All The Pretty Girls Read Sapphic Stories: Readalikes for Reneé Rapp’s Snow Angel

If you have watched The Sex Lives of College Girls or Mean Girls (the musical), then chances are that you’re familiar with bisexual singer/actor Reneé Rapp. In 2022, Rapp released her debut EP Everything to Everyone, which featured nine original songs about mental health, her queer identity and love. Most recently, Rapp released her first full-length album, Snow Angel, on August 18th, 2023 and will be starting on an international tour in mid-September. Snow Angel has been on repeat in my household for the last month and as is usually the case, listening to sapphic music reminds me of sapphic titles I have read. Down below is part one of readalike titles for songs on Snow Angel. You can get a copy of any of these titles from your local bookstore or library, or you can get a copy through Bookshop.

“Talk Too Much”

the cover of Leah On the Offbeat by Becky Albertalli

“I’m here again/Talking myself out of/My own happiness/I’ll make it up ’til I quit/I wonder if we should just sit here in silence ’cause/Ooh/Ah, just shut the fuck up!”

“Talk Too Much” is one of my go-to bi girl songs as I feel that it speaks to how bi women constantly have to prove their sexuality while maintaining the status quo around them. Upon hearing Talk Too Much for the first time, I immediately pictured one of my favorite heroines in her bright yellow dress, sunglasses, and coffee in hand—Leah Burke in Becky Albertalli’s Leah on the Offbeat. Leah is externally defined by her boldness and confidence; however, she is struggling with keeping her friend group together and whole while also struggling with self-doubt about her talents and her sexuality. I think she would pull off the intense talking bridge Rapp slid into Talk Too Much with immense pleasure.

“I Hate Boston”

the cover of For Her Consideration

“How’d you make me hate Boston/It’s not its fault that you don’t love me/Had its charm, but it lost it/It’s not its fault, just a casualty/And casual’s the way you chose to leave”

I barely made it into the first chorus of this ballad about hating a town due to an ill-fated romance when For Her Consideration by Amy Spaulding came to mind. In this contemporary romance, Nina Rice now stays far away from romance, scriptwriting, and her former community of LA proper after a horrific breakup three years ago. However, after she begins working for queer B-list actress Ari Fox, Nina begins to feel like it may be less terrifying to bring back the good facets of her old life. As she reconnects with her former community and begins to edit her old script, a relationship with a movie star feels like one more impossible thing to add on – but why not at least try? This story is as much a love story about the community found within L.A. and overcoming that hauntedness as it is a love story between script writer and actress.

“Poison Poison”

the cover of We Play Ourselves by Jen Silverman

“You gеt on my nerves/You’re so fucking annoying, you could poison poison/You’rе the worst person on earth/Forgiving you is pointless, you could poison poison, baby girl”

As I was good-naturedly mumbling along to Rapp’s various expletives in the boppy vitriol “Poison Poison,” I could feel the spirit of Cass in We Play Ourselves by Jen Silverman spitting those same words out. Cass is an unlikeable protagonist, hiding out in L.A. until her actions at a big New York City party create a little less gossip. While out there, she gets involved with her next-door neighbor, a documentarian obsessed with filming the high school girls running their own Fight Club. If Cass heard Poison Poison today, she would be wishing her nemesis, Tara Jean Slater, the pain of those lyrics. 

“Gemini Moon”

the cover of Verona Comics by Jennifer Dugan

“I bet you’re sick of it/Believe me, so am I/Always the problem kid/I could never pick a side/I bet you’re sick of it (Ah-ah)/I could blame the Gemini moon/But really, I should just be better to you”

“Gemini Moon” is a softer, more self-aware version of “Talk Too Much,” where Rapp knows that she will never feel comfortable in the relationship until she works on herself. With “Gemini Moon”’s bittersweet lyrics about self-doubt morphing into self-sabotage, I have to compare it to Jennifer Dugan’s Verona Comics, a bisexual Romeo and Juliet retelling set in the world of comic books. Jubilee and Ridley fall in love at a comic con prom and strive to keep their relationship secret, even as Jubilee struggles with prepping for college auditions and Ridley struggles with his mental health. [SPOILER] The two eventually break up, recognizing that they have to work through their various issues with codependency and depression before engaging in a romantic relationship, bringing to mind the soft-spoken chorus of “Gemini Moon.” [/SPOILER]

“Snow Angel”

the cover of Planning Perfect

“I’ll make it through the winter if it kills me/I can make it faster if I hurry/I’ll angel in the snow until I’m worthy/But if it kills me I tried/If it kills me”

“Snow Angel” is the most poignant and vulnerable song on this album; full of heartbreak, loneliness, trauma, and euphemisms for substance abuse. This may not seem like a song for a light and happy recommendation, but take my recommendation of Planning Perfect by Haley Neil with a grain of salt. In this young adult novel, Felicity loves putting together gorgeous, heartfelt events and takes on the momentous task of planning her mother’s wedding with a month to spare. After her long-distance friend Nancy offers her her family’s apple orchard for the wedding, Felicity and her family end up spending the summer with Nancy and the two friends become closer despite Felicity’s ongoing issues with anxiety, perfectionism, and trying family members. Felicity’s internalization of needing to be perfect to make up for everyone else around her rings true with Rapp’s title track, making Planning Perfect a perfect readalike.

“So What Now”

the cover of Kiss Her Once for Me

So, what now/Should we talk/If we run into each other on the street/Should I keep walking/So, what now/Do you tell your friends/That things ended well/That I’m overdramatic, it was chill/Do you lie and say you don’t wanna see me again/’Cause I do it too

“So What Now” chronicles Rapp’s struggle with an ex coming back to town and not knowing whether to welcome them back into her life or to oust them and immediately invokes to mind Kiss Her Once For Me by Alison Cochrun. Last Christmas, Ellie fell in love with both Portland and Jack, the woman showing her around, only to be betrayed and fired a short time later. In the present, Ellie agrees to a marriage of convenience with her shop’s landlord and to meet his family during Christmas, only to find out that Jack is her future sister-in-law. “So What Now” brings to life Ellie’s frantic attempts to figure out if continuing with the marriage is worth being around Jack and if she’d been too hasty last Christmas with casting Jack aside, making the two a marriage of equals. 

“The Wedding Song”

the cover of That Summer Feeling

“You are my one, you set my world on fire/I know there’s Heaven, but we must be higher/I’m gonna love you ’til my heart retires/Forever will last/I think it went something like that”

“The Wedding Song” starts off gorgeously with a celebration of love between Rapp and her partner and fades into obscurity as Rapp realizes that she can’t remember this once-consuming song that she had created. In the same vein, Garland Moore in That Summer Feeling (written by Bridget Morrissey) has sworn off romantic love after being surprised with divorce papers on Valentine’s Day, and is determined to let go of her past at adult summer camp. However, she never accounted for Stevie, the sister of the man who she’d had a premonition about years ago, and for summer camp to help her heal. I’d like to think that “The Wedding Song” would morph eventually into That Summer Feeling, allowing for peace and second love to come to both Rapp and Garland.

Keep an eye out for Part Two!!

Chloe (they/he) is a public librarian in Baltimore, who identifies as Indigenous, autistic, and panromantic demisexual. They enjoy reading queer literature for any age group, as well as fantasy, contemporary, and romance. In their spare time, they act in local community theaters, play D&D, and are halfway through their MLiS program. You can find them on Goodreads, Twitter, or Instagram.

The Enthusiastic Ally to Bisexual Pipeline: Imogen, Obviously by Becky Albertalli

the cover of Imogen, Obviously

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Now that I’m twice the age of many of the protagonists in Young Adult books, I have a different relationship with them. I still read YA, but I find myself feeling protective of the main characters instead of relating to them. Nothing exemplified that shift more than reading Imogen, Obviously, where I just wanted so badly to give Imogen a hug as I read it.

Imogen is a high school senior who is a very enthusiastic queer ally, even though she’s, as Imogen puts it, “hopelessly” straight. Her sister and two closest friends are all queer. She goes to every Pride Alliance meeting. Her favourite movie is But I’m a Cheerleader, and she collects editions of One Last Stop by Casey McQuiston.

Her best friend Lilli is a year ahead of her and has already found a queer friend group in university—the same school Imogen will be joining in a few months. Imogen is happy for her… even though she feels out of place. She doesn’t want to intrude, as a cis straight person.

When Lilli finally convinces her to visit, she drops a bombshell when Imogen arrives: Lilli felt insecure about not having a serious relationship with a girl before, and she lied about Imogen and her being exes. So now everyone thinks Imogen is bi, including Tessa, who gives Imogen butterflies, which is obviously just Imogen queerbaiting inside her own head.

Imogen as a character broke my heart, to be honest. She’s a people-pleasing overthinker who analyzes herself to death, twisting herself into knots until she loses sight of the very obvious. The very obvious like: she’s not straight. The very obvious like: her friend Gretchen isn’t the authority on all things queer, and can be pretty toxic when she acts like it.

In a social media graphic for the book, the author describes Imogen as having queer discourse brainworms, which is a good way to put it. She tries to educate herself about queer issues, but just ends up thinking that there’s only one right way to be queer. She doesn’t feel the same way about girls as she does in her crushes on guys, so she concludes that means she doesn’t like girls at all. Even when faced with obvious evidence to the contrary, she convinces herself that she’s just trying to be bisexual for clout and that she’s a bad person for appropriating queerness.

“Queerness recognizing queerness. It’s kind of beautiful when you think about it. I really do wish it was mine sometimes.”

Imogen longs to be part of the queer community, and while I’m sure there is some 100% straight and cis person this applies to in the world, it’s such a relatable queer experience. I was in middle school when I excitedly talked about looking forward to joining the Gay/Straight Alliance in high school, and how if I could choose, I’d be pansexual and panromantic. But, of course, I was hopelessly straight…

Gretchen was a difficult character. Some people will absolutely hate her, which I understand. But I found myself thinking that my high school self was somehow right between Imogen and Gretchen: an anxious overthinker who also was so deep in queer discourse that I thought I knew it all. Gretchen is going through some things and lashing out at other people—I hope that this is just the beginning of a journey of processing her trauma, because she’s not in a healthy place now.

I haven’t even mentioned the Tessa/Imogen romance! It is adorable. Tessa is a lesbian and Imogen (spoiler?) is bisexual. Both are Jewish. Poor Imogen takes a while to understand she’s falling for her, but it’s a fun ride, including college shenanigans with her and their friend group.

I loved reading this, even if being inside Imogen’s head could be a little too relatable at times. This is actually my first Becky Albertalli read, but I can now confirm the hype is justified. I highly recommend it to any queer person who once also thought they were hopelessly straight.

Marthese reviews Leah on the Offbeat by Becky Albertalli

Leah On the Offbeat by Becky Albertalli

“Something tugs in my chest. I feel strangely offbeat”

Leah on the Offbeat is the second book in the Creekwood series by Becky Albertalli and it follows Simon vs the Homo Sapiens Agenda (on which the movie ‘Love, Simon’ was based). While it may be worthwhile to read that book first it is not necessary to understand this book but it gives you more familiarity with the characters in this book. Disclaimer – the first book is not Sapphic but follows a gay teenage boy in his search for  the boy he was sending emails to, and it’s cute as cotton candy.

Leah is the protagonist on this book. She’s a badass drummer – expect some music references – who loves her body even though people expect her not to, because she’s fat. Leah is also insecure and has a tendency to pull away when things get too much. She also stands up for social justice and knows not to take shit, although she may also be too stubborn – good thing her mother is also stubborn. She is so realistic, you’ll find yourself asking ‘is this me?’

Leah is bi and she has known this for a long time. Her mother knows and is the most supportive mother ever – even is Leah may be embarrassed or find her overbearing. Her friends however, don’t know even though they for sure would be supportive seeing as there is a gay couple in their friends’ group. Once time passes, it may be hard to say something, like you missed the chance for it and this is absolutely believable. Even though you know it will be okay, coming out is scary.

Leah’s heart beats faster when Abby is around. Abby who she had been really good friends with and then avoided one on one interactions with her. However, Abby and Leah cannot afford to go to universities/colleges far away so they are both going to Georgia, which bring them closer back together. There is just one problem: Abby is her best friend’s girlfriend/ex-girlfriend!

Abby is super-sweet and talented and seems to be flirting with Leah, which confuses her.

This was a five star read. It’s similar to other books in plot but it was also very fresh. Yes there is an element of confusion – it’s YA! But the characters, especially Leah, know themselves. A lot of bi struggles were mentioned in the book which again was refreshing. The book itself will make your heart beat in a pattern of gushing, angst and comfort – a really nice composition and you just want to keep on reading. It’s easily a one sitting book.

Leah’s descriptions and her actions are also very entertaining. Like she would be me if I went to a formal event because she does something that is very laughable but realistic! As a high school story, the book ends with prom. For me, Leah was basically Belle and Abby was basically Cinderella.

This is a book I’d recommend for anyone. The only thing that I didn’t like about this book was that the term ‘hot mess’ was repeated a lot! Apart from that Albertalli really has teenage-speak down and it’s a lovely story with realistic characters and actions and while it’s a simple story, it will take you for a ride. I really wish they make a movie about it too though they have changed some things in the ‘Love, Simon’ movie already.

Megan G reviews Leah on the Offbeat by Becky Albertalli

Leah On the Offbeat by Becky Albertalli

Leah feels like she’s always on the off-beat. She loves to draw but is so self-conscious she barely shows anyone her drawings, let alone allows herself to think about selling them for money. Her mother is much younger than the parents of her friends, and currently dating a man Leah thinks she is way too good for. She’s bisexual, but is uncertain about coming out to her friends, even openly-gay Simon. And, to top it all off, she’s starting to get feelings for someone she really shouldn’t – someone that could cause tensions in her friend group she really doesn’t want to cause. Sometimes it feels like the only part of her life that is on beat is her drumming.

Leah on the Offbeat is what I like to call a Sequel-But-Not-Really. It takes place in the same universe as Becky Albertalli’s debut novel Simon vs. the Homo Sapien Agenda and includes the same characters. Instead of being told from Simon Spier’s perspective, however, it is told from Leah Burke’s. This is what adds the “But-Not-Really” to the Sequel, because by placing ourselves in Leah’s shoes instead of Simon’s, it feels like we’re entering an entirely different world.

One of the things I loved the most about Simon vsthe Homo Sapien Agenda was how honest and realistic Simon’s voice came through in the writing. This easily became the thing I loved the most about Leah on the Offbeat as well. I don’t know how Albertalli managed to get into such different character’s heads so perfectly, but she did it. Leah is nothing like Simon, and yet she is just as real. It never felt like I was reading a piece of fiction. Instead, it was like someone was narrating their life to me (even more-so considering I listened to this as an audiobook).

In her realism, Leah is just as frustrating as she is encouraging. The biggest thing that holds Leah back throughout the entire novel is herself. Almost every bad decision she makes is born out of a lack of self-confidence and anxiety, and is therefore self-inflicted, which can sometimes make it difficult to feel sorry for her. The good thing about this, though, is that Leah grows. She becomes more confident as the story goes on, more self-aware, and less likely to become a self-fulfilling prophecy. By the time the story ends she still has a long way to go, but she’s moving forward. It’s incredibly satisfying.

The love story is my other favourite thing about this book. I don’t want to say too much, because if you haven’t read this book yet then you deserve to experience every moment of Leah falling in love for yourself, because it’s amazing, and hilarious, and cringeworthy, and messy, and so, so, so worth it. It was more than I could have hoped for, and I hoped for a lot.

Because I read this as an audiobook, I feel the need to include a small bit of praise for Shannon Purser, the reader. I found she did an amazing job at bringing the story, and Leah in particular, to life. She had great inflection and was super clear. I highly recommend giving it a listen!

Overall, Leah on the Offbeat not only holds up to its predecessor, but I would go so far as to say surpasses it. Leah is charming, and frustrating, and kind, and obnoxious, and warm, and real. She’ll worm her way into your heart and force you to cheer for her, even when you don’t want to. She’ll throw you right back into your teenage years, for worse and then for better. She’ll remind you of what it’s like to be a young girl falling in love with a girl for the first time in all the best ways.

I cannot recommend this book enough.

Tierney reviews Leah on the Offbeat by Becky Albertalli

Leah Burke is spending her last year of high school trying to figure out where she fits in, and often feeling awkward about the fact that she marches to the beat of her own drum. She tells the story from her perspective in Leah on the Offbeat, Becky Albertalli’s not-quite-sequel to Simon vs. The Homo Sapiens Agenda (the book on which feel-good gay movie Love, Simon was based). I say not-quite-sequel because while the events in this novel follow the events in the preceding one, Leah’s point of view puts the focus on entirely different things (don’t worry, Simon and Bram are still disgustingly adorable, even as the secondary focus), and rewrites some of what we thought we understood from the previous novel in ways that are absolutely glorious.

In Leah on the Offbeat, Leah spends much of her time hanging back – from the spotlight, from taking a real shot, to avoid change and uncertainty. She loves to draw – but doesn’t think her art is good enough to actually sell her pieces, even though she needs the money. Someone has a crush on her – but she can’t figure out how she feels about it. She’s got a giant crush on someone else – but she spends time agonizing over it, even when things look promising. She’s bisexual, and is out to her single mom (and has been since middle school) – but she doesn’t feel like she can come out to her friends so soon after Simon has come out, so they don’t know about this big part of identity.

But there are also glorious moments when she steps up to the plate, like when she stands up to a friend who makes a racist comment about affirmative action being the only reason someone got into a university she was rejected from. Throughout the entire novel, Leah is an absolutely delightful character, even when you feel like yelling at her for getting in her own way and messing things up for herself with her self-consciousness and her reluctance to ever try, for fear of messing things up. It’s infuriatingly adorable (and all the more so when she finally gets over it!).

Albertalli does an awesome job in her portrayal of Leah’s bisexuality: it’s such a rock-solid part of her identity, despite her other insecurities, and is an important focus of the novel, even though she’s not out to her friends. Her pop culture references are on point, and are delightfully queer. And no spoilers, but the very queer denouement of her story feels absolutely epic – Albertalli’s writing had me rooting for this ending from very early on in the novel.

Leah on the Offbeat is a great read, and worthy of your time whether or not you’ve read Simon vs. the Homo Sapiens Agenda (though queer folks who have read it are sure to enjoy Leah’s take on things, and the spectacular unfolding of Leah’s own queer story!). All I can say, they better make this one into a movie too: Leah deserves her own movie, and her queer fans deserve to see this story onscreen. Fingers crossed!