Tag Archives: romantic comedy

A Muffin Baking- and Hijinx-Filled Romantic Comedy: Vengeance Planning for Amateurs by Lee Winter

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Vengeance Planning for Amateurs by Lee Winter was published February 2024 and is Lee’s first intentional romantic comedy. The book follows muffin baker Olivia Roberts, her beloved stuffed penguin Trip, and her band of book club misfits that meet at the local crime bookstore. When one of her exes steals Trip, Olivia sees red and has decided enough is enough. She has had a terrible string of relationships with people who have been varying levels of awful, and she decides it’s time to take her life back in the form of revenge against every ex that has hurt her. She posts an ad for a henchperson at the bookstore, and she is truly shocked when the person who sits across from her is none other than the owner of said bookstore: Margaret Blackwood. Margaret keeps to herself and is rarely seen. Olivia’s only real interaction with Margaret has been Margaret’s commentary from her office during Olivia’s book club. When the stoic and beautiful Margaret signs up to be her henchperson, Oliva isn’t sure why this brilliant, mysterious, woman would want to help her. However, Olivia’s other candidates are less than stellar, so Margaret gets the job. What ensues is an absolutely beautiful, chaotic, and laugh-out-loud story about two people that offer the other a chance to start over. 

I am a huge fan of Lee Winter. I have read every book she has written, some multiple times. I was excited to see how she would handle a romantic comedy, a different flavor from her usual books (though almost every one of her others also made me laugh out loud at times). I was not disappointed. Nor was I surprised that even though it had that romantic comedy feel throughout, it still packed an emotional punch. There is a cleverness that is always present in Lee’s books, and this book was no different. While the baking puns are plentiful (and I enjoyed every one), there is also not a wasted word or character. Every plot point is well thought out, every person has a purpose. A romantic comedy follows a certain formulaic path, but even so there needs to be something new, and Olivia hiring a henchperson certainly adds something fresh. Every visit upon one of Olivia’s exes provides not only an opportunity for hijinks, but a moment for Olivia and Margaret to learn more about each other and grow as individuals.

As I said, there is an emotional component to this story that I felt was incredibly well written. While I won’t give spoilers, Lee handled Margaret’s backstory in a beautiful way that was written with immense care. The way she chose to give us insight into Margaret, through diary entries, offers an intimate look at her thoughts and emotions. Without those entries, I think it would have been difficult to understand someone that keeps her cards so incredibly close to her chest. But it allows you to see who Margaret truly is, and it provides context to her other actions throughout the book. (Some of those entries made me cry, but we are going to forgive Lee for that.) In a scene towards the end, I Lee captures an emotion in the best way I have seen in a novel dealing with this particular topic. It is a sentiment I will be thinking about for a long time. 

Margaret and Olivia are two very different people, but I loved them together. In any pairing, there needs to be a balance, and as a reader you want to be able to understand why these people are drawn to each other. Margaret and Olivia each offer the other something that has been missing in their lives. Olivia has only ever been treated as expendable, as someone people use to get what they want and leave when they don’t find her useful any more. She has never been put first and has been with some truly terrible people. She has rarely experienced loyalty or someone asking: what do you want? What can I do for you? Other than her sister, she has never had someone who had her best interest in mind. With Margaret, she has found someone loyal and who not only has her best interest in mind, but that actively goes out of her comfort zone to help her. Margaret’s life in many ways has been closed off and has been dark for many years. Olivia is the opposite of that, and offers Margaret light in a way she has been desperately needing. Even more, despite all the things that have been thrown at her, Olivia continues to shine that light, and I do think that is part of why Margaret is so drawn to her. I loved these two together. I loved how they each showed through actions how they felt about the other, even before any words of that nature had been uttered. 

I will also always go a little feral for a character that goes into protective mode, and this story has that in spades. I think Lee is one of the best at writing that dynamic, and I adored those scenes. I also happen to think that she is the best at writing two oblivious people who clearly like each other, but are so lesbian that the thought never occurs to them that the other might like them back. That scenario is top tier in this novel, and I loved every moment. 

If you’re in the mood for a romance with unhinged chaos, laugh out loud moments, character growth, a cast of hilarious side characters, and beautiful moments of communication and vulnerability, this is your book. I can’t recommend it enough.

Fake Dating at Its Best: Iris Kelly Doesn’t Date by Ashley Herring Blake

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Delilah Green Doesn’t Care, the first book in Ashley Herring Blake’s Bright Falls series, was the first sapphic romance I had ever read. It is still my favorite because, not only is it an excellent book, but I credit it with opening up an entire new world for me. Nowadays, I’m predominantly reading either sapphic romances or stories with sapphic subplots. Astrid Parker Can’t Fail, the second book in the series, was also outstanding, so when I saw that Iris Kelly, the sassy and playful side character in both books was getting her own story, I was excited. As soon as I had my copy of Iris Kelly Doesn’t Date, I dove in. I am delighted to say that Iris Kelly Doesn’t Date, doesn’t disappoint. It is a hilarious and heartwarming story of a short-term fake romance that leads to long-term love.   

Iris Kelly is surrounded by love. Her best friends have found love. Her parents are still madly in love after decades of marriage. Her brother and sister each are married and have kids. Iris, on the other hand, is committed to commitment-free hookups. She has experienced the pain of what a relationship can do to a person, and wants no part in it. This aversion to romance is at odds with her career as a romance author. And this creates the worst case of writer’s block while working on her next novel. Meanwhile, Stevie is a struggling actor who is also struggling to cope with the fact that her ex-girlfriend of six years is now dating their mutual friend. Looking for a good distraction, Iris runs into Stevie at a bar one night and there is instant chemistry. However, their one-night stand ends up going horribly wrong (seriously, it’s so bad). While both of them would rather forget the night and move on, fate brings them together when Iris auditions for a play Stevie is in. With all Stevie’s friends assuming that Iris is auditioning because they are dating, Stevie asks Iris to play along. Seeing this as an opportunity to get some inspiration, Iris agrees. The arrangement is simple: Iris and Stevie will pretend to date until the end of the show. Stevie will save face and get her friends to stop pressuring her to date around. Iris will use the experience for inspiration on her next novel. However, as the two spend more time together, things become far less simple.

The “fake dating” trope is not one that I often gravitate towards. This is because, being a terrible liar myself, I struggle with the idea of maintaining the lie of a fake relationship long enough for anyone to buy it. That being said, Iris Kelly Doesn’t Date won me over so quickly with how it creatively uses this trope. For starters, it felt more believable than other “fake dating” stories because the only people being lied to here were Stevie’s group of friends and members of the play’s cast and crew. It also was not a lie that they needed to maintain for too long. The stakes of the lie are also fairly low compared to other “fake dating” books I’ve seen out there. It is not some grand scheme for money or a promotion. Stevie just needs a rebound so her friends will back off and stop pitying her. Iris just needs material for her book. Lastly and most importantly, I really liked how quickly the emotional connection between Stevie and Iris developed. Ashley Herring Blake skipped a lot of the standard casual fake dates you see in these romances. Instead, she dove straight into highly emotional moments for both Iris and Stevie, letting them build their connection more quickly. While it still did take them a while to act on their feelings for one another, their emotional connection began to develop much earlier on. Altogether, these things made the scheme feel more plausible and hooked me in very quickly.  

Something else I have loved about the Bright Falls series is how emotionally authentic and heart-wrenching these books are. Iris Kelly Doesn’t Date continues this trend with a story of two  characters dealing with some real heavy issues like General Anxiety Disorder, self-doubt, insecurity, and hopelessness. The way each of these is handled feels so genuine. How Stevie and Iris talk to and about themselves mirrors things I have heard myself or others say when struggling with these feelings. It made me want to reach into the book, hug them, and go, “Oh, honey, I’m so sorry.”

At the same time, Ashley Herring Blake also expertly shows how love can help us overcome issues such as these. She doesn’t treat love as a panacea, though. It’s not that these characters just suddenly feel better and solve all their problems once they find each other. Instead, she shows how a loving relationship is about being there for each other. Stevie and Iris put in a lot of tough emotional work into helping each other when they are at their lowest. It isn’t always easy for them, just like it isn’t always easy in the real world. And just like in the real world, Stevie and Iris still have a lot to work on individually even after the events of the novel. As a reader you walk away knowing that, together, they can overcome it all. That’s what a fantastic love story is all about. 

In addition, Iris Kelly Doesn’t Date is a really funny book. The banter between characters is playful and witty. Scenes which could be played as embarrassing are painted in a more humorous tone. Ashley Herring Blake also has fun playing with other common romance tropes, setting you up to expect one thing and then giving you something else. Also, as a fan of puns, I was happy to see several really good ones. For example, this book has inspired me to find ways to name all my group chats using puns with the word “queer” in them. Lastly, it’s also a really spicy book, with plenty of tantalizing lead-ups to some really hot sex scenes.    

If you’re a fan of the previous books in the Bright Falls series, you will also really appreciate all of the call-backs and references to those books. Delilah, Claire, and Astrid play sizable roles in the story, for both Iris and Stevie, in ways that do not feel shoehorned in. I can’t say much more because of spoilers, but trust me when I say that Ashley Herring Blake closes out this series in a way that is satisfying for all Bright Falls fans.

All in all, I adored Iris Kelly Doesn’t Date. It gave me everything I want in a sapphic romantic comedy and so much more. I highly recommend it for any fan of the genre, whether it be your first in the Bright Falls series or not.  

Sweet, Chaotic Bisexuals: Love at First Set by Jennifer Dugan

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“Queer chaos trumps moral fortitude, especially when making out is involved.”

For Lizzie, working at a gym isn’t just a job; it’s her home. For now, she’s only the check-in girl (and occasionally, the owner’s punching bag), but one day, she could manage her own. When her bestie (and emotional support himbo) and boss’s son James asks her to play plus-one at his sister’s wedding, she agrees, hoping to find a chance to talk to his parents about a promotion. One drunken pep-talk later and the bride-to-be, Cara, realizes she doesn’t want to get married after all. It doesn’t help that Lizzie is crushing on her hard—or that Cara decides to stay with her brother while getting her derailed life back together. Afraid his sister plans to set him up on a blind date, James urges Lizzie to keep her distracted. Can Lizzie girl the hell up and keep her crush under wraps?

Lizzie is a beautifully realistic mess and knows it. Growing up with an unreliable, emotionally-abusive mother taught Lizzie she could only rely on herself, while her economic status triggered some serious self-esteem issues. Though her self-reliance and independence are strengths, her unwillingness to trust others also becomes a weakness.

Jennifer Dugan heard the phrase “queer pining” and understood the assignment. Lizzie’s insta-crush on Cara spurs some hilarious self-talk that puts the “com” in this queer rom-com. The constant, silent, somewhat reluctant pining is intense, raw, and real, but her sass and sarcasm never let it get overly sappy. Though Lizzie can’t see it, Cara’s obvious crushing is equally intense, making these two lovesick, bisexual messes the perfect match.

Unfortunately, everything I loved in the first half of the book becomes exhausting by the second half. Lizzie allows both James and Cara to manipulate her into favors that benefit them too often. Her self-proclaimed cowardice spurs the story’s internal conflict a little too much. The self-deprecation that was once funny became painful enough to become cringy, too.

While I love a slow burn, Lizzie and Cara’s relationship is too focused on showing physical development, but not the emotional development. We don’t see the pillow talk or hidden moments between them that lead to them falling in love with one another. The external conflict—Cara’s mother—is written as a two-dimensional antagonist. Her motivation for keeping the women apart is status, but why? (Did she grow up in poverty, or feel shamed by a group with higher social status at one point in her life?)

Vague spoilers below.

My biggest pet peeve is a plot powered by miscommunication (in this case, a complete failure at communicating from the start), and this story relies on it all too much to reach an unsatisfying happy ending that’s tied up in a literal bow. The writing was so strong and held so much promise in the beginning, but I’m afraid the third-act break-up, blow-up dinner scene, ultimatum, and ending didn’t do it for me.

End of spoilers.

Recommended for anyone who loves pining and scheming of Shakespearean proportions. This sapphic rom-com will be a sweet if chaotic addition to your TBR.

 ✨ The Vibes ✨
👟 Sapphic Rom-Com
👟  Bi Visibility
👟  Gay Best Friend
👟  Economic Classes
👟  Shakespearean Miscommunication, Pining, and Scheming
👟  Self-Esteem Issues

“Don’t sit behind the gym counter of your life when you’re meant to be in front of it. “

Susannah reviews Mistakes Were Made by Meryl Wilsner

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Mistakes Were Made, Meryl Wilsner’s second f/f romance following 2020’s acclaimed Something to Talk About, is billed as “a sexy rom-com about a college senior who accidentally hooks up with her best friend’s mom.” While I anxiously awaited this book as much as the next reader of queer romances, I admittedly postponed picking it up, afraid that a relationship between a college student and a woman one generation her senior would be too problematic, or too cringe, for me to root for. But Wilsner proved me wrong–this book is funny, nuanced, deeply empathetic, and piping hot.

It’s Family Weekend at Keckley College, but not for senior Cassie Klein, who is effectively estranged from hers. Cassie goes to an off-campus bar to escape the festivities, not to cruise for hookups, but when a statuesque older woman catches her eye from across the room, she can’t resist sending a drink her way. Erin Bennett is not there to cruise for hookups either. A recent divorcee splitting Family Weekend visiting hours with her ex-husband, she is simply killing time in a college town. But when a bold younger woman sends a drink across the bar, she has trouble turning down the opportunity to enjoy her relatively new singlehood. A steamy backseat romp ensues, and the two women part ways–no numbers exchanged and no plans to meet up again.

When Cassie’s best friend Parker invites her to tag along to breakfast with her mom the following morning, Cassie comes face-to-face with Erin–the Erin from the bar last night, the Erin she never intended to see again, the Erin who is also her best friend’s mom.What was meant to be a one-night fling becomes impossible to ignore as Cassie and Parker become closer friends and Cassie’s and Erin’s paths repeatedly cross. 

When Parker surprises Cassie by inviting her home for the holiday break, Cassie can’t say no despite the, um, complication of cohabitating with Erin. Unsurprisingly, she can’t say no to Erin either, who is still as alluring as she was the night they met. Erin and Cassie start to sneak around behind Parker’s back as their fling morphs into something more serious. (A side effect of their sneaking around is a liberal number of very hot sex scenes in a variety of covert locations.) This begs the question: will Cassie and Erin come clean about their secret relationship at the risk of losing the most important people in their lives, or will they end it and live with the heartbreak?

While I scoffed at the likelihood of Cassie so cavalierly hitting on Erin in the opening chapter, Wilsner expertly develops both Cassie’s and Erin’s characters and shines light on their motivations. Cassie is a whip smart, ambitious aeronautic engineering major whose hardscrabble youth has translated to a resilient, confident demeanor. Erin is a highly successful attending physician whose professional badassness is not evinced by her interpersonal skills. A bisexual reentering the dating scene following a suffocating marriage, Erin lacks the self-assuredness to confidently go after what she wants. This sometimes comes across as iciness toward Cassie. Aside from these few moments of emotional withholding, however, the dynamic between the two women feels authentic and relatively balanced. That said, it can’t be ignored that given her age and independent wealth, Erin inherently holds some amount of power over Cassie, a young woman only on the cusp of post-college adulthood.

Surprisingly, the one factor about this book that didn’t sit well with me was not the age-gap trope, but the tokenizing of Cassie’s and Parker’s friend Acacia. Through the course of the book, Acacia, who is the only Black main character we meet, is the sole person who carries the secret of Cassie’s and Erin’s affair. That Acacia has to do the emotional labor of navigating this extremely sensitive situation for an entire academic year feels like an unfair burden to throw on her, and I would be remiss not to mention it.

Ultimately, this is a thought-provoking contemporary romance that challenged some prejudices I carried about age differences in relationships. And that, to me, is the mark of a well-crafted book: to make readers open their minds and hearts to situations and people that make them feel uncomfortable.

Content warnings: alcohol consumption, alcoholic parent (mention), cheating partner (past), divorced parents, misogyny, parental neglect, recreational marijuana use.

Susannah (she/her) is a public librarian and writer based in Cambridge, Massachusetts. She consumes mostly queer literary fiction, with contemporary romance novels as palate cleansers. You can find her on Goodreads at https://www.goodreads.com/ohhsusannah and at https://www.susannahbt.com/

Nat reviews Guava Flavored Lies by J.J. Arias

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Ever since I read J.J. Arias’s Guava Flavored Lies, I’ve wanted to go to Miami so bad, just to hit up a Cuban bakery or three for a pastelito de guayaba and a cafecito. It’s been a while since I’ve read a book by Arias, and, as with a lot of prolific authors lately, this recent work is a departure from her normal MO (in this case, exemplified by Vampires and the Goode series).

From two households alike in dignity, Sylvie Campos and Lauren Machado are business rivals and lifelong enemies thanks to a decades long feud between their families. But the conflict for our main characters may be more complex than it seems on the surface – details about Sylvie and Lauren’s past will be revealed along the way that give us a bit more insight into why the anger between the two seems so very… extra.

The story is largely centered around the feuding between the Campos and Machado families, who both own popular Cuban bakeries in Miami, and who each accuse the other of having allegedly stolen family recipes when the founding families parted ways. Opening with a flashback to Lauren and Sylvia’s schooldays, we get a glimpse of how the families’ long time squabbles have affected their kids, who are literally at each other’s throats, though it’s tempered with a hefty dose of humor.

Lauren and Sylvie end up thrown together in the foodie version of the only one bed trope; that is, one food festival and only one functional espresso machine. Aside from their day to day struggles while being stuck side by side at a high profile event, and all the verbal sparring that comes along with it – Sylvie is still determined to try to solve the mystery of the family feud and to prove once that Lauren’s family are recipe thieves.

By the end of the book you’ll have some intense cravings for croquetas and a strong cafe con leche. But the food is also a vehicle for themes of old vs new, as the younger generations of both rival bakeries are being groomed to take over. Lauren wants to modernize some aspects of her family’s business, trying out vegan recipes and experimenting with (much to Sylvie’s dismay) oat milk in her Cuban lattes. Sylvie just wants to perfect the classics and build on her family legacy. Food is the love language of both our MCs, and rather than being at odds, their styles are complimentary, though it takes some translation to realize it.

A satisfying enemies-to-lovers romance, Arias gives us an example of the amazing quality of writing coming from self published authors and small presses these days. Solid, witty prose and dialogue, and pacing and intrigue to move the story along. I hope this is a book that finds its way into a lot of e-readers! And as a long time independent publisher of Sapphic romance, Arias has a backlog of works in the event you fall for her recent bakery wars romantic comedy.

Kelleen reviews She Gets the Girl by Rachael Lippincott and Alyson Derrick

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You know how sometimes you’re watching a hit 90s romcom set in high school or college and you’re reveling in the delicious shenanigans of the leads and the dramatic irony of them not knowing that they are the leads in a romantic comedy and they’re about to fall in love despite their absolute refusal to acknowledge that they are fallible human beings and love will come for them and their one true love is standing right in front of them? And they go rollerblading and play Never Have I Ever and try their darnedest to futilely manipulate fate? And then you turn off the TV (or Netflix or whatever) and sit back and sigh and think “Man, that was delightful but I wish it had been sapphic”?

Well boy, do I have a book for you.

She Gets the Girl by Rachael Lippincott and Alyson Derrick is an ADORABLE interracial Cyrano-ish college-aged sapphic romance about two polar opposite college freshman who team up to help each other get the girl of their dreams only to discover that the girl of their dreams has been in front of them this whole time. It is such a cute, fun read.

I love Alex and Molly. I love both of them so much. They are opposites attract in the best way possible, both trying their hardest to navigate a world that they do not feel valuable in and finding value in themselves and each other. Alex is a thick-skinned white lesbian and Molly is a nervous Korean-American lesbian. In short, Molly is a mom-jeans lesbian and Alex is a ripped black skinny jeans lesbian. They are flawed and messy and just trying their best and that is the best kind of young sapphic romance.

This is intricately plotted, and the different POVs are distinct and vibrant. The writing is funny and contemporary and wholehearted. The whole book feels so hopeful to me.

This is being sold as a YA, but I’m not entirely sure why. There’s no sex on page, but also there it doesn’t feel like there needs to be for the story. However, there is alcohol and drug use on page and it deals with some pretty heavy subjects such as alcoholism and internalized racism. The college setting and the liminal adulthood of it all feels necessary to the blend of maturity and immaturity of the story. It is definitely grittier and more mature than I was expecting from the ADORABLE cover and the YA tag.

I highly highly recommend for both romance and YA readers alike.

Also it was written by a wife/wife team, and what is cuter and gayer than that?

Thanks to NetGalley and Simon&Schuster for the ARC. She Gets the Girl releases on April 5th, 2022.

Content warnings: Anti-Korean racism, food scarcity, alcoholism, car accidents, on-page drinking

You can read more of Kelleen’s reviews on her bookstagram (@booms.books) and on Goodreads.

Nat reviews D’Vaughn and Kris Plan a Wedding by Chencia C. Higgins

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One of my favorite romance tropes is the fake relationship – I just can’t resist it. So there was little doubt that watching D’Vaughn and Kris plan a fake wedding would be absolutely delightful. 

The story is centered around a reality show called Instant I Do and told through the first person perspectives and solo camera interviews of D’Vaughn and Kris. The premise of the show is to convince your closest friends and family that you’re getting married to the person you’re paired with — in six weeks. Framing the book in the context of the show means we also experience our main characters in a sort of vacuum, removed from their everyday lives and jobs while they focus on their goal. 

Curvy, femme and very closeted D’Vaughn is hoping to diversify the cast of this season of the show with her presence as a queer, Black, full figured contestant. Her main motivation for going on the show is to come out to her family, which she’s never been able to bring herself to do. She just needs to convince her conservative, judemental mom that she’s about to get gay married! Bold move, D’Vaughn.

Kris is a social media influencer, a stud who’s got a rep for being a bit of a player. She’s looking to find true love and a real connection, and thinks going on this show will help her do just that. She’s been out to her big, boisterous Afro-Latinx family for ages, but the trick will be convincing them she’s serious about settling down, and with someone they’ve never met or even heard of. 

As a couple, D’Vaughn and Kris are adorable, and I love the support Kris gives to D’Vaughn as she comes out to her family even though they’ve just met. I really enjoyed the narrative expressed in the Jitter Cam sections, giving us a bit of an extra perspective on what the characters were thinking and feeling. The story has great pacing, and you experience things in the moment, a bit like it would be if you were watching the show. 

The only real problems for me came from consistency issues surrounding the technical reality show aspects that I think should have been caught by an editor. Obviously in Romancelandia we are opening our minds and hearts to things that prooobably would not happen in real life. That’s why those little world building details are so crucial. Mentions of the mics and cameras that clarify some issues are provided later in the story, but would have better been served at the beginning of the book. At some points it kind of felt like the author was figuring things out as she went along, but didn’t go back to shore up any leaks that may have been caused in the story. I even had to go back a few times to make sure I hadn’t missed something. These were the sort of details that kept pulling me out of the book. 

So while I can get behind our characters falling in love in six weeks, I’m totally chafing about not being able to tell when they were on film or being recorded vs when they were alone having private moments. I personally don’t have much experience watching reality shows, so I don’t know if that helped or hurt my perspective on how that was shown to us on the page. My writer’s brain understands how these problems developed, but a fresh set of editing eyes could have caught these little inconsistencies. 

Despite those few hiccups, this is a fun romance with lovable characters and definitely worth a read! 

Kelleen reviews Delilah Green Doesn’t Care by Ashley Herring Blake

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“Queer, feminist, angry, and beautiful.”

When I say I want sapphic romcoms, this is what I want. I want sapphic romcoms that pack an emotional punch. That present the diversity and the affinity of queer womanhood. That have queer women who call themselves queer with no explanation and bi women who have loved men. That have complex family dynamics that both are about queerness and absolutely are not. That feel like romance novels with romance tropes and everything that we love about romance and are at the same time fundamentally, intrinsically, profoundly, and lovingly queer. Romcoms that f*ck and also fall in love. Romcoms with real, wild emotions and feminism and humor on every page. Romcoms that were written for queer women about our own lives, to be enjoyed only secondarily by everyone else. When I say I want sapphic romcoms, I mean I want this book.

Delilah Green is a historical romance alpha hero wrapped up in tattoos and soft butch vibes and I am into it. Delilah is a photographer who’s hired to photograph her stepsister’s wedding, and reluctantly returns home to discover that her childhood crush and stepsister’s best friend is all grown up — and very queer. And Claire Sutherland is a single mom and bookstore manager who is just trying to live her best life and take care of her best friend in a retro polka dot dress and sexy librarian glasses.

The way that the love between Delilah and Claire develops is gentle and sexy and hilarious. In coming home to Bright Falls, Delilah must confront her strained relationship with her stepmother and stepsister and come to terms with the grief and feelings of rejection that she’s been running away from since she was a teenager. Falling in bed (and then in love) with her stepsister’s best friend doesn’t help matters, especially as Claire is actively trying to break up her best friend’s wedding to a terrible man. Fascinatingly, throughout this book Delilah and Claire are both allies and adversaries. They embody everything that the other is trying to avoid and yet must team up to save Astrid from herself and her fiancé. And the raging sexual tension between the two doesn’t help matters. The conflict in this book is just so good, the way they are pulled together and run apart.

This is a book about family, and how scary and slippery and beautiful family can be for queer folks. It’s about motherhood and sisterhood and womanhood and partnership. It’s about joy and it’s about grief and it’s about art and it’s about all of it all at once.

These heroines are strong and flawed and sexy and fantastic. They make bad choices and take big risks. They fall in love and try to resist falling in love. And they do it with humor and heart.

This book is the epitome of queer joy and we all deserve queer joy.

Thank you to NetGalley and Berkley for this ARC.

Content warnings: death of a parent, toxic partner

You can read more of Kelleen’s reviews on her bookstagram (@booms.books) and on Goodreads.

Shana reviews Humbug by Amanda Radley

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Humbug is a quiet Christmas novel with an age gap romance. I found it a relaxing and wholesome read, but it’s an unbalanced workplace romance. The book struggled to decide if it wanted to focus on the characters’ careers, or their love story.

Ellie is a brilliant statistician who is stuck in a dead end job at an HR recruitment firm. Everyone in her office knows that she loves Christmas because her desk looks like a Hallmark holiday movie year-round. So when her firm’s CEO, Rosalind, needs someone to organize an epic office Christmas party at the last minute, she taps Ellie to be her new executive assistant in a cushy penthouse office. There are just two problems. One, Ellie is terrified of heights and can barely stand to be in her new office without hyperventilating.  Two, Rosalind hates Christmas, and her last assistant canceled all the party plans. As they work together, mutual crushes abound! But since neither can imagine the other wanting them, we get a slow sweet burn with plenty of personal growth along the way. 

Rosalind is an intimidating, and exacting boss, and Ellie is initially a nervous wreck around her. But Rosalind is also a compassionate coworker, and a protective single mother, who appreciates Ellie’s talent. And Ellie is clearly talented. The woman engineers a winter wonderland from scratch, outside, during a London winter!

I loved watching Ellie rediscover her confidence through working with Rosalind. At the beginning of the book, Ellie has forgotten her worth and is grateful for any job after a period of unemployment. Slowly, Ellie learns that she’s been coasting along with an unfulfilling role, with roommates who take her for granted. I liked seeing Ellie find her happiness and I think this would be a great read for someone feeling stuck in their life or career. But I was left wishing that the end of the book had focused more on resolving Ellie’s career, and less on ramping on the romance. Still, if you love watching characters slowly figure out they like one another, and prefer your romances with no sex scenes, this may work for you. 

I appreciated that Rosalind was portrayed as both a nurturing person who adores her articulate queer daughter, and as a shrewd businesswoman. She’s powerful and sexy, without feeling unattainable. I don’t usually like ice queen romances OR boss/employee romances, but I loved both of those tropes in Humbug. I thought the power dynamics were smoothly addressed. While there’s several work scenes where Rosalind enjoys flustering a blushing Ellie, Rosalind is too ethical to act on her growing attraction to Ellie. And though there is an age gap, and the two women are clearly at different points in their lives, they both clearly respected one another. 

My favorite part of the story was Ellie’s unapologetic love of all things Christmas. It was intense, and adorable, and I loved that Ellie happily accepted other characters’ more  muted—or hostile—feelings about the holiday. This is a classic Christmas rom-com, with holiday cheer and a predictable storyline. I would vote for Humbug as my favorite Christmas novel of 2021.

Shana reviews Didn’t Stay in Vegas by Chelsea M. Cameron

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the cover of Didn't Stay In Vegas

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Didn’t Stay in Vegas is a lighthearted romantic comedy about two best friends who wake up after a wild night in Las Vegas, and discover that they’re married. To each other. 

Callyn’s life is a bit of a mess, but her best friend Emma is always there to bake her cookies and marathon TV shows.  So when Callyn has a terrible hangover and underwear full of glitter the morning after their mutual friend’s bachelorette party, she immediately looks for steady, reliable Emma—only to discover her in a similar state, holding a marriage certificate. Emma claims she doesn’t remember the wedding, but she also suggests they stay married for financial reasons that feel like a stretch. After a string of life setbacks, Calyyn ends up moving in with Emma, getting a puppy, and being extremely adorable while spending most of their time nesting together. Even clueless Callyn starts to wonder if Emma’s been in love with her all along. 

Didn’t Stay in Vegas is a low-conflict romance, perfect for when you want the book equivalent of a cup of sweet hot chocolate. As a reader, it was fairly obvious early on  that Emma is into Callyn, so most of the book is just watching Callyn slowly figure out her own feelings, while getting her life together along the way. I liked that Callyn and Emma are both comfortably queer before their marriage. This is a friends to lovers romance, not a coming out story. And accidentally falling in the love with your friend is certainly something queer women are good at! 

Of the two main characters, I found Emma’s kindness and competence more enjoyable than Callyn’s frenetic energy. But this story is told from Callyn’s point of view, so we can only guess at what Emma is feeling. This leads to many hilarious moments, because Callyn is incredibly slow about noticing that her BFF is definitely in love with her. Callyn’s denial persists even after they have sex! 

Still, I was left feeling like Emma’s character was a little flat, and we don’t really learn much about her outside of the relationship. Since Callyn feels younger and less comfortable in her skin, reading the story from her point of view sometimes made the relationship feel immature.

I did enjoy the theme of chosen family. Callyn and Emma’s big queer friend group felt like extras on L Word Generation Q—attractive, vaguely interesting people that I found myself more interested in than the main characters. 

Didn’t Stay in Vegas lacks the emotional substance of Cameron’s other romances, but it’s a frequently funny, comforting, easy read.