Maggie reviews Girls of Storm and Shadow by Natasha Ngan

Girls of Storm and Shadow by Natasha NganAmazon Affiliate Link | Bookshop.org Affiliate Link

I am always excited for queer fantasy, and I enjoyed the first book of the series – Girls of Paper and Fire – so I was quite excited to get to Girls of Storm and Shadow. Lei and Wren had been through so much in the first book, and I was excited to see how they’d come together in the aftermath. They had killed the King, and there was rebellion to shift power in the kingdom, and they were no longer concubines. There was a lot to build off, and a budding love story to watch. But Girls of Storm and Shadow had a very different tone from the first, not all of it an improvement, in my opinion. Although there was a lot of action, and it further revealed the extent of the rebellion against the King, it seemed to lack a lot of the urgency of the first book to me, although I’m still eager to see the final book.

The book picks up with Lei, Wren, and their band of escapees in the mountains, trying to gather up support for the rebellion. The book once again examines the trope of the pivotal figurehead of the rebellion, in that technically that is Lei, but she isn’t actually very helpful to them. The rumors of what happened in the palace have spread, making Lei into the Moonchosen, but outside of her title she has little power. She also can’t take care of herself in the mountains. Although she is the one that stabbed the King, she doesn’t actually know how to fight. Being from a common family, she has no useful political connections to bring to them. All of this forces Lei to play catch up, cramming weapons practice into their grueling trek, forcing herself to learn the survival skills the others know, and trying to glean the complicated politics of the rest of the realm. This is a fascinating twist on the usual “leveling up” montage the hero gets because the rebellion doesn’t actually seem to want her there all that much. On a personal level, the group likes her and is happy to teach her, but leadership seems to make no effort to include her into plans or, somewhat puzzlingly, change those plans to really capitalize on her presence. And the more Lei learns from being around rebellion leadership, the more she’s uncertain about what she’s signed on to do.

To my surprise after the smoldering intensity of the first book, Lei and Wren’s relationship quickly took a turn for the worse in the second book. Lei was still committed, but Wren distanced herself. She didn’t want to reveal their relationship to her father, and also didn’t appreciate Lei’s questions about her father’s intentions for the rebellion. And yet there’s also an ex that immediately pulls Wren’s attention once they come back into contact. Both of these storylines are not bad relationship storylines in general, necessarily, but they were not what I was expecting from the tone of the first book, and it left me disappointed in Wren.

There is also the typical second book of a dystopian trilogy “everything gets unbearably worse” happening, but it’s not just the rebellion’s prospects of winning that seem dim. As Lei tries to help them with their next moves, she realizes just how unprepared she was for the politics of the rebellion. She also learned how deep Wren is in those politics, and what she finds is not great. There are also some large discoveries that I don’t want to spoil, but that change things dramatically. I was prepared going into this book for things to get worse before they got better, but this book also seemed to take place over a relatively short period of time and yet get very little done. Up until the final act, it seemed they spent interminable amounts of times traveling during which there wasn’t as much action as I had come to expect from the first book.

In conclusion: this is very clearly the second book of a trilogy, and it took a very different tone from the first book. Wren and Lei’s relationship fell apart, the rebellion seems lackluster and barely better in ideals than the establishment, and a lot goes downhill at the end. But that’s pretty standard second book stuff, so I’ll reserve my judgement on the series as a whole until I see how the third book wraps it up. But this one was a little more difficult for me to get through than the first one.

Shannon reviews The Girls I’ve Been by Tess Sharpe

The Girls I've Been by Tess Sharpe

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I’ve been a thriller fan for years, but I’ve always felt a little let down by the lack of queer representation in the genre. In recent years, things do seem to have gotten a bit better in this regard, but fast-paced, hard-hitting thrillers with female protagonists who aren’t straight still feel more uncommon than I’d like. So, I’m sure you can imagine how thrilled I was to stumble upon the gem that is The Girls I’ve Been, the latest young adult thriller by Tess Sharpe. Nora, our main character, is bisexual, in love with a girl while still nursing complex feelings for her ex boyfriend.

In many ways, Nora’s life is messy. Her ex boyfriend walked in on her making out with her girlfriend, and although she and Wes haven’t been together that way in quite some time, Nora can’t help but feel bad for the surprise seeing her with someone else must have been for him. Plus, the three of them have an important errand at a nearby bank, and it’s something none of them feels they can back out on. So, Nora, Wes, and Iris meet early in the morning to deposit the money they’ve raised for a fundraiser. Nora figures the errand might be a bit awkward, but she hopes those feelings can be worked through pretty quickly.

Things go from awkward to downright dangerous when two armed men enter the bank and announce they’re robbing the place. Nora is terrified, but she also knows staying calm is the very best thing she can do. You see, Nora’s early life was anything but ordinary. Up until she was twelve, Nora lived with her mother, a very successful con artist who thought nothing of making Nora a prop in her various scams. Through these unconventional and dangerous experiences, Nora has learned a ton about what makes people act in certain ways, and she’s confident in her ability to get herself and those she loves out of this in one piece, just as long as she can come up with a workable plan.

Over the next few hours, Nora fights desperately to escape the bank, using all the skills she learned from her mother, skills she hasn’t used in the five years since she and her older sister managed to have their mother put in prison. Fortunately for Nora, the skill of the con doesn’t wear off, and it doesn’t take long for her to once again comfortably inhabit the skins of all the girls her mother taught her to become.

The Girls I’ve Been is so much more than an action-packed thriller. Sure, it’s the kind of book you’ll hate to put down. The action is nonstop, and the author’s writing is incredibly engaging. However, if you look beneath the surface of the story, you’ll soon realize there’s so much more than just survival going on. Nora has been struggling to come to terms with her past for years now, and it’s only through her desperate fight to come out of the bank robbery alive that she realizes just how complex and multi-layered a person she is.

I loved Nora as a heroine. I found myself cheering her on, even when the tactics she used felt less than up front or honest. The traumas of her past have definitely left their mark on her, but Nora is determined to be a person in her own right, no longer subject to someone else’s whims. She doesn’t have all the answers, but that’s okay. So much of the joy I took from this novel came from watching her come into her own, even when she had to make serious mistakes along the way.

Parts of the book might be difficult for some readers. Nora experienced some terrible things as a child, and although the author doesn’t go into graphic detail about the abuse she suffered, neither does she completely shy away from it. It’s dealt with in a sensitive way, but it’s still something potential readers should be aware of before diving into this story.

The Girls I’ve Been really is one of the best thrillers I’ve had the pleasure of reading in quite some time. I literally read it in one sitting, and now that I’ve reached the end, I kind of want to go back and read it again, just so I can spend more time in Nora’s head.

Danika reviews The Girls I’ve Been by Tess Sharpe

The Girls I've Been by Tess Sharpe

Nora was raised by her con artist mother to be many girls: whoever their mark needed her to be. When her mother falls for the criminal, abusive man she was supposed to be conning, though, Nora made a risky escape. Now, she’s been trying to live a normal life. Unfortunately, she doesn’t have that option anymore: she, her ex-boyfriend, and her girlfriend have been taken hostage by bank robbers.

I was immediately hooked by this premise. First of all, there is the awkward social situation of Nora, Wes, and Iris being trapped together: Wes walked in on them kissing and is not impressed that they’ve been keeping this a secret–they’re all supposed to be friends. Add a potentially deadly hostage situation, and you’ve got a guarantee of tension and drama. All I really needed was for this bisexual heist/con YA novel to live up to its premise, and did it ever.

When picking up a YA thriller, I wasn’t sure what to expect: some of the darkest books I’ve read have been YA, while others keep the blood off the page. This book definitely does not shy away from violence. In fact, there is a long list of serious trigger warnings attached to this. It also hits the ground running and never lets up: the bank robbery takes place on the second page of this novel. Nora is trying to find their way out of this situation, but she hasn’t told Iris about her past.

Interspersed with this tension are the stories of who Nora used to be. They don’t feel out of place or slow down the action, though: they are always relevant to what is currently happening, and the hints we get of her backstory makes me just as eager to find out about her past as reading about the hostage situation. Nora is an amalgamation of all the roles she’s had to play as a child: she doesn’t know how to be herself, and she’s not sure who she “really” is.

I also loved the supporting characters, who have been forged into this chosen family through their own trauma. Nora lives with her older sister, who she met later in life. Lee escaped from their mother, and she comes back to help Nora escape, too, when Nora is ready. Lee is also queer, though it’s not specified whether she’s bi or a lesbian. She is a badass private investigator who will do anything to protect Nora, including playing hostage negotiator.

Wes is Nora’s ex, but he’s also her closest friend, and the only one who knows her whole story. Wes is abused by his father, the mayor, and he spends most of his time with Nora and Lee. They bond over their shared experiences, and once Nora confronts his father with her own scheme to stop the violence, Wes realizes what she’s been hiding–she didn’t give that information away freely.

Nora’s girlfriend is an intensely memorable character. She loves vintage fashion, wants to be an arson investigator, and is fearless enough that she’s been banned from dares in truth or dare. She can hold her own against Nora, and they clearly adore each other–through Iris is angry that she’s been hiding things from her. She also has endometriosis, which I don’t think I’ve seen represented in a book before. A note in the back of the book explains that this is own voices representation and gives some resources.

I was completely absorbed into this story. It’s fast-paced thriller about misogyny, power, and abuse. Though Nora’s life is exceptional, she points out that misogyny and being threatened by men as a young woman is not unusual, and that it’s something she learned outside of her con artist upbringing. In fact, all of the main characters have been abused by someone with power over them. I also appreciated that therapy is openly discussed: Nora still is working through the trauma she’s gone through, but she’s made progress through therapy, and it’s how she’s able to open up–even a little.

This is one of my favourite reads in a long time. It’s one of those rare books that I was counting down the time until I would be able to read it again, and I stayed up to finish it. It’s hard to enthusiastically recommend a book that is so much about child abuse, but if you are a fan of thrillers that don’t shy away from darkness and violence, you won’t regret picking this up.

Trigger warnings: child abuse, violence, gore, murder, rape, child sexual abuse

Carolina reviews Last Night at the Telegraph Club by Malinda Lo

Last Night at the Telegraph Club by Malinda Lo

It seems apt to begin 2021, a time of reflection and introspection for many, with a YA novel that feels fresh and timeless at the same time. Malinda Lo’s new novel, Last Night at the Telegraph Club echoes with the same beats as my favorite “baby gay” first lesbian novels (e.g. Annie on My Mind by Nancy Garden and Fun Home by Alison Bechdel), but holds nuance and depth as an exploration of the limitations and restraints of the Eisenhower Era. Malindo Lo explores the role of the “other” in white picket fence McCarthyist America through the eyes of a young girl coming to terms with historical familial trauma, her identity as a Chinese lesbian in society, and future as a woman in a male-dominated field in San Francisco’s post-war Chinatown.

Lily Hu is a “good Chinese girl.” Her father is a reputable family doctor, her mother by his side as a nurse, both parents well-respected members of their tight-knit Chinatown family. There is no room in their community’s embrace for error or deviation, as their neighborhood faces the tides of post-World War II racism and the initial waves of the Red Scare. When Lily discovers an intriguing advertisement for a male impersonator at a local nightclub, The Telegraph Club, she realizes she might not be quite like her cookie-cutter classmates as she once thought.. As the novel progresses, Lily discovers the wonder of the gay underground in The Telegraph Club alongside her close friend, and first love, Kath. Lily must delicately maintain the balance her of double life between Chinatown and The Castro in order to protect her family as they face deportation for supposed Communist ties, and save her new friends, Kath, and herself from the prying eyes of the gay-bashing police.

Last Night at The Telegraph Club has beautiful writing full of detail and care; Lo rebuilds the glitz and glitter of 1950’s era San Francisco before your eyes, situating the reader in the heart of Chinatown alongside the Hu family. The pacing was on the nose for a fast-paced, exciting coming of age novel and I could seldom put the novel down. Malinda Lo celebrates queer friendship and found families in Last Night at The Telegraph Club, one of my favorite themes that is very near and dear to my heart and seldom stressed in novels.

I loved the vignettes between chapters from Lily’s family’s point of view, as it regaled their journey to adulthood as immigrants and children of diaspora as they come to terms with their American surroundings as Chinese outsiders. Lily’s father’s fear of deportation and alienation from his American peers rings true in contemporary America. Personally, I related to Lily’s mother’s fear of being too “Americanized” and distanced from her own culture, as I am the daughter of Cuban immigrants. However, these outside perspectives interrupted Lily’s narrative and felt that they needed more depth in order to remain pertinent to the plot. I also would have preferred some fleshing out of the secondary characters, especially Shirley and Calvin, Lily’s friends who become involved in the Communist Party.

Malinda Lo’s works are already a bookshelf staple for any WLW; Ash and Huntress are often a young gay person’s first book with lesbian characters. Last Night at the Telegraph Club is a fitting addition to Lo’s acclaimed literature, a wonderful coming of age novel full of love and heart. I would highly recommend this new novel, in stores and online on January 19, 2021.

Thank you to NetGalley, the publisher and author for the eARC of the novel!

Trigger Warnings: racism, homophobia, police brutality, family trauma, abandonment

7 Young Adult Sapphic Books With Latinx Representation

Sapphic Latinx Young Adult Books graphic

The sapphic spectrum runs far and wide, which is why it’s important to remember to add a little diversity to your reading list. You may have missed some of these spectacular reads as your never-ending TBR pile grows.

Diamond City by Francesca FloreDiamond City and Shadow City by Francesca Flores

Two for one! The first book in the Diamond and Steel duology, Diamond City, follows Aina Solís as she becomes an assassin to survive after her parents’ murder. Diamond City is a place filled with darkness, tyranny and magic, and Aina must find a way to live in a world that wants her dead.

The sequel, Shadow City, was just released today (January 26, 2021). It continues Aina’s story as she struggles to gain control of an assassin empire after fighting her way to the top of the criminal ranks.

Labyrinth Lost by Zoraida CordovaLabyrinth Lost by Zoraida Córdova

The first in the Brooklyn Brujas trilogy follows middle sister Alex Mortiz as she quickly approaches her Death Day, a bruja’s right of passage in this magical world. Terrified of her powers and wanting to be rid of them, Alex casts a Canto with devastating consequences. She must fight her way through the magical realm of Los Lagos to rescue her family before it’s too late to save them.

The Summer of Jordi PerezThe Summer of Jordi Pérez by Amy Spalding

Abby Ives has always been satisfied with playing sidekick to others’ stories. She’s content to run her plus-size style blog as she dreams of shaking up the fashion world. But one summer, everything changes. She lands a dream internship at a local boutique and falls for fellow intern Jordi Pérez. Things can’t be so simple of course, as they develop feelings for each other as they both compete for a coveted job at the shop after the internship ends.

Juliet Takes a Breath by Gabby RiveraJuliet Takes a Breath by Gabby Rivera

Juliet Milagros Palante comes out to her mom and isn’t sure she’ll ever speak to her again. But that doesn’t stop her from leaving the Bronx to go to Portland, Oregon for an internship with her favorite author, Harlowe Brisbane.

It’s a life-changing summer for Juliet as she navigates the whole “Puerto Rican lesbian” thing and finds herself. A classic coming of age tale.

We Set the Dark on Fire by Tehlor Kay MejiaWe Set the Dark on Fire and We Unleash the Merciless Storm by Tehlor Kay Mejia

Another double set! In We Set the Dark on Fire, Daniela Vargas, a student at Medio School for Girls, lives in a society that defines her place as a woman in two ways only: running a husband’s household or raising his children. But she’s living a lie, as her parents forged papers to get her into this school, and she must keep the secret as her upcoming nuptials to a politico’s son quickly approach. She has to decide if she upholds everything her parents fought for or if she will choose another path for herself.

The follow-up book, We Unleash the Merciless Storm, is Carmen Santos’ story. On the other side of Medio, the oppressed fight for their freedom. Carmen is committed to the resistance group, La Voz. So much so she’s spent years undercover, but now that her cover is blown, she must return her home to an island on the brink of civil war. Carmen must choose between breaking away from her community to save the girl she loves or embracing her full, rebel identity.

What are your favorite bi or lesbian Latina YA books? Let us know what we missed in the comments!

Marieke reviews Down Among The Sticks and Bones by Seanan McGuire

Marieke reviews Down Among The Sticks And Bones by Seanan McGuire

For any of you not familiar with Seanan McGuire’s work, she is a veritable master of remixing fairy tale tropes and patterns (and other genres too), on the same level as someone like Neil Gaiman, while of course giving it her own twist every time. In this case, the main two characters are twin sisters Jacqueline and Jillian, who later take on the names of Jack and Jill. In this review, the name used for each character is the name they used at that time in the story. I personally am not familiar with the nursery rhyme and so can say with full confidence that you don’t need to know it in order to enjoy this book, but I expect many of its strands are woven in throughout. On top of that, McGuire draws from classic horror fare, as the main chunk of the story sees the two siblings in a world ruled by a vampire and a mad scientist facing off in a personal rivalry from across the Moors. And so the stage is set.

McGuire is excellent at invoking specific visuals and scenes we are all familiar with: the castle in the marshes, Dracula’s brides, the lightning coming down from the thunderous clouds to power the scientist’s experiments in his remote and ramshackle wind mill. She manages to ensure these classic elements don’t overpower the story by providing the two main characters with a very modern world background: their parents wanted a classic son and daughter. When they ended up with two daughters, they forced the twins into extremely strict binary gender roles. This means that both sisters could just embody half of their identity, with Jillian only being allowed tomboyish behaviours and Jacqueline always being dressed in extravagant dresses she is warned stringently against dirtying – to the point of developing germophobia and mysophobia.

When they fall through a portal into the world of the Moors, they are for the very first time offered a choice on this aspect. It shouldn’t surprise the reader that they choose the opposite of their experience so far, with Jack joining Dr. Bleak as his apprentice in resurrection and Jill staying with the Master to become his eventual daughter / bride. This still feels like a choice between two strict gender roles though, and it’s hinted throughout the text that the only way for both sisters to fully become themselves is to be allowed through their own choice to embrace their whole selves rather than mashing these two sides against each other.

Another way that McGuire manages to set this work apart from more traditional pastiches and celebrations of the horror genre is by humanising the genre’s traditional background stock characters: the villagers. During her apprenticeship under Dr. Bleak, one of the creatures Jack helps to resurrect is the inn keeper’s daughter, Alexis. During her second chance at life, the two grow close and form a romantic attachment to each other.

This is an important point in Jack’s character development, as it’s a type of love she hasn’t experienced before. One character does describe the relationship between the two girls as unnatural, but it isn’t made clear what their thought process is in context: instead of low-key homophobia (mixed with the usual worries around not being able to have children – an argument swiftly put down by Jack as she refers to her resurrection skills), they could also be referring to any type of love being unnatural in their eyes, or to the fact that technically Alexis is undead. This is the only overt negative comment directed at them – Jill quietly isn’t happy about the relationship either, but that’s mostly because she feels possessive of Jack’s attentions.

Jill’s unhappiness is an important counterpoint to the relationship between Jack and Alexis, because on top of the romantic upheaval their attachment also introduces Jack to Alexis’s village life. She meets the inn keeper and his wife, as well as other shop keepers and tradespeople as she accompanies Alexis on various errands. In contrast, Jill is denied this type of socialising during her education under the Master, who instead nurtures her jealous and possessive tendencies. It is this difference in upbringing that serves as the catalyst at the end of the tale, bringing the strands together.

This story really serves as a prequel to the first book in the Wayward Children series, which I will be re-reading to see how the relationship dynamic between the two sisters develops as they are forced to rely more on each other. As it stands, I would recommend Down Among The Sticks and Bones to anyone interested in the remixing of genre tropes and gender roles within the horror / SFF genre.

Content warnings: murder, death, blood, toxic relationship, emotional abuse (most of these are the result of the story featuring a vampire)

Maggie reviews Girls of Paper and Fire by Natasha Ngan

Girls of Paper and Fire by Natasha Ngan

Content Warnings: Rape, kidnapping, physical violence

Girls of Paper and Fire by Natasha Ngan is a YA fantasy about Lei, a Paper Caste girl, who is forcefully taken from her family by the imperial guard in order to join the newest class of Paper Girls. Paper Girls are the most beautiful paper caste girls in the kingdom, chosen to serve the king as concubines for one year. Some of the girls are from the few influential paper caste families, offered to curry favor and bind their families closer to the power of the crown. Some of them are chosen from the country at large and either regard serving the king as an honor or believe the material benefits to themselves or their families are worth it. Lei, kept in line only through threats to her remaining family and already resentful of the imperial regime for previously abducting her mother, is caught between the rock of being forced to service the king when her mind and body revolt against the very idea and the hard place of the strict new realities of her life that she cannot escape.

Once in the palace, Lei struggles, not only with her lessons, but also with the company of the other girls. The noble girls not only have a head start on the knowledge and skills expected of a Paper Girl, but they’re not eager to include Lei in their social circles. They’re used to having maids and fancy clothes and performing courtly graces, and every time Lei struggles or makes a mistake, mockery and taunting is sure to follow. Some of the girls are also eager to be there, either from a desire to serve the king or for the status and benefits being Paper Girls will bring them and their families, motivations which Lei has trouble understanding. Lei becomes friendly with one of them, Aoki, but Lei constantly has to watch herself around her because Aoki is truly enamored of the idea of serving the king and won’t hear of Lei’s very real horror of the man. Being set adrift in a hostile environment would be tough enough, but Lei’s mental anguish at being used by the king is chilling. Paper Girls don’t have the ability to refuse to become Paper Girls, or to refuse a summons by the king when they’re in the Palace, so they don’t have the ability to truly consent, and Lei’s horror at her lack of agency causes her to panic and react in unpredictable ways. CONTENT WARNINGS: While this book does not depict the physical act of rape in lurid detail, it does occur and neither does it draw a curtain at the door to the king’s quarters. There’s physical violence, mental and physical intimidation, and general bad times along those lines.

Lei’s lack of agency is emblematic of the Paper Caste as a whole’s lack of agency. Despite the existence of a few high-status families at Court, as evidenced by some of the other Paper girls, most of the Paper caste is oppressed and taken advantage of by the Moon and Steel castes. What I really enjoyed about this novel besides the world-building was that Lei is actually a late addition to the plot to overthrow the King leading such a cruel system and make a better kingdom. They weren’t waiting for a prophecy or a chosen one, Lei’s violent yet inept rejection of her own fate literally bumbles into a well-laid and intricate conspiracy that is already in place and wasn’t looking for any other help. In fact, they would rather she just keep her head down and not mess them up, because she doesn’t have the training for this, which of course, Lei does not do. It’s an interesting change from the common Chosen One formula.

Also interesting is Wren, a fellow Paper Girl. Lei is fascinated by Wren, who is withdrawn but kind, unlike the other wealthy Paper Girls. Wren is a part of the resistance, trained from childhood and planted among the Paper Girls to gain access to the King. Wren also has to let herself be used, and she empathizes with Lei’s reactions. She alone among the resistance thinks that Lei should be included and possibly help them. Along the way, their relationship becomes physical as well as emotional, as they bond over the pressure cooker of their environment.

Girls of Paper and Fire is a great beginning to a series. The world-building is intricate and interesting, and it turns the Chosen One as Rebellion Figurehead trope on its head. Although there is lots of serious content, it handles it well, and the physical relationship between Wren and Lei mirrors the intense emotional pressures they both face. If you like fantasy YA series, you could do worse than look here.

Danika reviews This is How We Fly by Anna Meriano

This is How We Fly by Anna Meriano

I want to start by being clear that this does not have a sapphic main character, but it does have multiple sapphic side characters and subplots, which is why I’m reviewing it here.

If you still have complicated nostalgic feelings for Harry Potter, but you also want to read a book that says “Fuck TERFs” (literally–that’s a direct quote), This is How You Fly is for you. It follows Ellen, who has just graduated from high school and is trying not to think about what happens next. Her friends are excited about university, but she’s terrified. Not that her life is going that well now: she fights constantly with her stepmother, one of her best friends is pulling away from her, and she just got herself grounded for the rest of the summer.

As I said to start, Ellen is not sapphic. She does have complicated gender feelings–she’s questioning. One of her best friends, Xiumiao, is a lesbian, and she’s been struggling with an unrequited crush on their other best friend, Melissa. Xiumiao decides to distance herself from Melissa to try to get over her, and she is diving into preparing for college. Ellen feels like she’s being left behind, so when Melissa joins a quidditch team and convinces Ellen’s parents to have athletics be an exception to the grounding, Ellen throws herself into it. The team is co-ed, and there are a lot of queer players on the team. I enjoyed seeing Ellen start from scratch at this sport. She’s not athletic, but she’s determined to improve, and she finds joy in this even when she’s having difficulty keeping up.

This is a story that’s a little bit messy, which I loved. It deals with a lot. It’s a very, very loose Cinderella retelling, with quidditch instead of balls. The dynamic between her and her family is complicated and feels realistic. Ellen is also a main character I don’t see very much: she’s a feminist teenager who is passionate about social justice. She is vegan and tries to call out people for casual sexism, racism, homophobia, ableism, etc, even if it’s her friends or family. Usually those characters are dismissed as annoying or a joke, but I (unsurprisingly) felt very sympathetic for Ellen. She doesn’t understand how her parents can dismiss injustice so easily. She’s also mixed race–half Mexican-American and half Irish-American–and constantly feels like she’s an imposter. Her stepmother is from Mexico, but her mother was born in the U.S. and passed away when Ellen was a young child. She doesn’t know how much she can claim as her heritage, and some part of her is envious of her stepmother’s more direct connection to her culture.

This is also a nerdy book, of course. There is a lot of discussion about Harry Potter, including talking about how to address JK Rowling’s transphobia in the fandom. She’s active on Tumblr, saying: “Tumblr is the lawless internet hovel where extreme fan culture meets extreme opinions and extremely pointless junk posts, and I love it to death.” I appreciated this, because I’m still on Tumblr, but I don’t know how realistic it is. Apparently in 2019, less than 1% of American teens use Tumblr. Of course, I’m sure a similar percentage play quidditch, and there’s probably more overlap there.

Although this book doesn’t have a sapphic main character, there are multiple sapphic side characters, including one that is a major subplot. I’m going back and forth on whether naming it is a spoiler, because clearly the book means it to be a surprise, but a) identity is not a spoiler and b) I definitely saw it coming several hundred pages in advance. Suffice to say that there is significant F/F content, though not with the main character. As for Ellen, I appreciated that her romances are also messy and complicated. It shows that you can be attracted to people you don’t necessarily like, and it allows Ellen to explore her feelings and attractions.

I had a great time reading this book. Multiple times, I found myself staying up hours later than I meant to because I couldn’t put it down. I highly recommend this for former or conflicted current Harry Potter fans who denounce JK Rowling’s transphobia or for anyone who is or was a loud-mouthed teenage feminists (I mean that as a sincere compliment).

Mo Springer reviews Cinderella is Dead by Kaylynn Bayron

Cinderella is Dead by Kalynn Bayron

200 years ago, Cinderella died. Now, all the girls of the kingdom are forced to reenact her fairytale, forced into marrying men who mistreat them and discard of them as they please. But is there any truth in the story the system of cruelty is based on?

Sophia is in love with Erin, who wants to follow the rules to ensure good fortune for her parents and her own future. Sophia is horrified by what she sees at the ball and runs–right into Constance, whose history changes everything Sophia thought she knew. Together the two of them must find a way to end these years of suffering–but will they be able to endure it for their happiness, with each other?

This was a really good book. I love fantasy and this was an interesting world to explore, the author clearly put a lot of thought into the building of it and it shows in the narrative. I liked how this wasn’t too complicated of a system to try and understand; there’s a lot of the world that is similar to our own, which lends itself well to being a story you can relate to you.

The characters felt like they fit this world and were created by its structures and cruelty. Sophia was a great protagonist, leaping off the page from the beginning. As a reader, I was able to engage with her very well, and I was invested in her story. Her romance with Constance was also fun, there was some really good tension there, as well as with Erin. The side characters felt real and helped build the story, especially the villain and their motivations.

The plot was fast paced, and there was never a part I felt bored. I liked how character-driven the story was and the satisfying arcs that followed. The stakes felt real, as the villain was well built and established.

There were some parts that felt a bit too quick, and I would have liked some more build up and complexity to those moments in the story. Sometimes it felt like the author had a lot of scenes in mind and then patched them together after writing them up. That’s not to say those scenes were badly written or took away from the story, but overall, it felt like connection between them could have been stronger.

Having said, this was still a fully enjoyable novel and I recommend it to anyone interested in fairy tales and fantasy.

Casey A reviews The Prom by Saundra Mitchell

The Prom by Saundra Mitchell

In October 2018, The Prom premiered on Broadway. It was a musical inspired by real events with a great deal of glitter thrown on top, and I was one of the people lucky enough to see the original cast on Broadway, because a good friend surprised me with tickets on my trip. The musical was fantastic, but sadly had a much shorter run than deserved, but it’s a book now, and we can all bask in its glory. The book is adapted from stage by Saundra Mitchell. Obviously the stage show has coloured my reading of the book, much like when you watch a film adaptation and you know all the bits they missed out. So I’m going to keep the comparisons vague to avoid spoilers, but I will still reference the show in my reading.

The story is set in Edgewater, Indiana, where our narrator Emma Nolan, informs us that it is a bad idea to be gay. Heads up, homophobia is a very presiding theme in this story, so if you are looking for a cute romance with no obstacles or politics, this may not be your read. Emma’s story preceding the book has been a difficult one, all too familiar to a lot of queer readers, but sadly a story that still must be told. The second narrator is Alyssa Greene, love interest, student body president, and perfect daughter to the overbearing leader of the PTA. The tension in the story all revolves around the fact that out and proud(ish) Emma would dearly like to go to prom with her closeted girlfriend. The PTA gets in the way, Broadway actors find out about the scandal and try to help. All hell breaks loose.

I’m torn over the structure of the book. On the one hand, I really enjoy swapping between Alyssa and Emma’s narratives, and this structure actually gives Alyssa a lot more agency and power than she has in the show. However, there are glimpses of scenes which exist on stage that they had to cut due to a lack of POV character, and are mentioned as asides, which make little sense. It’s a bit like only watching half of a crossover episode and wondering what you missed out on. The Prom is a nice short read, clocking in at just over two-hundred pages, so I think it might have made more sense to either expand to allow more points of view, or simply axe some of those asides altogether and focus on the main plot. The weirdest of these is perhaps that the book opens with reference to a broadway show flopping, and then doesn’t allude to this at all for about fifty pages. It makes a lot more sense by the end, but I personally think that the articles which serve as prologue and epilogue detract a little from the main narrative and are really only there for fans of the show.

The tone of the book is inescapably teenage highschooler. It’s a YA novel adaptation and it knows it. Pop culture references are abound, and if you aren’t up to date on your American High School slang (I am not), you might find yourself rereading a few sentences. But for the most part, I found the pop culture references hilarious and engaging. Emma’s narrative has a sarcastic and witty snap to it which is delightful to read even when things are going wrong. It also spans a decent range from memes, music, and tv, as well as inevitably a large number of broadway shows. This book genuinely made me laugh out loud on multiple occasions, and it’s chock full of genuinely wise quotes about homophobia, acceptance, and life in general.

(This bit is only about differences to the show, so if you aren’t already a fan, be ready for spoilers.) Firstly, there are some great little cast easter eggs in the names of the characters, some very obvious and some quite sneaky. The words of many (if not all) of the musical numbers have also made it into the writing one way or another, with several of them providing a lot of backbone to the plot, and others acting as throwaway lines which maybe don’t quite work. As I’ve already alluded to, the broadway characters don’t get a point of view. Dee Dee and Barry are still in it, but Trent and Angie have been axed entirely (despite the cast of Godspell still being present). Dee Dee really is turned into a caricature of what was already a largely than life character, but Barry somehow manages to retain depth and dignity, despite soaking up most of Trent’s role in the narrative.

Seeing the show and then reading the book definitely changed my reading of the book, and I’m very interested to know what others think who haven’t read it. From an adaptation standpoint, I thought it was a very cute read, with a lot of power, which overall took the narrative from a new angle and made sure we got more of the love interest’s side of the story. I would recommend this book highly to people who have seen or know the show, and and anyone who just wants a nice triumphant story about love against all odds.