Lauren reviews The Little Sisters of The Holy Vessel by Vincent Cross

the-little-sisters-cover

The Little Sisters of The Holy Vessel is a short story about an order of nuns that administer exorcisms. In particular, readers are introduced to Sister Teresa and Sister Elizabeth. The sisters have traveled to a small village to assist Father Gregory with a recent crime that he believes will require a spiritual interrogation. At first, nothing seems odd about the nuns. They are dutiful with religious and cultural etiquette. Fast-forward past the opening and Cross unveils the “worldy” side of these women, which removes the veil between the reader and the historical setting, and allows Teresa and Elizabeth to add deeper hues to the story.

Given this is a short story I can’t delve into the plot without risking spoilers. Therefore, I’ll shift to the parts of the narrative that interested and concerned me.

First off, Little Sisters is erotic, which augments the relationship between the characters, as well as the banishment of evil. The erotic is more than sexual. It exists in several layers. It’s physical and spiritual and romantic. On this same note, there is a layer of Cross’ eroticism that pestered me as the story escalated and climaxed. And it started with this sentence:

“We want the thing to smell our scent, but we don’t want our bodies to betray us.”

Sparing the details, I asked myself why is it necessary for these women to use their vessels in such a risky way? Arguably, they are asked to sacrifice their sanctity. Do their actions convey that women are powerful beyond measure? Or, is this just another instance of women “using” what God gave them to make themselves relevant in an unequal world and an attempt to maintain balance between good and evil? Which, ultimately, saves men. If the tables were turned and male clergy were responsible for the exorcism, how would the climatic event in this story change? To me, it would be much different.

There are times when the erotic can be liberating.  There are times when the sexuality and the erotic gaze are self-serving and only maintain sexist ideals. I feel that Little Sisters walks a fine line. The story is well written, but where (and if) readers teeter along this line is subjective, of course.

I would have liked for Cross to allow the nuns to address two of my lingering questions: first, who are they protecting, and second, do they feel their holy vessel is the only way?

As a reviewer, I rarely feel the need to strike an iron hammer by recommending or not recommending a read. Therefore, I’ll end as I usually do. Little Sisters is story for those who enjoy short stories and want to venture into an old world, erotic, and paranormal read featuring religious women that boldly face demons.

Lauren Cherelle uses her time and talents to traverse imaginary and professional worlds. She recently penned her sophomore novel, “The Dawn of Nia.” Outside of reading and writing, she volunteers as a child advocate and enjoys new adventures with her partner of thirteen years. You can find Lauren online at Twitter,www.lcherelle.com, and Goodreads.

Lauren reviews The Beast at the Door by Althea Blue

beast-at-the-door

Confession: I’m new to steampunk-themed fiction. Therefore, I was excited to fall into The Beast at the Door— tagged as a steampunk fairy tale.

Immediately, the author (Althea Blue) hits readers with a big dose of pathos, which is delivered by the teenage protagonist, Patience.

Patience lives in a cage. A cage constructed of rigid decorum, never-ending pretense, and swift punishment. She’s prodded by rules and subdued by her family’s wealth. Despite the lavish lifestyle she’s afforded, Patience is drowning in a world that stifles her voice and potential.

When Patience’s parents surprise her with an arranged marriage, she finds the courage to set herself free. She flees from home and embarks on a rough journey with a dash of danger until she stumbles upon a garden and the lure of sanctuary. Out of desperation and survival, Patience resorts to behaviors short of her moral code.

Blue sprinkles tiny nuggets of foreshadowing, but they come later in the plot—mainly due to the story’s very slow pacing. Nearly halfway into the book, Blue drops a golden nugget before her reader’s eyes. The enticing hint comes during a low moment of Patience’s journey and propels the heart of The Beast at the Door into a coming-of age-story.

Saving plot spoilers, romance lands at Patience’s feet when she least expects it, which grants her refuge in the form of emotional freedom. This feeds my favorite aspect of the story. Patience’s vulnerability is authentic and bubbles over into the thrills of young adulthood, budding love, and friendship.

The newfound freedom works to Patience’s advantage by making her a relatable character; however, this book lightly treads on steampunk. The most tangible steampunk element hinges upon a single character, Ada. Other subgenre-related characteristics (i.e., the setting and time period) are captured in the story, but they are secondary to Ada’s role and don’t necessitate Patience’s development. The fairy tale element was steeped in the main characters’ overall cheerful dispositions and the essence of oral storytelling (which is mimicked in the writing style), but stunted by the story’s realism.

Granted, I’m .5 of an ounce biased. Maybe I was in the mood for a sprinkle of fantasy where I’m transported to a slightly alternate world. Or, maybe I was in the mood for a gritty European subculture. But hey, isn’t that the beauty of fiction? Readers indulge, digest, and then regurgitate all sorts of thoughts and feelings from a single story.

With that said, if you’re in search of weighty speculative fiction, The Beast at the Door may not satiate your curiosities. You’ll need a meatier portion of steampunk. However, this novella will be a delightful read for those who seek dashes of lesbian and steampunk flavors.

Lauren Cherelle uses her time and talents to traverse imaginary and professional worlds. She recently penned her sophomore novel, “The Dawn of Nia.” Outside of reading and writing, she volunteers as a child advocate and enjoys new adventures with her partner of thirteen years. You can find Lauren online at Twitter, www.lcherelle.com, and Goodreads.