Alexa reviews Soft on Soft by Em Ali

Last month, I reviewed a fluffy, romantic, low-conflict sapphic story with at least one protagonist who was fat, non-white, pan and/or ace-spec (Learning Curves by Ceillie Simkiss). This month, I’m reviewing a fluffy, romantic, low-conflict sapphic story with at least one protagonist who is fat, non-white, pan and/or ace-spec (Soft on Soft, a.k.a #FatGirlsInLove by Em Ali). Honestly, I love this trend, and I hope we’ll all have the chance to read many more diverse and positive sapphic stories like these.

Despite my comparison at the beginning, Soft on Soft by Em Ali (which I received as an ARC with a different title, #FatGirlsInLove, that appears to be a working title) is an entirely unique story. It’s a romance between two fat sapphic women: Selena, a Black demisexual model, and June, the Arab-Persian, anxious make-up artist. Thanks to the profession of the two protagonists, Soft on Soft is full of diverse bodies being celebrated, colourful descriptions, flowers, and altogether vivid mental images.

The book’s plot can mostly be summarised as Selena and June flirting, hanging out with friends, going on dates, making geeky references or working together. It is a character driven novel that is perfect for people who just want to read a cute romance and don’t mind the minimal plot – and really, the characters are worth staying for. The supporting cast has multiple nonbinary characters (with different pronouns), one of whom has depression and some really relatable remarks about mental health and therapy. Also, one parent of the main couple is bisexual, which is awesome – I very rarely see older queer characters, especially parents with adult children.

One strange thing was that the characters in this book talked in real life the way I’m used to people talking on Tumblr, and it was just a strange dissonance to see that kind of language being used in offline conversation. For this reason, some sentences seemed like they weren’t really lifelike, but I’m sure people actually talk like this and I’m just not used to it. (Also, “I’m green with enby” is a great pun I must use.)

In short, this was an adorable novel with diverse characters and colourful settings (and also, cats!). I admit I generally prefer books with a more exciting plot, but people who just want a cozy sapphic romance with fat characters will love Soft on Soft.

tw: panic attack described by POV character (chapter 8)

Alexa is a bi ace reviewer who loves books with queer protagonists, especially young adult and fantasy books. E also has a fascination with solarpunk, found families and hopeful futures, and plans to incorporate these in eir own writing. You can find more of eir reviews and bookish talk on WordPress and Twitter @greywardenblue.

Julie Thompson reviews The Unbinding of Mary Reade by Miriam McNamara

My earliest memories of pirates include Muppet Treasure Island, The Goonies, and the treasure chest at the dentist’s office. Female swashbucklers, however, did not enter my consciousness until much, much later. I lived vicariously through sanitized depictions of redeemable and charming male anti-heroes. If you want more than tired tales of Black Beard or even Calico Jack (featured, of course, in this novel as one  of Anne’s paramours), then you are in for a treat with The Unbinding of Mary Reade.

Miriam McNamara immerses readers into the so-called “Golden Age” (sometime between the mid-17th to the early 18th centuries) of piracy in the Caribbean. Based on the lives of Anne Bonny and Mary Reade, 18th century women who sailed the high seas. Much of what passed for facts on piracy in that era can be taken with a grain or two of salt (or in this case, of sand). Salacious tales of blood-thirsty, unscrupulous plundering of merchant vessels and conflicts with the Royal Navy, were intended to sell books and newspapers. How much of their lives truly happened, I don’t think we’ll ever know for sure. We can, however, through novels such as this one and Bloody Jack, a young adult series by LA Meyer, imagine what their lives were like and what drove them forward.

McNamara opens the story with a heart pumping action sequence as a crew of pirates led by Calico Jack take over the ship. Hidden from view, Mary “Mark” Reade beholds a fiery image of Anne Bonny, her pistol firing and wild hair flying. In that moment, it won’t be the first or the last time that Mary takes a chance on an unconventional choice.

Life in a poor London neighborhood is hand-to-mouth for Mary, the illegitimate daughter of an alcoholic mother. The untimely death of her brother, Mark, son of a long gone, but moneyed father, presses Mary into a role she can’t refuse. She shears her hair and attempts to pass as Mark in order to play his grandmother for financial support. McNamara’s exploration of gender roles, sexuality, and identity flows naturally throughout the narrative. Mary’s journey from hardscrabble city life to her eventual job aboard seafaring vessels alternates with the story’s present-day of 1719. Anne, on the other hand, takes to the seas to escape an abusive marriage and eke out freedom and fulfillment however she can.

Anne and Mary develop a strong, Thelma & Louise kind of friendship, that buoys the pair in world dominated by men. In addition to nuanced explorations of gender, we also follow Mary’s developing attractions for her childhood friend, Nat, and Anne. McNamara weaves well-placed details and develops supporting characters to bring the realities of life at sea and society (as a woman) to life. Readers familiar with their story will still find much to enjoy in this engaging drama.

If you’d like to dive deeper into the history of female pirates, check out these books: