Tag Archives: Susannah

An Inclusive Magical Boarding School Story: Basil and Oregano by Melissa Capriglione

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Since reviewing Grand Slam Romance, a heartwarming, sexy, and inspiring graphic novel set in the world of a magical queer softball league, I’ve been searching for another graphic novel to scratch that very specific itch. To my delight, Melissa Capriglione’s Basil and Oregano did just that. Though intended for a slightly younger audience, the book offers a similarly high-stakes competition setting, complete with tireless preparation, hostile rivalries, and underdog determination.

Porta Bella Magiculinary Academy is home to the world’s most gifted magical chefs-in-training, and Basil Eyres is among the school’s star students—because she has to be. If Basil doesn’t maintain the status of “top student” for at least two quarters of her senior year, her tuition reimbursement will be denied. Determined not to disappoint herself and her supportive dads, Basil toils away at her schoolwork, sometimes at the cost of hanging with her best friends, with whom she originally bonded because of their shared financial woes (those magic culinary schools aren’t cheap!). Basil is so laser-focused that nothing can distract her… until a cute transfer student, Arabella Oregano, walks into her life. Arabella seems to have it all—money, fame, looks—but it turns out Arabella is hiding some secrets of her own.

According to the author, Basil and Oregano is “a book about finding the true source of your passion and nurturing that which brings us joy.” This rings true, as Basil and her friends exude enthusiasm and curiosity about cooking, the passion that binds them. Instead of giggling about boys, they’re busy brainstorming recipes and raving about a delicious slice of cake. In fact, cishet boys are seemingly absent from this book. Something I love about both Grand Slam Romance and Basil and Oregano is that the authors have taken queer artistic license to fill their stories with queer, nonbinary, and trans characters, without those being controversial markers of their identities.

This book conjures a lot of the cozy feelings that we wish (ahem!) all magical boarding school novels could evoke. From the cathedral-like dining hall to the sun-drenched dorm rooms to the quirky professors, the pages just ooze magical charm. And don’t let the cover’s muted hues fool you—the book bursts with a huge range of colors, big poofs of magic, and delectable food illustrations. As fun and easy as it is to read, Basil and Oregano also explores themes of belonging, class, even mental health and burnout, concepts that I wish I had been introduced to as a teen.

Magical Girls and Sports Gays: Grand Slam Romance by Ollie Hicks and Emma Oosterhaus

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For those of you mourning the cancellation of Amazon’s adaptation of A League of Their Own, I offer you an antidote. Grand Slam Romance, which follows the star players of a semi-professional women’s softball league, simultaneously serves romance, sports rivalry, horny locker room encounters, queer community, and a touch of magic. The debut graphic novel from comic creators (and spouses) Ollie Hicks and Emma Oosterhaus, Grand Slam Romance is the first in a planned series, its second installment coming in May 2024. Fun fact: the book originated from a 19-page comic that the couple collaborated on for fun a few months into dating.

Grand Slam Romance centers Mickey Monsoon, pitcher and MVP of the Bell City Broads (BCBs), who are gearing up to dominate the season and take the trophy at the Statewide Softball Tournament. But when Astra Maxima mysteriously shows up to catch for rival team the Gaiety Gals, Mickey knows the BCBs are in danger of losing everything. Not only does Astra have the magical ability to obliterate every team she encounters, she was also best friends (and maybe more) with Mickey before being sent off to a secret softball school in Switzerland as a teenager. Mickey will do almost anything to wreak vengeance for their broken heart, even if it means losing sight of themself and betraying their team.

Though I wouldn’t classify this book as purely sci-fi or fantasy, everything about Grand Slam Romance is a little over the top in a way that elevates the book from your average sports underdog story to a thrillingly queer, action-packed spectacle. For starters, every player on every team is coded queer if not explicitly labeled as such. I can think of only one cishet man who offers any dialogue, and he’s not the coach! Sex scenes materialize at the drop of a hat and escalate quickly. Then there’s the magic, which bestows Astra Maxima and fellow “magical girl” Wolfgang Konigin with supernatural speed, batting prowess, and sex appeal. Both magical girls glow with a visible aura: Astra has luminous pink hair, while Wolfgang generates a force field around her head when she hops on her motorcycle.

Despite these campy elements, though, the authors demonstrate a perfect amount of restraint, making the book approachable to even the most casual graphic novel reader. The illustrations are vibrant but not cartoonish (somewhere between Alison Bechdel and Raina Telgemeier), and are filled with quotidian details that anchor the story in real contemporary life. I had the urge to read this book quickly because there is so much motion on each page, but if you let your eye slow down you’ll notice thoughtful touches in every frame: side conversations, facial expressions, tossed-aside props. It is unsurprising that Grand Slam Romance was published by Surely Books, an imprint curated by Mariko Tamaki, whose books excel at attention to detail and emotional expression.

Read if: 

  • You wish Ted Lasso had more queer content.
  • You identify as a sports gay.
  • You’re looking for a read-alike to Archie Bongiovanni’s Mimosa, also published by Surely Books.

GBBO, but Sapphic and Bangladeshi: The Dos and Donuts of Love by Adiba Jaigirdar

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Adiba Jaigirdar, author of The Henna Wars and Hani and Ishu’s Guide to Fake Dating, has become known for her compulsively readable teen romances centering queer Bangladeshi-Irish characters. Her newest novel, The Dos and Donuts of Love, tackles fatphobia, racism, and familial expectations, this time on the set of a nationally televised baking competition. 

Seventeen-year-old Shireen Malik is at a low point heading into summer vacation. Her best (and only Bangladeshi) friend Fatima is spending most of summer vacation visiting family in Bangladesh, and Shireen is recovering from a recent breakup. Between shifts at her parents’ struggling donut shop You Drive Me Glazy, Shireen barely leaves her bedroom, marathon-watching Great British Bake Off, FaceTiming with Fatima, and obsessively checking her email for news from Junior Irish Baking Show. 

When Shireen receives a congratulatory email inviting her to be on the show, she feels like she has no one to celebrate with—her parents seem wary of the pressures of reality TV, Fatima is in a different time zone, and her ex is out of the picture. But Shireen is determined to prove herself as Ireland’s most talented young baker, and to represent her South Asian identity amid a mostly white pool of competitors. 

But when Shireen shows up to the first filming, she finds herself face to face with her ex Chris Huang. Chris is not just her ex, but also the daughter of her family’s rival donut shop owners. Shireen has to navigate the next few months of high-pressure competition confronting the hostile feelings from her recent breakup, and to complicate matters, she has developed feelings for Niamh, another charismatic contestant on the show.

I’ll be honest—I typically do not go for the increasingly popular baking/romance genre. But as a recent (and very late to the game) fan of Great British Bake Off, I was sucked right into this baking competition setting, the coziness and high stakes of which Jaigirdar very realistically brings to life. Shireen is a tenacious, lovable, fat-positive main character who, despite her self-confidence, falls prey to the toxic culture of reality TV fame and to the overwhelming feelings of teenage romance. Jaigirdar does a flawless job of balancing interpersonal drama with the more sobering issues of body standards and anti-Asian rhetoric thrown at Shireen and Chris as they progress through the competition. I look forward to working my way back through Jaigirdar’s previous books, which I suspect are equally fun, thoughtful, and heartwarming. 

A Workplace Romance at a Lesbian Magazine: Just As You Are by Camille Kellogg

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In Camille Kellogg’s debut romance, Just As You Are, a workplace clash turns into a workplace crush.

Nether Fields, a long-running queer women’s online magazine, is on the verge of shutting down as Liz and her Nether Fields coworkers gather to mourn its passing. But when two wealthy lesbians swoop in to save the publication, these staff writers and close friends are given a second chance to uphold the magazine’s values. What Liz hasn’t told anyone is that she’s getting tired of being Nether Fields’ resident sex and relationship columnist, spending every day writing butt plug reviews and clickbait personality quizzes. She has bigger aspirations: to launch an independent writing career and publish her first novel.

But that dream gets squashed as Liz gets pulled back into the orbit of the Nether Fields culture, and into the thrall of one of its hot new owners, Daria. Daria militantly audits the magazine’s business practices, slashing budgets in an attempt to pull Nether Fields out of the red while alienating staff with her no-nonsense approach. Liz is equally repelled by and attracted to Daria’s intensity, unable to deny the allure of her confidence and androgynous fashion sense.

What starts as an antagonistic relationship (Daria basically calls Liz’s articles puerile fluff) slowly develops into something more nuanced. When the two share a car from New York to Boston for a work assignment, Liz starts to see beneath Daria’s business-like exterior. Daria provides a window into her strained relationship with her conservative, hard-to-please family. Liz confides in Daria about her writing dreams and her ongoing struggle to feel confident in her skin. It almost feels like they each accept the other person just as they are, as the book’s title suggests. But every time Daria seems to open up, she subsequently pulls away from Liz. Will their clashing personalities and workplace politics get in the way of a deeper connection?

What made this Pride and Prejudice inspired enemies-to-lovers story stand out to me was its exploration of Liz’s feelings about her gender and her struggle to express it authentically. Despite being immersed in accepting, queer work and home environments, Liz hasn’t quite hit her stride when it comes to presenting herself to the world, often choosing her wardrobe to conform to her environment on any given day. Typically our romantic heroines have already found their “look,” or fall into a certain bucket of queer identity, so it was refreshing to watch Liz navigate the moving target of her gender expression.

Like Austen, Kellogg explores class dynamics, in this case of a workplace being overhauled by wealthy benefactors. That said, Kellogg could have done more to explore the dynamics of the diverse cast of friends/coworkers that serve as the book’s vibrant backdrop. While Liz, who is white and cisgender, gets embroiled in a situationship with Daria, she simultaneously casts judgment on her coworker and roommate Jane, a Black trans woman, when Jane gets involved with the magazine’s other rich buyer, Bailey. Liz also teases Katie, another roommate and woman of color, for being hung up on an unrequited crush. There is an unacknowledged imbalance in the way Liz moves through the world that I would have preferred not go unchecked.

Read if:

  • You like to lovingly poke fun at queer culture sometimes.
  • You enjoyed The L Word: Generation Q in all its entangled millennial glory.
  • You want to reflect on your gender identity and presentation.

A Wholesome and Messy Queer Romcom: Wild Things by Laura Kay

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Laura Kay could teach a masterclass on the low-key, wholesome, slightly messy queer rom com, as exemplified in her third novel, Wild Things. El is stuck in a rut, both personally and professionally. Still in her dead-end job at a London newspaper, she spends most of the workday making photocopies rather than researching stories, as the job had initially promised. Meanwhile, El’s roommate leaves passive-aggressive notes on the fridge while otherwise disregarding her existence. But worst of all, El harbors a gigantic, unrequited crush on Ray, her best friend of five years and also her coworker.

In an attempt to scoop herself out of said rut, El plots to do one “wild thing” each month for a year. In January, she drinks ten shots of tequila. In February, she gets a butterfly tattoo. In March, El experiments with MDMA. In April, she has a failed threesome. (You get the idea.) But when El, Ray, and their mutual friends Will and Jamie devise a plan to move to a fixer-upper farmhouse in the countryside, El finally begins to feel alive again. The catch: El must regulate her feelings for Ray now that they live (and work) in close proximity 24/7. Will she choose to protect their years-long friendship, or risk it all by spilling her feelings for Ray?

Wild Things is a friends-to-lovers romance, yes, but also a heartwarming exploration of found family. Kay breathes life into the book’s characters, all of whom are flawed and lovable and distinctly themselves. Ray, the effortlessly cool lesbian love interest, is spunky and enters every DIY farmhouse project with infectious enthusiasm. Will is the group’s token straight man, a sensitive soul leaning hard on his friends following a breakup with the woman who was supposed to have escaped to the countryside with him. Jamie is a Thai, biracial gay man who drags his friends to karaoke nights and forges a bond with the commune’s four chickens. It is impossible not to feel the love between this motley crew of friends, who simultaneously lift each other up and call each other out on their bullshit. Even minor characters (El’s queer mentee Rozália, the local townspeople, etc.) feel fully realized and essential to the plot, driving home the notion that family extends far beyond blood relations, that everyone has a place to belong. 

Recommended for fans of droll British humor, readers of In at the Deep End and Queenie, and watchers of Fleabag and Feel Good.

Content warnings: absent/distant parents, cheating (not related to main character)

Susannah reviews Sorry, Bro by Taleen Voskuni

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Taleen Voskuni’s promising sapphic debut packs more than your average meet-cute romance. Sorry, Bro follows an Armenian American woman’s quest to balance familial duty, identity, career aspirations, and, of course, love.

Nareh, a TV journalist in the San Francisco Bay Area, presents a polished persona on Instagram, but lacks self-assurance behind the scenes. She has not fully embraced her bisexuality, which she keeps a secret from her family, nor does she feel like a “real” Armenian with roots to her culture. Nareh’s identity crisis extends to her professional life. Constantly accepting the fluff assignments that her sexist, bigoted boss dumps on her, she holds her own journalistic talent in low esteem.

But when Trevor, her non-Armenian boyfriend of four years, pops the question in a crowded bar amid his tech bro buddies, Nareh has a moment of clarity. She no longer fits the mold that she’s created for herself. With Trevor leaving for a three-week business trip, Nareh asks for some space to reconsider their future.

Her mother has other plans for her. Armed with a spreadsheet of eligible Armenian bachelors, she urges Nareh to attend Explore Armenia, a weeks-long cultural convention that doubles as a singles meetup for Armenian American millennials across the Bay Area. A dutiful daughter, Nareh pep talks herself into showing up at the festivities, but no men strike her fancy, just one woman. 

Nareh can’t look away from Erebuni, a chic, self-possessed woman who also happens to be an Explore Armenia board member with a day job at the Armenian Genocide Education Foundation. Erebuni not only pulls Nareh into her thrall, but also challenges her to investigate her Armenian heritage. Raised in a household where her late father aspired to white American ideals while her mother clung to Armenian culture, Nareh has until now failed to understand the impact of Armenia’s history on her family and the Armenian American community. As Nareh grows closer to Erebuni, she is forced to confront both her ambivalence about her ancestry as well as her bisexuality, which she fears will alienate her from the Armenian family she is just starting to better understand.

Voskuni does a beautiful job developing Nareh’s and Erebuni’s slow-simmering romance, which feels simultaneously familiar and refreshing. I rooted not only for their love, but for Nareh’s growth through the book as she carves a path that both empowers her and brings her closer to her family and greater community. I fell in love with Erebuni’s motley crew of Armenian American friends, who welcome Nareh into their fold and give her a newfound sense of belonging. Readers looking for steamy sex scenes won’t find them here—sex is broadly alluded to but remains Nareh’s and Erebuni’s little secret. But fans of this book will be happy to find that it is the first in a series: Lavash at First Sight hits shelves in 2024.

Content warnings: war, genocide, racism, sexism, homophobia/biphobia, death of a parent

Susannah reviews Helen House by Kayla Kumari Upadhyaya

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Kayla Kumari Upadhyaya came onto my radar via her essays and pop culture criticism on Autostraddle (where she is Managing Editor) and Catapult, among other outlets. Whether reviewing a Netflix mixology competition series or espousing a joint bookshelf system with her girlfriend, each of Kumari’s pieces reads like a fiercely accurate anthropological study of queer culture, but from your funny best friend. So when I learned that she was writing a novelette, I purchased a copy for my library and added my name to the top of the hold list.

Helen House is a curiosity of a book, from its square binding, to its pamphlet-sized length (66 pages), to its sparse Victorian-ish cover design and fever dream illustrations. Billed as a queer ghost story, Helen House begins quietly and unassumingly. The book’s unnamed narrator is preparing to meet her girlfriend Amber’s parents for the first time after a year of dating. The narrator is a graduate student, Amber a librarian. They met on a dating app. On their second date, between bites of clam linguine, the narrator revealed to Amber that her sister Luci had died in a car accident several years earlier, at the age of thirty-two. The narrator confesses (to the reader only) that she’s turned to her hyperactive sex drive as a coping mechanism in the wake of Luci’s death. But, surprising even herself, she stays with Amber, choosing “the safe confines of a committed relationship” over “scouring campus for women to lose [herself] in.”

When, two weeks before their visit to Amber’s parents, Amber reveals that she’d also had a sister, Helen, who died at the age of four, the mood shifts. “There’s something I haven’t told you,” Amber announces, interrupting their makeout session. “My parents are going to talk about it when you see them,” she warns. They proceed with their plans anyway, driving upstate to Amber’s childhood A-frame home, where her parents cheerfully meet them in the driveway. Pam and Arnold are the epitome of normy upper middle class. They serve a wholesome pheasant dinner with red wine. They play cribbage and ask their daughter’s girlfriend about her studies. Their rustic New England home is decorated with lakeside life tchotchkes. “Dinner was normal until it wasn’t,” the narrator foretells.

What follows is a slow-burning progression of odd details and tense dinner table exchanges, all leading to the inevitable reveal of what lies beneath the surface of this seemingly placid family. Surprisingly, the book’s succinctness enhances its suspense—as 66 pages dwindle to 30, 15, 10, it’s hard not to fear what might jump out at you from the next paragraph. Readers will find themselves guessing what the hell is going on in this otherwise familiar-feeling story of modern love, making the eerie bits feel all the more haunting. Recommended for fans of Carmen Maria Machado, Kelly Link, Megan Milks, and Lydia Conklin.

Content warnings: death, grief, trauma, sex addiction

Susannah reviews Mistakes Were Made by Meryl Wilsner

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Mistakes Were Made, Meryl Wilsner’s second f/f romance following 2020’s acclaimed Something to Talk About, is billed as “a sexy rom-com about a college senior who accidentally hooks up with her best friend’s mom.” While I anxiously awaited this book as much as the next reader of queer romances, I admittedly postponed picking it up, afraid that a relationship between a college student and a woman one generation her senior would be too problematic, or too cringe, for me to root for. But Wilsner proved me wrong–this book is funny, nuanced, deeply empathetic, and piping hot.

It’s Family Weekend at Keckley College, but not for senior Cassie Klein, who is effectively estranged from hers. Cassie goes to an off-campus bar to escape the festivities, not to cruise for hookups, but when a statuesque older woman catches her eye from across the room, she can’t resist sending a drink her way. Erin Bennett is not there to cruise for hookups either. A recent divorcee splitting Family Weekend visiting hours with her ex-husband, she is simply killing time in a college town. But when a bold younger woman sends a drink across the bar, she has trouble turning down the opportunity to enjoy her relatively new singlehood. A steamy backseat romp ensues, and the two women part ways–no numbers exchanged and no plans to meet up again.

When Cassie’s best friend Parker invites her to tag along to breakfast with her mom the following morning, Cassie comes face-to-face with Erin–the Erin from the bar last night, the Erin she never intended to see again, the Erin who is also her best friend’s mom.What was meant to be a one-night fling becomes impossible to ignore as Cassie and Parker become closer friends and Cassie’s and Erin’s paths repeatedly cross. 

When Parker surprises Cassie by inviting her home for the holiday break, Cassie can’t say no despite the, um, complication of cohabitating with Erin. Unsurprisingly, she can’t say no to Erin either, who is still as alluring as she was the night they met. Erin and Cassie start to sneak around behind Parker’s back as their fling morphs into something more serious. (A side effect of their sneaking around is a liberal number of very hot sex scenes in a variety of covert locations.) This begs the question: will Cassie and Erin come clean about their secret relationship at the risk of losing the most important people in their lives, or will they end it and live with the heartbreak?

While I scoffed at the likelihood of Cassie so cavalierly hitting on Erin in the opening chapter, Wilsner expertly develops both Cassie’s and Erin’s characters and shines light on their motivations. Cassie is a whip smart, ambitious aeronautic engineering major whose hardscrabble youth has translated to a resilient, confident demeanor. Erin is a highly successful attending physician whose professional badassness is not evinced by her interpersonal skills. A bisexual reentering the dating scene following a suffocating marriage, Erin lacks the self-assuredness to confidently go after what she wants. This sometimes comes across as iciness toward Cassie. Aside from these few moments of emotional withholding, however, the dynamic between the two women feels authentic and relatively balanced. That said, it can’t be ignored that given her age and independent wealth, Erin inherently holds some amount of power over Cassie, a young woman only on the cusp of post-college adulthood.

Surprisingly, the one factor about this book that didn’t sit well with me was not the age-gap trope, but the tokenizing of Cassie’s and Parker’s friend Acacia. Through the course of the book, Acacia, who is the only Black main character we meet, is the sole person who carries the secret of Cassie’s and Erin’s affair. That Acacia has to do the emotional labor of navigating this extremely sensitive situation for an entire academic year feels like an unfair burden to throw on her, and I would be remiss not to mention it.

Ultimately, this is a thought-provoking contemporary romance that challenged some prejudices I carried about age differences in relationships. And that, to me, is the mark of a well-crafted book: to make readers open their minds and hearts to situations and people that make them feel uncomfortable.

Content warnings: alcohol consumption, alcoholic parent (mention), cheating partner (past), divorced parents, misogyny, parental neglect, recreational marijuana use.

Susannah (she/her) is a public librarian and writer based in Cambridge, Massachusetts. She consumes mostly queer literary fiction, with contemporary romance novels as palate cleansers. You can find her on Goodreads at https://www.goodreads.com/ohhsusannah and at https://www.susannahbt.com/