Bee reviews Euphoria Kids by Alison Evans

Euphoria Kids by Alison Evans

I’ve been reading Alison Evans’ work for a while. The main appeal for me is that they are a Melbournian author, and their YA sci-fi/fantasies always have a basis in the city and surrounding areas. I think I’ve written here before about how much that appeals to me. When their newest book, Euphoria Kids, was announced, I knew I had to get my hands on it.

Euphoria Kids is an urban fantasy that turns magic into an everyday thing for its core group of teens. Iris was grown from a seed in the ground, giving them an affinity for plants and their magical properties. They are a lonely kid, with no human friends – only the faeries that visit them in the house they live in with their two mums. That is, until they see a “new” girl on the bus one day – Babs, who was cursed by a witch and sometimes turns invisible. Babs is made of fire, and lives with her mum, who has fibromyalgia, but still practices magic. A third member is added to their group when they meet a boy who hasn’t chosen his name yet, but who also has something magic about him – what exactly is uncertain.

As is probably clear, this is a diverse group of friends. Iris is non-binary, Babs is a trans girl, and the boy is also trans. Iris’ mums are obviously lesbians, and Babs makes it clear that she is too, as well as a secondary character who works in a café which they love going to. The trio also encounter dryads and faeries – dryads who have no gender, and cannot understand why humans do; faeries who shift between as many genders as they like, as easily as they can change their appearance. I’m loath to say “It’s great representation”, because I often feel that the word “representation” is just used as a catch-all for an identity named in the story, even when that identity isn’t given justice or used naturally. However, that isn’t what Evans is doing at all. The genders of the teens are tied to the magic they learn and explore, almost like being trans is a magic in and of itself.

The writing and story are, in a word, tender. The trio of teenagers are just so sweet and wide-eyed, experiencing this magical word with wonder and care. Their friendship is fierce and loving, and the way they band together to overcome obstacles is very endearing. It is a very kind book – a book that is careful with its characters, with its reader, and with all of the people who may see themselves represented in its pages. The descriptions of magic are ethereal, and the use of plants and connection to nature is filled with all the joy of walking in a secluded forest and seeing light pouring through the trees. It is all just so gentle; the perfect book for reading under a blanket with a cup of tea (and the characters drink a lot of tea too, so you won’t be alone in that).

Something which Evans does very well is write otherworldly things in a convincing way. Of course planting a jar of herbs in the garden works as a protection spell; of course a lesbian couple can nurture a seed that turns into a child; of course a girl can light fires with her touch. Theirs is the type of writing that draws a reader in, and enfolds them in the world that has been created. It’s a book filled with comforting imagery and beautiful turns of phrase – the world of magic is easily pictured, and the use of the Australian bush is wonderful.

I am usually not much of a fantasy fan; I find it confusing at the best of times. But for me, this type of real-world magic is easy to get behind. With friendships at the core of the story, there is something to root for. The characters are all also very appealing – the adults all have magic of their own as well, and treat the three teens with love and respect. It’s just plain nice to read, honestly. While it’s a good entry-level fantasy, it’s also a very witchy story, full of enchantment. And I was enchanted, definitely. It’s a world I would gladly fall into, again and again.

Marthese reviews Aces by Kathryn Burns

aces

‘I did not adult well’

Aces is a short book on the relationship between Astrid and Hollis, two very creative women living in Seattle. They both work in retail but have a shared passion for writing. The story is told from Astrid’s perspective.

This story feels real, is not that cliché and is very diverse with its characters. Most times, the diversity is built up and not introduced at once and it does not feel like the characters are diverse simply to be so, they just are.

Astrid works at a shoe shop, has had a variety of hobbies and has a lack of self-confidence. She does not, at first, get on with her girlfriend’s flatmate Lloyd. This is however, explained in what I thought was a good reason. Astrid loves Hollis a lot, though she feels that Hollis is always right and keeps her emotions in check too much.

Hollis works in cosmetics but her other passion is blogging and writing. She writes fanfiction as well and has some geeking moments in the book. She also loves her flatmate’s cat Schrodinger. As she likes writing and expresses herself in that method, she writes letters about Astrid which Astrid finds in unexpected places. One of these letters brings about the confession that Hollis is asexual. After that, their relationship has better communication but does not change much.

This book has a lot of cool stuff in it and whether they are mentioned in detail or only in passing, I think that it is a good depiction of queer reality. Currently pop culture and recent history are mentioned but there is a 90s vibe at times. As the characters attend Poetry Slam Mondays, we are introduced to some poetry slam! Video making and blogging are mentioned and are done by at least four characters. Minimalism is also brought about by necessity. Stuff like transitioning, non-binary, dysphoria, period pains, drag, on coming out as a continuous process and bi-erasure are topics of discussion or thought in the story.

There are many characters, whether they appear often or simply once, with various gender identities. The families mentioned are also of different forms. Their group of friends is very varied but like Clementine said, Astrid brings them together.

What I also liked in the story, was that there was the depiction on genuine love, not too perfect and that information processing was done in a healthy way. Although at first Astrid bothered me a bit, she grew on me while I liked Hollis from the beginning because I could relate to her.  I think the best thing was however, when there was a discussion on shipping in fanfiction and how that is still part of asexuality.

I do not have a particular thing that I particularly did not like although Astrid was slightly bothersome in the beginning as I had the perception that she was too self-centred. This was not so much the case and it just takes a while to get used to the character. There was also an instance that the term ‘transgendered’ was used instead of ‘transgender’ however, I think that was due to language use.

I think that there are so few books that speak about asexuality in their plot, much less when they are combined with various other diverse characters and speaking so planning on reality, with deep thoughts as everyday occurrences. Perfect for over-thinkers like me! It truly is a love story that gives you hope. Where the characters do not follow a formula but make the love their own.

I recommend this book for people that want to read a book with an asexual character, for people that want to read more books with trans inclusiveness (including non-binary), for geeky people that like to see fanfiction, slam poetry and internet culture incorporated into the life of the characters and for people that want to read a short but realistic love story.

Marthese reviews The Eldermaid by K.Henderson

eldermaid

“Death is never more than a breath away”

I binge read this book in a day! I had wanted to read this book as soon as I read the blurb, but, well, I was late for my review. It helped that it was a very enjoyable story that made you want to read more. This story is short and is a mixture of Fantasy and Adventure, but not the epic kind, more like the kind where the protagonists are always curious and searching for answers.

This story is told from the perspective of Hedda and spans from her childhood onwards. In this world, most deities left the Earth, but left in their stead countless spirits with different elemental powers. There are three types of spirits: maids, knights and jacks. Hedda bonds at a young age with an Eldermaid, although not the one she thought she would at first. When spirits bond with humans, it is not like a marriage or sexual in nature but similar to having a constant life companion and partner in crime.

Hedda lives with her mother, Augusta and her own spirit: a firemaid named Ember. I loved the names in this book, especially of the spirits! What I loved most about this book though, where the genders (not binary!), the relationships (a mixture! Even poly-relationships were hinted at), the pronouns (a variety, xirself serving as a neutral pronoun and ser as the neutral honourific) and the normalization of different races. This could seriously be a recommended piece of literature for people wanting to learn how to think and speak less binary and learn not to stereotype–for example in the story there is mentioned that not all those that bleed are females. There was also a variety of trans characters in the book and a variety of relationships–and they were not seen as strange.

“mixture of throne room and magpie’s hoard” p.51

Anyway, if I get started on how good it was in terms of representation in such few pages, I won’t be able to stop. Hedda, her Eldermaid, Augusta and Ember leave their village life to go to the city of Firehaven, supposedly to train further Hedda but there are other ulterior motives. We get to learn more about Augusta’s past and the secrets that she kept. It was interesting because I felt that this book did not have one or two protagonists but many: there were Hedda and Leaf, and even Luccia and Augusta and Sofiya.

The mysteries in the plot were tense, but we weren’t kept waiting too long before some pieces started to fall in place. Hedda has to fight, but she’s not the catalyst but just another character. There isn’t the waiting-for-the-saviour cliché. The world building wasn’t too quick or too slow or too much, but just right for the story. As Hedda said, most things were on a need-to-know basis. The chapters were short and the writing got better although I felt that there were too many commas in the prologue.

This book was a hope for literature and diversity for me. I love fantasy and I love discovering new books that cater for a variety of people. I think this book is truly LGBTQI+ because it had a variety of characters from the spectrums. I think this book is good if you want to learn how to use neutral pronouns or want to read about diversity or want to read a feel-good book if you’re queer–this is the book that you should read next.