A House Haunted by Fascism: Tell Me I’m Worthless by Alison Rumfitt

the cover of Tell Me I’m Worthless by Alison Rumfitt

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I feel so conflicted about Tell Me I’m Worthless, because it’s one the most thought-provoking and memorable horror books I’ve ever read. The sections I liked were captivating, and in the first chapter, this felt like a new favourite book. But there were also sections of this book I found unreadable.

I have to start by saying that this comes with strong content warnings (listed at the beginning of the book), including for rape, racism, transphobia, fascism, antisemitism, eugenics, and more. These topics aren’t just included: they are the central pillar of the story, and they’re described in detail. Be prepared for that going in.

This is a haunted house story, but it’s more about two people trying to live in a society so soaked in fascism that it’s easy to absorb it unconsciously. Both these main characters are bigoted. They’re deeply flawed. And they’re also compelling.

Alice, a white trans woman, and Ila, who is Jewish and mixed race, entered a haunted house three years ago with their friend Hannah, a cis white woman. Alice and Ila had a complicated relationship with a sexual and romantic element, while Hannah was always a bit removed from the other two. They each experienced their own trauma there that night, and Ila and Alice both believe that other sexually assaulted and scarred them. Hannah never left the house. Though Alice and Ila escaped, they can’t seem to free themselves entirely of its influence, and Ila convinces Alice they have to return to get closure.

While this house drives the plot—and even gets its own point of view—most of the book takes place outside of it, following Alice and Ila separately as they live in a sort of fog, unable to process what happened to them. Ila has made being transphobic practically a full time job, regularly giving talks at different institutions. The focus on these aimless, dissatisfied main characters is common in litfic, but less so in horror. Personally, I was drawn in by it, especially paired with the distinct, often meta writing style.

That writing style is precisely my hang-up with this book. Some of the writing was so effective, like the Hill House motif, but there were several points where it descended into pages and pages of hateful stream of consciousness that did not work for me at all. For example, there would be long tangents describing a dream or pages of a nonsensical auto-translated transphobic screed. At times, I completely zoned out. I understand what it was trying to do, but it really took me out of the story.

Still, it’s hard for me to put much stock in that when overall this was such a thought-provoking and powerful read. It’s a brutal book, but it’s purposeful and effective. If you’re looking for a horror book that will challenge you and leave you thinking about it long after you finish, you need to pick this up.

Ambitious, Brutal, and Brilliant Trans Sapphic Horror: Tell Me I’m Worthless by Alison Rumfitt

the cover of Tell Me I'm Worthless

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I’ve been having a good run with horror lately, and Alison Rumfitt’s stunning work of trans horror Tell Me I’m Worthless kept that streak up. The pull quote on the front cover advertises it as “ambitious, brutal, and brilliant,” and I think that’s a good starting point for this book, because it’s not a nice or neat horror book. There is a house, and it is haunted, but not by any singular ghosts. Rather, the house deals in corruption, trauma, and the little terrible voice in the back of your head, and it can’t be exorcised or rebuilt. Rumfitt shoves her characters to scrabble in the metaphorical blood and muck of their mutual trauma and asks them to deal with their own memories and the creeping rise of fascism in their lives.

Tell Me I’m Worthless stars two women, Alice and Ila, who are both dealing with the trauma of a shared event. In their past, they were a unit – best friends turned lovers, even if they didn’t really talk about their relationship. Before leaving university, they and their friend Hannah had all decided to spend the night in a haunted house. Alice and Ila walked out with conflicting memories of what happened; Hannah never walked out at all. Now, Alice has turned to drugs and alcohol to escape the ghosts she can see, and Ila has joined the TERFs in an attempt to process her memories. But the House hasn’t loosened its grip on their lives, and it’s calling them back once again.

What I loved most about this book was the buildup and the edges. First you meet Alice and her ghosts. Her flat is haunted, and she can barely focus enough to do the sex work videos she relies on for income. Then you meet Ila and realize she’s joined the TERFs. And then finally there’s a chapter from the House POV and you realize it’s a real entity. As things start to fall into place, it becomes apparent that everyone’s being manipulated. I also loved how no one fit into neat boxes. They are absolutely scrambling to deal with their memories, and sometimes they fail, and sometimes they are overtaken by the real-life events they’re enmeshed in. As with many works of horror, Tell Me I’m Worthless has an element of the supernatural, but also relies mainly on the characters’ state of mind rather than jump scares.

If you go into this with your eyes open to the content warnings and think it’s interesting for you, I think it’s a great work of horror. I greatly enjoyed reading it, and felt swept into the mood immediately. I also love the editors lately who are greenlighting queer horror that delve deeper into queer experiences and states of mind in unique ways. There’s some great work going on out there, and Tell Me I’m Worthless is going onto my rec list.

Trigger warnings: sexual violence, sexual assault, body horror, mutilation, antisemitism, racism, and transphobia