Danika reviews The Very Nice Box by Laura Blackett and Eve Gleichman

The Very Nice Box cover

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I will say I think this book works best if you go in without a ton of information, so if you’re up for a kind of weird slowly unfolding character-based queer story, I highly recommend checking this out sight unseen. I listened to it as an audiobook and thought it worked really well in that format!

If you’re still reading this, don’t say I didn’t warn you!

Ava is a designer who works for STÄDA (which is pretty much Ikea), designing boxes. She is devoted to her job, and her life is very neatly regimented. She’s isolated, with basically her only social interaction being a standing lunch date with a coworker, where they talk about a reality show they both watch.

Some of this is her personality — when she’s stressed, she imagines a hex wrench perfectly fitting into a bolt to calm herself down — but the isolation is because she’s still reeling from trauma. She was in a car accident that killed both her parents as well as her fiancée. Since then, she’s buried herself in her work, keeping a strict schedule to keep the anxiety from creeping in. All of this order is upended when her new manager Mat arrives, who offers her a ride when her car breaks down and pries open all her defenses.

Mat is charismatic, transforming STÄDA with his solutions-oriented style and big personality. Doors seems to open for him, and Ava finds herself falling for him and how she feels when she’s with him. She’s finally moving on from the accident and feels like a different person. Then, this character-centric story that has been slowly unfolding turns out to be a different story.

(Vague spoilers) I was having trouble going to sleep, so I decided to listen to this literary fiction, slow-paced story to relax. Then I hit That Chapter and bolted up in bed. (True story.) (spoilers end)

I loved reading about Ava, who is such a distinct character. I can understand people who don’t appreciate her point of view — for instance, she identifies everything around her by brand, and she really is passionate about the Very Nice Box she’s designing. But I appreciated getting to know her, including the walls she’s built up and her vulnerabilities. She dislikes Mat at first, but once she’s fallen for him, she’s defensive against anyone who doesn’t.

I’ve been in an office job (though work from home) for a year now, but before that, I worked retail for more than a decade (and briefly taught), so it still feels like a foreign world to me. My particular job is the best place I’ve ever worked, but now I can see the mechanics behind working a desk job, and I have new appreciation for stories like this that feature office politics.

Before this title came out, I had trouble finding any information about whether it was queer, which is frustrating, because it definitely is. Ava dates mostly women and was engaged to a woman. There’s one scene where she joins a dating app and it asks her which genders she wants to see. She selects all genders, then unchecks men, then checks men again — which is highly relatable. Her best work friend (and really, only friend) is also queer, but they both chafe against the company Spirit Team’s attempts at inclusion with a gaudy rainbow tree put up in the office. I love stories with queer friendships, and this one does a great job.

I don’t want to give away any spoilers, but suffice to say, this ended up being a great commentary about Nice Guys and male entitlement. It also wraps up in a way I hadn’t expected but was very satisfying. (Spoilers, highlight to read: I love that the Very Nice Box was Chekhov’s gun in this story: as soon as the dimensions were described, I thought it reminiscent of a coffin, but I thought it just symbolized how death was haunting her through her PTSD and grief. The matter of fact way Ava and her friend both shrug at Mat’s fate is amazing, and it’s fits with the ambiguously satirical tone. Also, that the happy ending is Ava adopting that ugly dog is *chef’s kiss* amazing and a perfect queer conclusion. (end spoilers)

Mary Springer reviews Calendar Girl by Georgia Beers

Calendar Girl by Georgia Beers

Addison is a complete workaholic, and in trying in earnest to prove to her mother she can take over the company, she ends up pushing herself into a stomach ulcer and being rushed to the hospital. Her mother forces her to hire a personal assistant to try to make work easier. Katie Cooper is rapidly loosing her father to dementia and is in need of money to help her mother with the bills. But Addison resents having to let Katie into her space and do her work. Meanwhile, Katie is determined to do her job and get past Addison’s cold, detached demeanor.

As someone who is a type A personality herself, as well as who is a little too familiar with Katie’s struggles with her ailing father, this book had a lot to relate to. The author clearly had done her research, and I greatly appreciated that. These parts of the book jumped off the page and really helped engage me.

I enjoyed how Addison was honestly portrayed in a way that made sense for how her employees didn’t like her, but at the same time we could understand where she was coming from. In the first chapter she has to fire two employees for acting inappropriately in the office. I could understand why they would be upset, but also understand why Addison had to do it. Sometimes when authors try to create “ice queen” characters, they either go too far to try to make them mean, or do too much to make them understandable. The author here does a great job of finding a balance.

Katie Cooper was relatable in terms of her struggles with her father, and trying to find a job that was in her major. She was very sweet and kind, but was also willing to confront Addison and call her out on her mistakes. I liked that she was able to take control of her narrative.

The kiss and sex scenes were very steamy and fun. However, the romance between the two could have been a bit more organic. There were some scenes where I was definitely rooting for them, but then some where I couldn’t find the same energy for the narrative.

However, my main problem was in how the conflict was resolved. Throughout the novel it felt like Addison’s mother was the antagonist to her goals. I didn’t feel like that conflict was satisfyingly dealt with. At the end I was left crying out, “But what about that? Aren’t we going to confront that person?” This also meant that Addison’s whole narrative felt unsatisfying. I like to feel triumphant at the end of a story through the character’s arcs. Addison does have character development, but she doesn’t seem to receive much reward for it.

Overall, this was a fun romance I would recommend to someone looking for a light and quick read.