Megan G reviews Leah on the Offbeat by Becky Albertalli

Leah On the Offbeat by Becky Albertalli

Leah feels like she’s always on the off-beat. She loves to draw but is so self-conscious she barely shows anyone her drawings, let alone allows herself to think about selling them for money. Her mother is much younger than the parents of her friends, and currently dating a man Leah thinks she is way too good for. She’s bisexual, but is uncertain about coming out to her friends, even openly-gay Simon. And, to top it all off, she’s starting to get feelings for someone she really shouldn’t – someone that could cause tensions in her friend group she really doesn’t want to cause. Sometimes it feels like the only part of her life that is on beat is her drumming.

Leah on the Offbeat is what I like to call a Sequel-But-Not-Really. It takes place in the same universe as Becky Albertalli’s debut novel Simon vs. the Homo Sapien Agenda and includes the same characters. Instead of being told from Simon Spier’s perspective, however, it is told from Leah Burke’s. This is what adds the “But-Not-Really” to the Sequel, because by placing ourselves in Leah’s shoes instead of Simon’s, it feels like we’re entering an entirely different world.

One of the things I loved the most about Simon vsthe Homo Sapien Agenda was how honest and realistic Simon’s voice came through in the writing. This easily became the thing I loved the most about Leah on the Offbeat as well. I don’t know how Albertalli managed to get into such different character’s heads so perfectly, but she did it. Leah is nothing like Simon, and yet she is just as real. It never felt like I was reading a piece of fiction. Instead, it was like someone was narrating their life to me (even more-so considering I listened to this as an audiobook).

In her realism, Leah is just as frustrating as she is encouraging. The biggest thing that holds Leah back throughout the entire novel is herself. Almost every bad decision she makes is born out of a lack of self-confidence and anxiety, and is therefore self-inflicted, which can sometimes make it difficult to feel sorry for her. The good thing about this, though, is that Leah grows. She becomes more confident as the story goes on, more self-aware, and less likely to become a self-fulfilling prophecy. By the time the story ends she still has a long way to go, but she’s moving forward. It’s incredibly satisfying.

The love story is my other favourite thing about this book. I don’t want to say too much, because if you haven’t read this book yet then you deserve to experience every moment of Leah falling in love for yourself, because it’s amazing, and hilarious, and cringeworthy, and messy, and so, so, so worth it. It was more than I could have hoped for, and I hoped for a lot.

Because I read this as an audiobook, I feel the need to include a small bit of praise for Shannon Purser, the reader. I found she did an amazing job at bringing the story, and Leah in particular, to life. She had great inflection and was super clear. I highly recommend giving it a listen!

Overall, Leah on the Offbeat not only holds up to its predecessor, but I would go so far as to say surpasses it. Leah is charming, and frustrating, and kind, and obnoxious, and warm, and real. She’ll worm her way into your heart and force you to cheer for her, even when you don’t want to. She’ll throw you right back into your teenage years, for worse and then for better. She’ll remind you of what it’s like to be a young girl falling in love with a girl for the first time in all the best ways.

I cannot recommend this book enough.

Tierney reviews Leah on the Offbeat by Becky Albertalli

Leah Burke is spending her last year of high school trying to figure out where she fits in, and often feeling awkward about the fact that she marches to the beat of her own drum. She tells the story from her perspective in Leah on the Offbeat, Becky Albertalli’s not-quite-sequel to Simon vs. The Homo Sapiens Agenda (the book on which feel-good gay movie Love, Simon was based). I say not-quite-sequel because while the events in this novel follow the events in the preceding one, Leah’s point of view puts the focus on entirely different things (don’t worry, Simon and Bram are still disgustingly adorable, even as the secondary focus), and rewrites some of what we thought we understood from the previous novel in ways that are absolutely glorious.

In Leah on the Offbeat, Leah spends much of her time hanging back – from the spotlight, from taking a real shot, to avoid change and uncertainty. She loves to draw – but doesn’t think her art is good enough to actually sell her pieces, even though she needs the money. Someone has a crush on her – but she can’t figure out how she feels about it. She’s got a giant crush on someone else – but she spends time agonizing over it, even when things look promising. She’s bisexual, and is out to her single mom (and has been since middle school) – but she doesn’t feel like she can come out to her friends so soon after Simon has come out, so they don’t know about this big part of identity.

But there are also glorious moments when she steps up to the plate, like when she stands up to a friend who makes a racist comment about affirmative action being the only reason someone got into a university she was rejected from. Throughout the entire novel, Leah is an absolutely delightful character, even when you feel like yelling at her for getting in her own way and messing things up for herself with her self-consciousness and her reluctance to ever try, for fear of messing things up. It’s infuriatingly adorable (and all the more so when she finally gets over it!).

Albertalli does an awesome job in her portrayal of Leah’s bisexuality: it’s such a rock-solid part of her identity, despite her other insecurities, and is an important focus of the novel, even though she’s not out to her friends. Her pop culture references are on point, and are delightfully queer. And no spoilers, but the very queer denouement of her story feels absolutely epic – Albertalli’s writing had me rooting for this ending from very early on in the novel.

Leah on the Offbeat is a great read, and worthy of your time whether or not you’ve read Simon vs. the Homo Sapiens Agenda (though queer folks who have read it are sure to enjoy Leah’s take on things, and the spectacular unfolding of Leah’s own queer story!). All I can say, they better make this one into a movie too: Leah deserves her own movie, and her queer fans deserve to see this story onscreen. Fingers crossed!

Danika reviews Drum Roll, Please by Lisa Jenn Bigelow

Starting From Here by Lisa Jenn Bigelow is one of my favourite YA books, so of course when I heard that she had a bisexual middle grade book coming out, I was eager to pick it up. Drum, Roll Please definitely lived up to those expectations. Melly is 13, and the day before she was dropped off at Camp Rockaway, her parents told her they were getting divorced. She’s had no time to process this before she’s tossed into this new environment for 2 weeks, and even her best friend being there doesn’t seem to help, especially when Olivia is too busy hanging out with her crush to remember her. Melly may be a drum player, but she has trouble finding her own voice. One way or another, these two weeks will change that.

I loved this book. It’s such a quiet read–fittingly. It’s about music and friendship and divorce and growing up and crushes, but mostly it’s just about Melly finding herself and being true to herself. She’s someone who is used to being in the background, to following along with whatever her best friend, Olivia, wants to do. But her parents’ divorce and the atmosphere of Rockaway Camp shift things, making it difficult for her to stay passive. Melly is placed in a band, and she has to find a way to communicate with her bandmates as well as find her own voice.

Meanwhile, her relationship with Olivia is complicated and thorny. Olivia is at first clingy, until she gets a crush and spends all of her free time with him. Melly is hurt, but she also isn’t sharing anything with Olivia. She keeps telling her that she’s fine and doesn’t want to talk about it. It takes one of her bandmates, Adeline, to break Melly’s shell, so she can finally talk about how she’s feeling. I loved reading about this tiny clueless bisexual’s first foray into crushing on a girl. She gets butterflies in her stomach, and then: “I looked at her hard, trying to understand. But I wasn’t sure what I was looking for, so how was I supposed to recognize it when I saw it?” Been there! The two of them are very cute, and I was happy to see Melly reaching out to develop new connections. The word bisexual isn’t used, but Melly does talk about having a long-term crush on a boy before.

I appreciated the complexity of the relationships and their dynamics. Olivia may not have been there for Melly as much as she wanted, but Melly wasn’t communicating with Olivia. Her parents may not have been fair to her to tell her just before she left, but maybe she wasn’t being fair to them, either. Melly needs to find herself and get in touch with her own emotions, but that doesn’t mean abandoning her empathy. Relationships–of all kinds–are complicated. Communication is difficult. And Drum Roll, Please doesn’t try to simplify it. We can be sympathetic from one angle and cruel from another. There aren’t easy answers.

Although I never went to a music camp (mine was theoretically a Christian camp, but that was mostly lip service to get funding), I thought Drum Roll, Please really captured the atmosphere of summer camp. Within a day, it feels completely normal, but it’s so different from the rest of your life. The activities, the atmosphere, the people–it’s as if this time exists in a bubble. Friendships tend to develop easily, and you feel like you’ve known these people much longer than a week or two. But once you leave, the memories seem unreal. Most of these people you’ll never see again, except perhaps at camp next year. Despite its ephemeral nature, that time felt formative–it definitely is in Melly’s case.

I’m so happy to see another queer middle grade book out there. This is a great addition to the genre, alongside Star-Crossed by Barbara Dee, though I feel that Drum Roll, Please is a half step up in maturity–right between middle grade and YA. I definitely recommend this, whether for a tween reader or an adult. I really got invested in Melly’s story–and who can resist that cover!