Rebecca reviews Driving Lessons by Annameekee Hesik

Annameekee Hesik’s 2014 Driving Lessons is a cute and quick but also meaningful read. The novel follows teenager Abbey Brooks as she attempts to navigate her sophomore year at Gila High. Abbey’s journey is relatable, funny, and touching as she tries to get her driver’s license, survive high school, navigate the basketball court, come out to her mom, juggle friendship drama and relationship troubles as she tries to find a girlfriend. This book is a sequel and continues with characters who have already been introduced in a previous novel. I had no idea that this book was a sequel until I was already well into reading it. However, Hesik does a good job of ensuring that new readers can easily understand the characters’ history and this book can be read as a standalone.

Abbey is an extremely relatable character. But her actions can sometimes be frustrating. She is unfailing loyal to her unreliable and self-centred straight best friend, Kate, and she also has a penchant for keeping too many secrets. However, her reactions seem true to her character. The first-person narration is definitely faithful to that of a teenage girl. Abbey’s journey to fulfil her to-do list is a bumpy one filled with twists, turns, and several love interests. Things go disastrously wrong before they work out in time for a cute and happy ending which feels natural.

Although this book is definitely a Young Adult novel, its themes are applicable to readers of all ages and sexualities. Hesik examines the typical aspects associated with teenage life like sex, secret relationships, friendship troubles, and bullying. However, Hesik touches on other issues like dealing with the previous death of a parent (Abbey’s father died in a car accident and this ties in nicely with her reluctance to drive) as well as neglectful and homophobic parents. There are homophobic slurs as Abbey is bullied by classmate Nicky. However, their interactions take a surprising but organic turn (not quite what you may be thinking) as the book progresses. It is also refreshing that the characters are almost exclusively female and there is an abundance of lesbian characters with a few bisexual characters sprinkled in. However, the treatment of bisexual characters could have been handled better.

Abbey’s friends are a major part of the novel. They include ‘veteran’ you-know-who girls (cutesy code for lesbians which is somewhat endearing only because it is used so sparingly) like Tai, Mia, and Garrett (who is actually bisexual). These girls are well-written and seem very real as they support Abbey but they can also be secretive and self-serving. Abbey’s friendship with Kate is particularly relatable and the slow deterioration of their friendship is well-done. One of Abbey’s love interests, Devin, is deaf and her presence adds a nice touch of diversity to the novel. However, I would have liked to see some more characters of colour.

One of my favourite parts of this book is Abbey’s sweet and genuine relationship with her mom. Abbey’s mom is supportive while still being a very realistic parent. While Abbey’s eventual coming out is somewhat disastrous, her mom’s reaction is wonderful and it is great to read a novel where the protagonist’s mother is so openly understanding of not only her daughter’s identity but is also accommodating to her friends.

However, while many of the characters are well-crafted and memorable, there are too many of them. Therefore, there are too many side-plots that sometimes end abruptly or lack resolution. Kate’s drama with her partying and boyfriends overstays its welcome and Abbey’s mother’s return to dating are just two instances of too many plotlines in an already full book.

Annameekee Hesik’s Driving Lessons is a great and quick read. There is a lot going on in terms of plot and characters but, for the most part, Hesik handles the action well. I enjoyed this book and I look forward to more of Abbey’s adventures. If you’re looking for an easy but still meaningful read which features an almost exclusively female and lesbian cast of characters and a sweet and happy ending, you should definitely check out Driving Lessons.

Rebecca Cave is a Creative Writing student and freelance proofreader. She is an avid but sadly not very prolific reader and writer.

Danika reviews Honey Girl by Lisa Freeman

It’s 1972, and while Nani may not be familiar with California, she’s a Hawaiian teenage girl, and she knows the rules of the beach. Rules like: Never cut your hair. Never go anywhere without a bathing suit. Don’t let boys see you eat. Armed with this knowledge, she’s determined to break into the line up of local beach girls and become a true honey girl. But beach girl culture is cutthroat, and it’s not so easy to earn a spot.

Rarely has historical fiction pulled me so completely into the atmosphere. This takes place entirely during the summer, right after Nani and her mother have moved to California after her father’s death. She’s struggling with his death, the move, and dealing with her (white) mother’s refusal to acknowledge her Hawaiian culture, all while trying to fit in in a whole new social scene. Honey Girl perfectly captures that feel of summer vacation sun-drenched days that seem to stretch on forever. It was fascinating to see the intricate power plays that happened between all the girls on the beach, who are competing for the attention of Rox and Claire–the rulers of the beach girls–almost as much as they compete for surfers’ attention.

Nani takes her reputation on the beach very seriously, and she calculates every word and movement to ensure that she follows the rules of the beach, which she is sure will be her ticket to success. I really liked Nani. She has a tumultuous relationship with her mother, who wants a quick route to a shiny, rich, Christian, American life. Nani wants to keep the memory of her father alive, and is determined to go back and take over his bar once she’s of age. She resents her mom, but she’s also the only family she has.

The beach has the real cast of characters, however. Rox and Claire, especially, are fascinating, but even the minor characters seem to have more going on than is explicitly written, like they’re wandering off the page to continue their own stories. Initially, I was briefly worried that I had somehow gotten confused, and that Honey Girl wasn’t a queer book. Then Nani talked about secretly looking at her uncle’s Playboys, and I stopped worrying. Still, although she acknowledges that she might be a funny kine girl (Hawaiian Pidgin for lesbian), her romance with a boy is a significant part of the story. It is not, however, the only romance she has.

[spoilers] 

Some people might be concerned about the cheating/”slutty” bisexual trope used here, but I enjoyed Rox as a character a lot, and both Nani and Rox seem to agree that in their situation, a beard boyfriend is necessary for keeping up appearances. I wasn’t sure if Nani was bisexual or a lesbian, by the end. She doesn’t use a label, but she seems to come to a general both/and conclusion for the dichotomies in her life: Hawaiian and white, Fiji and Nigel, Mom and Jean, Hawaii and California.

[end spoilers]

I really enjoyed this one, and I am very glad that I have the sequel lined up, because I really got sucked into the atmosphere of this story.

Danika reviews Noteworthy by Riley Redgate

This is a story that I still miss days after reading it. I was completely absorbed in the story, and I read most of it in one day. Jordan’s double life (disguised as a boy to join an all male capella group), the arts academy environment, and the world of a capella was all fascinating. Add to that Jordan’s struggle to fit into an elite private school on a scholarship while her family struggles to make rent, as well as an ever-more-vicious rivalry with another a capella group, and I was hooked.

I also found it interesting to read a crossdressing narrative that addresses the queer subtext. There is a long history of crossdressing in queer narratives, but usually the queer possibilities are swept under the rug as much as possible. This is a modern crossdressing story that faces them head on. Jordan isn’t trans or genderqueer, but the story acknowledges the existence of trans people, which is the first I’ve seen in this genre. Jordan borrows tips from trans websites and feels guilty about using them. When people begin to find out about her other life, they initially think that she is trans and are accepting about it, but she explains that she is cisgender.

The way crossdressing narratives usually flirt with queerness but ultimately sidestep it is by having a woman fall in love with the woman-in-disguise. The woman thinks she’s a man, so it’s not queer! Once her disguise is discarded, that romance evaporates. Meanwhile, the woman in disguise falls for a guy, but he only falls back once the disguise comes off. [mild spoilers] In some ways, Noteworthy plays into this: a girl kisses Jordan while she is Julian, and she falls for a straight guy while in disguise. The difference is that Jordan realizes through this experience that she’s bisexual. She names herself as bisexual. Unfortunately, the girl she kisses is straight, so there’s no significant F/F romance, but there’s no mistaking that Jordan is bi. [end spoilers]

The only thing that fell flat for me was that some of the members of the Sharpshooters blended together—only a few felt like fleshed out characters. (I did really love Nihal and Jordan’s relationship with him, though.) The author is obviously very familiar with a capella, so some of the details of the arrangements went over my head, but that wasn’t distracting. This was an absorbing, nuanced, and utterly enjoyable read.

Danika reviews Radio Silence by Alice Oseman

There’s a certain kind of book that I find really hard to read. It’s when it has this tone–this disaffected, aimless melancholy. Radio Silence definitely has that underlying sadness, and combined with it being a 400 page book, this wasn’t the quickest read for me, but it was definitely worth it.

Radio Silence is a YA novel about Frances, who has concentrated all of her energy and attention on two things in life: getting into Cambridge, and being a fan of Universe City. Universe City is a podcast with a striking similarity to Welcome To Night Vale. When she finds out that the creator of Universe City is someone she knows, the two immediately bond over their shared interests.

I loved the focus on friendships as important, life-changing relationships. As Frances and Aled grow closer, she makes sure to clarify that “You probably think that Aled Last and I are going to fall in love or something. Since he is a boy and I am a girl. I just wanted to say—we don’t.” That doesn’t stop them from having an intense relationship, though. They connect in a way that they haven’t with other people, and they can help and hurt each other just as much as if they were in a romantic relationship.

As I said, there is a bleak atmosphere through most of the novel. Frances has built her life around her academic career, and hasn’t stopped to consider whether she actually wants what she’s been working towards. Aled is in a smiliar spot, except that he has been pressured into it by his abusive mother. (Extremely emotionally abusive–trigger warning for abuse and pet death.)

There are a lot of different relationships at play here: Aled’s estranged sister (who yelled at Frances when she tried to kiss her and then disappeared), Aled’s mother, and also his friend Daniel.

I’m not sure how to talk about this book without spoiling it, because the ending is really what made it for me. It was worth pushing through the sadness to that bit of light at the end. It shows that there is an escape from that dread that seems all-consuming. It might not mean stepping out into beams of sunlight, but there are stars in the darkness.

There is, of course, a lot of great representation as well. Frances is biracial and bisexual, and there are also gay and demisexual characters.

If you like Welcome To Night Vale, love/hate tumblr, or have a complicated relationship with universities as institutions, definitely check this one out.

Quinn Jean reviews Stir-fry by Emma Donoghue

Trigger Warning: this novel depicts sexual harassment of underage people by an adult, discussed in this review’s fourth paragraph.

Also spoiler warning for several important plot points in this review.

Stir-Fry is an impressive debut novel, presenting a very relatable and thoughtful protagonist in Maria while also rejecting several tropes usually found in contemporary young adult novels written in the last half century. The novel takes place at the start of 17-year-old Maria’s first semester at university in Dublin after moving from her family’s home in a small village. Maria is dissatisfied living with a conservative, dull aunt in the city and answers an ad from two women seeking a flatmate, finding herself invited to dinner with 20-something students Jael and Ruth. Jael is extroverted, directionless and equal parts obnoxious and charismatic, while Ruth is a reserved but passionate feminist activist, and Maria quickly becomes close to them both after she moves in and naively doesn’t question why Ruth and Jael would share a room and a bed.

For those readers who aren’t aware of how conservative 1980s Ireland was (and the novel never explicitly explains this), it may seem a little far-fetched that Maria wouldn’t twig that her flatmates are lesbians in a relationship, but with the context of a poor, Catholic, isolated country it is distinctly plausible. This context also indicates why Maria would never have questioned her own sexuality before. The author’s presumption of reader knowledge here might make the novel feel a little inaccessible to some audiences at first, but the excellent descriptions of life in Ireland at the time paint a picture of a place where people might be pushed to be so oblivious to their own and others’ divergent sexualities. Maria’s pedestrian conversations with her classmate Yvonne–a friend Maria knows she should have but often struggles to tolerate–provide stark contrast to the vibrant, unpredictable interactions she has with her housemates, and Maria and Ruth both show miserable but resigned commitment to visiting bland family members even when the older people’s narrow ideas about life clash with the young students’ rapidly expanding intellectual worlds. The book makes it easy to empathise with Maria’s constantly changing understandings of who she is, and of the people around her, as the novel goes on and the reader sees her experiences diversify even further.

Stir-fry often feels as fractured as memory with scenes ending at ambiguous moments and skewed indications of how much time has passed. There are frequent disjointed jumps between intense conversations on raining streets to calm lounge room scenes, and Maria seems to change and recognise so much within herself, as do Ruth and Jael, and the novel ultimately only covers three months. Almost no scene in the book ends in a definite or clear manner, with characters’ last lines often leaving the reader with more questions than answers about what they mean. The scene breaks and narrative ambiguity give Stir-fry an unconventional structure and force a different kind of reading to typical young adult coming-of-age novels where characters’ thoughts and feelings are generally more clearly stated. Analysing relationships and revelations within this text requires deep concentration and thoughtful interpretation which is unexpected and rewarding.

One major criticism of the text is that an adult character at least a decade older than Maria makes advances towards her while fully aware that Maria is still a teenager and very unsure of herself sexually and romantically. This would be somewhat redeemable if there was any sort of indication anywhere in the novel that this behaviour is wrong, but it is never implied to be anything more than misguided and insensitive. These scenes toward the last third of the book may be distressing or triggering for some readers, and are certainly a large flaw in an otherwise brave, interesting and creative work.

Danika reviews Pointe, Claw by Amber J. Keyser

You do not have to be good.
You do not have to walk on your knees
For a hundred miles through the desert, repenting.
You only have to let the soft animal of your body
love what it loves.

“Wild Geese” by Mary Oliver

Jessie is a ballet dancer who pours her life into controlling her body. It must be kept slim, contained, and each muscle must be acting perfectly according to the assigned movements. Despite going home from classes having danced until her feet bled, Jessie feels her chances of becoming a professional ballerina are slipping away.

Dawn has lost control of her body. She keeps slipping into “fugues”–chunks of time where she loses conscious thought and retains no memories from. She feels an overwhelming pull towards the animalistic, her body keening for wildness. Her life, fragmented and antagonistic towards her BodyBeautifulTM mother and bitter stepfather, can’t continue this way for long. Something has to break.

Dawn and Jessie were once best friends, but they haven’t seen each other in about a decade. Their parents used to be just as close, but once relationships between the girls and between the pairs of parents crossed boundaries, the families moved apart and cut contact. When desperation on Dawn’s part gets her to reach out, the two start clumsily rebuilding a relationship together. Meanwhile, Jessie finds herself lost in a new, overwhelming, raw style of dance, and Dawn keeps returning to a bear in a cage in the woods.

Usually I wouldn’t give this much summary in a review. But I’m finding it hard to gather my own feelings about the story. I was completely immersed in it while I was reading it, and it definitely has a wild, passionate appeal to it. Both girls seem on the edge of losing control, and neither seem to know whether that would be a bad thing. Dawn’s descents into her fugues are accompanied by fragmented, poetic writing, communicating her changing thought processes. This really worked for me, and I couldn’t help rooting for Dawn even as she lashed out at everyone around her and jumped out her bedroom window to run into the woods.

I would expect Jessie’s story to pale in comparison to Dawn’s… were-bear story? But I actually ended up just as morbidly fascinated with her world of dance. She is brutally disciplined, and when she starts dancing a more interpretive style, you can feel the intensity of base, physical emotion pour off the page. I was wrapped up in both of their emotional journeys, but I had no idea where they were going to go. This is a story about, as the author note explains, being a girl in a girl’s body. It’s about the intensity of societal pressure on teen girls’ bodies. How do you tidily wrap that up?

You don’t, I suppose. I don’t know what to think of the ending, exactly. [vague spoilers] There is confirmation of the complex, queer, but not entirely defined relationship between Dawn and Jessie, but it’s unclear whether they will have any relationship in the future, or what will happen in either of their lives. [end spoilers]

This made for an intense reading experience, and I really enjoyed the use of language to convey their differing perspectives. If you’re interesting in reading about a book inspired by a Mary Oliver quote and the scrutiny placed on teen girls’ bodies, I would highly recommend this.

Tell me, what is it you plan to do with your one wild and precious life?

“The Summer Day” by Mary Oliver

Marthese reviews We Awaken by Calista Lynne

 

“I went on a date in a dream with a mildly mythical figure who couldn’t possibly exist. And we were swing dancing”

We Awaken is a Fantasy Young Adult short novel about Victoria and Ashlinn. What drew me to this book was the fact that it was a fantasy young adult book about an asexual couple. There aren’t many of those around! Despite being a fantasy, it’s also mixed with contemporary.

Victoria Lindy Dinham is going through a touch time. Her father died in a car accident a year before, and her brother fell comatose in the same accident. Her mother became vacant and uncaring and Ellie, Victoria’s best friend, is too different from Victoria. Dancing is her only outlet; until she meets Ashlinn.

Ashlinn is a creator of dreams, nice dreams. She visits Victoria to tell her about her brother, who she visits a lot. During their first meeting, Ashlinn gives Victoria a carnation that her brother Reeves had passed along. The flower stays in her room once Victoria wakes up, which makes her have proof that the dream wasn’t all a fantasy.

Apart from this meeting in dreams concept and the difficult times that Victoria is going through, this book is about the exploration of sexuality in the broader sense of the term.

I have to say, it took me around 30 pages to get into the story. Even though it was fantasy, it was a type I was not used to. However, I continued as I know about the asexual element (and how few there are) and I have to say, I don’t regret pushing on.

Victoria is a teenager and Ashlinn looks like one, although she isn’t. Despite this, although at time there is immaturity in the way they approach each other, for the most part there is a certain maturity that isn’t most often found in ‘teenage’ relationships. One example is earlier on when Ashlinn tells Victoria not to romanticize self-destruction. The two protagonists support each other, even in their relationships with other people. Ashlinn also helps Victoria explore her sexuality and her boundaries.

I liked both Victoria and Ashlinn, because they grew a lot but I also liked Ellie. When we first meet her, we see how Victoria views her as her best friend which she grew apart from in light of the tragedies in her life. However, Ellie is a very supporting friend that accepts Victoria for who she is, despite not understanding clearly.

At times, the tone is quite serious and sombre. Other times, it’s funny in the way that movie tropes are; such as changing in cars. Purely classic but also something relatable that some people do at times. It’s not a happy-go-lucky story, there’s a lot of pain but somehow, the protagonists carry on like one does in life.

For the book being fantasy, it’s relatable, especially for ace readers. My hopes for books like these is that there are more; that sexuality is viewed in a more complex manner, with easiness that does not make people feel like the odd one out when it’s not present in the sexual attraction way.

Tierney reviews Future Leaders of Nowhere by Emily O’Beirne


Finn takes a break from high school in Melbourne to attend a camp for high-achieving students who are “future leaders.” There she is elected to lead her classmates as they compete against teams from other schools, and she meets a fellow young leader who intrigues her: serious, driven Willa. With their teams, they work to do well at the camp’s month-long competition (and, while they’re at it, outwit one of the other leaders, Drew, referred to alternately as “douche,” “turd boy,” and “idiot kid”). As the game progresses, Finn and Willa get to know each other better despite their rivalry – and begin to fall for one another, navigating their feelings on top of the competition’s complexities and struggles in their personal lives

​.​The first half of the Future Leaders of Nowhere is told from Finn’s perspective, and the second half from Willa’s: together their perspectives weave not only a delightful romance, but also a compelling narrative of young adults on an emotional journey to find themselves and their place in the world. Though the outer framework of the game is a slightly convoluted plot element, it does the trick in terms of providing external conflict and helping get Finn and Willa together, and its machinations don’t detract too much from the character arcs. Finn and Willa are both engaging, endearing characters – as a reader, you root for them to end up with one another, but you also root for their individual character development, and for the external storyline (winning the game!).

Representation matters – and O’Beirne does a deft job composing a diverse cast of characters​,​without heavy-handedness. Willa is confidently a lesbian, and Finn is unapologetically and unquestioningly bisexual. Willa is also multiracial (her mother is Indian and her father is white), and many of the secondary characters are people of color as well – O’Beirne’s descriptions of her characters are natural and flow into the story without giving pause, though these details are for the most part relatively minor and don’t unpack much of the characters’ identities as people of color in Australia.

With Future Leaders of Nowhere, O’Beirne has crafted another excellent young adult novel, replicating many of the strengths of her previous novel, Here’s the Thing (which was published in November 2016, and which I reviewed for the Lesbrary in December): both novels boast appealing characters, a queer relationship that draws the reader in (and a thoughtful – if perhaps occasionally overly intricate – storyline that revolves around more than the relationship), and relatable emotional journeys. Future Leaders of Nowhere is well worth the read if you are into captivating queer YA – make sure to pick it up before the upcoming publication of its sequel, All the Ways to Here.

Danika reviews Queens of Geek by Jen Wilde

This. Was. Adorable. I was between rating this 4 stars or 5, but I couldn’t think of anything that I would change about it to improve it, so I guess that makes it an automatic 5 stars!

Queens of Geek follows two point of view characters, Charlie and Taylor, as well as their friend Jamie. All three are going to Supacon, a big fandom convention. Charlie is a Chinese-Australian actress who is at Supacon both for the fun of it and to promote her movie. She’s also bisexual! Unfortunately, she is still living in the shadows of her ex-boyfriend and co-star, whom the fans would love if she got back together with (even though he’s a real jerk). Taylor is fat, geeky, anxious, and has Asperger’s. She’s excited to experience the fandom that she loves in real life, but she’s also overwhelmed by all of the elements of the con that can increase her anxiety. Luckily, Jamie is there to make everything seem less terrifying. He’s supportive, kind, and funny–and Taylor doesn’t want to endanger their friendship by acknowledging her feelings for him.

That’s a lot of summary, but it’s because there’s so much here that I love! I’ve only gone to a few conventions so far, but I absolutely love the ones that I have been to. The energy has been amazing and sometimes overwhelming. The idea of reading a whole book set at a con was exciting! And Queens of Geek lives up to that, really capturing the frenetic energy of a convention. It also reads like a love letter to fandom (while still acknowledging some of its faults). There are so many geeky references, too! And Taylor posts on Tumblr throughout the book!

As the cover would suggest, this is also about the two love stories of Taylor and Charlie. Although I picked this book up for the f/f romance, I was charmed by Taylor’s friends-to-lovers plot line with Jamie. They have a good friendship, built on trust and support. They also have some solid banter. Of course, I was just as invested in Charlie’s romance! In fact, given her experience with her awful ex, I was desperately hoping that she got a healthy, drama-free love story. Of course, it’s not much of a story with no drama at all, but I still was very happy with where it lead. Charlie meets a fellow Youtube star, and it turns out they are both fans of each other! Their flirtation is adorable, and it’s great to read a book that includes a romance between two women of colour.

Another thing that I appreciated in Queens of Geek is that there is no contrived obstacles to the romances. Typically, I find, a romance has a standard plot: couple gets together -> couple splits up because it’s not the end of the book yet, so the author had to invent a reason to break them up -> couple gets back together at the end of the book. Usually this contrivance is something that a simple conversation between the two would have fixed. Instead, the obstacles that Taylor/Jamie and Charlie/Alyssa face makes sense to their characters. Taylor is reluctant to add another change to this tumultuous time in her life while dealing with all of the anxiety that this change invites. Charlie is dealing with a very public break up and is reluctant to have another relationship in the public eye, while Alyssa’s last relationship was with someone who refused to acknowledge their relationship in public for the entire time they were dating (more than a year). Those are all legitimate positions to hold, and ones that conflict. It makes sense that it takes them some time in the book to work those out.

Did I mention that I read this book in one day? I don’t usually do that, and I wasn’t intending to, but I just kept getting drawn back into the story. I also found myself laughing aloud several times while reading. The banter between both couples works really well, and when there’s a fandom joke thrown in as well, I can’t resist.

Besides all of the diverse elements (did I mention that it actually uses the word “bisexual”?) and geeky fun, there’s also a well-paced plot, compelling romances, and memorable and fully-realized characters. This was such a fun, heartwarming read. Just lovely.

Rachel reviews Her Name in the Sky by Kelly Quindlen

her-name-in-the-sky

You know a novel is well-written if you find yourself sucked into the story, feeling every single emotion the characters are feeling, and either moving you to tears or making you smile without realizing. Her Name in the Sky by Kelly Quindlen, a YA lesbian romance, is precisely that kind of book, and what makes it even more impressive is it is Quindlen’s first lesbian novel, and she packed it with so many of the real feelings and real agonies that lesbians first coming out to themselves often face.

In the spring of 2012, seventeen-year-old Hannah Eaden is in her final months of high school, working to pass her exams and choose the right college. She has a strong network of friends, including her best friend, Baker Hadley. The girls know each other so well and do pretty much everything together. Along with Hannah’s sister and three male friends, the group, known as “Six-Pack”, is inseparable. But Hannah begins to realize her love for Baker is more than the love of a friend, and Baker too, seems to be feeling the same way. They try to deny their feelings, but one night during spring break changes everything. Brought up by their school, community, and religion to believe their feelings are sinful and unnatural, Hannah and Baker retreat inside themselves, trying to make their love for each other go away and learn to live a “normal” life. But these feelings will not be quelled, leading to an extremely emotional yet enlightening journey towards acceptance.

Her Name in the Sky is one of the best novels I’ve read that covers the day-by-day thoughts and experiences of a teenage girl dealing with learning her sexuality. Hannah is a highly relatable character, with her doubt, her pleas to God to “make it go away”, and suffering both happiness and guilt from her love for Baker. Her story reflects that of millions of other lesbians who first react negatively upon realizing their sexuality and the terror of their entire lives being uprooted by the knowledge. As my first reaction to my own sexuality was shame and horror, many of the things she thought or said resonated with me. As a result, the novel reached much deeper than any of the others I’ve read. Still, I believe anyone can get immersed in this book whether they had similar experiences or not. Quindlen is honest and to-the-point in her story.

The setting of the novel was another very interesting aspect. Hannah lives in Baton Rouge, Louisiana, and attends a devout Catholic school. Quindlen’s descriptions of Mardi Gras celebrations, Easter Mass, action-packed vacations and proms give a very good idea of the community Hannah and Baker live in, their standing in school and social circles, their friends and relationships, pretty much their entire world.

Quindlen also was great with showing people’s varying reactions to homosexuality, some being kind and others outright violent. One of Hannah’s teachers, Ms. Carpenter, is one of my favorite characters in the book. She is compassionate and easy-going, yet will not shy away from letting someone know they are being cruel and are potentially hurting another person. Out of all the characters, she is one of the most sympathetic and open-minded.

Her Name in the Sky is a masterpiece. However, people looking for a light-hearted story might want to save this novel for another time. It’s deeply intense and emotionally exhausting. But these raw and genuine feelings are what make this book so wonderful.