Alexa reviews Rescues and the Rhyssa by T.S. Porter

Rescues and the Rhyssa by T.S. Porter cover

Two occasional lovers with many differences team up to save three kidnapped kids. And then it gets even more complicated.

Sophi is the captain of a smuggler ship with a diverse crew, including two types of aliens, a nonbinary human, and Muslim humans as well, if I understood the cultural clues right. They are quite literally a found family, especially with the reptile-like aliens who accept Sophi into their family as a male based on her role, despite her being a human female. I absolutely LOVED the aliens we’ve seen, and the fact that we had the opportunity to see from their perspective. Both the analoids and the blatta were well-developed, unique and complex species with their own culture that is very different from humans, and seeing Sophi as a human make the effort to take part in that culture and adjust was really interesting. (No spoilers, but there was a scene pretty late in the book that showed the crucial importance of having blattas on your ship and it was amazing. I love blattas.)

And then there’s Cadan. Cadan is big, dangerous, scarred, and she doesn’t exist. She has been turned into a weapon for her King that she is endlessly loyal to: she goes where he tells him too without question. And yet, she’s far from being emotionless. We find out early on that she is actually part of the king’s family: his children are her niblings, the king is like a cousin or even a sibling, and she is devoted to all of them because she loves them. I loved to see Cadan with her blood family just as much as I loved to see Sophi with her found family. Both of these families had unique members and plenty of love and care for each other despite their differences. I also really love the idea of a transgender king where it is only casually mentioned once because otherwise it’s not a big deal to anyone. And I love the kids. Seriously, I love the kids.

And of course, there’s Cadan and Sophi together. They are very different people with different values and different goals, which causes a lot of tension in their relationship. Yet, they love each other. There are plenty of sex scenes in this book, some of which seriously made me blush, but one of my favourite scenes was the completely non-sexual yet intimate bondage scene that Sophi used to relax Cadan. I admit that sometimes I felt like there is too much tension and not enough common ground between them for this to actually work as a romantic relationship as opposed to casual sex, but the ending/epilogue was open enough that I can believe them getting to that point.

If you are looking for a F/F sci-fi story with well-developed aliens, relationship conflicts and family dynamics, this might just be for you. I know that I enjoyed it.

content warnings: kidnapping, violence, explicit sexual scenes

Alexa is a bi ace reviewer who loves books with queer protagonists, especially young adult and fantasy books. E also has a fascination with solarpunk, found families and hopeful futures, and plans to incorporate these in eir own writing. You can find more of eir reviews and bookish talk on WordPress and Twitter @runtimeregan.

The Half-Light Makes for a Clearer View: Genevra Littlejohn reviews On a Sunbeam by Tillie Walden

On a Sunbeam by Tillie Walden

I’m writing this from inside of a curious space. About a week ago I stood up into a cabinet and gave myself a concussion, which I then immediately exacerbated by doing Chinese lion dance in four shows for a local production of The Nutcracker. So my life for a few days was cut harshly between periods of bright light and motion, and periods of sleep. Being awake has felt like one of those dreams where I’m just a little late to everything. Being asleep has felt like falling into a well. And then Winter Storm Diego hit my part of Virginia, and everything, everything stopped. My little house in the woods got fifteen inches of snow over as many hours, and since we’re a quarter of a mile from the closest paved road, gone was every possible excuse for getting up and doing things. In previous winters over the five years I’ve lived here, this is when I would read. I’d cover the available space in the tiny living room with quilts and pillows, hunker down with some snow snacks, and only get up to find another book.

But. Concussion. Trying to sit and read a novel proved…problematic. It’s been dreamlike and odd, the quick-slow jittery passage of time, the way that things don’t seem to stick right in my memory.

And then. Somehow, by chance, I found this lyrical, poetic, beautiful treasure-box of a graphic novel.

There are a lot of things to read in the world. I could do a review here every single day for months on end and not run out of my TBR list. That’s what I’m telling myself, when I’m asking how I never heard about On A Sunbeam until now, even though it started serializing as a webcomic a couple of years ago. Named for a Belle and Sebastian song, On A Sunbeam is set in a future so far from ours that its technology is more or less unrecognizable, though people are still more or less the same. It takes place after human expansion into deep space, and after–like a bacterial bloom dying back from lack of resources–the collapse of civilizations. People traveled so far into the dark that they weren’t able to come home again, and the most distant of them have sat for generations, just barely getting by. Barely daring to hope for rescue, because who would come for them? And there are some old colonies that don’t want any contact with anyone else, like the people of The Staircase, a settlement on the edge of known space mostly mentioned in legends and ghost stories.

But all of that, all of that seems very far away from the protagonist, a young girl named Mia. Her story is split raggedly between two timelines: the one where she’s a student at a boarding school-cum-space colony, and the one a few years later where she works with a team of antiquity restorers/maybe something more to mend abandoned colonies and architecture that has long since fallen into ruin. It’s an interesting juxtaposition; the story is pulled like a rope between this girl with great potential and very few aspirations, stumbling through life, causing trouble, and the older, quieter version of herself who spends her days cleaning up after the consequences of others’ centuries-old mistakes.

The first three quarters of the comic are colored largely in shades of Payne’s Grey and in oranges. I thought at first that this was just a pretty sort of contrast in the minimalist style so popular to indie comics and webcomics these days, but about halfway through, I remembered all at once those distant high school lessons about redshift and the Doppler Effect, how speed and distance turn what you see from red to blue. The past looks different than it really is. The future can’t be seen clearly, even if we think we’re sure what is going to happen. And like the narrative, we’re pulled taut between those two points, looking forward and back but pinned to the inescapable Now.

The line weight and panel structure reminded me a lot of the early days of Hayao Miyazaki’s 1980’s Nausicaa manga. On A Sunbeam has the same sort of dreamlight vagueness to some of its figures and landscapes, a knobbly intricacy to its plants and architecture. Even the edges of the panels waver, mirage-like. Things swim into focus and out as if with the attention of the protagonist, and scenes that in a more action-oriented comic might be very close to the viewer are instead distant and hazy as with memory, as much concerned with the landscape as with the characters living in it. Because you never can clearly remember everything about your first love, can you? Even if you write it down event by event, there are always going to be things that dissolve into the dim red past. You can’t hold tightly enough to ensure that nothing escapes.

The characters have complicated relationships and love each other deeply, but all the same every one of them has stories they don’t tell the others. Every time you describe something, scientists say these days, you’re changing your memory of it. It might be that to preserve something flawlessly, it must never be spoken aloud. Or maybe it’s just about self-protection, because if you like the way she looks at you right now, why damage that fragile connection by showing her the darkest places you’ve had to walk? But, as everything has a flipside, if you don’t share anything, if you’re never truly seen, can you be sure they love you?

This review is not purposefully vague. I could give you a cold recital of events, chapter by chapter, but that would be as lifeless as a sparrow dissection, and this work deserves much better treatment than that. It has a dream’s motion to it, inexorable but winding. There’s nothing extra, nothing that could be cut away, but it doesn’t feel spare or thin. The world is never explained with any clarity (why do the spaceships all look like koi, and how do they travel so quickly? Why isn’t there a single male character? What’s the political power structure of the human universe?) and simultaneously, it’s not necessary. This is a love story, and a story about finding family in unexpected places, and it’s enough to know that all the science and history exists at all in the world. We don’t need to see it, because it’s not what we’re focusing on.

As I read, I kept being reminded of a sonnet I memorized a decade ago, Against Entropy by Mike Ford. There’s a bit in it that goes:

The universe winds down. That’s how it’s made.
But memory is everything to lose;
although some of the colors have to fade,
do not believe you’ll get the chance to choose.

There are things we get to choose, and things we don’t. We get to choose how to respond to a given situation; we don’t get to choose how others will respond. We don’t get to choose the consequences for the things we do. We don’t get to choose to make the world hold still until we’re good and ready to move forward. We don’t get to choose what we remember, and what our minds leave behind. Mia, exhausted, says “Sometimes I just wish…everything would slow down…I fuck things up, or everything turns sour, and it just rushes by me. And I’ll take a second to catch my breath… But by then it’s too late. Everything… everything is gone.” She’s young, and she’s still learning what should be held on to, and what should be let go. She is constantly deciding between wakefulness and sleep, between flying and falling. But this deftly-crafted story isn’t going to let her, or the reader, hit the ground too hard.

Final rating: Five out of five stars. I’m buying multiple copies to give as Christmas presents, because this is the most enjoyable graphic novel I’ve read all year.

CONTENT WARNINGS (spoilers!):

There is no sexual violence in this work. There is no parental abuse in this work. There is no partner-to-partner domestic abuse in this book (there are a couple of arguments, but they are not abusive, just snarly). There is no male-against-female violence in this book.
Some school bullying, both physical and emotional, but not extreme.
Death of a mentor.
Automobile accident (non-lethal).
PG-13 bloody violence (less than a video game, but against a protagonist).
Attempted lynching (unsuccessful).

Danika reviews An Absolutely Remarkable Thing by Hank Green

An Absolutely Remarkable Thing by Hank Green

About three years ago, I saw a post on tumblr from Hank Green, which read: “Remember when I said I was writing a story about a bisexual girl and a robot?” I was, of course, immediately intrigued. I’ve been following the Vlogbrothers for many years, and I’ve read almost all of John Green’s books (though they aren’t favourites of mine). I would already be interested in a book from Hank Green, but of course it having a bisexual girl main character really upped it. By the time An Absolutely Remarkable Thing came out, I had heard lots of excitement around the book, but nothing else about the queer content. Did it get written out? Did I only imagine that tumblr post?? I then began my usual research when I stumble on a book that maybe-possibly has queer women content. I’ll save you the Goodreads scrolling and assure you: yes, this book has a bisexual woman main character, and it’s not even a one-off line. Her relationship with another woman forms–I would argue–the emotional centre of the book, and frankly, it’s a little irritating that it took so much searching to confirm this.

On to the book itself! I listened to the audiobook, and I would highly recommend that process. The narrator was great. Before I say anything else, you should know that this is not a standalone book. I believe it will be a duology, but it’s definitely not the only book in this story (I wish I had known that before I reached the ending!)

If you’re a fan of Hank Green and Vlogbrothers, I would definitely say that this is worth picking up. Despite being a story about first contact and robots and a bisexual woman’s complicated relationship with her roommate/girlfriend, Hank’s voice really comes through. It’s a thoughtful book that has a lot to say about fame–internet fame in particular. April finds herself suddenly famous, and she leans into this. She makes herself a brand and has a media presence strategy. She becomes more and more invested in having her voice her, and trying to sway the general conversation. As that process continued, I became more and more uncomfortable, but never ever to say exactly where she might have crossed the line.

But if you are reading this review, you’re probably more interested about the representation. There is, understandably, some suspicion when a man is writing a queer woman character. Hank speaks to this in another tumblr post, which I recommend checking out if you have questions. I won’t deny that I went in with a more critical eye than I would from an #ownvoices author, but I don’t have any big objections to the representation.

[mild spoilers] There was a moment where I raised an eyebrow: April’s agent asks if there’s anything else they should know, anything that might come up… something that may be controversial, or secret… and April does not even think about bringing up her sexuality. When she is directly asked, she is open about it, but she doesn’t think of this as something that her agent might have to consider, which I personally felt would be pretty obvious for a queer woman.

After that, though, her agent asked: couldn’t you just be gay? You dated men, but you were gay all along? It would be easier. That seemed accurate to me. April says, “It was easier for her to sell a quirky lesbian than a quirky bi girl, so I was a quirky lesbian for her.” [end spoilers]

As for April herself, she is definitely a complicated character. She is deeply flawed, and although she acknowledges this, she’s not very apologetic about it. She can be ruthless in pursuing her goals, and callous when it comes from other people. She is insecure and pushes people away. She denies her own feelings. She is selfish and reckless. But she also has good intentions, and she feels so real and relatable. Her flaws feel personal, and her bad decisions are understandable, if not defensible. If you don’t like “unlikable” characters, you probably won’t like her. Personally, I kind of loved her.

[spoilers] The romantic relationship here is… painful. April is not a good girlfriend, though she is clearly in love. I really like her girlfriend, and I hope that April improves herself in the next book enough to be able to have a more stable and mutual relationship with her, because right now, she doesn’t seem capable of a healthy romantic relationship. [end spoilers]

I really enjoyed this! It gave me a lot to think about. Although I liked the audiobook narration, I feel like I want to reread this in a physical format just to have some time to process and think about the issues that it brings up. I’m looking forward to the next one!

Mars reviews Ascension: A Tangled Axon Novel by Jaqueline Koyanagi

Ascension by Jacqueline Koyanagi cover

Please be aware that although I’ve tried to keep it minimal, this review contains spoilers.

Alana Quick is one of the best starship surgeons the non-gentrified City of Heliodor has to offer, or she would be if only someone gave her the chance to prove herself on a real starship. Unhappily trapped in the dusty chop shop she shares with her Aunt Lai on the planet Orpim, and bankrolled by her wealthy spirit guide sister, Alana and Aunt Lai struggle to make ends meet by working on whatever ship rolls their way. The two are desperate to afford the medication that keeps the worst symptoms of their shared condition, Mel’s Disorder, at bay, even to the degree that Aunt Lai would take extra hours working a call center job for the shady Transliminal Solutions, an “outsider” business whose mysterious, advanced technology has wiped out the local ship economy. Though she loves her aunt, Alana can’t shake her thoughts of escaping into the Big Quiet, and is consumed by her dream of making it off-world.

I can’t really get more into it without spoiling some awesome twists and turns, but suffice to say that Alana doesn’t stay grounded for long. One thing I can definitively say is that Ascension is a standout amongst its peers. Compelling characters meets space opera meets a uniquely metaphysical marriage of technology and astro-spiritualism. Our main protagonist breaks the mold as a queer, disabled woman of color. Breaks the mold in a genre sense, I mean, because Koyanagi gives us a lovable and diverse cast of characters to connect with, and Alana is only one of several significant characters who is affected by a disability, although none of them are defined by it.

This book hits the mark in so many ways, so I’ll try to give an overview of those to the searching reader. Non-traditional families abound here, including a rare accurate and healthy look at a functioning polyamorous relationship. Alana’s deep and true love for starship engines has spoiled many a human relationship for her. She suffers from the same condition that my favorite Law & Order: SVU detectives do – namely that she is married to her work. She will always, always choose the rush and thrill she gets from starships, for which she has not only a passion but a deep spiritual connection. Alana is burdened with the idea that traditional romance is over for her. Or so she thinks.

Also noteworthy is the exploration and growth of the sibling relationship between Alana and her sister Nova. There are few bonds in media that I feel are as underexplored as the one between siblings. Siblings can be complicated – they can be the greatest of allies or the greatest of enemies, or both at the same time – and the potential for such complexity and nuance is a device that is slowly gaining more traction among writers and media makers. Complex and contradictory is certainly a way to understand the Quick sisters.

A few things I should mention: there are super meta breakdowns of reality and conceptual universe-hopping at some point, so please be aware if that is going to be an existential red flag. There are descriptions of the painful physical symptoms Alana experiences with her Mel’s Disorder, dissociative experiences from another character, and descriptions of violence which are not gratuitous but may also be uncomfortable for certain readers.

Overall, I would highly recommend this book for anyone drawn to intergalactic adventures. As a sci-fi lover who is more than aware of how patriarchal and sexist traditional science fiction can be, I am very comfortable describing this book as not like that. If you enjoy this book, I would recommend Becky Chambers’ The Long Way to a Small, Angry Planet as a similarly sweeping, queer space opera.

Quinn Jean reviews The Apocalypse of Elena Mendoza by Shaun David Hutchinson

The Apocalypse of Elena Mendoza by Shaun David Hutchinson cover

[Please note: this novel contains occasional depictions of violence and this review mentions these in the first and final paragraphs]

Like its eponymous heroine, The Apocalypse of Elena Mendoza defies categorisation. Hutchinson’s novel never doubts the reader’s intelligence and jumps right into the centre of events at the start. Elena Mendoza is introduced as a sixteen-year-old bisexual Latina woman working at a Starbucks in a small town in Florida, who witnesses a teenage boy shoot her long-time crush and abruptly learns she has the power to heal people. The crush is a blue-haired artist called Freddie who unwittingly becomes part of Elena’s journey along with Elena’s best friend Fadil, a kind and thoughtful Muslim boy. Everyone who is exposed to the mystery of Elena’s healing ability offers her opinions on how to solve the puzzle and who to help with her power, while Elena is most concerned with keeping her loved ones safe and not hurting anybody, while also trying to figure out if Freddie maybe likes her too now. A side note to all these extreme events taking place early in the story is that Elena was the product of a virgin birth when her mother was a teenager, with science proving Elena was a statistical anomaly and was conceived through parthenogenesis. Elena has been bullied and stigmatised her entire life as a result of her famous history, which all leads her to question whether these otherworldly occurrences are miracles, science, coincidence, or something else entirely.

A novel with plot points this complex even just at the beginning of the narrative is bound to deal with countless themes, and Elena Mendoza does not disappoint there. The book trusts the reader to have the patience and focus to follow the various characters and story points and at various times Elena’s first-person narrations discusses the significance of religion, science, and ethics in the matters at hand. A big part of Elena’s growing bond with Freddie is the two of them debating and exploring different understandings of why Elena can heal and when and whether she should be healing people. There are times when the book comes off a bit patronizing, with Elena’s self-righteous rants about how to be a good person and treat other people fairly, but this could arguably just be intended as the character’s perspective rather than the author’s.

And despite the Big Idea monologues sometimes verging on being sanctimonious, for the most part Elena is a compelling, likeable and relatable main character who more than deserves her own young adult novel to lead. Elena herself points out that if her powers are God-given, she is an unexpected vessel as a queer woman of colour; the same is unfortunately true of YA protagonists. Similarly, the religious, big-hearted and open-minded Fadil is a wonderful foil to Elena’s sometimes pessimistic, doubtful and misanthropic tendencies. Their loving interfaith, interracial friendship as it is portrayed in the novel is as refreshing as it is rare.

Elena’s bisexuality and interest in Freddie is an important and key element of the story, without reducing either character to the role of pursuer or love-interest. The often prickly and inconsistent interactions the two girls have as a result of extreme circumstances are not romantic in any traditional sense. The way Freddie and Elena are forced to confront their preconceived ideas of the other and listen to uncomfortable truths explodes old notions of how intimacy and love are formed, and the novel and their bond are both better for it.

This novel is not exclusively young adult, or fantasy, or a queer love story, or a meditation on how to be a good person. It is all of those things and a lot more, all crammed into a relatively small amount of pages. Do note that the novel contains brief references to domestic violence and racism as well as the aforementioned gun violence. Ultimately aside from the odd preachy moment, the book is an excellent piece of writing, exploring important themes through engaging with very likeable and relatable characters.

Danika reviews The Swan Riders by Erin Bow

The Swan Riders by Erin Bow coverAfter hearing only good things about the Scorpion Rules duology, I was eager to pick it up. Unfortunately, I read the first book during a readathon, and reading a crushing dystopian story about war and brutality was not the best choice to read all in one sitting. It was darker than I was expecting, so I wasn’t emotionally prepared for it. I was, though, interested in the ideas introduced in the book. So I took a few months break before I picked up the second book in the series, The Swan Riders, in the hopes that I would be more prepared this time.

I spend most of my time reading this book thinking This is the reading rule you seem to re-learn over and over: just because people say a book is great, doesn’t mean you, personally, will love it. I have long since realized that it doesn’t matter how high calibre the quality of a book is if it doesn’t immediately appeal to me. Still, I continued with the sequel, because I had heard it was an improvement from the last book. Perhaps I was less connected to the characters because of the break that I took between books, but I was having trouble pushing through.

I have, historically, been a fan of dystopian novels, but this one I found hard to deal with. It’s just so straightforward about the suffering experienced. The pain. The first book includes a detailed scene of torture that nauseated me. The second book describes the slow deaths of several characters, all involving increasingly close together seizures. While the first book has some semblance of an us vs. them clarity, Greta spends most of her time in The Swan Riders alongside the villain of the previous book.

By the end of the narrative, I had come around. The strength of this story is in its ideas, especially (for me) its exploration of personal identity and humanity. [spoilers for first book:] Greta is an AI now, and she begins to drift away from her humanity and empathy, assisted by Talis’s intervention. [end spoilers] It takes this idea, of an AI enforcing global peace, and shows how tangled it is. How can global peace be achieved? Can it? And what amount of sacrifice is worth it? Clearly, Talis’s strategy is not defended by Greta or the narrative, but there’s also not a tidy alternative.

As for the queer content, there is definitely no central romantic story here. In fact, Greta does not interact with Xie for the whole novel. But her presence is there, nonetheless. She is Greta’s tie to humanity, to retaining her true self. She is a memory that Greta clings to. She is, in some ways, the home that Greta spends each step of her journey longing to return to. So although she isn’t a central character, she is a very important one.

For all my ups and downs with this duology, I would still recommend it, but with some caveats: this is not a queer Canadian princess fantasy-esque story that the blurb had me prepared for. This is a dystopia that is focused on war and its casualties. It is thought-provoking, but brutal.

Shira Glassman Recommends F/F Sci Fi You Can Buy Outside of Amazon

A few weeks ago, I wrote a post full of links to f/f fantasy books I personally recommend, populated with buy links other than Amazon for any of you who don’t want to stop there or at least looking at cutting back on spending money there. I’d like to do another post like that, this time with some of my f/f science fiction recommendations. If you don’t see your favorite book on here, it might be that I haven’t personally read it, but it might also mean I couldn’t find a non-Amazon link for it. And happy endings only, of course. This is, after all, a Shira Glassman recs post!

First of all, you have to have anticipated that a post like this would start with a recommendation for Not Your Sidekick by CB Lee. This YA starring a bi Chinese/Vietnamese-American girl, written by same, kicks off a fun romp of a trilogy starring qpoc teen superheroes. The main character’s parents are superheroes, as is her older sister, but her powers haven’t kicked in yet. What if they never come? So in a fit of teenage pique she decides to start interning for the villain. Turns out things are a little more upside down than she anticipated. This is a good series for people who have been binging superhero fanfiction and people who want big happy queer friend groups instead of just romance.

Next, a wonderful, sweet piece about an outmoded android and a repair tech: The Cybernetic Tea Shop by Meredith Katz. The android woman still carries with her vast grief from missing her original human, and the path given to her by the plot is a metaphor for healing and vulnerability that really resonated with me.

You can read this one for free: “Né łe!” by Darcie Little Badger. Originally printed in Love Beyond Body, Space, and Time, a LGBTQ+ Native anthology, this is a romance between two Native women 1. in space 2. surrounded by 41 puppies. If that isn’t a heck of a selling point, I’m just going to go back to bed.

Ascension by Jacqueline Koyanagi is about disabled queer women in space fighting Big Pharma. The sci-fi plot takes you everywhere from space opera to multiverse theory, and the romantic plot resolves in several layers of overlapping polyamory. TW for some fridged family members, and for the description of how one of the women lost a limb.

Chameleon Moon by RoAnna Sylver takes us to Parole, a city the US government trapped under quarantine to control the population’s mutant powers. Evelyn Calliope is a trans woman with sonic powers, in a f/f/f triad with a woman with plant powers and a woman with mech powers (they also have a son, and, if I remember correctly, a robot dog?) Together with Anxious Lizard Man Regan and some other characters they try to find hope, water, and other resources in the dystopian mess. RoAnna’s writing is full of positivity and cheerleading.

Medic to the Hive Mind by Kayla Bashe coverWhat is a connection? What is trust? In Medic to the Hivemind, Kayla Bashe plays with some classic questions of both the romance and science fiction genres. A woman stranded in space is comforted by another woman over the Space Internet, without knowing much about her. Hard to describe without spoilers. Also, Jewish lead/author.

Amazingly, “f/f romance set in an arts school in outer space” is becoming its own subgenre somehow! First, I’ll recommend Sparks Fly by Llinos Cathryn Thomas, set in a dance school on a space colony, involving a kind of dancing that uses zero-gravity and floating pods. One of the heroines has been working at the school for years and thought she’d have the headmistress spot to herself eventually, but it turns out she has to share the top spot with an injured dance star taking some time to recover. It’s sort of rivals to friends to lovers, but more awkward than really rivals. Secondly, Flowers of Luna by Jennifer Linsky, starring a biracial Japanese girl written by same, takes place at fashion design college on the moon. A new student meets a cute girl who’s sort of sexually adventurous (she often goes out in public without underwear, for example.) This one has a very ‘New Adult’ feel as well as many details of the main character’s fashion career.

The Abyss Surrounds Us by Emily Skrutskie coverThe Abyss Surrounds Us by Emily Skrutskie is a futuristic dystopian adventure story in which a group of pirates, led by a vicious yet appealing woman captain, want control over a sea monster. The f/f is between a girl who’s been with the pirates for a while to support her family and the main character, who winds up with them initially against her will as part of their sea monster acquisition scheme. If teenage lesbians and a gigantic turtle are your jam, this is your book. TW for one of the pirate boys dying in a horrifying way. There’s a sequel I haven’t read yet. Side notes that this book is more likely to be in your local library without you having to request it than most of these others, and it also won’t out you to your parents or coworkers.

The Long Way To A Small Angry Planet by Becky Chambers is a mostly feel-good, episodic series of related adventures with one of those “the spaceship’s crew is like a family” setups. The f/f romance is only one of the side plots but does involve the main character. This is a book that has a lot of wonderfully neat alien species including polyamorous reptilians that have giant cuddle parties. Warning that you may want to read some reviews because there’s a disability related side plot unrelated to the f/f that some people found hurtful (I actually prefer the sequel, but it doesn’t have any romance and is more of a spinoff involving two minor side characters in Long Way.)

Cinnamon Blade by Shira Glassman coverThose are my offerings today! If you want to check out my own writing, the closest I’ve gotten to science fiction are either the short story “Aviva and the Aliens” in Tales from Perach, about how the queen’s girlfriend outsmarts the aliens who kidnap her in hopes that her cooking will be better than their spaceship’s replicator, or my brand-new superhero romance Cinnamon Blade: Knife in Shining Armor, in which an ex-thief who’s now the hero’s sidekick decides to finally ask out the damsel in distress she’s rescued several times. Can they ever have a normal date or are there too many monsters of the week?

Susan reviews Space Battle Lunchtime by Natalie Reiss

Space Battle Lunchtime is a two-volume graphic novel by Natalie Reiss, about Peony, a baker who accidentally ends up being an emergency replacement for a cooking show… In space?! Cue sabotage, drama, rival shows with distinctly more cannibalism, and trying to work space ovens.

This is super charming and funny. Peony is both competent and confident in her baking skills, and I loved getting to see her do well even though she was in completely unfamiliar territory. I was so invested in her doing well, which meant that the first couple of issues where she was floundering while surrounded people who just assumed she knew what was going on were very frustrating for me. I know, I know, it’s a trope, but it’s a trope that I hate. But “winning over the cast and crew so they help you” is also a trope and I was so happy to see it here, especially because of the way that the relationships build. Peony is so nice and so confident and just wants to beat everyone fair and square, yay! The way that her relationship with Neptunia comes together works perfectly with that – there’s awkwardness and rivalry and Peony putting her foot down to make sure they can work together, but also sweetness and daring rescues and both of them being supportive of each other and each other’s feelings!

The art is really, really cute and bright and colourful, and the designs of all of the aliens are distinctive and interesting. I especially love the way the Natalie Reiss contrasts appearances and personalities (such as the cute magical girl fox, who is sure a character), and the way that it introduces background details that further the plot and the world building, I thought that was really clever and well-handled. (… I’m sure it’s fine that Cannibal Coliseum, the rival cooking show where contestants literally cook and eat each other, keeps showing up in the background. That’s probably not relevant.)

But of course, what is a cooking comic if there isn’t rampant sabotage, and the ways that the sabotage is revealed is really cool. The reactions especially are great and fun, and the way that Peony and Neptunia deal with the end of the story is great. It was cool and believable and I enjoyed it. … Although I got to the epilogue stories and was suddenly REALLY CONCERNED for the side characters! My only real complaint is that the first volume ends on a massive cliffhanger, so it is worth getting both volumes together if you’re going to get them!

I really genuinely enjoyed this. It’s cute, it’s funny, and seeing Peony rising to her challenges is great. If you like cooking shows, bright and happy graphic novels, and/or ridiculous space drama, this is absolutely your thing.

Susan is a library assistant who uses her insider access to keep her shelves and to-read list permanently overflowing. She can usually be found writing for Hugo-winning media blog Lady Business or bringing the tweets and shouting on twitter.

Megan G reviews Cinnamon Blade: Knife in Shining Armour by Shira Glassman

Cinnamon Blade keeps having to rescue Soledad Castillo, and with each rescue her attraction to the woman grows. Once she finally finds an appropriate setting to ask her out, things start to get crazy. Or, really, crazier.

As soon as I saw that Cinnamon Blade: Knife in Shining Armor was a sort-of follow up to Knit One, Girl Two, I knew I had to read it. Although it’s not really a sequel, “Cinnamon Blade” is set within the fake fandom discussed in Knit One, Girl Two, and is an absolute delight! An interracial wlw relationship between a bisexual Jewish superhero, and her latinx questioning damsel-in-distress? What more could you want?

One thing Shira Glassman is amazing at is casually including deep, feminist social commentaries in her works without making it seem preachy. The characters are simply having a conversation, and it comes up naturally and honestly. It’s so refreshing to see things like antisemitism and biphobia discussed so casually. It never feels forced, just part of every day life. Which it is! Somehow, she manages to create incredibly realistic situations within a supernatural, completely unrealistic world (where attacks by aliens and vampires? Are a regular occurrence).

Cinnamon Blade and Soledad Castillo have a wonderful relationship. Cinnamon is completely aware of the power imbalance inherent in their relationship and works hard to make things feel equal between them. She refuses to ask Soledad out after she rescues her, feeling it would be placing the woman in an unfair position. Once she manages to ask her out in a neutral environment, she continues to foster an equal relationship between them, making it clear that she does not want Soledad to ever feel that she “owes” her anything.

Also, this is one of the few stories I’ve read that include two women in a relationship openly talking about their sexual desires and fantasies. Both Cinnamon Blade and Soledad are unabashedly sexually attracted to each other, and their honest discussion about it leads to several scorching sex scenes, made all the hotter by their communication.

A couple of warnings for this story: there is a small moment of mild sexual harassment by a male character who never resurfaces. There is also a little bit of violence, and some gore, all typical of the sci-fi superhero setting. Also, as I already mentioned, there are explicit (hot, hot, hot) sex scenes sprinkled throughout the story, so if graphic sexual content isn’t your thing, this may not be the book for you.

Overall, Cinnamon Blade is a fun and sexy adventure, full of open and honest discussion, and a couple that will have you itching for more. A must-read.

Alexa reviews Tone of Voice by Kaia Sønderby

“Things on the inside get easy to see,” Xandri murmured, snuggling contentedly between us, “when you’re always on the outside.”

Back in March, I finally read Failure to Communicate, a book that was recommended to me as #ownvoices autistic representation by an indie author. I wasn’t aware before reading the book that other than being autistic, the main character, Xandri, is also bisexual and possibly polyamorous, with one male (Diver) and one female (Kiri) potential LI in the first book. The series also deals with some heavy issues, such as ableism in society, and parental abuse in the main character’s backstory.

I adored the characters and the worldbuilding of Failure to Communicate so much that I immediately rushed to pick up its prequel, Testing Pandora, which takes place a few years earlier. So, obviously, when the second book in the series, Tone of Voice, came out earlier this month, I had to pick it up immediately.

A quick, mostly spoiler-free recap of the first book for those who are not familiar with the series: Xandri is a member of a xeno-liasons team on a spaceship called Carpathia, a ship responsible for several successful first contacts with many alien species. Since Xandri is autistic, she had to learn many social clues that came naturally to allistic people, and this constant attention to body language and such actually makes her the best at reading and contacting with new alien species. In the first book, Xandri negotiated an alliance with a notoriously xenophobic species, the Anmerilli, but due to some circumstances she was (frankly, unfairly) forced to leave the Carpathia. The second book picks up a few months later.

Tone of Voice starts with a quick guide to the various alien species present in the books, which was a pretty useful refresher. The species we get to know closely in this book are the Hands and Voices–a symbiotic species where one whale-like alien (a Voice) lives together with several octopus-like creatures (the Hands), which is, of course, a huge oversimplification. I absolutely love the way Kaia handles alien species in these books. While they are usually compared to some Earth animal or concept so that people can more easily imagine them, the alien species are all distinct. What’s more, even within the species there is diversity, different sub-species, and different groups or cultures.

It was great to return to Xandri’s mind and narration. She remains a complex and wonderful protagonist, with quirks and flaws and impulsive decisions, but many more lovable qualities. Xandri is a pacifist at heart: despite not always understanding them, she loves people and she loves all alien species, and she doesn’t want to kill anyone. She feels sorry for those who die, even if it happens in self-defense. And yet, I loved how it was addressed that violence is sometimes necessary, and that violence from oppressors and violence from the oppressed groups defending themselves will never be equally bad: “For once, the voice at the back of my mind had all the sense. If their worst nightmare is the people they want to oppress and kill fighting back against them, then they are the ones with the problem.”

A big change this book brought was the multiple POVs. While the first book was entirely from Xandri’s point of view, in Tone of Voice, the narration kept switching between Xandri and her best friend and love interest, Diver. This was great for several reasons, one of them being that it allowed the reader to see the events happening in two places at once – which was pretty useful when there was a lot happening. I felt like the stakes were raised much higher in this book: as we can already see in the blurb, Tone of Voice has two armies with clashing with each other instead in the second half instead of small groups fighting like last time. That also means several deaths in the side cast that sometimes caught me off guard, but it also meant many, many tense moments where I was eager to keep on reading and see what happens.

There is little time for romance when you are trying to first negotiate with an unknown alien species, and later fighting a war to protect their planet from anti-alien racists, which means that Xandri’s romantic relationships progress pretty slowly, but they’re still there. In the first book, Xandri had a clear interest in both Diver and Kiri, and it was stated that Kiri was polyamorous and preferred triads. In this second book, I still believe that a triad between the three of them is where the series is heading, but while there is still a significant focus on Xandri’s relationship with Diver, I often found myself wishing we’d see much more of Kiri.

This book also introduced a nonbinary side character with vi/vir/virself pronouns. I am always happy to see more nonbinary characters, especially once that use “unusual” pronouns, so Jae was a nice surprise.

There is no info about the third book yet, but there’s a lot to look forward to. The ending of Tone of Voice gives the reader some clues on what the main plot is going to be, and I’m also curious if we find out more about Xandri’s past.

Rating: 4 stars

Alexa is a bi ace reviewer who loves books with queer protagonists, especially young adult and fantasy books. E also has a fascination with solarpunk, found families and hopeful futures, and plans to incorporate these in eir own writing. You can find more of eir reviews and bookish talk on WordPress and Twitter @greywardenblue.