The Argonauts is an amazing book. It is a memoir but not a neatly narrative one. It’s been called “genre-bending,” which it certainly is. I’d describe it as a meditation of family, queerness, gender, love, bodies, connection, and a whole lot more. Nelson quotes academic theorists as readily as she shares visceral, personal details from her life. The book primarily focuses on Nelson’s relationship with and marriage to genderfluid artist Harry Dodge, being a stepmother to Dodge’s son from a previous relationship, and being pregnant with, giving birth to and parenting the couple’s younger son. Each of these topics is examined thoughtfully through multiple lenses, giving the reader plenty of food for thought.
This book offers up many intriguing questions without giving easy answers. Everything from assumptions about pregnant women, reified identity, personal expression, death, and the act of giving birth get a turn. I find it hard to summarize such an eclectic and fascinating book while truly doing it justice. It’s creative nonfiction at its best.
I’m also grateful that I read it exactly when I did, just after I finished graduate school and nearly at the middle of my pregnancy. It was the only book I’ve found that spoke about the personal experience of pregnancy, let alone queer pregnancy, in a way that rang true for me. The questions about parenthood and marriage that it raises were extremely relevant to me and I found myself jotting down references for further reading.
It can be fairly academic in places. I appreciated this, but others might not. It’s short but dense with ideas, and I’m glad I took my time reading it. Going slowly with it allowed me to absorb the subject matter and I doubt I would have enjoyed it as much if I’d read it in a rush.
I highly recommend this book to anyone interested in queer family and partnership, or just a truly unique memoir.