Meagan Kimberly reviews Advice I Ignored: Stories and Wisdom From a Formerly Depressed Teenager by Ruby Walker

Ruby Walker’s Advice I Ignored offers exactly that: good advice that so often gets ignored. It didn’t happen only to her. She recognizes it happens to all of us. I’m personally not much of a self-help book type of reader, so I entered this one with some hesitance. But I found I rather enjoyed Walker’s brand of sarcasm, wit, and heartwarming compassion.

There’s nothing revelatory about the advice Walker gives. It’s all practical. It’s all practicable. And it’s all been said before. What makes her approach different is how she makes it relatable and teaches you how to practice it. That latter part is often the missing piece of the formula when well-intentioned people dole out good advice.

She structures the book like this: advice, personal anecdote, tips to get started. The pattern never breaks throughout the chapters. This consistency is part of Walker’s strategy in offering her wisdom. No matter what the advice, a key component is to keep practicing it. Practice is repetition. Structuring her book like this makes it a brilliant example of how to take the advice and run with it.

Walker’s attention to detail stands out when she describes her relationship with her body and her body’s relationship to nature around her. She speaks a great deal about the physical difficulties that depression causes, and how she eventually gets herself out of those slumps. It doesn’t come without its strife, but she ensures the reader they are not alone, and that it’s possible to come out the other side.

Certain lines illustrate with spectacular accuracy the way the mind works, like this on about trying to listen to music while running:

“My mind just felt crowded when I tried playing some aloud.”

This description of the inability to focus on the sounds coming from one’s headphones or earbuds while engaging in exercise speaks to a greater issue: the inability to be alone with one’s thoughts. She addresses this issue in different ways throughout the book, and of course some solid advice on how to deal with it.

Walker delves into the danger of self-deprecating humor. She recognizes this “fatalistic streak” brand of humor is synonymous with certain generations. There’s a fine line between self-deprecating jokes and bullying one’s self. Walker takes the reader through that gray area, as some people often blur the two.

Throughout Advice I Ignored, Walker includes sketches and drawings to coincide with the topic. Sometimes they add a sense of levity and shine a light on her sardonic humor. Other times they illustrate what words alone cannot convey for the heaviest emotions. No matter what, they add another dimension to her voice that compliments the written content.

While as a whole the advice and wisdom in the book are nothing new, at certain points, Walker hits a note so right that it feels like a revelation, like when she talks about how people change:

“Lasting recovery means changing a little bit every moment you’re alive.”

This statement speaks to how change doesn’t happen like in the movies. There isn’t necessarily a dramatic, defining moment that becomes a turning point. Rather, it’s a winding path of quieter moments that turn into gradual change.

Some moments Walker could take the easy way out and write about mental health from a “general” point of view. But she doesn’t. She acknowledges a great deal of what influences mental health stems from systemic issues in society that cause harm to marginalized communities. Walker writes to her experiences as a lesbian woman, but she knows she doesn’t speak for all individuals that come from oppressed communities.

So many different aspects of the book spark a great deal of thought. The biggest message to take away is that change is possible, and it happens one step at a time. Most importantly, showing compassion and patience with yourself is key when you don’t get it right the first time.

Susan reviews My Solo Exchange Diary Volume 2 by Nagata Kabi

My Solo Exchange Diary Volume 2

My Solo Exchange Diary Volume 2 is another set of autobiographical essays about Nagata Kabi’s life and depression. Where Volume 1 followed her attempts at independence and romantic intimacy while unpicking her relationship with her family, whereas volume 2 finds Nagata Kabi enjoying friendship and emotional intimacy, while her mental health takes a nosedive.

Just like with the first volume, My Solo Exchange Diary can be a rough read. Nagata Kabi is frank about her mental health and the setbacks she suffered – being equally unable to cope with living alone and living with her family, drinking, and voluntary hospitalisation – and that is often harrowing! Sometimes funny, but definitely hard sometimes. Her cartoony style still doesn’t soften any of the blows, and sometimes make it worse, but her art is clean and striking, so it works! (And just on a purely over-analysing level: I love that the cover is finally her reaching out to herself and talking, because I feel like that drawing alone represents so much growth in her attitude to herself and her own pain.)

I think what really struck me for the first time as I read this is that because of the format – a collected edition of visual essays that were originally serialised monthly – it’s actually really tense to read, because you don’t have the same reassurance that the creator must have been fine because they finished the book as you would in a more standard autobiography. It accounts for the significant shifts in tone and subject between the chapters, and the way that she is much more enthusiastic and loving about her family than she was in the first volume, even as she talks about the pain they have caused and still cause her. It makes sense, because My Solo Exchange Diary is very much about the ways that Nagata Kabi’s family hurt her, but still rallied around when she needed them, but it was a little surprising to read.

The depiction of her struggle with independence and her stay in hospital felt very relatable to me, especially in her reactions to being stuck in the hospital without being able to articulate her fear and despair at the idea of having to stay there for months on end. It doesn’t feel advisory or demonstrative, it’s not a “here is what staying in hospital for mental health reasons is like,” it’s just what it was like for her, and the ways in which it helped her and scared her.

Unsurprisingly, My Solo Exchange Diary is still hard and harrowing to read, but it feels more hopeful than the previous volume. Nagata Kabi specifically talks about her support network that cares for her, and there is an epilogue where she recognises that packaging her life in neat little chunks for an audience is maybe not the best choice for her right now, which I’m honestly in favour of because I’d rather she focus on her recovery. Seeing her asking how her future self was doing at the end of some of the chapters broke my heart a little, but gave me hope that she was going to be okay. … Especially because she FINALLY got the hug that she’s been waiting for, and I nearly cried for her.

[Caution warning: alcoholism, depression, hospitalisation, self-harm, suicide attempt]

Susan is a library assistant who uses her insider access to keep her shelves and to-read list permanently overflowing. She can usually be found writing for Hugo-winning media blog Lady Business or bringing the tweets and shouting on twitter.

Susan reviews My Lesbian Experience With Loneliness by Nagata Kabi

Nagata Kabi’s My Lesbian Experience With Loneliness is an autobiographical manga about the creator’s life as a young queer Japanese woman with depression, who decides that the best way to resolve her difficulties connecting with people and her understanding of her own sexuality is to hire an escort.

My Lesbian Experience With Loneless is a a really fascinating look at the creator’s life, especially because the way she talks about her depression is extremely relatable. Some of the mental loops she describes and her resolutions (She talks about how she always treated herself and her accomplishments like crap because she couldn’t love herself, but once she started actually looking after herself the people around her started treating her better! And there is a panel of her yelling “If this is how it is, I’ve got nothing to lose! I’ll claw my way out of bed with my last dying breath!” which is how I feel about my mental health too!) are extremely familiar, but presented in a way that softens the blow. She makes me laugh even as I’m nodding along. She doesn’t shy away from talking about the problems she’s had, or how awkward she is, and it’s impressive.

(I found the sections where she spoke about her mother to be very strange, but in much the same way that I found the way Alison Bechdel spoke about hers in Are You My Mother? to be strange, so I don’t think that part of the book was ever going to work for me. Your mileage may vary!)

The art style is very minimal and sketchy, which works for the narrative of the book. It does so much of the heavy lifting to keep things on this side of funny and bearable, even when she’s talking about serious matters like her eating disorder. I found it especially effective for the scenes at the love hotel, because it’s not presented in a titillating way! I’m a fan of story about sex workers than manages to not centre the male gaze, and the fact that this story focuses on how awkward Nagata Kabi felt herself to be really works. I especially loved the follow-up comic where she talks to another escort from the agency, and the authorial comment that it’s much easier to speak to people who know her from her manga, because “it was like I’d submitted material about my personality in advance.”

Basically, this was an entertaining manga that speaks frankly about Nagata Kabi’s depression and recovery, and the way that hiring a sex worker changed how she thought about herself. It was really cool, and I enjoyed it a lot!

(The follow-up manga, My Solo Exchange Diary, has also been licensed and should be out this month!)

[Caution warning: depression, eating disorders]

Susan is a library assistant who uses her insider access to keep her shelves and to-read list permanently overflowing. She can usually be found writing for Hugo-winning media blog Lady Business or bringing the tweets and shouting on twitter.