A Sapphic Romance at Adult Summer Camp: That Summer Feeling by Bridget Morrissey

the cover of That Summer Feeling

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That Summer Feeling delivers exactly that. A beach read set at an adult summer camp, this read is low angst and very wholesome. The beginning of the book starts out with a bit of chaos: a flashback to the past, a bit of family history to set the stage, and a frantic rush through the airport to catch a flight—not to mention a vision (there’s a light helping of woo in the beginning, but the book doesn’t involve much magical realism). But the pace slows considerably after the prologue, as the rest of the book spans the course of only seven days. 

Our main character Garland requires a bit of patience—she’s 32 years old with zero sense of self identity, though the thing she’s got going for her is the awareness of that flaw. It’s one of the reasons she’s at this camp. Garland is licking her wounds from a recent divorce (to a man; this a toaster oven situation) but is also sort of letting the divorce define her in the same way that the relationship defined her. She was Married—now she’s Divorced. And she might just be done with romance, unless of course her fella decides to take her back. She’s hoping this summer camp will lead to a new start. 

On paper, Garland is the sort of character that should really annoy me. She might really annoy you. But I found her to be so obtuse about her own feelings that it was actually kind of hilarious. When she meets Stevie, her roommate at camp, she’s immediately fascinated by her, and the two form a “camp alliance.” Despite enjoying her new friend’s company more than is typical of a platonic relationship, Garland takes a while to come around to realizing her queerness. It’s not for a lack of having queer friends or exposure to the idea of sexuality being fluid, she’s just been so caught up in a heteronormative idea of things like marriage as a measure of success she’s never paused to consider her sexuality. 

Vague spoilers, highlight to read: Once she realizes her feelings for Stevie are romantic, it opens the floodgates for her Big Moment of Self Realization. For those who hate the instalove trope, you’ll likely not love Insta I Just Figured My Shit Out either, so you’ve been warned! It does make for a refreshing third act when our main character, in a situation where a main character usually does something monumentally stupid, instead shows her growth as a person. It’s tough to pull off that kind of low angst read yet still maintain tension through the end of the book, but That Summer Feeling gets it right.

There are also some solid themes of found family, not needing others to define your worth, and the difficulty developing adult friendships. With the addition of tropes that keep things light and help make this a pretty fluffy book overall, this is perfect for a relaxing day at camp.

The Enthusiastic Ally to Bisexual Pipeline: Imogen, Obviously by Becky Albertalli

the cover of Imogen, Obviously

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Now that I’m twice the age of many of the protagonists in Young Adult books, I have a different relationship with them. I still read YA, but I find myself feeling protective of the main characters instead of relating to them. Nothing exemplified that shift more than reading Imogen, Obviously, where I just wanted so badly to give Imogen a hug as I read it.

Imogen is a high school senior who is a very enthusiastic queer ally, even though she’s, as Imogen puts it, “hopelessly” straight. Her sister and two closest friends are all queer. She goes to every Pride Alliance meeting. Her favourite movie is But I’m a Cheerleader, and she collects editions of One Last Stop by Casey McQuiston.

Her best friend Lilli is a year ahead of her and has already found a queer friend group in university—the same school Imogen will be joining in a few months. Imogen is happy for her… even though she feels out of place. She doesn’t want to intrude, as a cis straight person.

When Lilli finally convinces her to visit, she drops a bombshell when Imogen arrives: Lilli felt insecure about not having a serious relationship with a girl before, and she lied about Imogen and her being exes. So now everyone thinks Imogen is bi, including Tessa, who gives Imogen butterflies, which is obviously just Imogen queerbaiting inside her own head.

Imogen as a character broke my heart, to be honest. She’s a people-pleasing overthinker who analyzes herself to death, twisting herself into knots until she loses sight of the very obvious. The very obvious like: she’s not straight. The very obvious like: her friend Gretchen isn’t the authority on all things queer, and can be pretty toxic when she acts like it.

In a social media graphic for the book, the author describes Imogen as having queer discourse brainworms, which is a good way to put it. She tries to educate herself about queer issues, but just ends up thinking that there’s only one right way to be queer. She doesn’t feel the same way about girls as she does in her crushes on guys, so she concludes that means she doesn’t like girls at all. Even when faced with obvious evidence to the contrary, she convinces herself that she’s just trying to be bisexual for clout and that she’s a bad person for appropriating queerness.

“Queerness recognizing queerness. It’s kind of beautiful when you think about it. I really do wish it was mine sometimes.”

Imogen longs to be part of the queer community, and while I’m sure there is some 100% straight and cis person this applies to in the world, it’s such a relatable queer experience. I was in middle school when I excitedly talked about looking forward to joining the Gay/Straight Alliance in high school, and how if I could choose, I’d be pansexual and panromantic. But, of course, I was hopelessly straight…

Gretchen was a difficult character. Some people will absolutely hate her, which I understand. But I found myself thinking that my high school self was somehow right between Imogen and Gretchen: an anxious overthinker who also was so deep in queer discourse that I thought I knew it all. Gretchen is going through some things and lashing out at other people—I hope that this is just the beginning of a journey of processing her trauma, because she’s not in a healthy place now.

I haven’t even mentioned the Tessa/Imogen romance! It is adorable. Tessa is a lesbian and Imogen (spoiler?) is bisexual. Both are Jewish. Poor Imogen takes a while to understand she’s falling for her, but it’s a fun ride, including college shenanigans with her and their friend group.

I loved reading this, even if being inside Imogen’s head could be a little too relatable at times. This is actually my first Becky Albertalli read, but I can now confirm the hype is justified. I highly recommend it to any queer person who once also thought they were hopelessly straight.

A Bisexual Armenian American Self Discovery Story: Sorry, Bro by Taleen Voskuni

the cover of Sorry, Bro

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Armenian culture and self discovery are primary themes in Sorry, Bro by Taleen Voskuni. These themes are the strengths of the book, especially when it comes to culturally sensitive issues and heavier topics like genocide, racism, homophobia within the Armenian community. On the other hand, Sorry, Bro also has one of the most extremely infuriating main characters I have ever encountered in a sapphic romance. It’s less of a romcom and more of a journey of self discovery, where our main character takes one step forward and three steps back. It reads a little like a YA book at times, despite having a main character in her late 20s, as Nareh’s development into adulthood feels like it went off track when her father died. She still lives in her childhood bedroom with her high school posters tacked to the wall and a curfew. Nareh is heavily invested in how people in her community and family perceive her, needing their praise and acceptance, even though she’s not really involved herself in the community and feels disconnected from it.  

One of the main issues for me comes at the beginning, when, not 48 hours after her boyfriend of almost five years proposes and she subsequently turns him down, Nareh announces she’s on the prowl for a new fella. No mourning period, no me-time, it’s just time to go to the Man Store and get something in a size handsome-with-a-sharp-jawline. Nareh is bisexual, but aside from her male friends, she doesn’t seem to really like the men that she thinks are “her type.” She approaches potentially dating them in a very detached way, not unlike her mother, who’s been making Nareh spreadsheets of eligible Armenian bachelors. This goes on for a couple of chapters longer than I had patience for, to be honest. A lot of these qualities make Nareh feel quite shallow. 

Nareh is solidly in the closet, afraid of the fallout from her community should she come out as bi, and also perhaps wary after making out with too many straight girls in college and getting burned. But no matter how hard she tries to focus on finding a Armenian husband, she keeps getting distracted by her new, very attractive friend Erebuni, who it turns out is *not* straight. Like the book, it takes a while to get to our secondary character. Erebuni is the polar opposite of Nareh—she’s confident, doesn’t care what people think of her, and has a tight knit group of Armenian friends. Unfortunately, she doesn’t get much time on the page, and if she does, it seems she is always surrounded by other people. Erebuni never really feels like a main character, more of a prop for Nareh. 

As a romance, Sorry, Bro has some room for improvement. But as a book about self-discovery and finding one’s place in the world in the context of culture, community, and societal pressure, it’s worth a read.  

Nat reviews How To Excavate a Heart by Jake Maia Arlow

the cover of How to Excavate a Heart

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Sweet yet angsty. Coming of age and coming out stories. A meet cute that’s…not so cute. Jewish holiday rom com. All the big, tender feels of young love. Non-stop cackling, except when you take a break to have a good cry. A prominently featured corgi. These are a few of my favorite things about Jake Arlow’s How to Excavate a Heart.

College student Shani Levine is determined to spend the holidays alone doing a winter internship at the Smithsonian—that means she’ll be away from her family, her mom specifically, which she feels guilty about while also desperately feeling the need to get away. There are a lot of complicated feelings around this stage of life, and Arlow’s character portrayals feel very authentic—the main characters are both first year college students figuring out what it means to be independent, to manage this in-between phase of life, caught between home and their new freedoms. This is also where Arlow nails the post-teenage angst humor. 

We meet May in a rather abrupt manner—and this is not really a spoiler as it’s in the book’s synopsis and in the first chapter—with the front of Shani’s mom’s Subaru. May is also spending the holidays in DC with her dad, but not because she wants to be there. She’s having her own family issues, and being rudely greeted by the bumper of a car doesn’t exactly put her in the holiday spirit. May initially comes off a bit frosty, but of course we’ll eventually see those walls melted away. 

The book is told in first person from Shani’s perspective, so you really get into her mindset. As she works out her feelings and makes self discoveries, you’re along for the ride. While this book is a holiday romcom, it’s also just as much a coming of age story, and we see a lot of Shani trying to figure out how and when to talk about her “new” life with her mom, when she doesn’t quite know how to come to terms with it herself. This includes keeping her first real relationship a secret, along with her sexuality. 

(Spoilers and Trigger Warnings:) We kind of see this coming, like the Titanic about to hit the iceberg, as we see more snapshots of Shani’s first relationship. Each memory reveals more specific—or perhaps more accurate—details, as her relationship with May progresses. Our narrator is holding back so much in part because she’s just not had certain realizations herself about the abusive nature of her first relationship. Acknowledging these truths is a big turning point in the book, and it’s clear Shani can’t move forward with May until she’s come to terms with her own past. (End of Spoiler)

The supporting character cast gets major points, especially Beatrice (Aunt Bea) who is her own one woman comedy show, and Shani’s mentor at work who’s a few years older—the wise lesbian we all wish had been in our lives to dispense advice. And yes, the corgi (dogs absolutely count as characters). Overall, Arlow’s given us a sapphic holiday romcom that will excavate your own frozen little heart.

Trigger warnings: abuse, sexual assault

Maggie reviews A Scatter of Light by Malinda Lo

the cover of A Scatter of Light by Malinda Lo

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I was ecstatic when I heard that Malinda Lo was writing a loosely connected follow up to Last Night at the Telegraph Cub because Last Night at the Telegraph Club is a hugely important lesbian coming of age novel set in 1950s San Francisco Chinatown that A) I wish I had had access to as a teenager and B) I’m so happy the youths have access to today. In A Scatter of Light, Lo attempts to recreate that same sense of teenage discovery and feelings in a more recent decade and succeeds wildly. I listened to the audiobook and had a fantastic experience. I cannot recommend this book highly enough. Lo is unparalleled at invoking the teenage experience, where your feelings are huge and undefined and you don’t yet have the life experience to have perspective.

In A Scatter of Light, when recently graduated Aria West arrives at her eccentric artist grandmother Joan’s house in California for the summer, she’s upset that she’s not spending the summer on Martha’s Vineyard with her friends as planned and doesn’t expect the summer to come to much. But Joan, rather than judging her for the high school scandal that landed Aria in California, encourages her to pursue her interests, interrogate her own perspectives, and look at things in new ways, leading Aria to both connect with her past and push her boundaries with art while she’s there. Aria’s summer is further derailed by Joan’s gardener Steph, an aspiring musician, who invites Aria into a community of working class lesbians and queer events that Aria had previously never thought about. What started out as just killing time until she could leave for college turns into a life-changing summer as Aria learns several new things about herself. Dyke marches, art history, music festivals – Lo balances the nostalgia-drenched coming of age experience with real emotion for a surprisingly solid teenage narrative.

What I loved best about this book is that Aria’s beautiful emotional queer journey happens with all the grace of getting tackled by a football player and all the emotional subtlety of a fireworks show. It’s perfect and wonderful and great fun to read because Aria feels and loves with all the explosive power of a teenager who doesn’t have the experience to put her emotions into context. And many times her narration had me screaming with glee and with the experience of an adult perspective. It was an absolute blast to watch Aria have her hot lesbian summer, I had the most fun time listening to the audiobook.

Alas for Aria, not everything is as simple as getting flirted with by several lesbians and slowly realizing her feelings are not just friendship. For one thing her grandmother Joan, her ostensible reason for being in California to begin with, encourages her to explore art, something that Aria had never considered but starts mixing with her passion for astronomy and her history with her deceased grandfather. Her mother delivers some family news that sends Aria into a minor tailspin. (spoilers) And Steph, the object of Aria’s newly awakened queer desire, comes with an established relationship, albeit one that is making both halves of it miserable. It all comes to a head when Joan’s physical condition abruptly worsens, bringing Aria’s summer of awakening to an emotional close. (end spoilers)

A Scatter of Light is a dramatic, and fun ode to early 2000’s queer culture, coming of age, and teenage feelings, and I am so, so glad that youths today can just pick it off of any shelf. The characters feel deeply, the decisions are messy, and the open mic nights are queer. And journeying along with Aria while she had a wild summer awakening was the highlight of my fall. I appreciated the masterful way Lo handled themes of growing up and reaching new emotional maturity and dealing with life’s complicated circumstances. I especially appreciated that the summer remained what it says in the title – a scatter of light, a transient experience, a bubble of time that changed everyone involved but was not a lifetime commitment at 18. This book was amazing to read as an adult, would have absolutely given me new thoughts and perspective if I had had it available as a teen, and would be a great addition to your to-read list.

Nat reviews Stud Like Her by Fiona Zedde

the cover of Stud Like Her by Fiona Zedde

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I actually read Stud Like Her for the first time as soon as it came out, and thought about reviewing it then, but then I thought *everyone* was going to be reviewing it because there are so few books about studs loving other studs. As I was rereading it, I realized I had actually not seen much written about it. 

While this book isn’t erotic romance, it does frequently present imagery of sex, sexual desire, and attraction. There’s a lot of pining for the body of another in great detail and sprinkled generously throughout. If that’s not your jam, this may not be the book for you. But if it is, read on!

Our tormented main character, Chance Cooper, is a stud; meaning she’s a masc of center Black lesbian, and she just so happens to be attracted to other butch women. She’s pushed aside this attraction for nearly a decade, essentially still living in the closet. Much of the book centers around her fighting the constraints of her community and having the courage to live an authentic life. 

Zedde tackles a lot of subjects that are tough to wrangle, so expect a fair amount of angst and frustration as Chance works out her issues. One of the difficult themes is internalized homophobia, with studs loving other studs being seen as “too queer” in the Black community. There’s a lot of shame assoicatied with her attraction, and discussions of being “out” not as a gay woman, but as a gay women attracted to another stud within the gay community. We see these restrictive, hetronormative rules applied to queerness, leading to the same destructive results as if Chance were simply in the closet as a lesbian. This bleeds into another theme, internalized misogyny. The rigid butch/femme structure of Chance’s community leads to toxic masculinty. There’s a lot of us vs them, femmes vs studs heteronormative attitudes that are not doing anyone any favors. 

One of the things I really liked in the book was Chance overcoming her insecurities and breaking away from destructive friendships. As with most queer stories, and in real life, found family is the thing that keeps us afloat. We often see examples of supportive and loving friendships, contrasted with  toxic and problematic family. In this case, it’s the opposite, with Chance having a supportive and loving family, but the worst ever so-called friends.  Like I said, no shortage of angst, but to see our MC come out on the other side is worth the sweat and tears. 

All that serious business aside, there are still plenty of playful moments and humor throughout. We mostly get this after meeting Garret, the young stud who Chance wants to date even though she’s terrified of what others will think. Garret the Hotness, or G-hot, is an Instagram star who gives zero foxes about what other people think of her. She’s young and idealistic and exactly the sort of polar opposite that Chance needs to course correct and finally be happy. 

Overall, consider this an angsty romance filled with self reflection, overcoming fear of rejection, and self-loathing, while exploring issues within the Black queer community. I’m on my second read of the book now, so put it on your summer reading list!

Nat reviews D’Vaughn and Kris Plan a Wedding by Chencia C. Higgins

the cover of D'Vaughn and Kriss Plan a Wedding

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One of my favorite romance tropes is the fake relationship – I just can’t resist it. So there was little doubt that watching D’Vaughn and Kris plan a fake wedding would be absolutely delightful. 

The story is centered around a reality show called Instant I Do and told through the first person perspectives and solo camera interviews of D’Vaughn and Kris. The premise of the show is to convince your closest friends and family that you’re getting married to the person you’re paired with — in six weeks. Framing the book in the context of the show means we also experience our main characters in a sort of vacuum, removed from their everyday lives and jobs while they focus on their goal. 

Curvy, femme and very closeted D’Vaughn is hoping to diversify the cast of this season of the show with her presence as a queer, Black, full figured contestant. Her main motivation for going on the show is to come out to her family, which she’s never been able to bring herself to do. She just needs to convince her conservative, judemental mom that she’s about to get gay married! Bold move, D’Vaughn.

Kris is a social media influencer, a stud who’s got a rep for being a bit of a player. She’s looking to find true love and a real connection, and thinks going on this show will help her do just that. She’s been out to her big, boisterous Afro-Latinx family for ages, but the trick will be convincing them she’s serious about settling down, and with someone they’ve never met or even heard of. 

As a couple, D’Vaughn and Kris are adorable, and I love the support Kris gives to D’Vaughn as she comes out to her family even though they’ve just met. I really enjoyed the narrative expressed in the Jitter Cam sections, giving us a bit of an extra perspective on what the characters were thinking and feeling. The story has great pacing, and you experience things in the moment, a bit like it would be if you were watching the show. 

The only real problems for me came from consistency issues surrounding the technical reality show aspects that I think should have been caught by an editor. Obviously in Romancelandia we are opening our minds and hearts to things that prooobably would not happen in real life. That’s why those little world building details are so crucial. Mentions of the mics and cameras that clarify some issues are provided later in the story, but would have better been served at the beginning of the book. At some points it kind of felt like the author was figuring things out as she went along, but didn’t go back to shore up any leaks that may have been caused in the story. I even had to go back a few times to make sure I hadn’t missed something. These were the sort of details that kept pulling me out of the book. 

So while I can get behind our characters falling in love in six weeks, I’m totally chafing about not being able to tell when they were on film or being recorded vs when they were alone having private moments. I personally don’t have much experience watching reality shows, so I don’t know if that helped or hurt my perspective on how that was shown to us on the page. My writer’s brain understands how these problems developed, but a fresh set of editing eyes could have caught these little inconsistencies. 

Despite those few hiccups, this is a fun romance with lovable characters and definitely worth a read! 

Danika reviews The One You Want to Marry (And Other Identities I’ve Had) by Sophie Santos

The One You Want To Marry cover

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I have to admit, I almost stopped reading this in the first chapter because of the secondhand embarrassment factor. That same impulse that nearly made me put down the book for good also kept me completely enthralled, peeking through my fingers (metaphorically) to read the next page, unable to look away.

The One You Want to Marry is Santos’s memoir about being a self-proclaimed “late bloomer.” Not physically, but in the sense that she, for example, fully believed in Santa and fiercely defended his existence until she was told at 13. More importantly, though, she didn’t come out until her 20s despite having some… pretty big clues early on. When she told her father, he said, “you always had good female friendships.” The book is then divided up into these intense female friendships of her early life, starting with her preschool best friend she would whisper to all nap time and wail when separated from.

It’s written in a casual, intensely readable style that reminds me of reading someone’s diary–complete with an uncensored look into every aspect of their life. In fact, I felt a little voyeuristic at times, like this person probably shouldn’t be telling me about their early adventures in masturbation (in painful detail). Santos does not shy away from sharing everything from her starting a strip limbo game at a childhood sleepover to her early 20s denial of being a lesbian even in the most… compromising situations.

It’s been a while since I read a straight up (if you’ll excuse the pun) coming out memoir, as opposed to a more general memoir with a queer author. This is a equally a coming of age story, but those are intertwined. This is a story about running from yourself, chasing mirages of who you are, and what happens when you’re finally forced to stand still and face yourself. Santos’s coming of age is centred around running away from her lesbianism–beginning with ignorance that later became denial–and then finding her identity as an out lesbian.

Santos grew up in the 90s, as I did, and this provides some nostalgia and also embarrassment looking back at that time period. It seems to be aimed at young queer people, who presumably need things like same sex marriage being illegal explained. The entire framing feels a little bit 90s to me–while we still need queer representation, a lot has changed since then, which isn’t really acknowledged. (Also, all her mom’s closest friends were lesbians. She went to a lesbian commitment ceremony as a kid. She wasn’t without lesbian role models.)

She was an army brat, moving a lot and reinventing herself–always finding new, intense female friendships, of course. She also struggled with undiagnosed, untreated OCD and anxiety. We follow her through many of these reinventions, from a kid who dressed like a Backstreet Boy and kissed her best friend (as often as possible) “just for fun” to a pageant hopeful to sorority sister looking for an “MRS” to an in denial lesbian who paused mid-cunnilingus to say “I’m not gay” to the host of a show called The Lesbian Agenda.

I expected that once the book was through the awkward adolescent stage, we were out of the woods in terms of intense second hand cringiness, but I was wrong. She’s a mess even (or especially) in adulthood, especially when her untreated OCD and anxiety collide with PTSD. I appreciate her honesty, particularly when it comes to mental health as well as coming out. It’s a messy process, and this book embraces that.

I hope that young readers who feel like they’re doing it wrong, who are embarrassed about how long it took them to come out, or who are struggling to find stability in their adult identities find this book. It reassures readers that even when the road is bumpy getting there, you can still find happiness and fulfillment, including a partner who will go to great lengths to assuage your obsessive fears. (I will not spoil this scene, but it’s well worth reading this book just for the #RelationshipGoals moment.)

So if you can relate to being a “late bloomer,” or if you just want to be a voyeur into someone’s life, check this one out.

Books for Baby Gays

Books for Baby Gays graphic

I have personally identified as bi since I was about 22, and 5 years on, I’ve now started thinking about what might have been different if I’d realised that any earlier, if my personal queer revelation had arrived during uni or high school. In this alternate imagined past, are there any books that could have fast-tracked my identity discovery? Or, are there any books that I didn’t know I needed or to look for when I ended up having my epiphany? My book picks have always felt very organic to me, but at the same time I seem to lean towards queer genre fiction a lot — a preference which is definitely not universal. And with all these thoughts recently running through my head, I decided while it may be too late to sit my past self down and make her think about what she wants and needs in light of the new perspective, it is definitely not too late to do the same for others.

So. The below is a non-comprehensive list of books you might consider picking up if you’re questioning your sexual orientation, or have recently started to identify as sapphic in whichever way that is for you. I’ve aimed for happy endings and not too much tragedy or pain over the course of these stories. With the help of some friends I managed to identify a number of categories that you might wish for in such a situation. Here I have highlighted one book per category, but you can find a larger list of suggestions on my blog (though without any blurbs). Now, without further ado, read on one and all!

Coming Out Under the Age of 12:

Star-Crossed by Barbara DeeStar-Crossed by Barbara Dee (bi main character)

Mattie is chosen to play Romeo opposite her crush in the eighth grade production of Shakespeare’s most beloved play. Gemma, the new girl at school and crush in question, is brilliant, pretty, outgoing—and, if all that wasn’t enough: British. As the cast prepares for opening night, Mattie finds herself growing increasingly attracted to Gemma and confused, since, just days before, she had found herself crushing on a boy. If that wasn’t enough to deal with, things backstage at the production are starting to rival any Shakespearean drama!

Coming Out in High School:

You Should See Me in a Crown by Leah JohnsonYou Should See Me In A Crown by Leah Johnson (Black lesbian main character)

Alright yes, everybody and their mother is recommending this one, but clearly that means there’s a reason! Liz Lighty has a plan that will get her out of her small, rich, prom-obsessed midwestern town forever: attend the uber-elite Pennington College and become a doctor. But when the financial aid she was counting on falls through, Liz’s plans come crashing down — until she’s reminded of her school’s scholarship for prom king and queen. Despite her devastating fear of the spotlight, she’s willing to do whatever it takes to get to Pennington. The only thing that makes it halfway bearable is the new girl in school, Mack. She’s smart, funny, and just as much of an outsider as Liz. But Mack is also in the running for queen…

Coming Out at University:

Learning Curves by Ceillie Simkiss coverLearning Curves by Ceillie Simkiss (fat Puerto Rican lesbian main character with anxiety, panromantic ace love interest with ADHD)

With only two semesters of law school to go, Elena Mendez’s dream of working as a family lawyer for children is finally within reach. She can’t afford distractions, but she has no idea how much her life will change the day she lends her notes to Cora McLaughlin. Over weeks in the library together, they discover that as strong as they are apart, they’re stronger together. Through snowstorms and stolen moments, through loneliness and companionship, the two learn they can weather anything as long as they have each other. College may be strict, but when it comes to love, Cora and Elena are ahead of the learning curve.

Coming Out Later in Life:

Knit One, Girl Two by Shira Glassman cover. It shows an illustration of two women kissing and a cat playing with yarn.Knit One, Girl Two by Shira Glassman (Jewish lesbian main character)

Small-batch independent yarn dyer Clara Ziegler is eager to brainstorm new color combinations. When she sees Danielle Solomon’s paintings of Florida wildlife by chance at a neighborhood gallery, she finds her source of inspiration. Outspoken, passionate, and complicated, Danielle herself soon proves even more captivating than her artwork…

Life After the Big Come Out:

Double Exposure by Chelsea CameronDouble Exposure by Chelsea Cameron (bi trans woman main character, pan woman love interest)

Anna Corcoran’s life is hectic, but that’s how she likes it. Between her jobs at the Violet Hill Cafe, the local library, and doing publicity work for authors, she doesn’t have much time for anything else. Until Lacey Cole walks into the cafe and she feels like she’s been knocked off her axis. Lacey’s a photographer and writer and wants to do a profile on the cafe, including an interview with Anna. She’s game, but after spending a few days with Lacey, Anna is falling. Hard. The only problem is that Lacey isn’t going to be sticking around. As they get closer and closer, Anna wonders if maybe this would be the one time when Lacey would decide to stay put. With her.

Proper Escapism:

Water Witch coverWater Witch: The Deceiver’s Grave by Nene Adams (identities unknown)

It is the eighteenth century in a world filled with magic and the Caribbean are a haven for pirates; the most feared of them all is Bess O’Bedlam, known as the Water Witch. Bess’ lust for riches knows no bounds and she is on the trail of the greatest prize ever taken — and thought lost for twenty-five years. When Bess meets Marguerite de Vries, the Dutch thief does not know she is the key to a king’s ransom. The Water Witch will use any means to find the loot, including seduction, but she had not reckoned on a fiery-tempered opponent determined to protect her heart at any cost. As the women are pitted against a deadly magical curse, they must overcome many enemies in their quest for the treasure… and each other’s love.

Romance Takes a Back Seat:

The Black Veins by Ashia Monet coverThe Black Veins by Ashia Monet (no romance, queer found family, bi Black main character, British-Chinese ace trans man and Black bisexual ensemble characters)

In a world where magic thrives in secret city corners, a group of magicians embark on a road trip. Sixteen-year-old Blythe is one of seven Guardians: magicians powerful enough to cause worldwide panic with a snap of their fingers. But Blythe spends her days pouring latte art at her family’s coffee shop until magician anarchists crash into said coffee shop and kidnap her family. Heartbroken but determined, she packs up her family’s bright yellow Volkswagen, puts on a playlist, and embarks on a road trip across the United States to enlist the help of six strangers whose abilities are unparalleled—the other Guardians.

Classic:

Carmilla by J. Sheridan Le Fanu,Carmilla by Joseph Sheridan Le Fanu, edited by Carmen Maria Machado (lesbian main character and love interest)

Isolated in a remote mansion in a central European forest, Laura longs for companionship when a carriage accident brings another young woman into her life: the secretive and sometimes erratic Carmilla. As Carmilla’s actions become more puzzling and volatile, Laura develops bizarre symptoms, and as her health goes into decline, Laura and her father discover something monstrous. Joseph Sheridan Le Fanu’s compelling tale of a young woman’s seduction by a female vampire predates Bram Stoker’s Dracula by over a quarter century.

The History:

Sapphistries coverSapphistries: A Global History Of Love Between Women by Leila J. Rupp

From the ancient poet Sappho to tombois in contemporary Indonesia, women throughout history and around the globe have desired, loved, and had sex with other women. Sapphistries captures the multitude of ways that diverse societies have shaped female same-sex sexuality across time and place. We hear women in the sex-segregated spaces of convents and harems whispering words of love. We see women beginning to find each other on the streets of London and Amsterdam, in the aristocratic circles of Paris, in the factories of Shanghai. We find women’s desire and love for women meeting the light of day as Japanese schoolgirls fall in love, and lesbian bars and clubs spread from 1920s Berlin to 1950s Buffalo. And we encounter a world of difference in the twenty-first century, as transnational concepts and lesbian identities meet local understandings of how two women might love each other. Rupp also creatively employs fiction to imagine possibilities when there is no historical evidence.

Marieke (she / her) has a weakness for niche genres like fairy tale retellings and weird murder mysteries, especially when combined with a nice cup of tea. She also shares diverse reading resources on her blog letsreadwomen.tumblr.com

Shana reviews Who We Could be by Chelsea Cameron

Who We Could be by Chelsea Cameron

Who We Could Be is a fluffy, heartwarming romance about supposedly straight best friends who fall in love with each other. The story loosely reimagines two of my favorite characters, Anne Shirley and Diana Barry from Anne of Green Gables. I sometimes find coming out stories too predictable and trite. I loved this gooey, angst free story anyway, and recommend it for when you need an inclusive, low-conflict read.

Tessa is a quiet, nurturing, librarian who falls asleep most nights while giggling over the phone with her best friend Monty. She’s engaged to be married to a guy no one much likes, especially outspoken Monty. The two friends are fiercely and unapologetically each other’s most important person.

Monty works at a bookstore owned by her lesbian trans aunts, and is also engaged to her sweet friend Gilbert Gus, who she adores, but is more likely to play games with than kiss. When Tessa’s lackluster fiance cheats on her, Monty takes her on an alternate honeymoon. This leads to the two going on practice dates to help Tessa ease into dating again. Along the way these two figure out what everyone around them already knows: they’re perfect for one another.

Tessa and Monty have an intensely loving friendship, and watching them discover their romantic side left me squealing with joy. Their dynamic is a balm for every fan who sighed over two straight characters who clearly should be dating each other, whether that’s Rizzoli and Isles, or Diana and Anne.

Who We Could Be has an idyllic, fairy tale quality. It’s set in a progressive small New England town, and cocoons the characters within this supportive atmosphere. Instead of leaning into the drama of ended engagements and newfound sexuality, the story resolves potentially obstacles easily, letting Tessa and Monty’s playful relationship take center stage. I appreciated that the characters come to recognize their queer sexuality before falling in love with one another, and the role Monty’s aunts play in their drama-free coming out process.

Cameron specializes in stories about BFFs who fall in love, and after reading Who We Could Be, I devoured her backlist. This remains my favorite version of this trope. Highly recommended for fans of quiet romances.