LA as a Not-So-Urban Jungle: Undergrowth by Chel Hylott and Chelsea Lim

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Seventeen-year-old Mariam finds herself surviving a Los Angeles that has been overrun by a magic jungle of horror. Along the way, she meets a group of other survivors, and together they become a family. But Mariam has her secrets. She magically heals and cannot die thanks to a deal with the devil her father made on her behalf. And the jungle they find themselves in has been caused by her father as well. She must learn to put her faith in others and earn their trust in return to undo the mess he made.

There’s a strong sense of setting here that feels a lot like Jeff VanderMeer’s Southern Reach trilogy. The lush descriptions of an LA gone to hell under a horrific jungle and the introduction of Mariam as a tough-as-nails type make it an intriguing story and give it a strong start. Unfortunately, that doesn’t hold.

Mariam tries to keep herself emotionally distant to avoid the pain of loss but ends up getting attached to a rag-tag found family. But she still tries to hold her secrets, and that ends up hurting them. At every turn in the story when Mariam is given a chance to be honest, she chooses to lie and continues to create a rift between herself and her new family. She never seems to learn that taking this route causes more pain and danger, and so it doesn’t feel like she undergoes a major character arc.

Additionally, the pacing happens too fast to feel like her attachments are believable. Her crush on Camila quickly evolves into a deep connection between the two girls, but it doesn’t seem organic. Despite this, the relationship that starts to blossom between them is sweet, and it adds a sense of levity to the apocalyptic situation.

Throughout the novel, the author sprinkles details about Mariam’s cultural heritage, with tidbits like talking about her Ramadan dinners and the names she calls her family by. Readers can appreciate the subtle way Mariam’s background comes to light, giving her some depth without overexplaining everything.

There is also a transgender character, Hana, whose identity is revealed in a moment when her hair has to be cut because of lice. It adds another interesting layer to the story without turning into a teaching moment. The author writes many of these character revelations well, showing representations of body dysmorphia and disability in the middle of the end of the world.

As the novel ends, it all happens rather fast and feels like it gets tied up in a neat bow, considering the situation. There is a lack of satisfaction with so many unanswered questions about the world itself. It’s never discussed exactly how long the jungle apocalypse occurred until the very end. The story never shows how the world outside of LA coped or reacted to the events outside of a few glimmers of a military scene at the beginning.

Overall, none of the characters have much development, especially not Mariam or her dad, the villain. But it does get a happily ever after for her and Camila, and it was a fun adventure.

A Supernatural Noir Novella About Love at All Costs: Even Though I Knew the End by C.L. Polk

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What would you give up everything for? If you knew you were doomed, would you keep fighting?

In fewer than 140 pages, the award-winning Even Though I Knew the End by C. L. Polk posits these questions with a heroine whose love and determination propel her through a fast-paced investigation to catch a killer and save her soul.

Ten years ago, Helen Brandt sold her soul to the devil to revive her brother from an accident that claimed her whole family. He’s not exactly grateful to be yanked from paradise by the sister who’s been branded a warlock, but in the meantime, Helen has met the love of her life in a lesbian bar and made a living as a mystic in 1940s Chicago. Just before Helen reaches her expiration date, she’s given one last mission, with the reward being the return of her soul. While her ultimate fate is still eternal damnation, if she catches an infamous serial killer, she can live out the rest of her mortal life with Edith Jarosky.

To say more would be saying too much, but rest assured this is a story that builds on itself until the end. My favorite novellas work in perfect choreography, with no paragraph wasted and every storytelling element woven together around a central ribbon. To me, Even Though I Knew the End is one such novella. Rich in atmosphere and with a poignant thematic core, it is paced to keep the reader achingly aware of the protagonist’s countdown clock as the stakes of her mission only increase.  

Helen is an intensely devoted, driven, and charismatic protagonist. The natural affection between her and Edith makes their relationship heartwarming. As revelations about Edith come to light, I do wish she got more of a chance to shine with her own contributions, especially as she is Helen’s driving force. The couple are shown to work together in perfect harmony, and I would have loved to see their teamwork demonstrated more, as well as have Edith’s character explored. 

Two other characters stood out to me in particular. Without getting into spoilers, if you enjoy powerful, charismatic (and not-so-charismatic) beings in your supernatural fiction, this cast will be for you. Edith’s complicated relationship with her brother rounds out the dynamics. With a smoky atmosphere evoked in pointed descriptions, even though I know the end, this is a book I would happily revisit.

A note on the worldbuilding: This is set in a world with nonbinary angels, where being gay will not condemn you, but warlock deals and sacrilege will.

Other content warnings include death and violence as well as references to period-typical homophobia, sexism, ableism, institutionalization, and conversion therapy. 

Emory Rose is a lover of the written word, especially all things whimsical, fantastical, and romantic. They regularly participate in National Novel Writing Month as well as NYC Midnight’s fiction writing challenges. They are fueled by sapphic novellas and chocolate.

A Sapphic, Filipino Horror Comedy: Damned If You Do by Alex Brown

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Filled with imagery and stories from Filipino folklore, Damned If You Do follows high school stage manager Cordelia Scott, as she prepares to put on the annual school play, struggles with passing her classes and imagining a future for herself, and tries to push down her not-so-subtle crush on her childhood best friend, Veronica. After having sold her soul to a demon seven years prior, in a last-ditch effort to get her abusive father to leave her and her mother alone, that very demon comes back demanding that Cordelia return the favour and help him save her hometown.

At the cusp of perfectly entertaining horror comedy and peak YA fiction, this book dares to ask the question: what if your dad was such a terrible person that a demon with a habit for bad puns replaced him as your father figure and managed to be significantly better at parenting?

I think the tone and narrative voice of this novel is so perfectly aimed at its YA audience. Brown clearly knows how to expertly meld entertaining high school drama with deep-set family trauma, folding it all into a fun yet heart wrenching story. A book that can make you chuckle out loud while tears are actively streaming down your face is one worth picking up.

I really enjoyed the romance between Cordelia and Veronica. I don’t actually remember the last time I rooted so wholeheartedly for a book couple to get together, but their relationship was the perfect amount of pining, confusion, and “ride-or-die” friendship, so I couldn’t help but fall in love with them. I had so much fun with this book that I finished it within a day; I found myself simply unable to put it down.

Horror comedy sometimes falls flat for me, in that it focuses so much on making the characters “funny” that you lose a lot of the substance of the horror genre. But this book manages to keep up with the witty inner dialogue and conversational tone throughout the story, without letting everything fall so deep into the “comedy” aspect that it misses out on any depth or analysis. There’s a fascinating discussion in here surrounding trauma and father figures that really molds itself through the character development, and that really grounds you as a reader into the general message and theme of love and survival.

I also greatly appreciated the way that Brown didn’t shy away from addressing the very real effects that abuse from a parental figure can have on a child, and exploring all those complex feelings that creep up within you no matter how much you try to ignore them. Our main character struggles so much with feelings of guilt, regret, anger, and frustration, and the story really gives her that space to finally deal with all those emotions and face them head-on.

Of course, I will always adore a sapphic final girl who feels like she has the weight of the world on her shoulders, and it’s so easy to become instantly attached to Cordelia. This is the perfect book for someone who loves completely oblivious sapphics (and I mean completely oblivious), or someone who wants a fresh new take on the exploration of queerness through monstrosity in a way that is loving and positive instead of filled with repressed shame.

Representation: sapphic, biracial, Filipina main character and love interest

Trigger warnings: child abuse, violence, gore, blood, depictions of verbal abuse, mentions of physical abuse