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The Magic of Community: Brooms by Jasmine Walls and Teo DuVall

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Brooms is a YA graphic novel created by Jasmine Walls (writer) and Teo DuVall (illustrator) and published in 2023 by Levine Querido. It is set in an alternate 1930s Mississippi where magic flows all around, but is heavily restricted. Only certain people are allowed to learn certain types of magic to be used only in certain situations, with offenders punished by having their magical abilities locked away. Native American children showing magical abilities are rounded up and sent to government schools where they can learn “proper magic”. 

Despite the law’s best efforts, there’s one type of magical activity that continues to thrive: underground broom racing. Every weekend, teams of thrill seekers meetup to see who can take home the prize money for being the best. One such team is the Night Storms. Led by their captain Billie Mae, the team includes her best friend Loretta, Cheng Kwan, Mattie, and Emma. Together, they hope to make enough money to make their dreams come true.     

The greatest strength of Brooms is its worldbuilding. The setting of a magical 1930s Mississippi feels unique as it’s not a setting that has often been explored. By emphasizing history accuracy, Jasmine Walls shines a light on the queer communities that existed at that time but have long been ignored. The diversity of characters is also phenomenal. Mattie and Emma are mixed Black and Choctaw. Luella, their cousin who introduces them to the rest of the team, is mixed Choctaw and Mexican. Cheng Kwan is transgender and Chinese American. Emma is Deaf and speaks Indian Sign Language. Billy Mae and Loretta are Black and suffer from chronic illness and disability. Billie Mae and Luella are in a relationship with one another. Other broom racing teams include characters who are nonbinary, amputees, or come from other cultural backgrounds. Through this diversity, Jasmine Walls succeeds in showcasing people who have long been underrepresented in the media, including fantasy media. It gives every queer, BIPOC, and disabled reader the chance to see themselves as a part of the magical community of Brooms. 

Brooms also does a great job of developing its main characters and their relationships. The main cast is fairly large, consisting of the five racers and Luella. Through a combination of the main story and flashbacks, we get to see how this small chosen family came to be and how they continue to support each other. Luella and Billie Mae also get these really sweet moments together that show how deep their love for each other is. This made for characters and relationships that felt fully fleshed out. I was able to feel a strong connection with each and every one of them. It also made it harder for me to put the book down. I just had to know how their stories ended! 

I appreciate how Jasmine Walls was able to convey an overall hopeful tone while also clearly conveying the danger the characters are facing. Throughout the novel we are shown the very imminent threat that the girls and their community are under without ever slipping into a darker tone. We see racism and oppression, but never in its full brutality. These scenes are balanced with ones that show that, despite that oppression, the characters’ spirits never falter. They continue to support each other and their community in the face of overwhelming bigotry. To me, this feels like the perfect balance to aim for in a YA graphic novel. The people most likely reading this book may be dealing with real bigotry in their daily lives; they don’t always need to see it in their books too. They need hope and, in that regard, Brooms succeeds in giving them that. 

I found the story’s focus on the power of community incredibly resonant. Brooms isn’t a story about a group of people coming together to overthrow racist and bigoted power structures. Instead, it’s a story of how finding and building a supportive community can help people survive and thrive in spite of the dangers that surround them. It shows the reader that there is hope in community as long as its members stick together and look out for each other. It’s a message that we need more than ever. 

Brooms is also a really pretty graphic novel. The contrast between the earthy tones of the daytime scenes and the vibrant colors of the magical night races give these events a wondrous quality. It provides a nice contrast between a world that shuns non-White magic and one in which everyone is welcome and loved. The broom races also have this dynamic quality in their rendering that helps convey a sense of speed and danger, making for a thrilling read.

In the end, I enjoyed my time with Brooms. It is a well written and beautifully illustrated story that showcases the power of hope and strength of community. Through its historical setting and diverse cast, it highlights the simple fact that queer communities have always existed and will continue to exist into the future. It’s a message that every queer person, no matter their age, needs to hear.

Medieval Queer Chaos: Gwen & Art Are Not in Love by Lex Croucher

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Gwendoline and Arthur have been betrothed to one another since birth. Too bad they absolutely hate each other. When forced to spend a summer in Camelot together, Gwen and Arthur discover tantalizing secrets about one another: Gwen witnesses Arthur kissing a boy, while Arthur learns that Gwen has a crush on the kingdom’s lone lady knight, Lady Bridget Leclair. Stuck at a stalemate, they make a reluctant pact to cover for one another. While Gwen and Bridget finally connect, Arthur finds himself enamored by Gwen’s brother. Can they navigate their messy feelings to find their own places in history?

Oh my goddess, the queer chaos in this is everything. Lex Croucher has spun Arthurian legends of old into a queer medieval YA rom-com that could easily alter history as we know it. Gwen is a bi baby, newly navigating her feelings for a badass lady knight, while Arthur is a gay, sassy messy shooting heart-eyes at Gwen’s brother (the one-day king). The dialogue is EVERYTHING: sassy, quick-witted, and all too entertaining. There’s somewhat sexy sword-fighting (come on, sword-fighting is always sexy, but when your queer crush is schooling you, it’s all the better), fake dating (does it count as fake dating when you’ve been betrothed since childhood?), and heart-warming found family vibes. The queer panic and nervous humor were all too relatable, even though the story is set in medieval times. That’s a true feat; you can connect with the queer chaos, even if you’re shooting heart-eyes in the 21st century.

That being said, let’s talk about Gwen and her lady knight. I mean, get ready to absolutely SWOON alongside Gwen. Lady Bridget Lechlair is all fierce confidence—a necessity, when everyone has an unpopular opinion of you simply because you’re a woman, regardless of your badass abilities—but she’s also an enigma with a gooey interior. I loved seeing Gwen find her confidence through Bridget, discovering her voice and standing up for them both when necessary. Though Gwen is a royal, she’s questioned her inner power and authority, as everyone around her has made it clear her only worth is in her marriage to Arthur as a political move. Spending time with Bridget gives Gwen the chance to realize she’s worth so much more. Though the story’s quick wit and banter stand out, I think this character development is the story’s real strength. Sometimes, you need someone who believes in your potential before you can see it yourself.

The only real hang-up for me was the pacing. The ending felt especially rushed, which was a disappointment after the queer chaos dragged a bit. I wonder if the writer paused for a moment, then returned to finish the latter half of the story. I also found the relationship between Arthur and Gabriel (Gwen’s brother) a little underwhelming when it had so much potential at the start. Regardless, I appreciated all the queer hijinks and humor.

Recommended for fans of Heartstopper, Rainbow Rowell’s Simon Snow trilogy, Red, White, & Royal Blue, and the TV show Merlin. Get ready for a swoon-worthy, medieval mess of pining and romance!

✨ The Vibes ✨
⚔️ All the Queer Ships (w/ Serious Queer Panic)
⚔️ Fake Dating
⚔️ YA Debut
⚔️ Found Family
⚔️ Medieval/Historical Fiction/Rom-Com
⚔️ Enemies to Allies

What classic story would you love to read a queer retelling of?

A Cozy Queer Comic of Community: Matchmaker by Cam Marshall

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This was a surprise, last-minute entry in my list of favourite reads of 2023!

I stumbled on this while researching new releases for Our Queerest Shelves, and I was pleasantly surprised to see it was by a local British Columbia author/artist! I requested it from the library knowing pretty much nothing else about it except that it was queer and looked cute. I ended up devouring it in a couple days, and I’m now mourning that it’s over.

This follows Kimmy and Mason, best friends and roommates trying to survive the early 2020s in their early twenties. Kimmy is a nonbinary/genderfluid transfem lesbian, and Mason is cis and gay. As the title suggests, Kimmy is determined to set Mason up with his first boyfriend, which is made a lot more complicated during a pandemic when Mason is high risk.

This was originally a webcomic, which is obvious from how each page is set up to be somewhat complete in itself, but there is a narrative. We follow Kimmy and Mason through dating, breakups, and accumulating a growing group of queer friends. I loved these characters so much, and I was laughing out loud at several pages. It’s just such a cute, funny, and relatable read.

Kimmy is an unforgettable character. They’re over-the-top bubbly and silly, and they radiate confidence. I really appreciated reading about a fat transfem character who is so secure in themselves. They usually use they/them pronouns, but they also experience gender fluidity and change pronouns some days.

About halfway through the book, we find out Kimmy has depression, and they have to taper off their medication to start a new kind. As they go off their depression medication, they become an almost unrecognizable numb, closed-off version of themself Mason calls “Normal Kimmy.” Their friends support them through the weeks of this until they’ve adjusted to the new medication and begin to feel like themself again, including being able to better take in what’s happening around them.

This community of queer friends was the strength of this story. Not only have Mason and Kimmy been best friends since high school, but they also make connections with other queer people, quickly growing a supportive friend group. Despite the struggles they’re dealing with in terms of employment, the pandemic, dating, capitalism, and more, that rock solid foundation made this a comforting and cozy read.

This is not a short comic: it’s 280 pages. But by the time I finished it, I was already missing spending time with these characters.

I do have one complaint, though, and I hope it’s changed in later editions, because it doesn’t fit with the range of queer identities represented positively in this story: Kimmy refers to their lack of libido from being off their medication as being asexual, including triumphantly declaring, “I’m not ace anymore!” when their sex drive returned, which isn’t great, especially because I believe that’s the only mention of asexuality in the book.

That unfortunate inclusion aside, I really enjoyed this book. You can also still read it as a webcomic!

An Inclusive Magical Boarding School Story: Basil and Oregano by Melissa Capriglione

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Since reviewing Grand Slam Romance, a heartwarming, sexy, and inspiring graphic novel set in the world of a magical queer softball league, I’ve been searching for another graphic novel to scratch that very specific itch. To my delight, Melissa Capriglione’s Basil and Oregano did just that. Though intended for a slightly younger audience, the book offers a similarly high-stakes competition setting, complete with tireless preparation, hostile rivalries, and underdog determination.

Porta Bella Magiculinary Academy is home to the world’s most gifted magical chefs-in-training, and Basil Eyres is among the school’s star students—because she has to be. If Basil doesn’t maintain the status of “top student” for at least two quarters of her senior year, her tuition reimbursement will be denied. Determined not to disappoint herself and her supportive dads, Basil toils away at her schoolwork, sometimes at the cost of hanging with her best friends, with whom she originally bonded because of their shared financial woes (those magic culinary schools aren’t cheap!). Basil is so laser-focused that nothing can distract her… until a cute transfer student, Arabella Oregano, walks into her life. Arabella seems to have it all—money, fame, looks—but it turns out Arabella is hiding some secrets of her own.

According to the author, Basil and Oregano is “a book about finding the true source of your passion and nurturing that which brings us joy.” This rings true, as Basil and her friends exude enthusiasm and curiosity about cooking, the passion that binds them. Instead of giggling about boys, they’re busy brainstorming recipes and raving about a delicious slice of cake. In fact, cishet boys are seemingly absent from this book. Something I love about both Grand Slam Romance and Basil and Oregano is that the authors have taken queer artistic license to fill their stories with queer, nonbinary, and trans characters, without those being controversial markers of their identities.

This book conjures a lot of the cozy feelings that we wish (ahem!) all magical boarding school novels could evoke. From the cathedral-like dining hall to the sun-drenched dorm rooms to the quirky professors, the pages just ooze magical charm. And don’t let the cover’s muted hues fool you—the book bursts with a huge range of colors, big poofs of magic, and delectable food illustrations. As fun and easy as it is to read, Basil and Oregano also explores themes of belonging, class, even mental health and burnout, concepts that I wish I had been introduced to as a teen.

Trans Horror Satire with a Beating Heart: Boys Weekend by Mattie Lubchansky

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Boys Weekend a satirical horror graphic novel about Sammie, a trans feminine person who is invited to a bachelor party of an old friend as the “best man.” While there, Mattie seems to be the only one concerned about the cult sacrificing people. This was already on my TBR, and I was happily surprised to find out this one is sapphic! Sammie has a wife.

This is illustrated in a style I associate more with adult cartoons than graphic novels, but it works well for this dark comedy. Sammie is conflicted about whether to attend Adam’s bachelor party, but Adam has been fairly accepting after they came out, so they decide to take the leap. The party takes place at a sci-fi, ultra capitalist version of Las Vegas: it’s called El Campo, and on this island, anything goes. Including hunting your own clone for casual entertainment. Adam’s friends are all tech bros, and Sammie is uncomfortable with them on multiple levels: while their home is decorated with ACAB signs and pride flags, Adam’s friends are interested in strip clubs, get rich quick schemes, and everything else associated with hetero masculinity.

Even before the outright horror elements come in, this is an unsettling and upsetting environment to be in. Sammie constantly misgendered, both from strangers and friends/acquaintances who should know better. The horror plot is really just an exaggeration of the cult of masculinity that the bachelor party is so devoted to. There is some gore, but as a whole, it is focused on the satire, not being outright scary.

It’s difficult reading Sammie experience the unrelenting transmisogyny that they do, but there’s also a defiant, hopeful element to this story. It explores the complicated question of which relationships are worth holding onto after coming out—what about the friends and family who don’t get it but aren’t actively hateful? When is it time to walk away, and when is it worth reaching out and trying to repair the relationship?

Despite the horror, the micro- and macroaggressions, and the constant misgendering, this wasn’t bleak. Sammie reaches out to their wife and other queer friends throughout the story, asking for their advice and support over the phone, so even when they are surrounded by assholes, they don’t feel alone. Sammie is secure in their identity and self-worth and has support from coworkers, friends, and in their marriage.

While having lots of over-the-top elements—El Campo is something else—I actually teared up a bit at the end. The setting and plot might be cartoony, but the emotion is grounded. I recommend this both to horror fans and to those less familiar with the genre: as long as you’re okay with a few pages of gore, this is well worth the read.

Getting the Band Back Together: It Goes Like This by Miel Moreland

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It Goes Like This is a story about friendship, second chances, and not giving up on the people who care about you. The story follows the former members of Moonlight Overthrow, a band of teenagers who split up a year and a half before the events of the novel. Celeste and Gina, two of the members, have built new solo careers for themselves in music and acting. Steph has disappeared from the public eye and cut off all communication with their former friends. And Eva is a college student, writing music and closely following the fandom of her former band on Tumblr on a secret account. When dire circumstances cause the band to come back together for a one-time charity concert, the former friends are forced to confront their past together and decide if they’re really better off without each other. 

Each of the four members of Moonlight Overthrow are featured and are fully fledged, three-dimensional characters. However, Eva is the clear primary protagonist. The core of a story is a pair of questions, both centered around her. Will the band get back together, now that they’ve seen what their lives are like without each other? And will Eva and her ex, Celeste, rekindle the relationship that they were in for much of their time in the band? As the story goes on, it becomes clear that the answer to both questions depends on Eva, as she was the person most hurt by the end of both the band and her relationship.

Eva’s journey is deeply sympathetic. Through a series of flashbacks in the story, we see how deeply hurt she was by the band’s breaking up, the only person who wanted to stay together. How abandoned and lost she felt in the immediate aftermath. We also see her fear over seeing her best friends back together, and her ex-girlfriend, whom she still has strong feelings for, reaching back out. These people hurt her without warning before, and it’s hard for her to decide to trust them again, no matter how much she wants to.

Celeste’s story revolves around Eva. A successful solo performer now, Celeste still finds herself writing songs about her ex, even more than a year after their unceremonious breakup. Now, finally with the chance to make things right, she’s desperate to show Eva that she’s realized that breaking her heart is the biggest mistake of her life. Her coming to terms with the ways that she has hurt and continues to hurt Eva is a compelling part of the story.

Gina’s story is more introspective than the previous character’s. Her primary conflict of the novel revolves around how she, and the world at large, perceive her. Throughout the story, she refers to herself as the next Rihanna, or the next Beyonce, comparing herself to other successful Black performers. As the story goes on, she’s forced to confront the ways she’s comparing herself to others, and the ways that has caused her to push away those close to her. 

Finally, Steph’s story is much smaller in many ways than the other characters. After Moonlight Overthrow broke up, Steph disappeared, returning to the band’s home of Duluth and cutting off contact. Their conflicts within the story primarily revolve around the fears around the effects of being a nonbinary person in what was most well known as a “girl band”, and around the effect that being in a band had on their family, who also feature prominently in the story.

Miel Moreland has a talent for writing sapphic romance, and this story is no exception. The “will they, won’t they” tension between Eva and Celeste is palpable throughout the story, especially with the commentary from their friends and flashbacks to their time together. Celeste grows to understand the ways in which their breakup hurt Eva, and takes actions to rebuild her trust. The regrowing friendship between them and questions about more make a compelling romantic core for the story.

Gina also has a sapphic romance of her own, though it is less relevant through the story. Her girl back home serves less as a romantic subplot and more of a chance for Gina to open up to her old friends and show her willingness to rekindle the friendship that has long since died out.

The real representational win though is Steph and their identity. Cleverly, though Steph’s identity isn’t revealed to the characters until the end of the first act and there are several flashbacks throughout the story, these parts of the book are written so that rather than either misgender the character or have a character use they/them pronouns they wouldn’t know to use, pronouns are avoided altogether. Not gendering Steph until the characters are aware of their gender identity makes the world feel more natural, without resorting to misgendering the character. 

And Steph’s identity does form an undercurrent through the story. One of the primary reasons that they left the band was its identity as a “group of queer girls”. When their friends re-enter their life, Steph is unsure whether they have a place in this group, and their friend’s quick acceptance and willingness to defend them is a heartwarming piece of the story.

All in all, It Goes Like This is an excellent read. The story flows well and stays engaging, with multiple POVs and a few flashbacks helping to keep up the pace and stop things from feeling too slow. The story has some good thematic depth as well, though we can’t get into specifics there without spoiling the story. Rest assured, this is a story that stuck with me after I finished reading it, and even inspired a reread to see these characters I enjoyed so much again. You won’t regret your time with Moonlight Overthrow.

The Loosely Medieval YA Romcom of My Dreams: Gwen and Art are Not in Love by Lex Croucher

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Gwen and Art are Not in Love by Lex Croucher is not an Arthurian retelling, nor is it particularly converned with historical accuracy. What it is instead is a queer YA romcom set in a Camelot that is slightly obsessed with King Arthur several hundred years after his death, starring a princess (Gwen) and a noble (Art) who have been engaged since they were children, and who also can’t stand each other. Rather than fall for each other, as the romcom structure would typically dictate, they instead grow closer in the aftermath of Gwen catching Art kissing a stable boy and then Art finding Gwen’s diary, wherein she fantasizes about the kingdom’s only female knight. From there, they decide to more or less act as each other’s wing(wo)men for the summer, resulting in what may be the sweetest, funniest, and all-around most entertaining book I have read this year.

Reading this book felt like reading fanfiction, and I mean that as the highest compliment. When I stopped reading published books in my free time and switched over to fanfiction for years because it was the only place I could find what I was looking for, this book right here is exactly what I wish I had. These characters felt like old friends right from the beginning, and I genuinely don’t think I’ve ever laughed so much at a book. Like, the dialogue in this book was impeccable.

I can’t gush enough about how much fun I had reading this book or all of the things I loved about it because it really was pretty much everything, so instead I’m just going to note the two things that kept sticking out at me that made me appreciate this book even more:

For one, I loved the way this book challenged the idea of being “not like other girls,” because yeah, as a queer nerdy teenager, I definitely could have related to Gwen’s assumption that all of the other girls were shallow stereotypes gossiping about her when she’s not listening, and I also could have used a reminder that other teenager girls aren’t the enemy just because they’re more comfortable making friends than you are. I thought this book incorporated that really nicely, without it feeling heavy-handed.

Most importantly, I loved how much love was in this book. Between Gwen and Art’s blossoming friendship, their respective blossoming romances, and Gwen’s close friendship with her brother, there really is no shortage of love of all kinds, something that I think is especially important in queer YA. It was a joy to watch these kids fall in love, and then also be able to talk about it with their outside support systems, or help each other work through their feelings, or go let loose together at a party on their birthday.

My only note, if you will, is I did feel like the sapphic relationship got the least pagetime, predominantly because Art’s love interest is also Gwen’s brother, which means that while Gabe is a major character in both Art and Gwen’s chapters, Bridget is mostly only in Gwen’s. I wouldn’t go so far as to say this was a failing on this book’s part, because I truly do mean it when I say I loved every page of this book, but I did wish I got as much of Bridget as I did of Gwen, Art, and Gabe.

From the very first page, I thought this was legitimately one of the funniest books I have ever read, but it did not take long for this book to prove itself full of just as much heart, as well as characters I would protect with my life. If I could give my teenage self just one book, it would almost certainly be this one.

Sweet, Chaotic Bisexuals: Love at First Set by Jennifer Dugan

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“Queer chaos trumps moral fortitude, especially when making out is involved.”

For Lizzie, working at a gym isn’t just a job; it’s her home. For now, she’s only the check-in girl (and occasionally, the owner’s punching bag), but one day, she could manage her own. When her bestie (and emotional support himbo) and boss’s son James asks her to play plus-one at his sister’s wedding, she agrees, hoping to find a chance to talk to his parents about a promotion. One drunken pep-talk later and the bride-to-be, Cara, realizes she doesn’t want to get married after all. It doesn’t help that Lizzie is crushing on her hard—or that Cara decides to stay with her brother while getting her derailed life back together. Afraid his sister plans to set him up on a blind date, James urges Lizzie to keep her distracted. Can Lizzie girl the hell up and keep her crush under wraps?

Lizzie is a beautifully realistic mess and knows it. Growing up with an unreliable, emotionally-abusive mother taught Lizzie she could only rely on herself, while her economic status triggered some serious self-esteem issues. Though her self-reliance and independence are strengths, her unwillingness to trust others also becomes a weakness.

Jennifer Dugan heard the phrase “queer pining” and understood the assignment. Lizzie’s insta-crush on Cara spurs some hilarious self-talk that puts the “com” in this queer rom-com. The constant, silent, somewhat reluctant pining is intense, raw, and real, but her sass and sarcasm never let it get overly sappy. Though Lizzie can’t see it, Cara’s obvious crushing is equally intense, making these two lovesick, bisexual messes the perfect match.

Unfortunately, everything I loved in the first half of the book becomes exhausting by the second half. Lizzie allows both James and Cara to manipulate her into favors that benefit them too often. Her self-proclaimed cowardice spurs the story’s internal conflict a little too much. The self-deprecation that was once funny became painful enough to become cringy, too.

While I love a slow burn, Lizzie and Cara’s relationship is too focused on showing physical development, but not the emotional development. We don’t see the pillow talk or hidden moments between them that lead to them falling in love with one another. The external conflict—Cara’s mother—is written as a two-dimensional antagonist. Her motivation for keeping the women apart is status, but why? (Did she grow up in poverty, or feel shamed by a group with higher social status at one point in her life?)

Vague spoilers below.

My biggest pet peeve is a plot powered by miscommunication (in this case, a complete failure at communicating from the start), and this story relies on it all too much to reach an unsatisfying happy ending that’s tied up in a literal bow. The writing was so strong and held so much promise in the beginning, but I’m afraid the third-act break-up, blow-up dinner scene, ultimatum, and ending didn’t do it for me.

End of spoilers.

Recommended for anyone who loves pining and scheming of Shakespearean proportions. This sapphic rom-com will be a sweet if chaotic addition to your TBR.

 ✨ The Vibes ✨
👟 Sapphic Rom-Com
👟  Bi Visibility
👟  Gay Best Friend
👟  Economic Classes
👟  Shakespearean Miscommunication, Pining, and Scheming
👟  Self-Esteem Issues

“Don’t sit behind the gym counter of your life when you’re meant to be in front of it. “

A Breezy F/F Romance With a Fatal Flaw: Against the Current by Lily Seabrooke

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Against the Current is the second in what promises to be a lovely cozy romance series, based on a queer friend group that lives in the same fictional, medium-sized city. The main characters, Annabel and Priscilla, were introduced (Priscilla a lot more briefly than Annabel) in the first book, If It’s Meant to Be. In that book, Priscilla is introduced as a younger straight woman who has a massive crush on the incorrigible playgirl, Annabel. By the opening of Against the Current, only the “massive crush” part of that remains true. Priscilla is fully aware that her feelings for Annabel are not exactly heterosexual (she takes a bit of time to figure out what that means for her as the book goes on), and Annabel is desperate to shed the “playgirl” from her life. She wants someone a lot more permanent in her life, even (maybe especially) after having had a relationship with the emotionally-unavailable Emberlynn, one of the main characters in If It’s Meant to Be.

There’s no real toaster-oven angst in this one on Priscilla’s part. She’s comfortable having this crush, even if the crush itself is deeply uncomfortable. The angst and main problematic come because Priscilla is a) younger, and b) a swimmer on the college team Annabel coaches, which makes this an age-gap/student-teacher romance if you squint hard enough, even though the gap in question is only four years. The romance itself follows a fairly standard arc with moderate pacing and medium spice, the chapters are narrated first-person by one or the other of the main characters, and it comes to a tidy resolution, with enough of the supporting cast tangled up in their own drama to provide further fodder for the series.

Where this novel falls short is in the first sex scene, and what follows are both light spoilers and a content warning for coercive sex, so read on at your own discretion. The pair find themselves at a hotel, having travelled for a high-level swim meet, in which Priscilla won a gold medal. They are sharing a room and discussing the significant sexual tension between them. Priscilla is trying to convince Annabel that she knows where she is, what she’s doing, who she’s doing it with, and that she understands their scholastic relationship. And Annabel says, “no,” kindly and clearly. Priscilla pushes right past that no, past at least two others, and eventually wears Annabel’s resolve down and into bed. Not exactly enthusiastic consent. This is a thing that happens in romance novels and has been used in other books as an effective point of contention. But that doesn’t happen here. Annabel doesn’t bring up her feelings the next morning, Priscilla is happy to have bedded her crush, and the friend group admonishes Annabel and warns her off breaking the younger woman’s heart. I waited for the author to flag Priscilla’s behavior as bad at any point in the rest of the book, but she didn’t. I was stunned. Seabrooke is a better author than this, and these wonderful, rich characters (particularly Annabel) deserved so much more. But this was a significant oversight on an otherwise talented author’s part that must be mentioned and highlighted, particularly for any readers that have experienced such coercion themselves.

Overall, the book was a well-written, breezy romance for those times where you just want to disengage for a couple of hours and read about some messy sapphic twenty-somethings being cute and gay. I unfortunately can’t recommend it, as the coercive manner in which the sexual relationship between the main characters starts cast a pall over the whole book as I was reading it. Read the first book. Read everything else Seabrooke has written, supporting a trans author who deserves a lot more visibility. But, unless you read book one and you just can’t not read what happened with Priscilla’s first gay crush, I’d skip Against the Current.

I received an advance review copy of this book from Booksprout in exchange for nothing but an honest review.

Culinary Combat School: Cooking With Monsters by Jordan Alsaqa & Vivian Truong

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the cover of Cooking with Monsters Vol 1

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Recently, I read and loved Basil and Oregano by Melissa Capriglione, a sapphic YA graphic novel set at a magiculinary school. I am delighted to say that Cooking with Monsters—one of my most-anticipated books of the year—is also a sapphic YA graphic novel set at a fantasy cooking school. In this case, though, cooking is only one half of the challenge. Just as important is the students’ ability to fight monsters, which they will then prepare as gourmet meals.

This was such a delight to read, and I can’t wait for volume two. This book establishes a diverse cast of characters and their relationships with each other, as well as the basics of how training happens at Gourmand School of Culinary Combat.

The main character is Hana. When she was a kid, her and her best friend Bobby were rescued from a monster by a warrior chef, and ever since, it’s been her dream to become a warrior chef herself. Now Hana and Bobby are both starting their first year. The cast is rounded out by Hana and Bobby’s roommates as well as Hana’s love interest and academic rival, Olivia.

While Hana is immediately smitten with Olivia, after a promising introduction, they quickly get off on the wrong foot. Hana is disappointed that her hero isn’t the one to mentor her, while Olivia is resentful that Hana doesn’t appreciate the mentor she does have: Chef Graham. Unbeknownst to Hana, Chef Graham is Olivia’s grandfather, and he swore he’d never take on another student. Olivia is hurt that he’d decide to train Hana over her. This initial misstep spirals into more rivalry and miscommunication between them. Meanwhile, Bobby is becoming closer with Olivia and he and Hana are drifting apart.

While I felt like the beginning of this volume was a little bumpy, I was soon pulled into this world and the well-rounded characters. First of all, there are the monsters, which are all part animal and part food (think Mooseshrooms, which grow mushroom from their antlers). Some are violent and are defeated through combat. Others are cared for, with their fruits responsibly harvested. They’re such a fun visual element.

I mentioned already the diversity of the cast, but that really is woven into the story. Hana and Bobby are coded Japanese and Vietnamese, and they face racism and anti-immigrant sentiments from some people in their community—including a second year student who used to harass them. Olivia is Black. One side character is nonbinary, and another is a trans man with top surgery scars. I often lose track of a long list of characters, but each of them is distinct in both design and personality.

It’s this group of characters that, alongside the monsters, is the main strength of the graphic novel. I can definitely see how this can support a whole series, because I’m intrigued by even the characters we’ve only seen briefly. We’ve also gotten a look into Hana’s own weaknesses she has to overcome in her training, and I look forward to seeing what subsequent years are like at the academy!

This definitely lived up to my (high) expectations, and as I just keep saying in this review, I can’t wait for volume two to come out!