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Danika reviews Domestication Handbook by Kristen Stone

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I’m not sure exactly how to review Domestication Handbook, because I’m not sure I fully understand what it is. It seems to blend together fiction, memoir, and book of poetry. The book is divided into three sections: “Part 1: A basic guide to farming”, “Part II: How to write a suburban memoir”, and “Part III: positive reinforcement for pets and other animals”. Like The Story of Ruth and Eliza, each section is comprised of small, titled segments which are often in verse.

Each segment provides just a glimpse at a certain time, usually from childhood. They seem like a collection of enigmatic snapshots, not quite forming a coherent narrative, but enough to establish an emotional progression. The book often avoids names, calling the siblings “little animals” and switching tense from third to second person throughout, making it difficult to tell if we’re even following the same person the entire story.

Domestication Handbook seems to be mostly a story about growing up, which includes furtively reading Best Lesbian Erotica as well as playing Little House In the Big Woods.

I enjoyed this one, but not as much as The Story of Ruth and Eliza. I felt like I couldn’t quite get a grasp on what was happening, and although Kristen Stone is obviously skilled with language and I was intrigued, it left me feeling disconnected. If you’re a poetry fan, I would still recommend this one, as long as you’re not expecting a linear storyline.

Danika reviews The Story of Ruth and Eliza // self/help/work/book by Kristen Stone

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The Story of Ruth and Eliza // self/help/work/book by Kristen Stone is a double-sided chapbook, with one side being the novella The Story of Ruth and Eliza and the other side the poem self/help/work/book. The poem is eight pages and has to do with abusive relationships. It’s fragmented, and it’s unclear which segments are connected, but they come together to establish a discomfiting mood, and communicates a lot in a small space. I appreciated how Stone used different techniques throughout the poem, from one run-on look inside someone’s mind to short, stark sentences that stand alone in a section. I read this after The Story of Ruth and Eliza, but I would recommend starting with the poem instead, or reading them in different settings, because Ruth and Eliza overshadowed self/help/work/book some for me.

The Story of Ruth and Eliza is a novella (or lengthy short story?) that revolves around two characters: Ruth, a witch, and Eliza, a nurse. The story is told in many small sections, some several pages long and some only a few lines. Each is titled, and though they are written in prose, they seem to act like poems. Stone definitely bring a poetic element into the story, and so many of the lines seem as carefully chosen and evocative  as poetry. Ruth and Eliza meet in a sign language class, and they are brought closer by working on a group project together. Ruth is lonely, and envies Eliza’s home, which is filled with the presence of her children and husband. They are both drawn to each other, but this isn’t exactly a love story.

I instantly fell in love with Kristen Stone’s voice, and found myself reading out lines to my roommate, though I wouldn’t be able to explain why those sentences struck such a chord, like this paragraph, in the section “Dog Kickers”:

When Ruth sees something cure she immediately imagines someone doing damage to it. Crushing its face. Once in the library she heard a woman holding a tiny baby say to another women, I’ll be so glad when she’s too big to fit in the microwave. Ruth wishes for a child but know she can’t. She would think only of the microwave.

I also actually laughed several times while reading, too, which I don’t usually do, and at lines like: “Emmaline and Eddie both seem to think there would be dinosaurs at the zoo. They had confused the idea of a museum and the idea of a zoo and the film Jumanji.”

Besides the voice, I most enjoyed the backstories given in The Story of Ruth and Eliza. Both of them are really interesting characters, but it was Eliza’s childhood that really stuck with me. These are definitely characters that are going to stick with me, and that’s especially impressive considering how short this story is (61 pages). There’s also an element of magical realism to the story–is Ruth a witch? What does that mean?–which is left up to interpretation, which adds to the interest.

I was definitely impressed with this chapbook. There were a few typos, but only two or three, and other than that it felt polished and thoughtful. I have another book by Kristen Stone, Domestication Handbook, on my TBR pile, and after reading this one I’m really excited to start it.