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Witches Under Modern Systems of Oppression: How to Succeed in Witchcraft by Aislinn Brophy

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the cover of How to Succeed in Witchcraft

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At the top of the T.K. Anderson Magical Magnet School’s leaderboard is Shay Johnson. One of the most impressive and successful witches among her peers, this almost guarantees her the coveted Brockton Scholarship which would allow her to register to the university of her dreams—an education that her parents otherwise cannot afford. Her main obstacle is her years-long rival: Ana Alvarez. When both girls get recruited by their drama teacher and head of the scholarship committee, Mr. B, Shay wearily accepts the starring role to ensure her scholarship win, all while her professor’s behaviour becomes increasingly inappropriate and her rivalry with Ana slowly turns into something more.

If you’re looking to tap into some great YA fiction, I cannot recommend this book enough. Brophy managed to write a perfect balance of entertaining and witty banter, a narrative voice that is fun and easy to follow, as well as some deep, rich, and complex conversations about abuse, manipulation, racism, classism, and homophobia.

Shay is such an incredibly funny main character, and young readers who feel pressured to overachieve in academics will be able to instantly relate to her. Throughout my own reading experience, I felt as though I was an older sister watching her sibling go through all the same mistakes I made at her age. It was truly endearing, and I loved following her through all the highs and lows of her academic journey and her love story. Brophy wrote an extremely realistic main character and gave her the space she needs to recognize, understand, and learn from her mistakes. They always included a ton of nuance in their characters’ conversations, the conflicts weren’t immediately resolved and brushed over anticlimactically, and they built a very relatable cast with some fascinating dynamics.

The element of the story that I believe was the most successful was the way in which Brophy melded their magic system so seamlessly into our modern-day world. Fantasy authors have a tendency to do a lot of fantastical world-building that is set in some real-world human setting, while simultaneously ignoring the tragedies and realities of our history. This book feels very contemporary, in that the magic bleeds into our societies exactly as they have been built, including the systems of oppression that exist in our modern world. Brophy uses witching and magic not to “escape” humanity as we know it, but specifically to address issues of racism, of class disparity, of homophobia, of abuse of power. Shay’s storyline is, at its core, deeply influenced by the fact that she is a Black lesbian who comes from a lower-class family, and her struggles as an obsessive overachiever are rooted in the expectations that have been laid out for her future by the society in which she grew up. It gave the book some wonderful depth, without necessarily becoming overly complex or inaccessible to its intended young adult audience.

The entire plotline surrounding the play itself was phenomenal, because Brophy managed to weave so many societal critiques together. Their teacher presenting it as an “inclusive” and “diverse” musical, only for him to deeply misunderstand and misrepresent his students’ racial backgrounds and ethnicities during the casting process, was a very accurate portrayal of people co-opting specific terms and ideologies to make themselves seem good and progressive, without actually having to care about the issues at hand. The story as a whole empathizes with teens who don’t know how to stand up for themselves and who realize the system is working against them, but also gives them some specific tools for calling out bigotry and abuse, especially when it comes from people in positions of power.

And, of course, I adored the sapphic romance in this. I was rooting for Shay and Ana the entire time, and it was so entertaining to watch our main character be so foolishly oblivious, in a way that is extremely realistic for a young, teenage lesbian. The rivalry between them makes it very easy for readers to become invested in their relationship and I loved how Brophy developed their love story in a way that felt very messy—i.e.: realistic for their age—as well as absolutely adorable. I also appreciate that Brophy didn’t shy away from using the term “lesbian” multiple times throughout the story, as it still feels very rare for authors in mainstream publishing to allow their young main characters to specifically label themselves as such.

If you’re looking for an easy read that is at times fun and light, but that nonetheless packs a punch when it comes to exploring its themes and the ultimate message, this is the perfect read.

Representation: Black, biracial, lesbian main character; Cuban, bisexual love interest; Filipina side character

Content warnings: grooming and manipulation by a teacher, racism, homophobia

The Official Sapphic Sequel to Haunting of Hill House: A Haunting on the Hill by Elizabeth Hand

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the cover of A Haunting on the Hill by Elizabeth Hand

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To say I went into this with high expectations would be an understatement. As soon as I heard there was an official sapphic The Haunting of Hill House sequel coming out, it became my most anticipated book release of the year. I am firmly in the camp that believes the original Hill House book is queer and have been arguing that for the past decade, so I’m happy that we now have both the Haunting of Hill House TV reimagining, which has a queer woman main character, and this official sequel, where three of the four main characters are queer.

As someone who loved the original, I came into this not sure how a sequel could live up to it, and obviously it’s impossible for another author to be Shirley Jackson, but Elizabeth Hand’s style and themes felt complementary to Shirley Jackson’s in a satisfying way. There are nods and references to the original, but this stands as its own story—I definitely don’t think you have to read the original to pick this one up.

We’re following Holly, who is a playwright who has been making ends meet as a teacher, but just got a $10,000 for her new, witchy play. She has taken the fall semester off to work on it, and when she stumbled on Hill House, she instantly decides this is the place she needs to write it. Her girlfriend, Nisa, is contributing the music, and she has the two main actors cast: her friend Stevie, and the aging star Amanda.

This is exactly what I want from a haunted house story: it begins atmospheric and foreboding, with each individual event able to be shrugged off, like a hare falling through the chimney or an image of something in the woods or a small, hidden door that seems to call to Stevie…

In some ways, Holly’s plan seems to work. When she finally convinces the owner of the dilapidated mansion to rent it to them for a few weeks, they seem to be making great strides in the play. Everything is clicking together, and their performances are stunning. Meanwhile, though, all the little annoyances they have with each other and the secrets they’re keeping seem impossible to keep buttoned down. Amanda is paranoid that they’re all judging her. Nisa has been sleeping with Stevie and Holly doesn’t know. Despite the problems, despite the strange tricks the house plays, Holly is determined to have them complete this project and bring her dream to fruition. Then the snow begins to fall, stranding them there, and everything comes to a head…

One interesting aspect to this is that each of the main characters is kind of insufferable. They’re selfish, all trying to manipulate each other to gain more credit or stage time. They can be cruel. They’re hiding things: they all have things they’ve done in their pasts that are nothing to be proud of. But they’re also such interesting characters, especially in how their personalities clash and play off each other. While in the original, I really felt for Eleanor, I didn’t have one character I was necessarily rooting for—Stevie comes closest, but I don’t feel like he is as much of a main character as Holly and Nisa are. That didn’t take away from my enjoyment, though: I still was invested in what would happen to them all.

While this takes place in the present day and it’s a different writer, I think it captures the tone and feel of the original well. My expectations were high going in, but this creepy gothic haunted house story was able to live up to them.

One quick post script: this book has a lot of songs in it. They’re sung in the audiobook. That can be a plus or a minus of that format, depending on who you are. Either way, I recommend looking on YouTube for “Hares On the Mountain” so you can hear the folk song that comes up several times in this story.

Content warnings for cheating bisexual characters and for discussion of child sexual assault and grooming.

Fake Dating at Its Best: Iris Kelly Doesn’t Date by Ashley Herring Blake

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Delilah Green Doesn’t Care, the first book in Ashley Herring Blake’s Bright Falls series, was the first sapphic romance I had ever read. It is still my favorite because, not only is it an excellent book, but I credit it with opening up an entire new world for me. Nowadays, I’m predominantly reading either sapphic romances or stories with sapphic subplots. Astrid Parker Can’t Fail, the second book in the series, was also outstanding, so when I saw that Iris Kelly, the sassy and playful side character in both books was getting her own story, I was excited. As soon as I had my copy of Iris Kelly Doesn’t Date, I dove in. I am delighted to say that Iris Kelly Doesn’t Date, doesn’t disappoint. It is a hilarious and heartwarming story of a short-term fake romance that leads to long-term love.   

Iris Kelly is surrounded by love. Her best friends have found love. Her parents are still madly in love after decades of marriage. Her brother and sister each are married and have kids. Iris, on the other hand, is committed to commitment-free hookups. She has experienced the pain of what a relationship can do to a person, and wants no part in it. This aversion to romance is at odds with her career as a romance author. And this creates the worst case of writer’s block while working on her next novel. Meanwhile, Stevie is a struggling actor who is also struggling to cope with the fact that her ex-girlfriend of six years is now dating their mutual friend. Looking for a good distraction, Iris runs into Stevie at a bar one night and there is instant chemistry. However, their one-night stand ends up going horribly wrong (seriously, it’s so bad). While both of them would rather forget the night and move on, fate brings them together when Iris auditions for a play Stevie is in. With all Stevie’s friends assuming that Iris is auditioning because they are dating, Stevie asks Iris to play along. Seeing this as an opportunity to get some inspiration, Iris agrees. The arrangement is simple: Iris and Stevie will pretend to date until the end of the show. Stevie will save face and get her friends to stop pressuring her to date around. Iris will use the experience for inspiration on her next novel. However, as the two spend more time together, things become far less simple.

The “fake dating” trope is not one that I often gravitate towards. This is because, being a terrible liar myself, I struggle with the idea of maintaining the lie of a fake relationship long enough for anyone to buy it. That being said, Iris Kelly Doesn’t Date won me over so quickly with how it creatively uses this trope. For starters, it felt more believable than other “fake dating” stories because the only people being lied to here were Stevie’s group of friends and members of the play’s cast and crew. It also was not a lie that they needed to maintain for too long. The stakes of the lie are also fairly low compared to other “fake dating” books I’ve seen out there. It is not some grand scheme for money or a promotion. Stevie just needs a rebound so her friends will back off and stop pitying her. Iris just needs material for her book. Lastly and most importantly, I really liked how quickly the emotional connection between Stevie and Iris developed. Ashley Herring Blake skipped a lot of the standard casual fake dates you see in these romances. Instead, she dove straight into highly emotional moments for both Iris and Stevie, letting them build their connection more quickly. While it still did take them a while to act on their feelings for one another, their emotional connection began to develop much earlier on. Altogether, these things made the scheme feel more plausible and hooked me in very quickly.  

Something else I have loved about the Bright Falls series is how emotionally authentic and heart-wrenching these books are. Iris Kelly Doesn’t Date continues this trend with a story of two  characters dealing with some real heavy issues like General Anxiety Disorder, self-doubt, insecurity, and hopelessness. The way each of these is handled feels so genuine. How Stevie and Iris talk to and about themselves mirrors things I have heard myself or others say when struggling with these feelings. It made me want to reach into the book, hug them, and go, “Oh, honey, I’m so sorry.”

At the same time, Ashley Herring Blake also expertly shows how love can help us overcome issues such as these. She doesn’t treat love as a panacea, though. It’s not that these characters just suddenly feel better and solve all their problems once they find each other. Instead, she shows how a loving relationship is about being there for each other. Stevie and Iris put in a lot of tough emotional work into helping each other when they are at their lowest. It isn’t always easy for them, just like it isn’t always easy in the real world. And just like in the real world, Stevie and Iris still have a lot to work on individually even after the events of the novel. As a reader you walk away knowing that, together, they can overcome it all. That’s what a fantastic love story is all about. 

In addition, Iris Kelly Doesn’t Date is a really funny book. The banter between characters is playful and witty. Scenes which could be played as embarrassing are painted in a more humorous tone. Ashley Herring Blake also has fun playing with other common romance tropes, setting you up to expect one thing and then giving you something else. Also, as a fan of puns, I was happy to see several really good ones. For example, this book has inspired me to find ways to name all my group chats using puns with the word “queer” in them. Lastly, it’s also a really spicy book, with plenty of tantalizing lead-ups to some really hot sex scenes.    

If you’re a fan of the previous books in the Bright Falls series, you will also really appreciate all of the call-backs and references to those books. Delilah, Claire, and Astrid play sizable roles in the story, for both Iris and Stevie, in ways that do not feel shoehorned in. I can’t say much more because of spoilers, but trust me when I say that Ashley Herring Blake closes out this series in a way that is satisfying for all Bright Falls fans.

All in all, I adored Iris Kelly Doesn’t Date. It gave me everything I want in a sapphic romantic comedy and so much more. I highly recommend it for any fan of the genre, whether it be your first in the Bright Falls series or not.  

10 Sapphic YA Horror Books to Read In October

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With fall finally here, you might be looking for some spooky books to read in October and to get you in the perfect eerie mood. Featuring ghosts, aliens, demons, and zombies, these books are a great way to get in touch with your sinister side and prepare yourself for the best night of the year: Halloween!

Before we get into it, it’s important to remember that, as readers, we owe it to ourselves to respect our boundaries and know our limits. This is especially true with horror books, as they can address some heavy topics and depict different levels of gore and bloodshed. Young adult novels are a good way to ease into the genre, but that doesn’t mean that they are free of any type of violence or pain. Make sure to read the content warnings and don’t hesitate to draw the line in the sand if necessary.

That being said, turn off your lights, burn a candle, play some ominous music, and curl up under your blankets. Here are 10 spooky sapphic YA horror novels to check out!

the cover of Night of the Living Queers

Night of the Living Queers: 13 Tales of Terror Delight edited by Shelly Page and Alex Brown

In this YA horror anthology, authors explore a night when anything is possible under the blue moon: Halloween. Featuring queer characters of colour written by queer authors of color, this collection puts some fresh spins on classic horror tropes and tales. The stories are told through the lens of different BIPOC teens, including many sapphic main characters, as they experience the night that changes their lives forever.

This is perfect for people who are still discovering horror and looking to figure out which subgenres they find most entertaining, which messages speak most personally to them, and which themes they’d like to explore further. The anthology touches on a whole plethora of topics such as grief, guilt, race, gender identity, and complex family dynamics, and it features a wide array of subgenres including paranormal horror, monster horror, body horror, and horror comedy.

Content warnings: body horror, gore, blood, suicidal ideation, animal cruelty, death, child death, death of a parent, homophobia, transphobia, violence, racism, grief, blood, bullying, abandonment, mentions of substance abuse, alcohol addiction and drug overdose.

the cover of Alien: Echo by Mira Grant

Alien: Echo by Mira Grant

Set in the Alien universe, Alien: Echo follows Olivia and her twin sister, Viola, as their family settles on a new colony world, where their xenobiologist parents expand their research into obscure alien biology. One day, an alien threat unlike any other is seen and, suddenly, their world is ripped apart. Their colony collapses into chaos, and Olivia has to use the knowledge she’s picked up over the years following her parents around the universe to escape the monster and protect her sister, all while grappling with the discovery of a shocking family secret.

This is the perfect novel for sci-fi fanatics, as it really delves into the science at the core of the story, in a way that is suspiciously believable.

Content warnings: body horror, blood, violence, gore, death, child death, death of a parent, animal death, xenophobia, grief, bullying, discrimination, severe injury.

the cover of This Delicious Death by Kayla Cottingham

This Delicious Death by Kayla Cottingham

In this horror comedy, four best friends venture out into the desert for one last music festival before graduation. The twist? They’re zombies. A few years prior, an unknown pathogen was released onto the world, causing certain people to undergo the Hollowing: a transformation that made them intolerant to normal food and unable to gain sustenance from anything other than human flesh. While humanity slowly returned to normal after scientists were able to create a synthetic version of human meat that would satisfy the hunger of these “ghouls”, one of the girls goes feral at the festival and accidentally kills another attendee. The group suspects that someone is drugging them to turn them feral, but can they figure out who it is before they all lose themselves too?

A horror comedy is a great way to get into a spooky mood while still being able to sleep at night. With an all-queer cast, including a bisexual main character, a trans and bisexual love interest, and lesbian and bisexual side characters, this is perfect for people who are looking to sink their teeth into mess and chaos.

Content warnings [as listed by the author]: alcohol consumption by minors, anxiety disorders, blood and gore depiction, body horror, cannibalism, captivity and confinement, dead bodies and body parts, deadnaming, death of a grandparent, death of a sibling, drugging, drug use, fire, grief and loss depiction, gun violence, intrusive thoughts, murder, needles and syringes, nightmares, parental neglect, pandemic, scars, sexism, suicidal ideation, transphobia.

the cover of Burn Down, Rise Up

Burn Down, Rise Up by Vincent Tirado

This is the story of Raquel, a young sapphic Afro-Latina from the Bronx whose mother has recently come down with a mysterious illness that the doctors can’t explain. At the same time, multiple Black kids have been disappearing from the city without a trace, and the police are doing very little to investigate, not particularly concerned about these children’s whereabouts. One day, Raquel’s crush, Charlize, asks for her help to find her recently missing cousin, and the girls end up following an urban legend called the Echo Game, which leads them down to a sinister, unknown, underground part of the city.

This debut novel is a deep dive into the racist policies of the Bronx in the 1970s and 1980s, including the redlining, the slumlords, and the gentrification. It is the epitome of “disgusting” and will keep you on edge from start to finish.

Content warnings: gore, violence, death, racism, gun use, police brutality, discussion of cannibalism, fire injuries/burns, missing family members, sick family members, homophobia.

the cover of We Don’t Swim Here by Vincent Tirado

We Don’t Swim Here by Vincent Tirado

In their second novel, We Don’t Swim Here, Tirado tells the story of two Afro-Latina cousins, Bronwyn and Anais. Anais lives in Hillwoods, a small, secluded town to which Bronwyn is forced to move, as her family wants to be near her grandmother in her final moments. However, Bronwyn struggles with the move, as the people in Hillwoods are predominantly white, particularly weird, and eerily standoffish. Her cousin also warns her about some unspoken rule that exists within the town which bans anyone from swimming—a big issue for Bronwyn who was a competitive swimmer back home. The story follows her as she tries to navigate this unsettling community, as well as Anais who tries to keep her cousin in the dark as much as possible and protect her from the town’s sinister past.

If you love sapphic final girls who feel like they have the weight of the world on their shoulders, or characters who try to fight back against the idea that they do not belong or are not allowed to belong in certain spaces, you will love this novel.

Content warnings: body horror, blood, murder, grief, death, child death, racism, hate crime, gun violence, kidnapping, medical content.

the cover of Sawkill Girls by Claire Legrand

Sawkill Girls by Claire Legrand

Sawkill Girls is the story of very different girls who live in a small community on the island of Sawkill Rock. As beautiful as the town may seem, behind the campfires and blue waves crashing against the shore, there lies a dark secret. For decades, girls have been disappearing inexplicably, allegedly taken away by an inhuman spirit. But what happens when the awkward, plain new girl, Marion, unwillingly joins forces with Zoey and Val to fight this legendary evil and save the girls in their community, including themselves?

Featuring a cast of sapphic and asexual main characters, this book is perfect for people who are all about dismantling decades-long, misogynistic traditions and who like a weird, genre-bending twist to their stories. 

Content warnings: gore, violence, blood, murder, aphobia/acephobia, loss of a loved one, grief, child abuse, cults, fire, pedophilia, sexual assault, animal death.

The Dead and the Dark by Courtney Gould cover

The Dead and the Dark by Courtney Gould

Courtney Gould’s debut novel, The Dead and the Dark, is set in smalltown Snakebite, Oregon, where everything seems to be going wrong. Teenagers are disappearing, some turning up dead, the weather isn’t normal, and the community seems hellbent on blaming it all on Logan’s two dads—hosts of a popular ghost hunting TV show—after they’ve decided to return to town. Although Logan has never lived in Snakebite before, she agrees to help Ashley, whose boyfriend was the first teen to go missing, in her investigation into the town’s deepest secrets. As they uncover the truth about the people in their community, they also start to uncover the truth about themselves and their growing feelings for one another.

Great for readers who are looking for some romance in the horror stories they pick up, this book will put you in the perfect eerie mood, while also reminding you of the power of family and love.

Content warnings [as listed by the author]: homophobia, child death, murder, claustrophobia, drowning, slurs.

the cover of Where Echoes Die by Courtney Gould

Where Echoes Die by Courtney Gould

In this second novel by Courtney Gould, we follow Beck, a young lesbian who has been struggling since her mother’s death, desperate for things to return to the simpler, happier days of her childhood. Wanting to understand more about her mother, a brilliant but troubled investigative reporter, Beck travels to Backravel, the town that was the center of her mother’s journalistic work for years. Followed by her younger sister, Riley, Beck soon realizes that there is something off about the small, secluded town. Although everyone’s memory seems to be filled with holes and missing information, the people seem eerily at ease with the otherwise inexplicable happenings of their community. With the help of the daughter of the town’s enigmatic leader, Avery, Beck must uncover the secrets of Backravel before her or her sister get hurt… or before she loses herself completely.

Touching on the struggle of death and grief, this novel packs an emotional punch, while keeping its readers guessing from the first page until the very last.

Content warnings [as listed by the author]: death of a parent, death of a loved one, emotional abuse, gaslighting, emetophobia/vomiting.

As I Descended by Robin Talley cover

As I Descended by Robin Talley

In this modern, dark academia retelling of Macbeth, Maria and Lily are their school’s ultimate power couple—even if no one knows it but them. The only thing that stands in their way towards a perfect future together is the golden child of their school, Delilah. Maria needs to win the Cawdor Kingsley Prize, as the scholarship money would allow her to attend Stanford and keep her relationship with Lily alive. The problem is that Delilah is seen as the presumptive winner of the award. What she doesn’t know is that Maria and Lily are ready to do anything to make their dreams come true, including harnessing the dark power long rumored to be present on their school campus.

This book is filled with ghosts, Shakespearian tragedy, and queer teenagers quickly delving into chaos. Featuring a disabled lesbian and her sapphic girlfriend as the main characters, this story will have you questioning the limits to which people will go for love and victory.

Content warnings: blood, gore, death, violence, self harm, suicide, murder, ableism, homophobia, biphobia, lesbophobia, forced outing, forced drug usage, panic attacks, psychosis, racism, slavery, grief, child death, emotional abuse, religious bigotry, bullying, car accident, fire.

the cover of Damned If You Do

Damned If You Do by Alex Brown

Heavily inspired by Filipino folklore, this horror comedy features Cordelia, a high school stage manager who spends her days focusing on the school play, trying to keep up with her grades, and desperately pining over her best friend, Veronica. One day, the demon to which she sold her soul seven years ago comes back to see her under the guise of her new school guidance counselor and requires that she pay back the deed. The two must work together to defeat a different, more powerful demon who looks to harm her hometown and all those in it.

This book features the perfect amount of entertaining high school drama and fiendishly clever demons, all while it explores the type of trauma that some children face at the hands of a parent and the ever-lasting impact that it has on them and those closest to them.

Content warnings: child abuse, murder, violence, gore, blood, body horror, depictions of verbal abuse, mentions of physical abuse, loss of a parent.

Looking for even more sapphic horror books? Check out the Lesbrary’s horror tag for many more sapphic horror recommendations! You can also browse just the YA horror reviews. Happy Halloween reading!

Shakespeare, Fae, and Orisha: That Self-Same Metal by Brittany N. Williams

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the cover of That Self-Same Metal by Brittany N. Williams

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At the age of sixteen, Joan Sands possesses exceptional craftsmanship skills that she employs to create and maintain the stage blades for The King’s Men, a theatrical troupe led by William Shakespeare. Joan’s remarkable blade-crafting ability is rooted in her magical power to manipulate metal, bestowed upon her by her guiding deity, the head Orisha, Ogun. Hailing from a family blessed by Orishas, the Sands have always been attuned to the presence of Fae in London.

Normally, this awareness entails little more than observing the subtle luminance enveloping the Fae as they attempt to assimilate into London’s social fabric. However, recently, there has been a noticeable rise in violent Fae assaults. When Joan injures a formidable Fae assailant and rescues a nobleman’s son in the process, she becomes entangled in the intricate web of political machinations spanning both the human and Fae realms.

This is a captivating story! Joan’s journey is portrayed with such depth and authenticity that she feels like a genuine person, navigating the complexities of being forced to grow up too soon while still grappling with relatable teenage experiences. Joan’s confidence in her bisexuality, coupled with her witty humor about her romantic encounters, adds a layer of realism that’s both endearing and relatable. In avoiding making Joan’s sexuality a central point of conflict, the author’s depiction of her as a casually queer person is remarkably refreshing. The near absence of queerphobia is a commendable aspect of the book. Rather than being related to her sexuality as a whole, Joan’s central romantic conflict involving her strong feelings for two people at once, which brings a rich complexity to her character, as she grapples with matters of the heart.

Similarly, while Joan’s Blackness is not used as a central conflict point, this book deftly addresses complex issues of race and class. Joan and her family are accepted within their immediate circle, but the author skillfully exposes the insidious racism perpetuated by the upper classes. The narrative masterfully highlights the disturbing tendency toward fetishization, as well as the harmful notion of there being a “correct” mold for a Black person. By shedding light on these often-overlooked aspects, the book invites readers to confront uncomfortable truths.

Finally, the portrayal of the Fae lore is a standout feature of this novel. Rather than the typical romanticized depiction, the Fae are presented as gritty, malevolent creatures, much more in keeping with their mythological depictions. The exploration of their darker aspects adds an intriguing layer of tension and suspense to the narrative. Similarly, the incorporation of Orisha into the story is a brilliant addition that sets this book apart. It’s refreshing to see the inclusion of elements from a lesser-explored mythology, and I’m eager to learn more about Orisha in the upcoming sequel.

All in all, this novel successfully weaves together multifaceted characters, captivating Fae lore, and unique mythological influences, creating an immersive and unforgettable reading experience. I am greatly looking forward to what the author has in store for us in the sequel!

Content warnings: racism, sexism, murder, dismemberment, blood, some gore.

Elinor Zimmerman reviews Set the Stage by Karis Walsh

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When I picked up this book, I wasn’t sure if a romance set in the Oregon Shakespeare Festival would really be my thing because I’m not a theater person. But Walsh’s vivid descriptions of Ashland, Oregon, of the festival, and of her lead’s clashing career paths were so charming that I was transported. If you want a nice little romance to escape into, this might be the novel for you.

Emilie is an actor with more than a few career regrets who sees her season with the festival as a chance to finally get back on track professionally. She suffers from stage fright and once abandoned her theater dreams and initial acclaim for her work in order to follow her girlfriend, a fellow actor, on tour. She’s determined not to let anything stand in the way of her ambition again.

Arden is a lifelong Ashland resident, daughter of an actor and a director who left her to be raised by her grandparents while they pursued theater careers all over the world. She works in the local park, just like her late grandfather did. She dates actress who come for the festival and regularly gets her heart broken in the process.

Arden and Emilie are drawn to each other from the moment they meet in the park but agree that they should just be friends. Emilie doesn’t want a distraction and Arden doesn’t need another relationship with an expiration date. Over many months of rehearsals and performances, the two grow closer and closer, cheering each other on in their careers even as those ambitions threaten their bond.

The romance in this burns slow but I appreciated that. A lot of the focus is on their connection as dear friends, Emilie’s struggles to perform when her confidence is low, and Arden reconsidering the life she planned for herself and what her professional aims actually are. It’s engaging and fun.

The only thing I didn’t really like was Emilie’s roommate, a graduate student in psychology, who wants to use Emilie for her studies. While I’d buy an undergrad new to the field blurring personal and professional boundaries, by grad school a psych student should know better than to pressure a new roommate into quasi-therapy sessions for her research. Maybe this sort of thing would happen but it sounded unethical. It also seemed to be a way to reveal some of Emilie’s backstory and have her come to realizations. Luckily this roommate basically disappears from the book once she’s served that purpose.

Overall, it’s a fun romance. It made me want to go this festival, which I’d never had any interest in before. Set the Stage is worth a read for fans of romance or theater.

Elinor Zimmerman is the author of Certain Requirements, which will be released by Bold Strokes Books in Spring 2018 and is a contributor to the anthology Unspeakably Erotic, edited by D.L. King, and out now. Her website is ElinorZimmerman.com

Audrey reviews Adieu, Warm Sunshine by C.E. Case

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adieu warm sunshine

Sunny’s a spy who works undercover as a cop. It’s complicated. Pamela’s a dancer on Broadway. She’s not the star, and despite having a certain something, she’ll never be the biggest draw, because she can’t sing. But she’s arresting. Sunny can’t say why she shows up behind a theater on Broadway after a (lousy) show that night, but she leaves with Pamela in her car.

Instead of a one-night stand, Pamela and Sunny find they want more, that being together is both exhilarating and a balm to the soul. But they have secrets. Pamela doesn’t understand the implications of her secrets, and that spells trouble. Sunny knows the ramifications of her own shadowy past and shady present. These don’t make for a bright future, interpersonally, despite having a supportive work partner, Vash. But the thought surfaces, for both women, briefly–maybe this could work?

Then Pamela disappears. Sunny must use all her skills and all her connections, legitimate and under-the-radar, to find her lover. In the process, Sunny and Vash stumble onto a tangled conspiracy that could spell doom for Sunny and Pamela both.

The plot is fairly straightforward, though the mechanics of the organizations are a bit nebulous. It would be a good deal of fun to read a book just on Sunny’s training. But Adieu, Warm Sunshine is an entertaining read. It’s a little choppy and starts some threads that get dropped, narratively, although they’re tied up later. Writer design choices that don’t work as well as they could. But overall it’s a fun read. Case’s metier is in her sex scenes, where she exhibits a flair for choosing just the right detail to characterize the budding relationship between her protagonists. She works well on a smaller stage here. Though the overall plot can be explained in a linear paragraph, the book’s most successful parts are the interactions between Sunny and Vash, Sunny and Pamela, and Pamela and her roommate.