Cath reviews The Cybernetic Tea Shop by Meredith Katz

the cover of The Cybernetic Tea Shop by Meredith Katz

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The Cybernetic Tea Shop has been one of my comfort reads for years now, one of those stories I can reread over and over. Clara Gutierrez is a technician for Raises — small, animal-shaped robotic companions with a limited range of intelligence and emotions. She doesn’t like settling down in one place, choosing instead to move on frequently, with her only consistent companion her own Raise, a hummingbird called Joanie. On a whim, she decides to move to Seattle.

In Seattle is Sal — a robot, which are specifically differentiated from Raises because of their developmental AI that makes them truly sapient. While the creation of robots has been illegal for quite a long time because of the ethical conundrums they present, Sal predates the law, as she is almost three hundred years old. Her owner purchased her to help with running a tea shop, but passed away years before the story takes place. Sal has continued running the tea shop, clinging to her memories of her owner Karinne.

Clara visits the tea shop at the suggestion of a new coworker, and she and Sal eventually become friends. After a while, Clara also offers to try and help Sal with mechanical problems she’s been having, and with that and Clara helping support Sal after the tea shop is vandalized, their friendship progresses to something different. Both Clara and Sal are asexual, though, and Sal is extremely grateful that she won’t be asked to provide sexual gratification for someone when she doesn’t want or need it herself.

The story is quite short, but it is so cozy and comforting, and it feels like coming home every time I return to it. Most of the story is tightly focused on Clara and Sal and their emerging relationship, which makes sense for a short story, but it’s also clear from their interactions with others that they are cherished parts of other people’s lives. The storyline is fairly straightforward, but definitely makes you think about the way we treat others who are different, even though we in our present day don’t have sapient robots in the world. Sal’s shop is vandalized, she faces discrimination both legal and personal on a regular basis — these are things that real people in our daily lives experience, even though they aren’t sapient robots, and stories like this can help us examine how we react to those real-life stories when we encounter them.

There’s also a big emphasis on memory and how it impacts us as we move forward, and what it means when memory starts to fail. As I am currently going through a family member’s experience with losing memories, this hits harder than it used to, but the calm seriousness with which the story treats it makes it feel like a hug.

I read this book for the first time a few years ago, when there were even fewer books with asexual protagonists than there are now. I likely would have enjoyed the story even if the protagonists were not both explicitly asexual (while the word is not used, they both describe themselves as not feeling sexual desire), but their asexuality is definitely one of the things that keeps bringing me back to this book. As with the use of the story to cover difficult topics in ways that make you think, the presence of asexual characters also makes me feel seen, as if I am also a part of the world.

I know I’ll come back to The Cybernetic Tea Shop many times in the future, as I have many times in the past, and I look forward to it every time.

Rating: 5 stars

Content warnings: discrimination, vandalism, sex that was technically consented to but was not wanted (in the past)

Cath reviews That Could Be Enough by Alyssa Cole

the cover of That Could Be Enough

Mercy Alston is a servant to Eliza Hamilton — yes, that Eliza Hamilton — and most of her work consists of assisting Eliza with her research into preserving Hamilton’s legacy. Her life is boring, quiet, and predictable, and at this point she prefers it that way. She’s been burned too many times by letting herself love and care about others, and she’d rather not make that mistake again.

But when Andromeda Stiel arrives at Hamilton Grange for an interview her grandfather can’t attend, Mercy’s immediate attraction to her throws all her carefully-laid plans into chaos. Andromeda’s charismatic, won’t-take-no-for-an-answer personality doesn’t help, and Mercy quickly finds herself spending more and more time with her and doing exactly what she’d promised herself she’d never do again — falling in love.

This is a really sweet story, centered around two queer black women and their journey from vague antagonism to love. We learn a surprising amount about both characters for such a short story, and we get a few glimpses into their work and into their relationships with others beyond the romance. They both feel like fleshed-out people with their own lives, which change and stretch as they get to know one another rather than contracting to only the two of them. Both of their relationships with others also changed as the story went on, and especially Mercy’s with Eliza and Angelica (Alexander and Eliza’s daughter).

The romance between Mercy and Andromeda is cute and engaging, but because this is a very short piece, some aspects of their relationship felt quite rushed or skipped over. They write letters to one another, and while you can absolutely (start to) fall in love with someone through letters, the time period over which this takes place doesn’t feel like it matches the rest of the pacing of the story. They seem to move from “admitting they’re attracted to one another” to “and we’re totally in love” very quickly, and while that’s often a mainstay of romance novels, it stuck out from the rest of the story for me.

I did struggle a little with how “easy” some of the problems of issues like homophobia were glossed over. Mercy is deeply afraid of how people will react if they find out she likes women, compounded by the way some of her previous partners reacted to her desires for commitment and their incredulity that they could have a life together as two women. Andromeda does not exactly dismiss these fears, but the way she soothes Mercy’s worries and the way others reacted to the two of them felt a little too accepting. I do recognize that this is likely my own fears and worries coming to the forefront, and while this felt out of place in the story, it was not a bad thing, and I did appreciate that they had a variety of supports around them.

Overall, I enjoyed this book quite a lot, and mostly wish that it were longer!

Content Warnings: sexism, homophobia, racism, parental death (past), sibling death (past), partner death (past)

Cath reviews Perfect Rhythm by Jae

the cover of perfect rhythm

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Leontyne “Leo” Blake, stage name Jenna, has it all. She’s a world-famous pop star just wrapping up a world tour. Everybody knows her songs, her name (well, sort of). She’s even out as a lesbian and still enjoying her popularity.

Then, just as she walks off stage at a concert, her mom calls and asks her to come home. Her dad has had a stroke. Leo immediately finds herself flying back to the small Missouri town of Fair Oaks that she tried so desperately to leave behind.

Holly Drummond has lived in Fair Oaks for basically her entire life, barring when she was in college. She loves the small-town feel, and she’s glad she was able to return to Fair Oaks as a nurse to support the people she’d grown up around. In fact, she’s now a home health nurse for Gil Blake–Leo’s father. She’s also out as a lesbian in some circles around town, but that isn’t the whole story. Holly is asexual, and while she is definitely romantically attracted to women, there’s no sexual component for her.

When Leo comes home, she and Holly get off on the wrong foot–Leo’s been gone for a long time and never wanted to return, and Holly finds her irritating and self-centered. But they end up spending a lot of time in each other’s back pockets, because Fair Oaks is small to begin with and now Holly is staying at Leo’s family’s house a few nights a week to help Gil and Sharon (Leo’s mom). Leo finds Holly physically attractive, despite their friction, but assumes Holly must be straight when Holly doesn’t seem to return the interest.

The story unfolds at a decent pace at first, not feeling too rushed but also not lagging. Leo and Holly spend a lot of time irritated at one another until they start to realize that they’ve based their views about each other on assumptions that aren’t true. Once they’re able to clear the air a little, they realize they enjoy spending time together, and eventually start to realize they’re developing romantic feelings for one another. But it’s complicated, because Leo is supposed to return to New York, and Holly doesn’t know how to tell her that she’s asexual.

As an ace person myself, I was really excited to read a romance novel with an ace protagonist. I liked Holly’s character a lot, and Leo started to grow on me pretty quickly as she struggled with how to integrate herself back into her hometown and try to repair her relationship with her parents. The romance was very cute and sweet, and I really appreciated that there was a depiction of strained familial relationships that showed you can love somebody dearly and still do things that hurt them, and that it’s possible to try and mend those relationships but it can be difficult.

However, the pacing really started to feel off to me about halfway through the novel. The romance seems to progress both rather quickly and rather slowly, and there are time jumps that had me confused about how much time had passed. Overall, it seems like most of the book takes place over a span of less than two months, which is really very fast for how slow-burn the romance felt at first. I think this is what brought me down to a three-star rating for this book, because when I would start new chapters I would frequently feel like I had missed a portion of the story and go back and check that something hadn’t gone wrong with my kindle.

Still, I really loved the scenes with Holly’s online friends, and the inclusion of a queerplatonic relationship that was every bit as important as romantic relationships around it. The fact that both Leo and Holly were comfortable in their identities was also really refreshing, and it was highlighted by their interactions with a mutual friend of theirs who is not comfortable with her queerness.

A part of the book I’m really uncertain about is that it does include a sex scene. This is entirely consensual, and both Leo and Holly are very communicative about what they want and are in control of what happens to their bodies. The entire scene is presented as a sensual rather than sexual experience for Holly, and I am definitely glad to see the distinction presented, and that some of what Holly experiences as sensual reads as sexual to others and she is adamant that it isn’t for her. But as an ace person, sex scenes with ace characters can be really fraught. This scene might be really validating to some ace people, but it felt somewhat alienating to me.

Overall, I did like the story, and would recommend it for people wanting to read a romance with an asexual wlw character. But the pacing especially, plus the alienation I felt from the sex scene, leave me with a 3-star rating.

Content warnings: stroke, death

Cath reviews The Space Between Worlds by Micaiah Johnson

The Space Between Worlds by Micaiah Johnson

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Cara can travel between parallel worlds – but only because her life has been cut short on those other worlds, by disease or turf wars or a million other things. On 372 parallel worlds in total, to be exact. But on this world, Cara’s survived, and she’s been pulled from her family’s home in the wastelands outside the glistening Wiley City to travel and retrieve the data others desperately want but cannot access themselves. She’s got it all, and if she can just keep her head down, she’ll be allowed to become a citizen soon and be free from being sent back to the slums.

At first, that’s all Cara wants to do. She does her job, flirts with her handler, visits her family and tries not to think about what it means that they’re still outside the city’s walls. But then one of her few remaining parallel counterparts turns up dead under mysterious circumstances, and when she picks up that world to travel to, her life starts to turn itself on its head.

This book starts off with a hefty dose of exposition, but I enjoyed that section a lot because it involves such things as describing how desperate people often blend traditions of various kinds, spiritual and otherwise, to grab whatever hope they can. And soon after that intro, the plot twists start coming and they don’t stop coming—I was texting friends while I read about “oh man, ANOTHER huge twist!” But for the most part, those twists didn’t feel contrived. They felt like natural progressions of the story that I just hadn’t expected, and they kept me reading and hoping for another one that would blow the world of the story open for me like the previous ones had.

However, the last quarter or so of the book starts to feel like a different sort of story—there’s still action, but it starts to feel more formulaic, if not predictable. Some portions also started to feel more like descriptions of just how Cara’s day was going, which I often enjoy, but felt very different from the twisty story that had originally grabbed me.

Even so, I really liked this book. Because it’s a parallel world story, we see the same characters crop up in different worlds, all a little different than the last. It’s very “butterfly effect,” where one event or choice changes who a person is in such a way that they’re still recognizable as themself, but different aspects of their personality have emerged, and it was very intriguing to figure out who was going to pop up next. Especially since Cara wasn’t supposed to involve herself with the people she met on parallel worlds, but kept doing so anyway.

The romance content was one of the weaker points of this book for me, though. Cara has had a crush on her handler, Dell, for years now as they’ve worked together, and she thinks Dell also likes her—but neither of them will make a move. They flirt, but at first they keep shutting each other out in ways that feel logical. When you find out why, it definitely makes more sense, but I still wasn’t sure how I felt about the romance developing between the women.

The book contains much more frank depictions of substance use/abuse, as well as sex work, than you see in many other books. A number of characters are also subject to physical, sexual, and emotional abuse, and the sections describing all of these were more difficult to get through because their effect on Cara was very evident in the text and the difficult details were not glossed over.

Overall, The Space Between Worlds was a book that has definitely ended up on my re-reads shelf, and I’m excited to figure out whether I’ll notice the buildup to the plot twists a second time around.

Rating: 4 stars

Content Warnings: substance abuse, assault, physical abuse, sexual abuse, emotional abuse, violence, death