Healing Through a Haunting: The Fall That Saved Us by Tamara Jerée

the cover of The Fall That Saved Us

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The author’s content notes, which also apply to this review: “While Cassiel’s story is focused on healing, heavier themes of trauma and shame are explored to give context to the protagonist’s journey. Please consider the major content notes: cutting scars, brief self-harm ideation, discussion of an eating disorder, family emotional abuse, and a manipulative mother. This book contains sexual content and is only intended for adult readers.”

The first time I learned about Tamara Jerée’s The Fall That Saved Us, I was sold. A sapphic paranormal romance with a protagonist who runs a bookstore and heals from trauma? That sounded like the perfect way to ring in October. I’m happy to say that not only did it meet my expectations, but it became a favorite of the year.

Cassiel has cut off ties with her divine family of demon hunters, other than her sister, with whom she now has a complicated relationship. She has spent the last three years living in the ordinary world for the first time, trying to establish a life independent of the oppressive rules of her mother, Gabriel. She runs a bookstore and is friends with Ana, a witch with a coffee shop. Still, she won’t fully open up even to Ana, and she has struggled to integrate into society or unpack her internalized shame, as she was raised to avoid pleasure of any kind.

Though Cassiel is laying low, she attracts the attention of the succubus Avitue, who has been ordered to steal Cassiel’s soul. Avitue haunts Cassiel, attempting seduction through gifts and shared dreams. But by the time the two meet face-to-face, Avitue has realized that Cassiel is more than meets the eye, as someone who has been harmed by her family and is trying to escape the life of a demon hunter. Ordinarily, a confrontation between a succubus and an angel’s descendant ends in violence, but they both exercise restraint. This gives them enough pause that they develop a tentative trust and a less tentative chemistry. When Cassiel’s family gets involved at the same time that Avitue’s superiors apply pressure, they must team up to navigate these threats while also navigating their feelings.      

A whirlwind romance with a succubus pushes Cassiel out of her comfort zone in more ways than one, forcing her to confront the idea that demons are more complex than her family claimed and allowing her to embrace sensuality for the first time. Initially, going against her conditioning makes her recoil. However, Avitue understands that it’s important for Cassiel to push herself toward new ground on her own terms. When she falls, Avitue is there to catch her.                  

As an immortal succubus who fell millennia ago, Avitue is chaotic, morally grey, and distant from humanity. She is electrifyingly charismatic and doesn’t mind wielding this as a tool. However, coming into contact with Cassiel forces her to question her own assumptions about their natures. From the start, Avitue cares for and refuses to hurt Cassiel. Their developing relationship involves all of the negotiation and communication that this sort of dynamic requires, without shying away from the darker aspects of Avitue’s life.  

The theme of healing from trauma, especially religious trauma and familial abuse, stood out to me the most. Cassiel is reclaiming her own body, her own divinity, and her own experience with the world. As she explores all of the things she was denied, she finds that rather than being cut off from her power as her mother had claimed, she is actually growing more fully into herself. The narrative is a celebration of love, warmth, and tenderness, and an indictment of forcing people to sacrifice parts of themselves in order to fit into narrow boxes. 

This book understands that healing is not linear. Cassiel has already spent years living out in the world, but she still hides herself away from it, and she relapses into shame when she experiences attraction, enjoys food, or tries to wear nice clothing. Because she has people who genuinely care about her, she is able to pick herself back up when she falls. Healing may not be a straight path, but time marches onward, and so does she.

As someone who hasn’t read a lot of paranormal romance, the pacing of some books can require adjusted expectations, with characters who’ve only known each other a short time falling in literally eternal love. However, I realize this is a genre convention borne of the combination of high-octane plots and immortal characters, and that this type of story asks for suspension of disbelief. What’s important is that I bought into these particular characters’ dynamic given their circumstances. The story calls for a breathless intensity that the book delivers on. I was also impressed with the layered ending, as the book’s complex conflicts weren’t wrapped up in a tidy bow after one event. 

An additional note that made this nonbinary reader happy: while the synopsis refers to both characters as women, Avitue doesn’t feel a connection with the concept of gender due to her experiences as a succubus. Being nonbinary doesn’t require any specific pronouns or presentation, so I was glad to read about a femme-presenting character who uses she/her pronouns and does not identify with gender.  

The Fall That Saved Us is haunting yet hopeful, with lush writing and aching devotion in every line. If that’s how you’d like to experience your fall, there’s still time to pick this one up before Halloween.

Emory Rose is a lover of the written word, especially all things whimsical, fantastical, and romantic. They regularly participate in National Novel Writing Month as well as NYC Midnight’s fiction writing challenges. They are fueled by sapphic novellas and chocolate.

Nat reviews Pack of Her Own by Elena Abbott

the cover of Pack of Her Own

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I picked up this li’l werewolf book off of a Twitter recommendation – vampires, ghouls, shifters – I expected something of a campy read. Who knew we would be exploring identity, found family, and processing trauma from various angles? If you plopped down a literary fiction tome and told me that we’d be dealing with complex themes like those, I’d say no thank you, I’ve read the news this week and I’m already a bit depressed. But give me some vampires, a full moon, and a happily ever after and that is the spoon full of sugar I need to tackle these issues. 

Natalie Donovan is a young, transgender woman with a traumatic past – she’s looking for a fresh start, or at least to begin to heal from a lifetime of abuse, both physical and emotional. Wren Carne (yep, Carne) is a werewolf living in a small town of paranormal misfits, her dark past only a few counties away – she’s also had to escape an abusive situation because of her true nature; she’s an Alpha wolf who ought to be on the path to forming her own pack. 

There’s quite a bit of trauma processing in this book between our two main characters, though Wren has already had some time and space to rebuild her life. At times Natalie’s point of view can really be heart wrenching because you’re watching in real time as her thoughts sometimes spiral with insecurity and feelings of worthlessness, or of being a burden to her friends. She believes she’s incapable of being loved, thanks in part to her abusive ex and her trashcan parents. Most of these issues are tied to her trans identity. 

Let’s take a moment to talk about were-books with romantic leanings. I’m certainly no expert on them and haven’t read them extensively, but there often seems to be a power dynamic, the Alpha/Omega, dominant/submissive relationship between the love interests. This dynamic exists in some form in the book, though the problematic bits of such relationships are called out, especially the issue of consent. Wren is fleeing what is essentially a toxic, cult-like situation built on abuse of power and fear – she believes this is how all packs operate, and vows to never have one of her own. (The story also has the fated mate trope, which involves an inexplicable, magical sort of connection between our main characters.)

Our main characters have so much in common and a lot of the book explores those commonalities, even though the circumstances in their lives are quite different. Both are harboring secrets that they think stand in the way of their happiness; both have suffered at the hands of those who were supposed to protect and support them. 

Pack of Her Own isn’t perfect, and there are a handful of inconsistencies that distracted me from time to time, little moments where one fact contradicted another. Also, for me, the ending felt a bit rushed; what I thought should be the epilogue was just a last chapter, so there’s a time jump and suddenly everything is great for Natalie and her new life, in a way that doesn’t jive with the tone and pace of the rest of the book. One of the last core scenes of the book is really intense, and could have used a smoother transition to prevent whiplash. But! The pros outweigh the cons by far. There’s big series potential here, so I’m curious to see where it goes!  

Trigger warnings: depictions of past physical abuse, emotional abuse/manipulation, gaslighting, assault

Meagan Kimberly reviews Grimmer Intentions by Jodi Hutchins

Grimmer Intentions by Jodi Hutchins

This is the second in the Tales from the Grim series. I picked it up not realizing it was the second book, so I recommend reading the first, because it felt like much of the story’s background was missing without it.

Although readers can pick up on who the characters are from the previous book without having read it, they still lack depth. Throughout the story, the strongest relationship dynamic happens between Margo and her adopted brother Luis. The rest tend to fall flat and rely on previous knowledge of the last novel.

The romance felt secondary to the plot, but that may be because it didn’t feel like there was much chemistry between the characters. Even if there had been build up in the first book, this one felt lacking in the connection that brought them together.

The politics and magic of the world were a more interesting plot. Again, it needed more development, as there wasn’t much background on Margo’s djinn heritage. It’s a world in which mixed-blood, paranormal beings are held in disdain, which could have made the story powerful as commentary on real-world issues. But it never delved far enough.

Despite its shortcomings, the novel did move at a fast pace and keep me intrigued. It’s well written and keeps you turning the pages. It shows there’s great potential for more from this world and this writer. I might go back and read book 1 to get the complete picture of these characters and their story.

Sash S reviews Spellbound by Jean Copeland and Jackie D.

“Hazel Abbot spent her whole life unaware she was a witch. When a spell thrusts her great-aunt Sarah Hutchinson forward from the Salem witch trials of 1692 and lands her in Hazel’s bookstore, everything Hazel thought she knew about herself changes…”

If you want a read that’s fast-paced, fun, and filled with well-rounded and likeable characters, look no further than Spellbound, a perfect blend of paranormal action and lesbian romance.

We start directly in the middle of the action, with protagonist Raven Dare—sexy, solemn and mysterious in equal measure—doing what she does best: hunting demons. Armed with gold knives and a wit that’s just as sharp, Raven kicks butt whilst quipping about American Idol, and it’s all in a day’s work for this demon hunter with a tortured past.

In a story about time-travel, supernatural monsters and women-fearing cults, it is the characters in Spellbound that are the true heart of the novel. There are a great many interesting dynamics at play between the central cast, and as a reader, you’re immediately drawn to them. The four main women are strong in their own ways, and their interactions are alternately warm, fierce and sizzling with tension. It’s great to see them clashing with the main villains of the novel, but just as fun to see them in their downtime, and there’s plenty of both due to the novel’s excellent pacing.

Sarah is great fun; immediately likeable and not one to take her strange circumstances sitting down, she takes agency and adapts to the world she’s living in, though finding it bizarre at times. Hazel, too, takes up her new mission with an admirable courage, spurred by the attraction she feels towards Raven. Morgan is aloof, sarcastic, but caring underneath. There are two main love stories in Spellbound, and though different in tone, both are equally compelling.

My favourite thing about this book is how down to earth it is, whilst dealing with the supernatural. Vivid descriptions of car rides, plane journeys and cities build up the real world, juxtaposed with fights against demons and monsters; the authors do a great job of nailing magical realism.

To that end, too, the villains of the story are rooted in very real prejudice despite their paranormal nature: whilst the protagonists clash with banshees and hellhounds, the writers don’t shy away from the fact that the real evils of this tale are prejudice, a fear of women and their strength, and a need to subjugate others for one’s own gain. The supernatural elements of Spellbound are a great vehicle for a story that’s ultimately about overcoming these things, celebrating the strength of women and doing what’s right.

This is such a fun read, with excellent pacing, engaging romance and a realistic, compelling cast of characters.

Rating: *****

Mary Springer reviews Five Moons Rising by Lise MacTague

Five Moons Rising by Lise MacTague

Malice, known as Mary Alice to her family, is a trained hunter for paranormal creatures. Ruri is the beta werewolf of her pack, has been around for a couple of centuries, and is not a werewolf to be trifled with. Both their lives are shaken when Ruri’s pack is taken over by a violent, loner Alpha and Malice’s sister Cassidy is caught in the crossfire. She and Ruri are thrown together by forces of fate, and while they should hate each other, they can’t help be drawn to one another.

This was a great book! I love werewolves, so I was already on board, but this went beyond my expectations. I really appreciate some good, old fashioned angst, and this not only served the angst but also offered up seconds.

I love the characters! Malice was wonderfully stoic, putting on the airs of a cold and brutal hunter, while having this secret need for intimacy she won’t even admit to herself. Ruri was also great, a tough and formidable werewolf (or wolven as the characters in the book choose to be called) with a soft inside. There were also the other werewolves, hunters, and some intense vampires, as well as Cassidy. She takes a big role in the book and it was also interesting to see her character develop and change alongside Malice and Ruri.

The romance was perfect. Malice and Ruri have such great chemistry, but beyond that I was able to get a sense that these are two people who need each other and work well with one another. They’re both just as similar as they are different. I enjoyed watching their relationship slowly grow through the novel.

My one gripe about this was how the romance was resolved. It felt a bit rushed in the end and I was hoping for just a little more angst, conversation, and action. But I was still satisfied with where things ended up.

The overall plot about the violent Alpha and the world building as a whole really came alive for me. With some paranormal romances, I can get a bit bored with the villain and exposition, but MacTague did a great job creating a plot and world that drew me in. I would love to see more books set in this world even if they didn’t include these specific characters (but I’d really, really love to see more of these characters).

In the end, I would definitely recommend this to anyone looking for a great paranormal romance. This also works really well in the enemies-to-lovers subgenre, which I’m always a fan of.

Danika reviews Bearly a Lady by Cassandra Khaw

I will admit, I was sold immediately when I heard “Bisexual werebear novella.” The book opens with Zelda (yes, Zelda) irritated that her transformation into a bear is continually destroying her wardrobe. She works for a fashion magazine, so she doesn’t take this lightly.

This is such a fun, light read. It’s quippy and snarky and smart, including a character calling Zelda out for deriding something as lame, and her replying by saying “You know I don’t–I’m sorry. Cultural indoctrination is a monster.” Later, when a guy on the bus makes a lewd comment, she thinks,  “Could be an uncouth backpacker, fresh from a holiday in the Pacific, and still drunk on the idea of white supremacy.” And yes, not only is this a bisexual werebear story, our werebear protagonist is also a plus-sized woman of color.

Because this barely (ha) breaks 100 pages, it keeps everything moving at a brisk pace, even if it is mostly romantic entanglements. Speaking of romance, I would be remiss to neglect mentioning in this review that the romance is mostly M/F. Zelda has several male love interests and one female love interest, but like Kushiel’s Dart, I would say that although the F/F pairing gets less “page time,” it has the most significance. If you don’t want to read about M/F romance or sex, though, you probably should skip this one. I will also note that there’s some use of fae glamor which is nonconsensual, so I would give a trigger warning for the implications of that. (It is called out in text, though.)

This was quick, fun read that definitely lived up to its premise. Between this and my previous read, River of Teeth (which is excellent and queer, but the lesbian character is a side character, and there is no F/F content), I’m really starting to fall in love with novellas!


Danika reviews Better Off Red by Rebekah Weatherspoon

betteroffred

 

I don’t read a lot of romance or erotica, but I figured that this month, in honor of Valentine’s Day, I would give the genre another shot. I was immediately intrigued by the premise of this one: vampire sorority sisters? I’m in. And for the most part, this is exactly the kind of smutty, light read I was looking for. I would say this leans more to the erotica side of things, because there is usually sex every couple of pages.

Part of the reason that I enjoyed this more than I was expecting was the voice. I liked the little bits of humor thrown in to Ginger’s inner monologue, like her musing that “Maybe it was the right moment to tell Amy I was seventy-seven percent sure I was a lesbian.” I also felt like the characters were strong and compelling, including many of the side characters. I’m really looking forward to the sequel that focuses on Cleo (and Benny), because she was my favourite supporting character. There is also quite a bit of racial diversity in the supporting characters, which I appreciated, and it was interesting to see how all these different personalities dealt with the same unusual situation.

I also was somewhat unfairly influenced because I have been watching Mark Reads Fifty Shades of Grey, and that book sets a spectacularly low bar. But especially in contrast to that experience, I really liked the dynamic between Ginger and Camila. (Yes, the lesbian vampire love interest is named Camila. I appreciated the nod to the classic lesbian vampire story.) Camila is a vampire and has significantly more power and influence than Ginger, but they still manage to have what I considered a healthy relationship. There is a push and pull between them, but Ginger feels capable of setting limits and they both communicate honestly. I can definitely see what Ginger gets out of the relationship. (And despite the plethora of sex scenes, they didn’t get too repetitive.)

My only real problem with the book was the plot. For one thing, if I discovered that hell, demons, and God were all real, I would have some follow-up questions no matter how distracting by hot new vampire girlfriend was, but Ginger doesn’t seem curious at all about the details of this. The plot moves fairly slowly through most of the book, but I was enjoying being immersed in the world and in Ginger and Camila’s relationship. The end of the book, however, packs a lot into a short space, and it felt rushed to me. I would have liked to see it more evenly plotted throughout the book, but overall I really enjoyed this and will definitely be picking up the sequel.

Amanda Clay reviews Afterworlds by Scott Westerfeld

afterworlds

This book is all about the flipside.

Two interlocking stories, Darcy Patel, YA wunderkind, whose NaNoWriMo romance has catapulted her into a whole new world, and her creation, Elizabeth Scofield, whose brush with death gave her access to the afterlife and a whole new purpose for her existence.  Told in alternating chapters, the young women’s stories unfold.  The navigation of the new, the weight of responsibility both to people and circumstances, the shock of self-discovery, and the risks of new romance. Darcy’s tale is as real as Elizabeth’s is supernatural, but both girls share more than they might realize.

Lizzie’s story is Darcy’s, the book she wrote and sold for a staggering sum.  Launched by this success, Darcy defers her college acceptance and moves to New York, throwing herself into the literary life.  It’s a dizzy ascent at first, meeting idols as equals, learning how to live and work entirely on her own.  But Darcy has luck as well as skill, and the people she meets are good and helpful, some even better than others. Fellow debut author Imogen Gray is friendly at first, but the two are drawn together and Darcy finds herself caught up in a first love she never even knew she wanted. But romance with a fellow writer has hidden challenges, especially when you both have secrets.

Lizzie’s life is much less serene.  When terrorists attack the airport lounge where she waits for a flight, Lizzie survives only by magic, phasing into the Underworld, the middle land where ghosts roam, kept alive by the memories of the living. From a beautiful young man named Yamaraj, Lizzie learns she is a psychopomp, a living guide of the dead who can pass between worlds.  With this newfound knowledge, Lizzie determines to do good, avenging the deaths of murdered children, even as she navigates the powers and politics of this new realm and the lives within it.  Lizzie learns from Yamaraj, connecting with him on many levels, but their dedication and attraction may not be enough when their world is threatened with a killer of the dead.

As I said before, this book is all about the flipside. That’s what Lizzie calls the Underworld, and it’s the perfect metaphor for the story itself.  Darcy’s tale is delightful.  The brilliant, colorful world of the living, with love, friendship, money and a dreamy career won with hard work and genuine talent. There’s  vicarious living and wish fulfillment, tempered with enough struggle, enough sacrifice, to keep it from being saccharine and unrealistic.  Her romance with Imogen blooms and flourishes, and even their setbacks aren’t too upsetting. The book is also wonderfully meta, with lots of discussion about the ups and downs of writing YA novels, of the writing life, and of the difficulty making edits and revisions on the story we are currently reading.

Lizzie’s story, on the other hand, is the world of the dead: grey and flattened, chill and draining.  Perhaps it is simply down to my taste, but the “Afterworlds” within Afterworlds didn’t work as well. The story of Lizzie’s newfound supernatural life and romance is adequate but unremarkable. I never skimmed, but I was often impatient to get past it and back to Darcy’s story.  The romance with Yamaraj seemed like it was included because there’s supposed to be romances in stories like this. Unlike Darcy and Imogen, there wasn’t much chemistry.  Lizzie doesn’t think or feel about him in romantic ways, just gets with him occasionally to make out. The world building is fairly unique, based on Hindu mythology, and Lizzie’s quest to find the killer of her mother’s childhood friend is enough plot to move the story forward. Even the climactic showdown seemed like it was there because it was time to wrap things up.  It’s not a bad story, it’s just not as good as Darcy’s story.

Ultimately, this is a book I recommend. It’s not a challenging read, but it is enjoyable, and as Imogen herself says, who doesn’t need the occasional happy ending?

Trigger warnings: terrorism, gun violence, child murder