A Lush and Sensual Greek Myth Retelling: The Palace of Eros by Caro de Robertis

The Palace of Eros by Caro de Robertis cover

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It’s no secret that Anne Carson has inspired many a sapphic love affair with ancient Greek myths, or that stories like Malinda Lo’s Ash, Sarah Diemer’s The Dark Wife, and a vast world of AU fanfiction showed that the threads from which most modern myths are spun could also be woven in ways that mirrored the desires in sapphics’ hearts.

So I am delighted to review Caro de Robertis’s The Palace of Eros. A retelling of a classic Greek myth, this decidedly mature version of Eros and Psyche’s story is so beautiful in its refusal to be reductive, and so human in the ways de Robertis lets their characters be selfish, arrogant, misguided, desirous, demanding, and just messy, messy sapphics that are still capable of tender love and care. There is hurt, there is pain, but there are also two lovers coming together time and time again to work through their difficulties.

You know the bare bones of the narrative. Aphrodite, goddess of love, beauty and fertility, gets peeved when people dare to compare Psyche’s mortal’s beauty to her own immortal one. So she sends Eros to force Psyche to fall in love with a monster of a man…only for Eros to end up falling for her and whisking her away to an enchanted palace. Like most Greek mythology that was translated into the English imagination by a bunch of misogynistic male aristocrats whose wealth and education came at the expense of an empire of exploitation (so, most Greek mythology), this story is ripe for the personal projection of all sorts of sexist nonsense. But in de Robertis’ capable hands, those bare bones are reincarnated into something much more caring and empathetic: a beautiful parable about the crushing weight and isolation that can come from hiding the truth of yourself, as well as the double-edged fragility of rooting your sense of self and power in physical attractiveness.

It is also a defiant, joyous, sensual ode to queer desire and passion. Living up to the title, the novel explores various aspects of the erotic throughout the POV heroines’ journey to self-actualization. I’m very pleased to say that calling this prose more wonderfully mythical than many a translation would likely make Joseph Campbell roll in his grave. So I shall. While it starts off a little choppy and takes a chapter or two to find its flow, it then becomes a nuanced take on the importance of art in developing one’s sense of expression and liberation—about the ways mistakes in safe environment leads to innovation and a better understanding of yourself and the world around you.

This isn’t some two-bit story about a femme being whisked away by a (relatively more) masc partner and then having all her problems resolved (and her character flattened) by a shower of money and/or magical prowess. This is a novel that captures how finally practicing a pottery technique to perfection can lead to the same rush of climactic satisfaction as being with an especially attentive lover. Time, focus, and care tis needed for both.

Finally, historical-esque fiction that doesn’t feel the need to fade-to-black on me! It’s not a bodice ripper, not by a long shot, but nor is de Robertis shy about showing their characters’ more carnal needs. The prose doesn’t linger too long on anatomical terms or mechanistic descriptions about what is going where exactly, instead choosing to ratchet up the sensuality through metaphor and sensory imagery that give readers strong visuals while leaving enough room for personal imaginations to get some say in the final vision.

Did I mention the absolutely poetic ways this book describes intimacy?! It’s enough to make a sapphic swoon.

But all the heartwarming lushness that blooms in isolation cannot remain forever insulated. As Psyche grows more comfortable in herself as a sensual and sensory being, her imagination expands. And as Eros grows more comfortable with the idea of being loved for all the parts once deemed monstrous, the two’s growing sense of possibility starts to chafe at the restrictions imposed by others’ petty insecurities—which themselves betray deeper anxieties about the status quo. With their families’ desire to defend the status quo they’ve sacrificed their dreams to creating violent storm clouds on the horizon, Eros and Psyche must reckon with who they want to be and become in order to keep their blossoming love alive.

In that way, it is also a timely book, and one I will recommend when people ask for something romantic, sensual, and ultimately hopeful about the way queer desire—both for others and for our truest selves— can be a catalyst for change.

Who Will Enjoy This?

  • Readers who enjoy the gentle pacing and focus on creative work in cozy fantasy but also works that grapple with the power dynamics of literary and historical conventions.
  • Readers with a deep nostalgia for femslash Greek Mythology AU fanfiction (there was some gold in those hills).
  • Readers looking for prose that fully evokes all the sensorial dimensions of the word “lush”.

When We Find Our Bodies in the Cornfield: What Stalks Among Us by Sarah Hollowell

the cover of What Stalks Among Us by Sarah Hollowell

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I don’t know if this book will be for everyone, but it was a perfect read for me.

The premise of this YA horror novel is that two friends get lost in an ever-shifting corn maze, and then they find their own dead bodies in the maze and have to figure out how to avoid the same fate. I love a horror premise like this: we’re thrown into a messed up supernatural situation and have to figure out what’s going on and how to escape without turning on each other. But typically, in a horror book, it takes a while to get there. Not so here! On page one, they’re in the maze. By page nine, they’ve found the body.

Sadie is fat, bisexual, and has ADHD and anxiety. We’re very much inside her head: she ruminates constantly about what the right thing to do or say is. Logan is also bisexual and has ADHD, and they’re both close, but they’ve only been friends for about a year, and she’s worried about driving him away or having him judge her. It doesn’t help that she was recently in an abusive relationship and lost her friendships during it. So she doesn’t let him in—knowing that doing that also pushes him away.

The voice in this novel is so strong: it really does feel like being inside the head of someone with ADHD and anxiety. Often, Sadie struggles to know how to respond to people and imagines a video game-style dialogue tree of what to say next. She is constantly referencing (out loud or just internally) memes and pop culture. The reason I think this might not be for everyone is that all these references seemed pretty millennial to me (“heckin’ windy”, Pirates of the Caribbean, Supernatural, etc), but since I’m a millennial, they were spot on for me. I’m just not sure teens today would relate.

As for the plot, as I mentioned, I loved that we got dropped immediately into the maze. It’s also not one of those in medias res beginnings were we immediately jump back in time and spend five chapters building up to that point; the majority of the book is set in the maze. I wasn’t sure if that would get old, especially since this is nearly 400 pages, but I never got tired of it. The mystery unravels steadily throughout, and the tension keeps building.

It feels weird to call a horror novel heartfelt, but that is what I was left with. I love books with queer friendships, and I appreciated Logan and Sadie reaching out for each other even when it was difficult. Despite being fairly new friend, they clearly care about each other deeply. Also, despite the time loop murders, the supernatural corn maze, and all the other horror elements, this is fundamentally a story about trying to find your self worth after abuse and trauma. And a good part of that happens in community. Major spoiler, highlight to read: I especially enjoyed that they ended up befriending their murderer. The power of friendship! End of spoilers.

I can’t set aside that part of why I loved this book is that I felt Seen. I’m also a fat bisexual with anxiety (who has also been putting off getting assessed for ADHD). I’ve been in an abusive relationship as a young person and had to rebuild my self worth. I could definitely relate to Sadie, especially since I recognized all the references she made. So it’s hard for me to have any objectivity about this story.

Even if you don’t deeply relate to Sadie, though, I think you’ll really enjoy What Stalks Among Us. Despite this not being particularly short, I read it in one day—almost in one sitting. I was completely absorbed in the story, charmed by the characters and their relationships, and invested in figuring out what was happening in this maze. The answer/ending was satisfying, and matched the bigger themes of the story. If you’re looking for a horror book you can marathon read on Halloween, you need to pick this one up.

Danika reviews Light From Uncommon Stars by Ryka Aoki

the cover of Light from Uncommon Stars

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I loved this book, but it’s such a tricky, contradictory one to recommend. It’s about aliens and demons and curses, but it’s also a grounded, realistic character study. It’s hopeful and comforting, but it also contains abuse, bigotry, and a lot of brutal descriptions of transmisogyny. This disparate parts combine into a heartachingly affective story, but do be prepared to be reading about both the kindness and the cruelty of humanity.

It follows three main characters. Katrina is a trans teen girl running away from an abusive family, turning to unsafe forms of sex work as well as precarious living situations to get by. Shizuka, aka the “Queen of Hell,” is a world renowned violin teacher. Each of her students has experienced the pinnacle of fame and success–before the all swan-dived into tragic ends. That’s because she made a deal with the devil, and she can only save her soul by securing 7 other souls in her place. She’s had 6 students, and she only has a year to find the 7th, but she’s determined to make sure this last student is the perfect choice. Then there’s Lan, a refugee from another world, fleeing a multi-universe-spanning crisis. She’s arrived at Earth safely with her family, and they are running a donut shop while upgrading their space travelling technology hidden underneath the shop.

The three of them seem to be living in books of different genres, but their lives become intertwined. When Shizuka hears Katrina playing in the park, she immediately recognizes that this is her final student and takes her in. When Shizuka stops in at the donut shop to the use the bathroom, she is immediately stunned by Lan, but doesn’t have time for romance right now. Still, she finds herself back at the donut shop multiple times, and eventually they open up to each other, and they find unexpected support and new perspectives on their situations from the other. (Shizuka is unfazed by the existence of aliens; once you’ve made a deal with the devil, reality seems much more flexible).

While I enjoyed the quiet relationship forming between Lan and Shizuka, it’s very much in the background. This isn’t a romance, and there’s no grand romantic gesture or even much discussion of the nature of their relationship. Despite the sci fi and fantastical elements of this story, it was Katrina who took centre stage for me. As a trans woman of colour (she’s Chinese, Vietnamese, and Mexican), she faces a hostile world, including from her family. She goes through physical abuse, rape, and is a target for transmisogynistic vitriol online and commonly from strangers in person. It’s relentless.

Katrina finds refuge with Shizuka, who accepts her completely. She is able to have a safe place to stay and practice her passion of playing violin. Shizuka obviously cares a lot about her… but she’s also planning to sell her soul. The chapters count down the months until Shizuka’s deadline, creating a ticking timebomb as Katrina and Shizuka get closer. The most heartbreaking thing is (slight spoiler, fairly early in the book), Katrina is not surprised or even hurt by the idea that she is being taken in just to have her soul sacrificed. Everything has a price, and it is worth it for her. (spoiler ends)

This is also a celebration of music. Violins are described with reverence, including occasional point of view chapters from a gifted luthier who is going through her own struggles of being rejected from the family business and then being the only one left to carry it on. At their best, Katrina and Shizuka’s performances transport listeners to different moment in their lives and the music becomes transcendent. Food is given a similar treatment: originally the donuts are artificially replicated from the former owner’s recipes, but members of Lan’s family begin to find the magic in making them from scratch, and how these simple treats can move people.

An undercurrent of Light From Uncommon Stars is about mortality–which makes sense, considering Shizuka’s predicament. (slight spoiler) Lan is fleeting from the End Plague, which is a kind of destructive nihilism that is said to overtake all societies when they realize that all things will end, including their own existence. Shizuka pushes back at the idea that having knowledge of your own mortality (even on a grand scale) is inherently destructive. (spoiler ends) They find meaning in ephemeral things like music and food, and that this can be enough. There’s also an AI character who considers herself to be Lan’s daughter, while Lan sees her as artificial, and the question of whether she is truly a person becomes life or death.

Despite the high concepts and fantastical elements, this isn’t an action-packed story. It’s character driven. It’s about Katrina finding her place in the world and deciding what she wants to do. It’s about her processing living in a world that is hostile to her, and forming her own sense of identity despite that. She finds meaning in her art, even when that’s recording video game soundtracks and posting them anonymously online. She learns from Shizuka how to find just one friendly face in a crowd while performing. And eventually, she finds her anger and is able to channel it into her art. Then there’s Shizuka, grappling with what she’s done and whether she’s willing to do it again or be pulled into hell in a matter of months. And Lan, who can’t quite convince herself she’s safe, and so is always working, preparing, and keeping ready for the other shoe to drop.

This is gorgeous, multifaceted story that I bounced between wanting to read cover to cover in one sitting and setting aside for weeks because I wasn’t emotionally prepared to dive back into it. While it took me a bit to finish, I’m glad I started the year off with this one. It’s exactly the kind of challenging, hopeful, and unexpected story I want to read a lot more of, and it’s a definite 5 stars.

Content warnings: abuse, homophobia (including f slur), transphobia, racism, rape, self-harm (cutting), suicidal thoughts, r slur [and likely more: please research more content warnings if there’s anything specific you’d like to avoid that I might have missed]