Rebecca reviews Gold by E.J. Noyes

Gold by E.J. Noyes cover

E.J. Noyes’ Gold is a sports-centred novel with a great and relatable protagonist and a very steamy and sweet romance.

Our protagonist is Aspen Archer, a former Olympic skier whose career ended after a disastrous injury. With her body and spirit broken, Aspen hides out at ski resorts, coaching tourists and avoiding her problems. While coaching at a ski resort in Australia, she meets the beautiful Cate Tierney. Cate is a physical therapist, has a teenage daughter and is recovering from a painful relationship. There’s an instant and intense attraction between Aspen and Cate. However, both women have lots of emotional baggage. Can they be more than just a vacation fling? Can Aspen take control of her life to have the future that she longs for?

The aptly-named Aspen is a wonderfully written character. I felt for her as she struggled through panic attacks and chronic pain. I rooted for her when she finally took charge of her life and rediscovered herself. While I do like Cate, I didn’t fully warm up to her because I couldn’t connect with her and I felt like I didn’t know her.

The secondary characters are interesting and well-written. I really like Cate’s daughter, Gemma and Aspen’s student, Stacey. However, I wish Aspen’s relationships with both teens were more developed because they could have been much more meaningful and memorable than they were. Additionally, other characters like Aspen’s hilarious sister Hayley sometimes disappeared from the narrative unnaturally.

I like that the book examines issues like Aspen’s former addiction to painkillers and how it hurt her life and family. However, the book does drag a little. I wish that the plot had been more exciting and slightly less predictable. But, Noyes creates such great characters that I remained invested in them.

The romance between Aspen and Cate is well-written. There’s believable conflict, some sweet moments and enough super steamy scenes to get your pulse racing. Seriously…you may not want to read this book in public!

Although I couldn’t fully connect with Cate and I wish some aspects of the plot were better developed, Gold is a good read with great characters and a sweet romance. If you’re looking for a sports-themed book with a lovely happy ever after, give this one a try!

Rebecca is a Creative Writing student and freelance proofreader. Come say hi: https://rebeccareviews.tumblr.com/

Rebecca reviews Seeing Red: A Sapphic Fairy Tale by Cara Malone

Seeing Red is a cute and quick read with a sweet romance and really well-written characters. It’s loosely based on the fairy tale and I absolutely enjoyed this modern take with relatable characters.

Hunter has too much on her plate. She’s living with her sister, Piper and helping with the bills and her two nephews. She’s balancing a job in a care facility while also trying to keep Piper away from her jailed criminal husband, Jed Wolfe. Although things are really desperate, Hunter tries to show Piper that there’s a good life away from pulling cons. Meanwhile, wealthy college student Kiera has just moved in with her grandmother who’s been diagnosed with Alzheimer’s. Kiera isn’t only taking care of her grandmother but also hiding after an embarrassing encounter at her sorority house. A chance meeting brings Kiera and Hunter together. Kiera needs help with her grandmother and Hunter becomes the old woman’s caretaker. The pay is great, Kiera’s grandmother really likes Hunter and her family, and…there’s something magical happening between Hunter and Kiera. Maybe, Hunter can finally slow down. However, Jed still has his claws in Piper and her desperation to provide for her family will have consequences for all.

The split perspective between Kiera and Hunter with an occasional chapter from Piper really works because the characters have such distinct voices. Malone deftly avoids stereotypes and creates characters that are wonderfully written and relatable. Kiera and Hunter are great protagonists who are brave, interesting, and very real. They are so well-written that I was totally invested in them individually even before their romance blossoms. However, I would have liked more development on Hunter’s history, and Jed’s presence needed to be more ominous because he doesn’t seem like that much of a threat.

The romance between Kiera and Hunter is gentle, sweet, and natural. Despite the fairy tale romance, I like that Malone avoids leaning on classic tropes. She examines real issues like manipulative relationships, financial struggles, and Alzheimer’s. There are many instances that could have been melodramatic but Malone excellently handles her plot and characters to avoid unnecessary drama.

Cara Malone’s Seeing Red is a lovely read. The characters are really well-written, the romance is cute and the happy ever after perfectly fits. If you’re looking for an adorable lesbian romance that’s loosely inspired by a fairy tale, you won’t be disappointed!

Rebecca is a Creative Writing student and freelance proofreader. Come say hi: https://rebeccareviews.tumblr.com/

Rebecca reviews Sparks Fly by Llinos Cathryn Thomas

Sparks Fly by Llinos Cathryn Thomas is a cute space romance novella between two older women with a happy ending. While I did like the characters and the plot, I wish Jo’s character was more developed and the setting was better written and more established.

After twenty-five years of dedication and determination, Marianne Gordon has finally achieved her dream of becoming principal of the prestigious Vesper Station School for Zero-Gravity Artistic Display. However, her big moment is ruined when she is forced to co-principal with Josephine Knight, a famous zero-gravity performer who is recovering from a terrible accident and who doesn’t know anything about teaching. Both women must learn to work together and sparks soon begin to fly between them. They must also stand together when the future of Marianne’s beloved school is in jeopardy.

I like that the book shares perspective between Marianne and Jo. They both have very distinct voices and personalities. However, there’s always a drawback to featuring two viewpoints because one character always suffers. While I do like Jo, I really wish I knew more about her, especially her past.

The romance between Marianne and Jo is sweet and fairly well-developed given the book’s length. I really like that they learn to appreciate and understand each other before the romance takes off. I’m also very happy that both characters are older women who act their age and handle their conflicts maturely and organically.

I went into this book expecting to really love the space setting but I was disappointed by it. The setting is not as well established as it could be. I did not feel fully immersed in this futuristic space world at all. Furthermore, I also want a better explanation of the performing art that is such an integral part of the story. I struggled to figure out what exactly it was and what was happening and my confusion really took me out of the story.

Sparks Fly is a fluffy and good read. I like the characters and the romance is sweet. Although I wish Jo had been better developed and I wanted the setting to be much more fleshed out, I did like this novella. If you like happy endings and are looking for a super quick read, check out Sparks Fly!

Rebecca is a Creative Writing student and freelance proofreader. Come say hi: https://rebeccareviews.tumblr.com/

Tierney reviews The Necessary Hunger by Nina Revoyr

The Necessary Hunger by Nina Revoyr cover

Published in 1997, The Necessary Hunger is one of those novels that should be on the required reading list for queer women: it so perfectly depicts its protagonist’s emotional journey, impeccably capturing the essence of adolescent passion, basketball, unrequited love, and this particular moment in time in 1980s Los Angeles.

The novel is told from Nancy’s point of view, as she looks back on her adolescence many years later: she tells the story of her coming of age in the mid-1980s as a Japanese-American star basketball player, as she navigates her feelings for Raina, an African-American star player from another school, who actually ends up as her step-sister of sorts when Nancy’s dad and Raina’s mom get together, and they all move in together.

This plot point that could take a turn for the comedic is instead conveyed beautifully and movingly: it adds such an achingly sharp edge to Nancy’s unreciprocated feelings for Raina, her longing for a person so near and yet so far from her. Raina herself is queer, and has a good-for-nothing girlfriend who she nevertheless can’t seem to quit – adding another torturous dimension to Nancy’s feelings (and putting the novel a cut above the tired “pining for a straight girl” trope). Through this specific, awkward, beautiful lens, Revoyr deftly portrays such ubiquitous teenage feelings: yearning, discomfort, infatuation, listlessness – the roller coaster of unrequited love.

Nancy, and the novel, are both so much more than just her love for Raina (though that love is certainly the source of her most intense emotions, and is the novel’s  main thread): while negotiating these feelings, she is simultaneously navigating classes, playing high school basketball as a star player on a highly-ranked team, and trying to figure out college plans, while parrying the impassioned advances of the college coaches who are courting her. The Necessary Hunger is infused with so much love that it’s contagious – the characters’ very emotions and passions become infectious, thanks to Revoyr’s skill at hitting all the right emotional notes through Nancy’s enticing and conversational first-person narrative. I know almost nothing about basketball, and don’t particularly care much for sports, but was riveted throughout the entire novel, basketball and all, because of Nancy’s passion and tone.

And Nancy’s love for her friends is just as appealing as her love for the game: her friends round out the novel as an engrossing and effervescent cast of characters, many of whom are queer themselves. Though the story is told from Nancy’s point of view, she sometimes gives brief, poignant insights into what the future holds for certain characters, since the entire novel is a look back on her adolescence from adulthood. This story is Nancy’s, but it also feels much wider than that – The Necessary Hungerarrestingly captures a specific place in time.

Through it all, there is the backdrop of the city of Los Angeles in the mid-1980s and its own particular social climate. Nancy’s experience as a Japanese-American girl (and then a member of a multiracial blended family) in a predominantly African-American neighborhood, her experience as a young queer woman of color, her experience navigating race and class with basketball teams from white, well-off school districts, her experience facing the privilege afforded by a basketball scholarship that is all but certain are all confronted head-on. The Necessary Hunger showcases Nancy’s life and identity, and those of her friends and family, in a way that feels straightforward and fully realized. 

The Necessary Hunger is a queer classic. If you haven’t yet read it, I recommend going out and finding a copy as soon as you can: Nancy’s story and journey and heartache are simultaneously so specifically hers, and so beautifully universal. 

Rebecca reviews Dreams Unspoken by R.J. Layer

R.J. Layer’s Dreams Unspoken is an okay read with a dull and dragging plot and the slowest burning romance ever.

The book features two very different protagonists. We have rugged lesbian cowgirl Jo Marchal who has moved back home to be near to her dying father. Her parents do not accept her sexuality and after years of strife, Jo is hoping to fix their relationship before it’s too late. Our second protagonist is real estate agent Maria West who helps Jo find a new place. Maria is stuck in a loveless marriage and she adores her autistic son, Matt. The two women form a deep friendship, looking out for one another through traumatic events and new changes.

Both Maria and Jo are inconsistent characters. I wish they had been better developed. However, I do like them. Jo’s strength and kindness make her memorable and Maria is sweet and giving. The plot just bogs them down. Maria desires Jo from early on but she spends most of the book declaring how straight she is. She also pushes Jo towards romance while being jealous about Jo’s interactions with other lesbians. Jo also pines for Maria but gets involved in an ill-advised relationship with abusive deputy sheriff Kate. She also pursues other women. However, she still longs for Maria while pushing away these women. The flip-flopping in characterization is frustrating and repetitive.

While a slow burn romance does make sense, the book proceeds at a snooze worthy pace. When the actual romance finally happens at the bitter end of the book, it is very anticlimactic. I really would have preferred if Maria and Jo didn’t end up together because while they do have a connection, I could never fully buy them together and I think they may have been better off as friends.

I also like the book’s diversity: Maria is Hispanic, and her son is autistic. I do like the characters’ separate storylines. However, the book has many instances which could have been better developed to solidify the plot but Layer often ends up dropping matters quickly. I really wanted to see more of Jo’s reconciliation with her parents or her relationship with Matt. I also would have liked to see Maria dealing with her dissolving marriage as well how she copes with a new baby in the midst of these changes. Additionally, I wish Layer would have meaningfully addressed Jo’s alcoholism and Kate’s abuse of her.

R.J. Layer’s Dreams Unspoken isn’t the worst book I’ve read, but it has too much wasted potential. Although I like the main characters, the characterization is inconsistent and the plot never really takes off. I definitely would not read this one again.

Rebecca is a Creative Writing student and freelance proofreader. Come say hi: https://rebeccareviews.tumblr.com/

Anna Marie reviews Women Lovers, Or the Third Woman by Natalie Clifford Barney 

Women Lovers or the Third Woman by Natalie Clifford Barney is an intense and poetic modernist novel about three women (N, L and M) deeply devoted and in love with each other, and chronicles the transformation of their relationship. The idea of the “Third Woman” is not only a reference to one of the women in the novel being left out by the others, but also to the idea that being a lesbian was being part of a “third sex” (something also explored at around the same time by Radclyffe/John Hall in The Well Of Loneliness and by various sexologists circling around at the time). The novel is also an exceedingly thinly veiled autobiography about Barney’s relationship with Mimi Franchetti and Liane de Pougy, both key figures in sapphic Parisian (generally immigrant) circles in the 1920s.

The language of the novel (in translation from French) is electric and so alive and sensual, just as the love story and relationships it depicts are. L is a decadent woman whilst M is frenzied and soft – “Her hands are more evolved than she herself is, and they get hurt on everything, just as souls do.” Barney’s description of herself, of the character N, is a potent snapshot of a person who constantly feels like the odd one out: “she communes with humans through joyful pleasure, even though she seems to miss out on it in every other way”. I think something in this novel that made it even more captivating than a queer love and loss story might have been is this positioning of some people as “thirds”, as constantly missing out because they don’t have a singular partner or relationship that consistently puts them first. It reminded me a little of this article that Caleb Luna wrote about being “denied intimacy and care… who reserve it for others” the ways that people undermine platonic relationships by focusing so intensely on romantic coupling. Obviously N in the novel has multiple other pairings, so its not an entirely accurate comparison, but I think it adds interesting current contexts for the novel.

The earthy but whimsical tone of Women Lovers as well as the descriptions charmed and inspired me so much. As someone studying the period, it’s also interesting to see who else weaves their way into and through the narrative, from their “Dearest Friend” (the artist and long term partner to Barney, Romaine Brooks) to “The Newly Miserable Woman” (Djuna Barnes author of Nightwood and The Ladies Almanack), as well as references to Radclyffe/John Hall and her partner Lady Troubridge.

Although this word is never used in the novel, it is clear that N and the women she is involved with are in some way polyamorous: they generally participate in and create non-monogamous relationships with each other, overlapping intimacies, so it’s a record of the way that historical queers connected separately and related to their communities and their partners/lovers/friends. The other really enjoyable part of reading this novel is the many ways in which the current sapphic and queer community I witness and participate in mimics these wild lesbian and bi+ women from almost 100 years ago! Just like when I read The Ladies Almanack, this novel/autobiography made me really feel like nothing has changed – we make the same jokes, we care about the same things, we use similar imagery and vocabularies, we have the same issues to work through, we are all dating each others exes and so on!


Sarah reviews Intersection by Nancy Ann Healy

 

Intersection is a romance/thriller featuring an FBI agent and a politician’s ex-wife. Although I wanted to fall in love with the book—the first in a series—it fell short for me in a number of different ways, and I don’t see myself picking up the sequels.

The novel kicks off with Agent Alex Toles and her partner receiving an undercover assignment to protect Congressman Christopher O’Brien and his ex-wife Cassidy, who have been receiving threatening messages. Alex poses as Cassidy’s new public relations assistant, and a relationship rapidly blossoms between them while Alex tries to get to the bottom of the threats.

There are a couple elements of Intersection I sincerely enjoyed. Cassidy has a six-year-old son, Dylan. Since she’s a single mom, it makes sense that any potential partner would need to be understanding and open to that priority in her life. Alex goes above and beyond. Her quick bonding with Dylan is well-explained by the fact she has a nephew and likes kids, Dylan’s father is too busy for him, and their shared interests (sports and superheroes). I found myself smiling at how cute they were together: particularly when Dylan is “explaining how his trucks could be superheroes…torturing [Alex] with Tonka trucks in the living room,” and when Alex teaches Dylan the license plate game. Their relationship was the highlight of the book for me.

Cassidy’s mother Rose also plays a significant role. She helps Cassidy balance her day-job as a teacher and caring for Dylan by picking him up from school and making dinner often. She wants her daughter to be happy and is totally supportive after Cassidy realizes she’s attracted to women. I was pleasantly surprised by how important extended family and friends were to the overall story. Alex’s partner and his family, her brother, and her former military colleagues all help out at various points. Many of the queer narratives I’ve encountered in literature are defined by isolation and unhappiness, so it was refreshing to read about protagonists with such extensive support networks. But the list of things I enjoyed about Intersection unfortunately ends here.

One of my key issues was the writing. At its best points, the prose is nondescript. At its worst, it’s distractingly poor. The novel would have benefited greatly from more editing. It could have been about a hundred pages shorter. There are a number of typos. Healy sometimes reaches for other dialogue tags (directed, griped, grumbled, groaned, questioned…) in places where said would suffice, and actions are used incorrectly as dialogue tags.

There are also strange point of view switches. Healy divides chapters into multiple parts, with each part in a different character’s perspective. But she also jumps between points of view within the same part. In Chapter One, for example, there’s a place where one paragraph describes Alex, the very next paragraph describes Cassidy who is in a different location, and then the next jumps back to Alex. I wouldn’t have minded the point of view changes if they were consistent and made sense for the narrative. But they were jarring, and a serious detriment to the pacing.

Healy also made unusual choices about which scenes to describe in-depth. When Alex and Cassie first meet, we see all of their back-and-forth dialogue and movements in great detail. I wasn’t sure what it was adding to the plot or the development of their relationship. But when Alex takes Cassidy on long drive, the first extended alone time they have, Healy summarizes the majority of the conversation.  It would have made all the difference to see more of them talking and reacting to each other and actually falling in love.

This brings me to my second issue with Intersection. Alex and Cassidy’s relationship never drew me in. Almost immediately, Alex and Cassidy feel the electricity, but I didn’t understand what they find so compelling about one another. The relationship develops absurdly fast. By the sixth of twenty-eight chapters, less than a week in book time, Cassidy already knows “she could never walk away from Alex Toles.” I was like, Cassy you have a son! What are you thinking? The speed with which they decide they’ll be forever together is frankly terrifying. Although both characters acknowledge the extreme pace at which they’re moving every so often, they make no attempt to slow down. The rapidity of the relationship feels incompatible with Alex and Cassidy’s other priorities and how sensible and intelligent the two women otherwise act.

Alex and Cassidy spend a lot of time feeling overwhelmed with love for one another and professing their love, but the progression to that point didn’t work for me. And then there’s nowhere unexpected or interesting for the relationship to build to for the remainder of the book. The sex scenes are vague and a little dull, and I struggled not to skip them. There are places that Cassie and Alex speak to each other in French (with the English translation in awkward brackets behind the French text) because…why not, I guess. Although I wanted to be invested in their relationship, I simply wasn’t.

I was also taken aback by how other characters react to Cassidy and Alex. Almost everyone they encounter quickly figures out, or already knows, that Alex and Cassidy are together, even though they haven’t told people. And every character is wildly in support, because it’s clear that “what they have is special,” or that they “love each other very much.” No one (other than Cassidy’s ex-husband, who is portrayed as a pretty selfish and terrible person) questions the pace, or the extent to which they intertwine their lives. I would have even been satisfied with a brief, “Hey, Cassidy, don’t you think your relationship with this FBI agent who’s supposed to be protecting you is moving a little fast?” from her mother, but Rose is just as thrilled as everyone else. Minor spoiler: if I was planning on moving in with someone after less than a month of knowing them, I’d hope that someone in my life would object.

My third issue is that Healy struggles to integrate the romance and thriller plots. Although Cassidy’s life is in danger, the threat is frequently tabled for an entire chapter in favor of developing her romance with Alex. Additionally, the antagonists are introduced in short, vague scenes throughout the book before they finally clash with Alex and Cassidy. Although I’ve seen this work to terrifying effect in some thrillers, with Intersection I felt I was waiting for things I’d already anticipated to go down, since I had so much information about the situation than the characters.   

The thriller plot also splits into two distinct issues towards the end. One of them is resolved. The other is not at all, which I found highly dissatisfying. The book ends on an explosive scene that I think is supposed to make readers want to buy the sequel (and the e-book version does, in fact, include the first chapter of the second book), but I don’t feel inclined to.

I can’t in good faith recommend Intersection, but it certainly made me want to read other more satisfying lesbian thrillers.

Tierney reviews Heartsick by Tracey Richardson

Paramedic Angie Cullen and doctor Vic Turner work at the same hospital, but hardly know one another – until Angie’s lover and Vic’s wife are brought to the hospital together after a car crash, and it comes to light that they have been cheating with each other. After their respective relationships implode, Angie and Vic start to see each other everywhere, and against all odds begin to develop a friendship – which slowly turns into something more, though they initially fight their new feelings at every turn, afraid of being burned again.

It’s delightful experiencing Angie and Vic’s love story as it unfolds, as quirks of fate keep throwing them together, and they undergo an emotional rollercoaster ride processing their feelings about the dissolution of their previous relationships, their introspective look at their own emotional issues and hang-ups, and their dawning realization, then denial, and finally acceptance of their love for one another. I love a romance novel that hits the right emotional notes, and for the most part Heartsick does this wonderfully. There are definitely moments where things seem to be moving weirdly fast, especially with this more realistic emotional approach – but so much of that is par for the course with romance novels, and the story is still thoroughly enjoyable. Angie and Vic both go on separate, thoughtful emotional journeys (Angie even sees a therapist to work through her own issues and unhappiness with her previous relationship – love it!) that really resonated with me.

The story flows nicely, and the writing is quite good, though there are some passages that just sound a little off. There are occasional metaphors don’t quite seem to illustrate things to the desired effect (for example: “It was strange this spontaneity that seemed to grow like moss on a wet stump when she was around Vic”), and some odd phrases that are meant to sound sexy but for me kind of ground things to a halt (for example, the narration of a sweater that “hinted at the gentle swell of the goods below” and a description of an orgasm “making Vic its bitch”). For the most part, the writing is engaging, and my attachment to Angie and Vic’s soul-searching and romantic plot-line kept me going.

Heartsick showcases a sweet love story, and two well-fleshed-out protagonists whose introspective emotional journeys make their coming-together all the sweeter. After all they go through, both plot-wise and internally, Angie and Vic deserve their romance novel happy ending. If you’re looking for a feel-good romance with a thoughtful emotional progression, Heartsick is the book for you.


Rebecca reviews Heartsick by Tracey Richardson

Heartsick is a pretty good read with a decent slow-build romance between an ER physician and a paramedic. While I do like this book and I recommend it, I would have really loved this book if it had slightly better characterization and writing.

The book switches perspectives between our two protagonists, Angie Cullen, a former soldier now paramedic and Dr. Victoria Turner, an ER physician. I do like the idea of having two different perspectives in one book. However, I really would have liked to see their voices be much more distinct because sometimes, they blend into each other.

The main characters are brought together by a car crash which reveals their partners’ infidelity. Angie’s long-time girlfriend Brooke is cheating on her with Vic’s wife Karen. Soon after the crash, Brooke and Karen move in with each other. Angie and Vic are left to pick up the pieces of their lives and try to move on. The two women become friends as they rely on each other to figure out this difficult time in their lives. Their relationship blossoms into a romance that has some cute and steamy moments but also has setbacks like the huge dilemma of getting back into a serious relationship so quickly.

I really like how realistically Richardson handles the theme of infidelity. Both Angie’s and Vic’s reactions to their cheating partners are well-written and really makes you feel their pain. Moreover, their responses are extremely plausible. While there are a few instances which could have been cliché like Karen attempting to get back together with Vic as well as Angie’s repeated near-death experiences, Richardson maturely confronts these situations which actually do contribute to the plot.

However, I really did not enjoy the prolonged “will they or won’t they” relationship drama between Angie and Vic. I do like that both women are hesitant to get back into a serious relationship so soon after such devastating heartbreak and I believe that, at first, their indecision makes complete sense. But, the unnecessary drama draws out for far too long. Furthermore, the constant changes in their attitudes are confusing. One moment, Angie will be ready to take the plunge while Vic won’t…but, only a few pages later, Vic will be ready and Angie won’t.

I really love Angie who has a heart of gold and is sweet and loyal. However, I feel like I don’t know as much about Vic as I do about Angie. Therefore, I cannot connect with Vic in the same way that I do with Angie. I would have really liked to see some more character development for Vic because she is a great character, but I wish she was a little more fleshed out.

Tracey Richardson’s Heartsick is a good and quick read. Although I wish the writing and characterization could have been a little better, this is a solid book. If you like medical romances, some angst, and happy endings, I don’t think you’ll be disappointed.

Rebecca is a Creative Writing student and freelance proofreader. Come say hi at her brand new blog: https://rebeccareviews.tumblr.com/

Rebecca reviews Bait and Switch by Blythe H. Warren

 Bait and Switch is a sweet, moving and well-written romance which you’ll definitely want to read twice.

Our protagonist is dedicated marine biologist Liv Cucinelli who specializes in one-night stands. After an educational event at her aquarium, she is unexpectedly reunited with Mira Butler. Mira, the same woman who had ruined Liv’s life and college career almost two decades earlier, just happens to be the mother of Liv’s new favourite student, Cassie. Although Liv is determined to hold onto her lifetime grudge and remain hating Mira, she soon learns the truth about what happened all those years ago and her perspective on Mira begins to change. As Liv becomes Cassie’s babysitter, she and Mira build a tentative friendship which soon blossoms into a sweet romance.

I like that the plot advances quickly and smoothly while Warren avoids unnecessary angst and drama. The reveal about the history between Mira and Liv is really well-executed. As the women navigate their newfound connection and their own past hurts and insecurities, they also encounter difficulties at their jobs, Mira’s homophobic and ableist mother as well as issues in revealing their romantic relationship to their friends and families. I love that the characters feel like real people and they mature emotionally as the novel progresses. Liv is a funny and relatable protagonist and her first-person narration works well, adding just the right amount of humour and sarcasm to the narrative. Although the novel is from Liv’s point-of-view, Warren does a great job with the other characters. Mira is nuanced and well-written as she deals with her overbearing and horrible mother as well as her trust issues stemming from a cheating husband. She is definitely not the same woman whose ignorance and homophobia accidentally contributed to the fake rumour that destroyed Liv’s life.

While the book has a sweet and well-developed romance, I like that Warren shows us who these characters are outside of their relationship with each other. Liv has a wonderfully hilarious friendship with fellow commitment-phobe Patsy who she goes to for advice and who she neglects as her relationship with Mira intensifies. I also enjoy the fairly big role that the aquarium has in the book as well as the fact that Liv is ambitious and loves her job. The bond between Cassie and Liv is really special and heart-warming.

Did I mention how well Warren executes the usual tropes? Kid bringing two vastly different people together? Check. But, there’s a welcome twist: Cassie is a smart and friendly teenager who is also deaf. It’s nice that her difference isn’t her defining feature and she isn’t side-lined in the narrative. She’s a wonderful character who acts age appropriately and, even if you hate kids making an appearance in your books, you will definitely like Cassie.

Warren really makes the trope of enemies to friends to lovers her own. Liv and Mira are both well-defined characters with flaws and they do not fall instantly into perfect love. Instead, there are believable tensions and conflicts which are resolved quickly but naturally and with ample communication. Their relationship develops at a comfortable pace but there is definitely enough tension and heat to keep you interested. And, I can’t forget the found family trope paired with the holiday season because it’s handled just as heart-warmingly as you can imagine (if you can’t: think cuddling on the couch while watching Christmas movies, meaningful Christmas gifts…adorable!). Bait and Switch is a really well-written book with a wonderful happy ending. If you like excellently developed characters, a great romance, and you’re looking for a feel-good book, don’t miss this one!

Rebecca is a Creative Writing student and freelance proofreader. Come say hi at her brand new blog: https://rebeccareviews.tumblr.com/