Danika reviews Rosaline Palmer Takes the Cake by Alexis Hall

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This is a romcom starring a bisexual woman in a love triangle between two guy love interests, so if you’re not looking for an M/F romance, I recommend checking out another Lesbrary romance review!

This is a queer romcom that is essentially set at The Great British Bake Off, so I was immediately sold. Rosaline is a bisexual single mom whose life plan went off the rails when she dropped out of university when she unexpectedly got pregnant at 19. Now, she works at a stationary store–which is far from the doctor’s career she and her parents had expected. She adores her precocious 8-year-old (who’s obsessed with weird underwater animals), but she hates being reliant on her judgmental parents as well as constant favors from her best friend/ex-girlfriend. That’s how she ends up applying for a baking showing with a cash prize.

While this is an M/F romance with two male love interests, Rosaline’s queer identity is central to the story. The first chapter has her confronting Amelie’s teacher about biphobia, and she’s very close with her ex-girlfriend (who is now married to anther woman). Lauren stole the show a little bit for me, with sarcasm, inappropriate language, and unwavering loyalty. How can I resist a woman described like this?: “Lauren reserved the bulk of her enthusiasm and insight for her twin loves of satire and sapphism.”

Rosaline is a charming character for the most part, but she has one major flaw: she’s classist. She was raised in a wealthy family that cares deeply about status, and she’s internalized that–while resenting her parents’ judgements of her life choices. It was a little painful to read, but I knew that was her arc. At the competition, along with a cast of other characters, she meets the two competitors who form the other points of the love triangle: Alain, the suave, parent-approved guy who forages his own mint, and Harry, an electrician whose first interaction with her is being called out for calling her “love.”

Here’s the thing, and I don’t think you can call it a spoiler: we know she’s not going to end up with Alain. Any love interest whose selling point is “parent-approved” is not going to get the girl. But she is with him for the majority of the book. I understand that’s part of her emotional process–she learns about herself over the course of the novel and what she really values–but it did begin to drag a bit. I loved the (faux) Bake Off with its on-camera charm and off-camera stress, I thought the characters were engaging, and I even enjoyed most of the beats of the plot–it just lost me a bit in the middle.

I want to include a content warning for attempted sexual assault, but I think it’s worth a little more context, so spoilers in this paragraph: Alain tries to set up Rosaline and his ex-girlfriend/friend in a threesome. The ex is drunk and tries to force herself on Rosaline, who then locks herself in the bathroom until she can get a ride. I don’t think this was necessarily “problematic,” but I think I would have rather it wasn’t included. For context, within the first conversation Alain and Rosaline had, I thought, “I hope I am not supposed to like this guy.” I flipped to the back and saw he was the “parent-approved” choice and was reassured that I wasn’t. He is a judgmental dick the entire time, and I personally didn’t like that they broke up because of this extreme situation. I don’t like love triangles where one love interest ends up just being Bad–then there’s no real choice or tension. Harry was already the better choice; I don’t think Alain needed to be involved in an attempted sexual assault for Rosaline to chose Harry over him. (End of spoilers.)

As a small aside, I appreciated the healthy communication modelled during sex. Now that I think about it, Rosaline and Harry demonstrate good communication anyway, but the sex scene stood out to me. I’m not used to reading sex scenes where characters actually tell each other what feels good (and what doesn’t), or navigating the awkwardness of the first time sleeping with someone. I thought it was really well done!

If you like shows like The Great British Bake Off and the content warning isn’t a dealbreaker, I think you’ll enjoy this one. Despite having some issues with it, I definitely am looking forward to picking up the next books in this queer romcom baking competition series!

Rachel reviews Plain Bad Heroines by Emily M. Danforth

Plain Bad Heroines by Emily M. Danforth

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A dark, haunting, gothic novel, Emily M. Danforth’s Plain Bad Heroines (2020) is a delightfully dark queer book with a complex and fun premise that was right up my alley.

Set across two separate timelines, the first begins in 1902 Rhode Island at the Brookhants School for Girls. Two students, Flo and Clara, are known to be uncommonly devoted to one another and to a writer named Many MacLane and her book. The two girls form The Plain Bad Heroine Society based around their love of each other and the book. But when their secret meeting place in the school’s apple orchard becomes the scene of their violent and startling deaths, a series of bizarre events begin to take place on the campus—haunting the students and staff until the school shutters for good five years later.

The second timeline finds us in the present day. Merritt Emmons publishes a hugely popular book about the darkly queer history of Brookhants School. The book inspires a film adaptation that introduces the reader to a cast of main characters. These three heroines will return to Brookhants for filming, but as they do, “past and present become grimly entangled” and the haunting forces that terrorized the Brookhants Heroines from a century ago may not be quite finished with their curse.

A layered story with multiple timelines and black and white illustrations by Sara Lautman, Plain Bad Heroines is an example of the neo-Gothic at its best. I absolutely loved this book. I ordered a copy as soon as a heard about its release, and I was not disappointed. Dark and Gothic, with characters that are thoroughly compelling and mysterious. The book alternates timelines and perspectives across chapters, but I never felt lost or confused. The narrative of Danforth’s novel is a complex one—it has many clues, red herrings, and conspiracies that constantly kept me guessing. And even then, I couldn’t guess the ending. I loved Danforth’s use of symbol and metaphor, and her investment in making both of her timelines as real and vivid as possible. In addition, the narration—with a cheeky narrator who addresses the reader and draws attention to the ‘storied’ nature of the novel—was fun and exciting and helped to organize the book’s complex plot.

The best part of Plain Bad Heroines is that nearly everyone is queer. Queer people abound across both timelines and I was particularly interested in Danforth’s portrayal of the queer women. Not only does Danforth link her modern and historic queer characters with each other through their shared and haunting experiences, but she also imagines a version of queer life in the early twentieth century that has an element of realism amongst her haunting and supernatural plot.

I could not recommend this book enough for those who love queer historical fiction, horror and the Gothic, or a good and dark mystery!

Please visit Emily M. Danforth on Twitter or on her website, and put Plain Bad Heroines on your TBR on Goodreads.

Content Warnings: Violence, physical and verbal abuse, homophobia

Rachel Friars is a writer and academic living in Canada, dividing her time between Ontario and New Brunswick. When she’s not writing short fiction, she’s reading every lesbian novel she can find. Rachel holds two degrees in English literature and is currently pursuing a PhD in nineteenth-century lesbian literature and history.

You can find Rachel on Twitter @RachelMFriars or on Goodreads @Rachel Friars.

Danika reviews Cool for the Summer by Dahlia Adler

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Lara has come back from the summer with a new look and newfound confidence. It’s paying off, because the guy she’s been obsessed with for all of high school is flirting with her! There’s just one problem: Jasmine just walked through the door. Jasmine, the girl she spent a confusing, steamy summer with. “Lara has everything she ever wanted: a tight-knit group of friends, a job that borders on cool, and Chase, the boy of her literal dreams. But if she’s finally got the guy, why can’t she stop thinking about the girl?”

This is a great story about a main character who is questioning her sexuality. She’s only ever been interested in guys, and she and Jasmine never really talked about what they were. Was it just… fun making out? Or was there something between them? When their summer ended without answers, she thought that was it. But now she facing her in the halls and there’s none of the ease there used to be–just awkwardness and miscommunication. Even when she’s with the guy she’s been pining over for years, she can’t stop thinking about her.

The timeline rotates between the past, starting with Lara and Jasmine’s meeting, and the present. Because so much of the present storyline is dealing with the tangled emotions of what happened between them, it still manages to feel suspenseful and intriguing. The tension between them in the present is intense–they’re both acting like nothing happened, but their chemistry is undeniable. (I kept thinking about “Strange” by Celeste: “From strangers to friends, Friends into lovers, And strangers again…”)

One of the most interesting aspects of this book for me was that Lara is the kind of character I usually read about in YA. She’s part of the “popular” crowd and is conventionally attractive (thin, perfect skin, and now blonde). She’s the best friend of the most popular girl in school–who can be a bit of a jerk, but also isn’t a monster. Her friends feel like real people (one runs a podcast where she investigates mundane mysteries, like who the school librarian is secretly dating), but they also feared enough that seats open up at the football game wherever they want to be.

I initially felt some resistance to Lara–do I want to really want to read about an attractive, popular teenage girl spending the summer having beach parties or by the pool? (Of course, this is ridiculous: I’m 30. It’s not like I’m relating to the teenage protagonist no matter their social status. I’m just accustomed to YA starring the misunderstood/nerdy/loser/underdog/etc character.) She pretty quickly won me over, though. Lara is trying to figure herself out–not just her sexuality, but who she is outside of her friend group or obsessive crush. That summer allowed her to try on some independence, and she isn’t ready to give it up.

I really enjoyed this book. It got me thinking about how bisexuals experience heteronormativity/compulsory heterosexuality. That’s usually only discussed in terms of lesbians, but Lara is so clearly trying to act out the image of a perfect heterosexual relationship (dating the quarterback, dreaming about being prom queen) without actually engaging with her own emotions. Is she attracted to Chase? Or is she attracted to the title of being Chase’s girlfriend?

Both Lara and Jasmine are Jewish, and there are some cute moments with them bonding over that, even though it means different things in their lives. In some ways, this was a painful read–I so wanted Jasmine and Lara to talk and face their feelings, but that would require them to be different people. The story is about Lara puzzling through her emotions and their significance, so I can’t hold that against her!

Adler so perfectly captures hormone-drunk, confusing, sun-drenched summer relationship feeling. Also, I had to laugh when when Lara talks to 1 (one) bisexual and says, “Well, I don’t have the same experience, so I must be straight.” Relatable content. If you’re looking for a great bisexual and/or questioning YA, I highly recommend this one.

Danika reviews Stone Fruit by Lee Lai

Stone Fruit cover

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This is a graphic novel that follows Bron and Ray and their complicated relationship to each other and their families. Ray’s sister is an overstretched single mother, and Ray offered to step in and take care of her niece twice a week. 6-year-old Nessie adores spending time with them, especially since Aunt Bron is the most fun to play with. They go wild together, tearing through the woods looking for a silver hound, which is perpetually just out of reach, making up songs as they go. The primal state they all sink into on these adventures is shown in the illustration style, where they transform into monstrous figures.

Panels from Stone Fruit

Outside of these adventures, though, Bron and Ray are struggling. Bron is dealing with mental health difficulties, which causes her to distance herself from Ray. Ray reacts by feeling insecure and needy, trying to reach out for reassurance. Unsurprisingly, this becomes a downward spiral. I found this difficult to read–in fact, I almost put this down in the first part, because it felt so achingly sad and personal. I’m glad I pushed through it, though, because this is a beautiful exploration of messy, complicated relationships, whether familial or romantic.

Bron decides to go back home to face her past. Her family is religious, and they don’t approve or understand her being queer and trans. She begins making connections with her teenage sister, finding similarities she was previously unaware of–but still struggling to overcome the barriers between them. Meanwhile, Ray starts conversations with her sister, finding ways to communicate that aren’t constant arguments (her sister doesn’t approve of Bron).

The strength of this graphic novel was the same reason I had trouble getting into it: it’s painfully relatable. It’s about the messiness of everyday queerness. Ray and Bron tried to build an ideal life together, but they couldn’t outrun the underlying issues of living in a transphobic heterosexist world, especially when they formed the foundation of your early life. There are no easy answers, just humans tentatively reaching out to each other, finding both hurt and comfort.

Shannon reviews She’s Too Pretty To Burn by Wendy Heard

She's Too Pretty to Burn by Wendy Heard

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As the weather begins to warm up here in the midwest, I find myself in serious need of books set during the warm summer months. There’s something so magical about long days spent in the sunshine, even if the characters’ daily activities aren’t ones I’d recommend. Books set in the summer just have a certain kind of hypnotic feel, and it’s exactly that feeling I was searching for when I picked up She’s Too Pretty To Burn, the latest novel by Wendy Heard. It’s a young adult thriller with charismatic characters and a swoony romance, and I devoured it in a single sitting.

Veronica is a photographer living in San Diego with her mother. When we first meet her, she’s pretty bored with life, hanging out at a party she’s not enjoying and just wishing for something exciting to happen. She loves photography, but even it isn’t providing her enough mental stimulation to fight off her feelings of boredom.

Then, she meets Mick, a complicated and beautiful young woman who seems to speak right to Veronica’s soul. The reader knows pretty early on that Mick is a troubled character, but Veronica doesn’t pick up on this for quite some time. She just knows that she’s captivated by Mick, and she becomes a little bit obsessed with photographing her, even though Mick herself hates having her picture taken.

Mick’s home life isn’t the greatest, so spending time with Veronica serves as a sort of escape for her. The two begin spending all their free time together, and it’s not long before Veronica introduces her to her good friend Nico, an activist with a passion for performance art. He’s a couple of years older than Mick and Veronica, definitely more worldly than them, and he has a plan he thinks will shake up the city in some necessary ways.

At first, Nico’s plan seems harmless enough, but as time passes and Mick falls deeper under his spell, things take a dangerous turn. Veronica, desperate to make it big as a photographer, doesn’t notice the danger Mick and Nico are putting themselves in right away. Will she figure things out in time to stop something catastrophic from happening, something with the power to affect the trajectories of all their lives?

She’s Too Pretty To Burn is pretty dark, definitely not a good fit for those looking for a story on the sweeter side of the young adult spectrum. Their are some blurred lines when it comes to consent here, and readers who are triggered by discussion of abuse might want to do additional research before picking this up.

The characters aren’t all good or all bad. Instead, they exist in that big gray area that makes them super relatable but also difficult to categorize. It’s hard for me to choose a favorite, since each is incredibly well-drawn. They all make bad decisions at times, but then, that’s a regular part of being a human being, and something I definitely want in my fiction. Perfect, cookie-cutter people aren’t all that interesting to read about.

I enjoyed watching the relationship between Mick and Veronica blossom. The author does a phenomenal job showing how complex love is, especially for teenagers who are working hard to figure their lives out. Certain scenes between the two are poignant and beautiful, while others serve to amp up the tension of the overall story.

If you’re looking for a fast-paced novel that’s dark and twisty and filled with characters who remind you of people you’d meet in the real world, you could do far worse than She’s Too Pretty To Burn. It’s probably not a book that will appeal to every reader, but it landed firmly in my wheelhouse and I’m so glad I gave it a try.

Shira Glassman reviews Worthy of Love by Quinn Ivins

Worthy of Love cover

The plot: Closeted political lawyer newly released from prison on a corruption charge and therefore utterly friendless and disgraced, ends up working random retail where she meets an adorable, hospitable Southern femme.

I’ve been in a huge reading slump since the lockdown started, sticking with familiar stories I already knew–to the point where there’s at least one Agatha Christie book I’ve read multiple times now in the same pandemic. Quinn Ivins’ Worthy of Love is one of the first unfamiliar books I’ve been able to get myself to read, which I attribute to two things: the exciting plot and the snappy prose. To put it baldly, the text of this book simply was not work to read. Even though the tone of the first third–specifically–was a gritty and somber hellscape, as both heroines battle hopelessness and microaggressions, I kept wanting to know how it was going to turn out all right and turned page after page of snappy narration. (And that’s unusual for me. I prefer comfort reads.)

I want to be honest that this book has sharp edges. For one thing, one of the heroines is presented right off the bat as the most hated woman in America, and the other heroine fends off sexual assault in the parking lot of her workplace. But then the more upsetting material gives way to the love story and the “solving”, and everything works out in a very complete, satisfying, and vindicating way. One of the reasons I ultimately decided to write this review was a positive plot bombshell I hesitate to telegraph–but it’s there. Another reason is one of the deftest Checkov’s Guns I’ve ever seen fired in a book. In other words, a wonderful “oh I GET HOW THIS IS GOING TO WORK OUT AS A HAPPY ENDING” that you don’t see coming until the page it happens. I tip my giant pink-grapefruit hat to the cleverness with which Ivins set that up.

One of the heroines has undiagnosed ADHD for which she begins to get treatment within the book. This, I believe, is written from the inside and elegantly rendered. The other heroine is Filipina, at the request of the author’s wife who is Filipina. This heroine does experience more microaggressions in that first third of the book than I’m comfortable with reading from a white writer, so that is also something I wanted to be up front about. However, I am white, and I don’t want to speak for Asian readers. Additionally, though this book takes place in a fictionalized America with different presidential candidates, this book will not allow you to live a “45”-free existence (although he’s got a different name and only gets mentioned a few times.) Just in case that’s something you needed to know before diving in.

I wish this book was a movie also. Now that I know how satisfyingly everything works out, I’d love to see it dramatized–and structurally, it hits dramatic “beats” like a movie. Who knows, maybe some day!

Shira Glassman is the author of Knit One Girl Two and other queer Jewish fiction, both fantasy and contemporary.

Mo Springer reviews Last Night at the Telegraph Club by Malinda Lo

Last Night at the Telegraph Club by Malinda LoAmazon Affiliate Link | Bookshop.org Affiliate Link

Lily Hu has always been at least somewhat aware of her attraction to women. But after seeing a lesbian novel in a store, a poster for a male impersonator, and her classmate Kath in the Telegraph Club, she knows she has to be honest with herself. However, this honesty and living with it even what small amount she thinks she can afford, could put herself and her whole family at risk. But 1954 America is not only discriminating violently against gay people, but also Chinese people, who are at risk for deportation as well. But Lily wants to have a life of her own, to date who she wants, and to be happy with Kath.

Lily is a dynamic character who you sympathize with and understand very well at every point in the story. She’s mature for her age because she has to be, but also is a teenager who is experiencing so many firsts while also under immense pressure that no teen should have to bear. Through her, we get to see a large cast of characters similarly feel real and complex.

In particular, I really loved how much we got to see of Lily’s family and how each member stood out with their own needs, wants, and opinions. The chapters from the point of view of her parents and aunt were great to see the background of Lily’s culture, family, and how all of that has led to the current situation.

Kath and the women Lily meets at the Telegraph Club similarly feel real and complex. Lily has to deal with finding a queer community for the first and also with the reality so many of us face: not everyone in the community will be your best friend, or even your friend at all. There is a unity we see in the people who go to the club, but Lily stands out as the only Asian American there.

Lily and Kath’s relationship is endearing and cute, and I found myself cheering them on, but also biting my nails in anticipation of what happens next. Her relationship with her best friend Shirley was also a roller coaster ride of emotions that created a mirror to her relationship with Kath.

This is one of those great historical novels that don’t make you feel like an outsider looking in, but does a great job of engaging with the reader so that the time period feels natural. I loved learning about the history of this time and place, but also never felt like I was being lectured. This story is incredibly immersive, and you forget you haven’t actually been there.

Overall, I highly recommend this book to anyone interested in sapphic romance sent in 1950s America.

Danika reviews The Key to You and Me by Jaye Robin Brown

The Key to You and Me by Jaye Robin Brown cover

You know when you see a book and think, “I’m already on board: stop selling,” and you try to avoid any other details about the book, because only the most vague premise is enough to get you to read it and you want to go in as uninformed as possible? I fully admit that I played myself doing this with The Key to You and Me. I saw the cover and thought, “F/F YA road trip novel. SAY NO MORE.” Here’s the thing, though: this isn’t a road trip novel. It doesn’t claim to be a road trip novel. The cover is referring to a character teaching the other to drive. My expectations were completely unfounded, and it’s not this book’s fault that it didn’t meet them.

I shouldn’t have picked it up, honestly. I read Georgia Peaches and Other Forbidden Fruit when it came out and didn’t enjoy it, but because I was so much in the minority in that opinion, I decided to give the author another go–mistakenly thinking it had one of my favourite tropes. Here’s what the book is actually about, not just my speculations based on cover design: Piper is an equestrian who wants to compete in the Olympics. After her girlfriend dumps her, she stays with her grandmother for the summer–an ultra-competitive woman who was once a professional equestrian herself. Piper is 18 and doesn’t have a driver’s license because she has a fear of driving, so her grandmother hires local teen Kat to teach Piper to drive, and Piper takes pictures with her to make her ex-girlfriend jealous. Unbeknownst to her, Kat is questioning her sexuality and quickly crushes on Piper. We alternate between their points of view.

I appreciate that Kat is questioning her sexuality and unsure at the start of the novel. She’s not just closeted: she genuinely doesn’t know–although she suspects she’s attracted to girls. Piper, on the other hand, has been out as a lesbian for years. I’m also glad that we have some horse girl representation here, which is sorely needed in sapphic lit.

Because Kat is questioning and unsure of herself, she does have some moments of homophobia. She’s so afraid of being outed that she can overcompensate to try to distance herself. Her best friend (who is a closeted gay guy) and her sister both suspect that she’s gay and voice it often, which just drives her further into the closet. I wish more time was spent on how damaging this can be: everyone has the right to come out on their own timeline, and having people say they already knew robs you of that agency. Piper, on the other hand, is heartbroken that her ex left her–and for a guy. She has some moments of biphobia around this (which is not supported by the text).

One element I really didn’t enjoy, though, was the romantic/sexual relationships between teens (18 year olds in high school) and 20-somethings. Kat and Piper go to a party and Kat is immediately aggressively hit on by a 24 year old woman who also pressures her to drink. Despite this clearly making Kat uncomfortable, no one calls this woman out on it, and it doesn’t seem to be treated as a big deal. (Spoiler:) Kat goes on to lie to another 23 year old, claiming to be her age, and they make out (etc). When Kat finally tells her the truth, she says she’s not interested in being with a high schooler, but she also doesn’t seem upset or hold it against her. (End spoiler) Although she’s 18 and this isn’t illegal, it still is… creepy to me.

Putting aside all those details, though, the biggest reason I didn’t enjoy this one was the writing style. I couldn’t tell you exactly why, but I kept bouncing off of it. The writing felt a little choppy, with a ton of dialogue, and it didn’t flow naturally for me as I was reading. I don’t think that there’s anything wrong with it, but for some reason I could not seem to immerse myself in it.

I’m sure that, like her earlier book, this one will have a lot of fans, but it wasn’t a great match for me.

Shira Glassman reviews Who We Could Be by Chelsea Cameron

Who We Could Be cover

I think this book is going to be chocolate cream pie for readers who are suckers for friends-to-lovers f/f.

Who We Could Be by Chelsea Cameron is pitched as (grown) Anne/Diana from the beloved Anne of Green Gables series. Cameron has definitely captured the magic of the conventional girl (Diana, or “Monty” in this book — Montgomery, possibly as a nod to the inspiration’s author) dragged eagerly into the creative, spontaneous, and unconventional schemes and adventures of her red-haired best friend (Anne, or “Tess” in this book.)

We’ve moved about 300 miles west from Prince Edward Island to Maine, and 150 years forward into the present day, but Cameron preserved the general part of the world, the small-town feel, and most importantly, the dynamic of the original relationship. As mentioned above, Tess has the imagination, quirks, and impulsiveness of a Manic Pixie Dream Girl, or the original Anne Shirley. In addition, the initial best friend relationship between the two leads has that intense obsessive feel that causes some readers to long for Anne/Diana in the first place.

Let’s put it this way: there are characters in this book who are basically waiting for Tess and Monty to realize they’re in love with each other, because they kind of act like they already are, way before it happens. For one thing, when Monty’s engagement goes up in smoke, Tess goes on the honeymoon with her instead. Which is in Savannah, Georgia, by the way, if you want to vicariously enjoy it with them. Actually, to be frank about that, there are degrees of this intensity that felt a little smothery to me, but I’m going to be aboveboard and admit that I’ve got specific, personal experiences that color my thoughts here. And not every fictional relationship is going to be 100% perfect for every reader.

Another pleasant and unexpected deviation from the original canon: first of all, Tess, unlike Anne, is not an orphan. She’s part of a large, noisy family (that includes a trans lesbian aunt and her wife, who is also trans!) This is a fun wish fulfillment that I feel the original Anne would be touched to know about. By the end of the book, it has really leaned into the well-noted phenomenon of friend groups who all eventually come out because of the way we find each other before we’re even out to ourselves.

The sex scene toward the end of the book is hot and satisfying. And it’s a really slow burn because both girls start the book thinking they’re straight so it’s good to have a well-written payoff after all that.

I want to leave a warning on this book, by the way, that will only be relevant to a few readers but for those readers it will matter. Many of the supporting female characters in this book (although not the two leads) are either pregnant or in the process of arranging motherhood some other way. If you would rather avoid that, perhaps wait on picking up this title.

Shira Glassman is the author of fluffy, feel-good f/f fiction such as Knit One Girl Two about an indie dyer and the wildlife painter who inspires her next round of sock club, or Fearless, about a band mom who’s swept off her feet by the music teacher.

Meagan Kimberly reviews Grimmer Intentions by Jodi Hutchins

Grimmer Intentions by Jodi Hutchins

This is the second in the Tales from the Grim series. I picked it up not realizing it was the second book, so I recommend reading the first, because it felt like much of the story’s background was missing without it.

Although readers can pick up on who the characters are from the previous book without having read it, they still lack depth. Throughout the story, the strongest relationship dynamic happens between Margo and her adopted brother Luis. The rest tend to fall flat and rely on previous knowledge of the last novel.

The romance felt secondary to the plot, but that may be because it didn’t feel like there was much chemistry between the characters. Even if there had been build up in the first book, this one felt lacking in the connection that brought them together.

The politics and magic of the world were a more interesting plot. Again, it needed more development, as there wasn’t much background on Margo’s djinn heritage. It’s a world in which mixed-blood, paranormal beings are held in disdain, which could have made the story powerful as commentary on real-world issues. But it never delved far enough.

Despite its shortcomings, the novel did move at a fast pace and keep me intrigued. It’s well written and keeps you turning the pages. It shows there’s great potential for more from this world and this writer. I might go back and read book 1 to get the complete picture of these characters and their story.