars.