A Trans Teen Finds Her Words: Just Happy to Be Here by Naomi Kanakia

the cover of Just Happy to Be Here

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Tara is the first trans girl to attend Ainsley Academy, an all-girls school. She finds it hard to fit in, especially considering that she’s also one of the few students of color. One place she does feel like she belongs is the Sibyls, an exclusive society within the school that values classical history. Tara’s passion is speeches throughout history, and she admires how the Sibyls stand behind their values and don’t seem to care what anyone else thinks about them. When she applies to join, though, she’s thrown into a controversy about who is allowed into this elite group for girls, and whether it should still exist at all.

This was an infuriating read. Tara is a young trans woman of color who seems to bounce between dealing with micro aggressions and macro aggressions; there’s almost no one she can just be herself around. Her parents are… somewhat accepting, but they often misgender her and question whether she’s sure enough about her transition to go on hormones. Tara desperately wants to be on hormones, but they live in a state where parents can have their kids taken away if they’re suspected of pushing them to transition. And because of their immigration status, they’re even more vulnerable. It’s not paranoia, either: they are reported at one point and interrogated by a state official.

Tara is used as a political pawn. Even people who are theoretically accepting just see as her as “the trans girl.” When she says anything that doesn’t match their idea of what a trans girl should be, they immediately push back against her, even when she’s just expressing her own insecurities. They seem more concerned about saying the right things than actually getting to know her. Even the trans guy at school uses her as an unwilling figurehead in his fight to take down the Sibyls for being exclusionary, ignoring that she loves the Sibyls and has no interest in dismantling the group.

Tara wants so badly to fit in, to be “ordinary”, and deals with a lot of internalized transphobia and racism. She doesn’t want to lead a charge against transphobia. She just wants to blend in.

I had to put down the book at some point because I was so full of rage on her behalf. The school administrators and teachers often have double standards for her: when it comes to benefits of being part of Ainsley Academy, Tara is technically part of the boys’ school. But when it comes to the drawbacks and discipline of students, she’s part of Ainsley. One of her teachers escalates from double standards to flat-out transphobic hate speech.

The Sibyls aren’t perfect, and in fact there are very good reasons to want to dismantle this not-so-secret society of rich women. But it is where Tara meets her first genuine friends, who treat her as an individual—including her crush, Felicity, who she gets closer and closer to. (Tara is bisexual, with a preference for women.) They’re all flawed people, and they may not always say the right thing, but they’re finally a place where Tara feels like she belongs and that people have her back—not for political reasons, but for her as a person.

Just Happy To Be Here has a long author’s note at the end with advice for trans girls, and that advice is not sugar-coated. It’s also frustrating that trans women and transfem YA is so new, and yet this author’s note feels even more urgent and dire than these books did a handful of years ago, when the first few trans YA titles were being published by mainstream presses. It’s horrific that it’s gotten even more dangerous to be a trans woman in the United States.

This was an emotionally harrowing read, full of non-stop transphobia—plus some added racism. It’s one I’m glad to have read, but I’m even more glad to be done.

An Anxious Nonbinary Lesbian Sheep Solves a Murder: Bianca Torre Is Afraid of Everything by Justine Pucella Winans

the cover of Bianca Torre Is Afraid of Everything

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Bianca has overwhelming anxiety, especially social anxiety, to the point that trying to have an everyday conversation is a monumental struggle. They keep a numbered list of fears, like “Fear #6: Initiating Conversation,” “#13 Beautiful People,” and “#11 Parents Discovering They’re a Raging Lesbian.” So they’re definitely not going to ask out the cute girl in their birdwatching group. Or even speak to her at all. Bianca compares themself to lesbian sheep, standing beside each other perfectly still, hoping the other makes a move.

The only person other than family she feels comfortable around is Anderson. They bonded over anime, though Anderson is too cool to admit to liking manga and anime at school.

If it was up to Bianca, they would stayed in that safe bubble forever, but while people watching with their birdwatching telescope, they witness a murder in building across the street by someone wearing a plague doctor mask. Getting up the courage to tell the police is hard enough, but when the cops dismiss them and rule the case a suicide, Bianca is now the only one who can get justice for the neighbour who used to put bird drawings on his window for them to enjoy. (The cops are useless at best in this book, and I appreciated that: it is a murder investigation that doesn’t glorify the police at all.)

This is a satirical mystery perfect for fans of Only Murders In the Building. It’s whacky and over-the-top when it comes to the murder case, but the interpersonal and self-discovery elements feel grounded. Bianca ends up convincing Anderson and Elaine (from the birding group) to help investigate, changing their dynamic and bringing them closer together.

Meanwhile, Bianca is having Gender Feelings. At first, it’s not conscious, like feeling uncomfortable in their body and enjoying being compared to a male character. As they reluctantly explore these feelings, though, they begin to experience gender euphoria by changing their gender expression, coming out to some people as nonbinary, finding nonbinary friends and community, and using they/them pronouns. This is one of the few books I’ve read with a character who identifies as a nonbinary lesbian!

This was a lot of fun, and I appreciated both the satirical murder mystery plot and the well-rounded characters.

“Perhaps the real murder investigation is the friends we make along the way.”

A Painfully Realistic Teen Romance: Cupid’s Revenge by Wibke Brueggemann

the cover of Cupid's Revenge

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I will admit that the cover really influenced me in picking this one up. I think it’s stunning. But I’m glad I did!

Tilly is only non-artist in a house of passionate artists, and she’s always felt left out. Her parents don’t really understand her, and they also have never seemed very enthusiastic about being parents. (I had to put the book down for a moment because I was so overcome with anger at them.) What’s worse, though, is that they’ve let her know that her Grandad with Alzheimer’s is coming to stay with them. In theory, it’s so they can take care of him, but Tilly knows they’re completely unreliable and that it’s going to become her responsibility to look after him.

She’s also terrified that he’s going to die in their house. She already experienced loss in her life and struggles with the grief. Tilly used to be part of a trio of friends, along with Grace and Teddy. They grew up together and were inseparable. Then Grace was hit by car and died when she was thirteen, and Teddy confessed to Tilly that he was in love with Grace and never told her. Grace’s death looms large in both their lives, and Tilly sometimes imagines her in the room with her, commenting on her decisions.

That’s already complicated enough, but then Teddy asks her for a favour. He has a crush on a girl named Katherine, but is hopeless about acting on it. He wants Tilly to help him. Katherine is an actor, and Teddy auditions for the same play as an excuse to spend time with her. Tilly is roped into being assistant to the director. Unfortunately, she also instantly and overwhelmingly falls for Katherine herself.

This is the most painfully realistic book I’ve read about being a teenager. At some points Tilly “wonder[s] if I’d have to spend the rest of my life feeling both aroused and miserable,” and that really is what she’s like through the whole book: confused, horny, and sad. I don’t know about your teenage experience, but that felt uncomfortably true to being flooded with adolescent hormones. It’s both the biggest positive and negative of the book.

Also realistic is that this is an instalove story. Tilly is immediately attracted to Katherine at first sight, which I think is pretty typical of teen relationships in real life versus fiction. Both Tilly and Katherine are flawed, which I thought made it more compelling and convincing, but I know not all readers enjoy.

I do want to give some warnings for this, not so much in terms of content but tone. I found this a stressful read, both because of Tilly having to shoulder far more of her grandfather’s care than she should have had to, and because of her stress and guilt about lying to Teddy. I also want to give a content warning for outing. There’s some religious talk, though that’s not a big focus. The pandemic is mentioned, but it’s also not a focus, and it’s talked about past tense. And one more thing, if it wasn’t obvious: there is a lot of sex talk. Including researching sex techniques through reading fanfiction.

On another note, there’s a side character who’s a Polish immigrant, and I found it strange how much he was distilled down to just “the Polish immigrant.” Like this line, where Tilly watches him have a completely normal interaction and thinks, “I wished so much that I was an immigrant who knew no one and hadn’t done anything wrong in this place that was now home.”

If you want to be transported to the awkward, stressful, and often miserable time of being a teenager, this book does it perfectly. I would have enjoyed it even more if I had read it as a teen, I’m sure.

Sliding Doors, But Make It Bisexual: Going Bicoastal by Dahlia Adler

the cover of Going Bicoastal

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I watched Sliding Doors as a kid and was enthralled by the idea of watching a life play out in two different ways based on branching out from a single event. I suppose it was my introduction to the concept of parallel universes. So when I heard about the premise of Going Bicoastal, I had to pick it up: a Sliding Doors-style story with a bisexual main character, written by the one and only Dahlia Adler?? What a gift.

And, of course, in Dahlia Adler’s hands, this was a joy to read. It follows Natalya as she has to choose between spending the summer with her father in NYC as usual, or trying to reconnect with her mother in LA. In each chapter, we alternate between her life if she chose NYC and if she chose LA. It sounds like it could be jarring or awkward, but the structure is not only a fun hook, but actually strengthens the story—it feels like it couldn’t have been told any other way.

In my The Best Sapphic Books of 2023 (So Far), I said this was the “most bisexually structured book I’ve ever read.” It is fun to have a bisexual book refuse to make a binary choice. But it also unexpectedly soothed my anxious overthinker brain. This choice does change Natalya’s life, but neither option is wrong. Whichever decision she makes, she’ll be okay in the end. Both these stories are romances, so they both are going to have a happy ending.

The romances play out pretty differently: in NYC, she gets to know a girl she’s had a crush on from afar for a long time, and they connect over music. They click instantly. In LA, she initially clashes with a guy she interning with, but he slowly opens up, and they begin to fall for each other over tacos—and worry about what happens when the summer ends and she goes back to New York. This story is just as much about Natalya figuring herself out, though, and while the settings and love interests diverge, there are parallels in how these different experience help her to uncover her talents and plan a future for herself, further underscoring that there are multiple paths leading to a positive future for her.

I love how this story feels so seamless, though it must have taken a ton of work to make a concept like this feel effortless. This is one of my favourite reads of the year.

All The Pretty Girls Read Sapphic Stories: More Readalikes for Reneé Rapp’s Snow Angel

the album cover of Snow Angel

If you have Reneé Rapp’s album Snow Angel playing on repeat, these are the sapphic books you need to read! Pick up the one that matches your favorite song, or get the whole stack if it’s too hard to pick. You can get a copy of any of these titles from your local bookstore or library, or you can get a copy through Bookshop. Click here for Part One! 

“Pretty Girls”

the cover of Girls Like Girls

In the p.m., all the pretty girls/They have a couple drinks, all the pretty girls/So now, they wanna kiss all the pretty girls/They got to have a taste of a pretty girl

Pretty Girls is a song for people who keep falling for “straight” girls, and a celebration of those exploring their sexuality, even if it feels frustratingly drawn out to the other person. In the same vein, Girls Like Girls by Hayley Kiyoko, inspired by the sapphic anthem of the early aughts, follows the story of Coley and Sonya, two teenage girls in rural Oregon who each find themselves falling for the other girl. This lyrical debut novel fills out the gaps in the plot to Kiyoko’s music video, but balances the overall sweetness of the summertime romance with an exploration of grief and what it means to be out in today’s society. I think Pretty Girls would fit in beautifully during the summer romance montages that Girls Like Girls lays out.

“Tummy Hurts”

the cover of she is a haunting

Now my tummy hurts, he’s in love with her/But for what it’s worth, they’d make beautiful babies/And raise ’em up to be a couple of/Fucking monsters, like their mother and their father

In Tummy Hurts, Rapp explores a past relationship through an analysis of heartbreak, grief, and bittersweet predictions of the continuing cycle of unhealthy relationships. This song contradicts and supports the exploration through using a childlike imagery of an upset stomach and the consequences of an unhealthy romance. If you are looking for a book that explores being haunted by a past relationship or dysfunctional relationships, I would recommend reading She is a Haunting by Trang Thanh Tran. In this horror young adult novel, Jade is visiting her estranged father and her only goal is to end the five-week visit with the college money he has promised her—but only if she can seem straight, Vietnamese, and American enough. However, Jade can’t ignore the effects of colonization on the house or a ghost bride’s warnings to not eat anything. She is a Haunting explores the concept of places being haunted by dysfunctional family dynamics, just as “Tummy Hurts” explores the haunting of a romantic relationship.

“I Wish”

Honey Girl by Morgan Rogers cover

I wish I could still see the world through those eyes/Could still see the colors, but they’re not as clear or as bright/Oh, the older we get, the colors they change/Yeah, hair turns to gray, but the blue’s here to stay/So I wish, I wish

“I Wish” is the Pisces moon of Snow Angel, with Rapp singing about how she wished she didn’t know about death as a concept. This sweet ballad mourns the loss of an important figure and the resultant loss of innocence in the world around her. Similarly, Honey Girl by Morgan Rogers explores themes of existential dread, fear of not living up to people’s expectations, and a loss of innocence once you grow up. Twenty-eight-year-old Grace Porter goes to Vegas to celebrate getting her PhD in astronomy, but accidentally ends up getting drunkenly married to a strange woman from New York. This triggers a rush of questions about herself, including why she doesn’t feel more fulfilled in her life, and Grace flees home to move in with her unfamiliar wife. Honey Girl is a story about self-growth, finding queer community, and taking a journey towards better mental health, and it honestly made me cry as much as I Wish did the first time I listened to it.

“Willow”

the cover of Even Though I Knew the End

Don’t cry, don’t cry, Willow/I’ll cry, Willow/Willow/I’ll cry for you

Willow is another sad ballad, in which Renee talks to her younger self (metaphorically) under a willow tree, and tries to reassure them that everything will be alright. This concept of wanting to take away someone’s pain, regardless of your own, made me think of one of my favorite novellas, Even Though I Knew the End by C. L. Polk. Elena Brandt is the hardboiled detective of mystery noire past, with her private eye set up in a magical 1930’s Chicago, and a lady love waiting in the wings for her. However, Elena’s days are numbered and she decides to spend the last of them with said lady love, Edith. Just as she is about to leave the city, a potential client offers her $1,000 to find the White City Vampire, Chicago’s most notorious serial killer. To sweeten the pot, the client offers something more precious—the chance to grow old with Edith. As Elena dives into the affairs of Chicago’s divine monsters to secure a future with the love of her life, she learns that nothing is as she thought it was. If you want a read that will capture your mind and heart for an afternoon, then grab a copy of C. L. Polk’s Even Though I Knew the End. 

“23”

Let's Talk About Love by Claire Kann cover

But tomorrow I turn twenty-three/And it feels like everyone hates me/So, how old do you have to be/To live so young and careless?/My wish is that I cared less/At twenty-three

Finally, 23 explores the emotional turmoil and questioning that can come with turning twenty-three years old. Rapp’s lingering lyrics ask why she doesn’t feel like she has been succeeding in life, especially when compared to society’s expectations and assumptions about her career. By the end of the song, Rapp expresses the hope that she can grow into herself as a person and learn to love herself more by her next birthday. In the same vein, Let’s Talk About Love by Claire Kahn is about a nineteen Black year old college student named Alice, whose summer was going to be perfect until her girlfriend broke up with her for being asexual. Alice had planned on remaining single as to never experience being rejected for her sexuality again, but then she meets Takumi, and Alice has to decide if she’s willing to risk their friendship for a love that might not be reciprocated—or understood. A huge theme in Alice’s story is that of figuring out what you want to do and/or be as opposed to what your family and friends (or society) expects from you, whether it is about your sexuality or career choices. I think Alice would be wistfully listening to 23 right before the climatic third act, as she contemplates what to do.

Chloe (they/he) is a public librarian in Baltimore, who identifies as Indigenous, autistic, and panromantic demisexual. They enjoy reading queer literature for any age group, as well as fantasy, contemporary, and romance. In their spare time, they act in local community theaters, play D&D, and are halfway through their MLiS program. You can find them on Goodreads, Twitter, or Instagram.

Cheesy Goodness: The Princess and the Grilled Cheese Sandwich by Deya Muniz

the cover of The Princess and the Grilled Cheese Sandwich

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Note: Though plot spoilers are restricted to the very end of the review, this review discusses some themes and character arcs in the latter part of the book.

As the first snow falls in my region, it’s a perfect time for a cozy graphic novel with grilled cheese oozing on the cover. Despite some quibbles, I had a great time with The Princess and the Grilled Cheese Sandwich by Deya Muniz, a lighthearted young adult romance inspired by the author’s own love story.

In the kingdom of Fromage, Lady Camembert can’t legally inherit her father’s fortune without marrying a man. Aware that she isn’t into men, her father suggests she move away and pretend to be his son. After his death, she follows his advice. She brings only one servant, Feta, who has been with her since birth. While taking on a masculine persona is no problem for the dashing, gregarious Cam, discretion proves a greater challenge, as she immediately makes waves at the princess’s no-furs ball. Cam has always been a fan of Princess Brie’s activism and develops a crush on her, causing no end of frustration for Feta, who knows Cam could be arrested if her secret gets out. 

If the naming scheme isn’t making it clear, this is a story more interested in a fun time than a realistic time. If you want to be swept away in an earnest fairy tale of a royal romance, be assured that this one doesn’t take itself too seriously. The expressive art style was what personally sold me on it and gave me the most giggles. Cam especially is a bundle of charm thanks to her mannerisms, ranging from debonair to excitable to flustered. The pages’ compositions effectively conveyed the story, with clarity, good flow, and emotional impact. Plus, Brie’s puppy is top-tier precious.

Despite the title, this book is less focused on food (if anything, the main characters are into fashion, which Cam nerds out over adorably) and more on whether it’s worth giving up true happiness to take a path focused only on avoiding pain. As is pointed out later in the book, many people don’t have the luxury of trying to actively pursue a good option in life and must instead choose the least undesirable path. Being a princess gives Brie more freedom to break boundaries and set a new standard, despite the societal limitations around gender and sexuality—yet even as an activist, she balks at the idea of upending the status quo. Meanwhile, from the start, Cam rejects the “safe” path of marrying a man, but then has to choose between the safety of living a secretive life versus pursuing a chance at love. 

Without spoilers, I’ll just say I didn’t personally enjoy how the midpoint turn played out or where it left the status quo of the main characters’ relationship for a portion of the book. I would have preferred a direction that allowed for more interaction between the main couple in the book’s second half. I also wished that Brie’s best friend, Ricotta, got to shine more as an individual. Her design and personality were fun, so I would have liked her to get a bit more depth outside of her support of the main couple, and for her to be more in the loop in the end. In contrast, I thought that the other main supporting cast members, Gorgonzola and Feta, had satisfying character arcs, as some of the most memorable moments involved them changing their approaches to the central conflict and theme. 

Everything else aside, I couldn’t stop grinning at Cam’s reactions from panel to panel, and I’m glad I read this. Order this book up if you like your romance with an extra helping of cheese.

The following content note contains spoilers:

This book contains an instance of a character guessing her love interest’s assigned gender due to a visual cue and then reacting negatively, which may be triggering for trans readers. As implied in the summary, the book also contains parental death and discussions of structural sexism and heteronormativity. 

When We Find Our Bodies in the Cornfield: What Stalks Among Us by Sarah Hollowell

the cover of What Stalks Among Us by Sarah Hollowell

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I don’t know if this book will be for everyone, but it was a perfect read for me.

The premise of this YA horror novel is that two friends get lost in an ever-shifting corn maze, and then they find their own dead bodies in the maze and have to figure out how to avoid the same fate. I love a horror premise like this: we’re thrown into a messed up supernatural situation and have to figure out what’s going on and how to escape without turning on each other. But typically, in a horror book, it takes a while to get there. Not so here! On page one, they’re in the maze. By page nine, they’ve found the body.

Sadie is fat, bisexual, and has ADHD and anxiety. We’re very much inside her head: she ruminates constantly about what the right thing to do or say is. Logan is also bisexual and has ADHD, and they’re both close, but they’ve only been friends for about a year, and she’s worried about driving him away or having him judge her. It doesn’t help that she was recently in an abusive relationship and lost her friendships during it. So she doesn’t let him in—knowing that doing that also pushes him away.

The voice in this novel is so strong: it really does feel like being inside the head of someone with ADHD and anxiety. Often, Sadie struggles to know how to respond to people and imagines a video game-style dialogue tree of what to say next. She is constantly referencing (out loud or just internally) memes and pop culture. The reason I think this might not be for everyone is that all these references seemed pretty millennial to me (“heckin’ windy”, Pirates of the Caribbean, Supernatural, etc), but since I’m a millennial, they were spot on for me. I’m just not sure teens today would relate.

As for the plot, as I mentioned, I loved that we got dropped immediately into the maze. It’s also not one of those in medias res beginnings were we immediately jump back in time and spend five chapters building up to that point; the majority of the book is set in the maze. I wasn’t sure if that would get old, especially since this is nearly 400 pages, but I never got tired of it. The mystery unravels steadily throughout, and the tension keeps building.

It feels weird to call a horror novel heartfelt, but that is what I was left with. I love books with queer friendships, and I appreciated Logan and Sadie reaching out for each other even when it was difficult. Despite being fairly new friend, they clearly care about each other deeply. Also, despite the time loop murders, the supernatural corn maze, and all the other horror elements, this is fundamentally a story about trying to find your self worth after abuse and trauma. And a good part of that happens in community. Major spoiler, highlight to read: I especially enjoyed that they ended up befriending their murderer. The power of friendship! End of spoilers.

I can’t set aside that part of why I loved this book is that I felt Seen. I’m also a fat bisexual with anxiety (who has also been putting off getting assessed for ADHD). I’ve been in an abusive relationship as a young person and had to rebuild my self worth. I could definitely relate to Sadie, especially since I recognized all the references she made. So it’s hard for me to have any objectivity about this story.

Even if you don’t deeply relate to Sadie, though, I think you’ll really enjoy What Stalks Among Us. Despite this not being particularly short, I read it in one day—almost in one sitting. I was completely absorbed in the story, charmed by the characters and their relationships, and invested in figuring out what was happening in this maze. The answer/ending was satisfying, and matched the bigger themes of the story. If you’re looking for a horror book you can marathon read on Halloween, you need to pick this one up.

LA as a Not-So-Urban Jungle: Undergrowth by Chel Hylott and Chelsea Lim

the cover of undergrowth

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Seventeen-year-old Mariam finds herself surviving a Los Angeles that has been overrun by a magic jungle of horror. Along the way, she meets a group of other survivors, and together they become a family. But Mariam has her secrets. She magically heals and cannot die thanks to a deal with the devil her father made on her behalf. And the jungle they find themselves in has been caused by her father as well. She must learn to put her faith in others and earn their trust in return to undo the mess he made.

There’s a strong sense of setting here that feels a lot like Jeff VanderMeer’s Southern Reach trilogy. The lush descriptions of an LA gone to hell under a horrific jungle and the introduction of Mariam as a tough-as-nails type make it an intriguing story and give it a strong start. Unfortunately, that doesn’t hold.

Mariam tries to keep herself emotionally distant to avoid the pain of loss but ends up getting attached to a rag-tag found family. But she still tries to hold her secrets, and that ends up hurting them. At every turn in the story when Mariam is given a chance to be honest, she chooses to lie and continues to create a rift between herself and her new family. She never seems to learn that taking this route causes more pain and danger, and so it doesn’t feel like she undergoes a major character arc.

Additionally, the pacing happens too fast to feel like her attachments are believable. Her crush on Camila quickly evolves into a deep connection between the two girls, but it doesn’t seem organic. Despite this, the relationship that starts to blossom between them is sweet, and it adds a sense of levity to the apocalyptic situation.

Throughout the novel, the author sprinkles details about Mariam’s cultural heritage, with tidbits like talking about her Ramadan dinners and the names she calls her family by. Readers can appreciate the subtle way Mariam’s background comes to light, giving her some depth without overexplaining everything.

There is also a transgender character, Hana, whose identity is revealed in a moment when her hair has to be cut because of lice. It adds another interesting layer to the story without turning into a teaching moment. The author writes many of these character revelations well, showing representations of body dysmorphia and disability in the middle of the end of the world.

As the novel ends, it all happens rather fast and feels like it gets tied up in a neat bow, considering the situation. There is a lack of satisfaction with so many unanswered questions about the world itself. It’s never discussed exactly how long the jungle apocalypse occurred until the very end. The story never shows how the world outside of LA coped or reacted to the events outside of a few glimmers of a military scene at the beginning.

Overall, none of the characters have much development, especially not Mariam or her dad, the villain. But it does get a happily ever after for her and Camila, and it was a fun adventure.

10 Sapphic YA Horror Books to Read In October

With fall finally here, you might be looking for some spooky books to read in October and to get you in the perfect eerie mood. Featuring ghosts, aliens, demons, and zombies, these books are a great way to get in touch with your sinister side and prepare yourself for the best night of the year: Halloween!

Before we get into it, it’s important to remember that, as readers, we owe it to ourselves to respect our boundaries and know our limits. This is especially true with horror books, as they can address some heavy topics and depict different levels of gore and bloodshed. Young adult novels are a good way to ease into the genre, but that doesn’t mean that they are free of any type of violence or pain. Make sure to read the content warnings and don’t hesitate to draw the line in the sand if necessary.

That being said, turn off your lights, burn a candle, play some ominous music, and curl up under your blankets. Here are 10 spooky sapphic YA horror novels to check out!

the cover of Night of the Living Queers

Night of the Living Queers: 13 Tales of Terror Delight edited by Shelly Page and Alex Brown

In this YA horror anthology, authors explore a night when anything is possible under the blue moon: Halloween. Featuring queer characters of colour written by queer authors of color, this collection puts some fresh spins on classic horror tropes and tales. The stories are told through the lens of different BIPOC teens, including many sapphic main characters, as they experience the night that changes their lives forever.

This is perfect for people who are still discovering horror and looking to figure out which subgenres they find most entertaining, which messages speak most personally to them, and which themes they’d like to explore further. The anthology touches on a whole plethora of topics such as grief, guilt, race, gender identity, and complex family dynamics, and it features a wide array of subgenres including paranormal horror, monster horror, body horror, and horror comedy.

Content warnings: body horror, gore, blood, suicidal ideation, animal cruelty, death, child death, death of a parent, homophobia, transphobia, violence, racism, grief, blood, bullying, abandonment, mentions of substance abuse, alcohol addiction and drug overdose.

the cover of Alien: Echo by Mira Grant

Alien: Echo by Mira Grant

Set in the Alien universe, Alien: Echo follows Olivia and her twin sister, Viola, as their family settles on a new colony world, where their xenobiologist parents expand their research into obscure alien biology. One day, an alien threat unlike any other is seen and, suddenly, their world is ripped apart. Their colony collapses into chaos, and Olivia has to use the knowledge she’s picked up over the years following her parents around the universe to escape the monster and protect her sister, all while grappling with the discovery of a shocking family secret.

This is the perfect novel for sci-fi fanatics, as it really delves into the science at the core of the story, in a way that is suspiciously believable.

Content warnings: body horror, blood, violence, gore, death, child death, death of a parent, animal death, xenophobia, grief, bullying, discrimination, severe injury.

the cover of This Delicious Death by Kayla Cottingham

This Delicious Death by Kayla Cottingham

In this horror comedy, four best friends venture out into the desert for one last music festival before graduation. The twist? They’re zombies. A few years prior, an unknown pathogen was released onto the world, causing certain people to undergo the Hollowing: a transformation that made them intolerant to normal food and unable to gain sustenance from anything other than human flesh. While humanity slowly returned to normal after scientists were able to create a synthetic version of human meat that would satisfy the hunger of these “ghouls”, one of the girls goes feral at the festival and accidentally kills another attendee. The group suspects that someone is drugging them to turn them feral, but can they figure out who it is before they all lose themselves too?

A horror comedy is a great way to get into a spooky mood while still being able to sleep at night. With an all-queer cast, including a bisexual main character, a trans and bisexual love interest, and lesbian and bisexual side characters, this is perfect for people who are looking to sink their teeth into mess and chaos.

Content warnings [as listed by the author]: alcohol consumption by minors, anxiety disorders, blood and gore depiction, body horror, cannibalism, captivity and confinement, dead bodies and body parts, deadnaming, death of a grandparent, death of a sibling, drugging, drug use, fire, grief and loss depiction, gun violence, intrusive thoughts, murder, needles and syringes, nightmares, parental neglect, pandemic, scars, sexism, suicidal ideation, transphobia.

the cover of Burn Down, Rise Up

Burn Down, Rise Up by Vincent Tirado

This is the story of Raquel, a young sapphic Afro-Latina from the Bronx whose mother has recently come down with a mysterious illness that the doctors can’t explain. At the same time, multiple Black kids have been disappearing from the city without a trace, and the police are doing very little to investigate, not particularly concerned about these children’s whereabouts. One day, Raquel’s crush, Charlize, asks for her help to find her recently missing cousin, and the girls end up following an urban legend called the Echo Game, which leads them down to a sinister, unknown, underground part of the city.

This debut novel is a deep dive into the racist policies of the Bronx in the 1970s and 1980s, including the redlining, the slumlords, and the gentrification. It is the epitome of “disgusting” and will keep you on edge from start to finish.

Content warnings: gore, violence, death, racism, gun use, police brutality, discussion of cannibalism, fire injuries/burns, missing family members, sick family members, homophobia.

the cover of We Don’t Swim Here by Vincent Tirado

We Don’t Swim Here by Vincent Tirado

In their second novel, We Don’t Swim Here, Tirado tells the story of two Afro-Latina cousins, Bronwyn and Anais. Anais lives in Hillwoods, a small, secluded town to which Bronwyn is forced to move, as her family wants to be near her grandmother in her final moments. However, Bronwyn struggles with the move, as the people in Hillwoods are predominantly white, particularly weird, and eerily standoffish. Her cousin also warns her about some unspoken rule that exists within the town which bans anyone from swimming—a big issue for Bronwyn who was a competitive swimmer back home. The story follows her as she tries to navigate this unsettling community, as well as Anais who tries to keep her cousin in the dark as much as possible and protect her from the town’s sinister past.

If you love sapphic final girls who feel like they have the weight of the world on their shoulders, or characters who try to fight back against the idea that they do not belong or are not allowed to belong in certain spaces, you will love this novel.

Content warnings: body horror, blood, murder, grief, death, child death, racism, hate crime, gun violence, kidnapping, medical content.

the cover of Sawkill Girls by Claire Legrand

Sawkill Girls by Claire Legrand

Sawkill Girls is the story of very different girls who live in a small community on the island of Sawkill Rock. As beautiful as the town may seem, behind the campfires and blue waves crashing against the shore, there lies a dark secret. For decades, girls have been disappearing inexplicably, allegedly taken away by an inhuman spirit. But what happens when the awkward, plain new girl, Marion, unwillingly joins forces with Zoey and Val to fight this legendary evil and save the girls in their community, including themselves?

Featuring a cast of sapphic and asexual main characters, this book is perfect for people who are all about dismantling decades-long, misogynistic traditions and who like a weird, genre-bending twist to their stories. 

Content warnings: gore, violence, blood, murder, aphobia/acephobia, loss of a loved one, grief, child abuse, cults, fire, pedophilia, sexual assault, animal death.

The Dead and the Dark by Courtney Gould cover

The Dead and the Dark by Courtney Gould

Courtney Gould’s debut novel, The Dead and the Dark, is set in smalltown Snakebite, Oregon, where everything seems to be going wrong. Teenagers are disappearing, some turning up dead, the weather isn’t normal, and the community seems hellbent on blaming it all on Logan’s two dads—hosts of a popular ghost hunting TV show—after they’ve decided to return to town. Although Logan has never lived in Snakebite before, she agrees to help Ashley, whose boyfriend was the first teen to go missing, in her investigation into the town’s deepest secrets. As they uncover the truth about the people in their community, they also start to uncover the truth about themselves and their growing feelings for one another.

Great for readers who are looking for some romance in the horror stories they pick up, this book will put you in the perfect eerie mood, while also reminding you of the power of family and love.

Content warnings [as listed by the author]: homophobia, child death, murder, claustrophobia, drowning, slurs.

the cover of Where Echoes Die by Courtney Gould

Where Echoes Die by Courtney Gould

In this second novel by Courtney Gould, we follow Beck, a young lesbian who has been struggling since her mother’s death, desperate for things to return to the simpler, happier days of her childhood. Wanting to understand more about her mother, a brilliant but troubled investigative reporter, Beck travels to Backravel, the town that was the center of her mother’s journalistic work for years. Followed by her younger sister, Riley, Beck soon realizes that there is something off about the small, secluded town. Although everyone’s memory seems to be filled with holes and missing information, the people seem eerily at ease with the otherwise inexplicable happenings of their community. With the help of the daughter of the town’s enigmatic leader, Avery, Beck must uncover the secrets of Backravel before her or her sister get hurt… or before she loses herself completely.

Touching on the struggle of death and grief, this novel packs an emotional punch, while keeping its readers guessing from the first page until the very last.

Content warnings [as listed by the author]: death of a parent, death of a loved one, emotional abuse, gaslighting, emetophobia/vomiting.

As I Descended by Robin Talley cover

As I Descended by Robin Talley

In this modern, dark academia retelling of Macbeth, Maria and Lily are their school’s ultimate power couple—even if no one knows it but them. The only thing that stands in their way towards a perfect future together is the golden child of their school, Delilah. Maria needs to win the Cawdor Kingsley Prize, as the scholarship money would allow her to attend Stanford and keep her relationship with Lily alive. The problem is that Delilah is seen as the presumptive winner of the award. What she doesn’t know is that Maria and Lily are ready to do anything to make their dreams come true, including harnessing the dark power long rumored to be present on their school campus.

This book is filled with ghosts, Shakespearian tragedy, and queer teenagers quickly delving into chaos. Featuring a disabled lesbian and her sapphic girlfriend as the main characters, this story will have you questioning the limits to which people will go for love and victory.

Content warnings: blood, gore, death, violence, self harm, suicide, murder, ableism, homophobia, biphobia, lesbophobia, forced outing, forced drug usage, panic attacks, psychosis, racism, slavery, grief, child death, emotional abuse, religious bigotry, bullying, car accident, fire.

the cover of Damned If You Do

Damned If You Do by Alex Brown

Heavily inspired by Filipino folklore, this horror comedy features Cordelia, a high school stage manager who spends her days focusing on the school play, trying to keep up with her grades, and desperately pining over her best friend, Veronica. One day, the demon to which she sold her soul seven years ago comes back to see her under the guise of her new school guidance counselor and requires that she pay back the deed. The two must work together to defeat a different, more powerful demon who looks to harm her hometown and all those in it.

This book features the perfect amount of entertaining high school drama and fiendishly clever demons, all while it explores the type of trauma that some children face at the hands of a parent and the ever-lasting impact that it has on them and those closest to them.

Content warnings: child abuse, murder, violence, gore, blood, body horror, depictions of verbal abuse, mentions of physical abuse, loss of a parent.


Looking for even more sapphic horror books? Check out the Lesbrary’s horror tag for many more sapphic horror recommendations! You can also browse just the YA horror reviews. Happy Halloween reading!

The Secret History Meets The Breakfast Club: The Chandler Legacies by Abdi Nazemian

the cover of The Chandler Legacies by Abdi Nazemian

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At a private boarding school, five writers are selected for the elite writing group called the Circle: Beth, the “townie” who feels very much out of place; Sarah, Beth’s former roommate who carries her own secrets about the school; Spence, who struggles to carve out her own identity while also benefiting from the privilege of her famous parents; Freddy, the star athlete who isn’t sure if he can do anything else; and Ramin, an international transfer student who left his previous school after being outed and finds that Chandler has its own hazing traditions. Though they’re from such different backgrounds, the Circle brings them together in ways that they never could have expected.

Based on Nazemian’s own experiences at a private boarding school in the 90s, it’s at times a brutal read as it navigates the ways abusers remain in positions of power. I appreciated, though, how this is a dark academia interested in the actual horror of places like Chandler. A lot of books in this genre involve magic or overexaggerated cults with a collection of oddball characters that can stretch the limits of believability. These can be fun in their own ways, but here the true villains are the all-too-familiar authorities plagued by apathy and cover-ups that allow the abuses to continue festering. Nazemian portrays these horrific events with such care and sensitivity while also not turning away from the reality of their impact—a hard balance to strike, but this story manages to do both.

That’s not to say that this book is all doom and gloom. Where Nazemian really shines is in the ways that the characters grow to love and support one another. A lot is packed in here, and yet each of the five characters, with their own POV chapters, felt distinct and real. They were at times annoying, at times charming, at times naïve, and above all else, they felt like actual teens navigating their lives and how they fit in.

The book falters a bit towards the end as certain looming secrets and problems are wrapped up sooner than expected, but the rest of the book’s strengths come through enough for me to buy into the ending. For fans of The Breakfast Club or Dead Poets Society who wanted to see more of themselves in those movies, this book is a great addition to the coming-of-age genre.  

Trigger warnings: violence, homophobia, racism, bullying, references to suicide, references to self-harm, sexual assault