Witches Under Modern Systems of Oppression: How to Succeed in Witchcraft by Aislinn Brophy

the cover of How to Succeed in Witchcraft

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At the top of the T.K. Anderson Magical Magnet School’s leaderboard is Shay Johnson. One of the most impressive and successful witches among her peers, this almost guarantees her the coveted Brockton Scholarship which would allow her to register to the university of her dreams—an education that her parents otherwise cannot afford. Her main obstacle is her years-long rival: Ana Alvarez. When both girls get recruited by their drama teacher and head of the scholarship committee, Mr. B, Shay wearily accepts the starring role to ensure her scholarship win, all while her professor’s behaviour becomes increasingly inappropriate and her rivalry with Ana slowly turns into something more.

If you’re looking to tap into some great YA fiction, I cannot recommend this book enough. Brophy managed to write a perfect balance of entertaining and witty banter, a narrative voice that is fun and easy to follow, as well as some deep, rich, and complex conversations about abuse, manipulation, racism, classism, and homophobia.

Shay is such an incredibly funny main character, and young readers who feel pressured to overachieve in academics will be able to instantly relate to her. Throughout my own reading experience, I felt as though I was an older sister watching her sibling go through all the same mistakes I made at her age. It was truly endearing, and I loved following her through all the highs and lows of her academic journey and her love story. Brophy wrote an extremely realistic main character and gave her the space she needs to recognize, understand, and learn from her mistakes. They always included a ton of nuance in their characters’ conversations, the conflicts weren’t immediately resolved and brushed over anticlimactically, and they built a very relatable cast with some fascinating dynamics.

The element of the story that I believe was the most successful was the way in which Brophy melded their magic system so seamlessly into our modern-day world. Fantasy authors have a tendency to do a lot of fantastical world-building that is set in some real-world human setting, while simultaneously ignoring the tragedies and realities of our history. This book feels very contemporary, in that the magic bleeds into our societies exactly as they have been built, including the systems of oppression that exist in our modern world. Brophy uses witching and magic not to “escape” humanity as we know it, but specifically to address issues of racism, of class disparity, of homophobia, of abuse of power. Shay’s storyline is, at its core, deeply influenced by the fact that she is a Black lesbian who comes from a lower-class family, and her struggles as an obsessive overachiever are rooted in the expectations that have been laid out for her future by the society in which she grew up. It gave the book some wonderful depth, without necessarily becoming overly complex or inaccessible to its intended young adult audience.

The entire plotline surrounding the play itself was phenomenal, because Brophy managed to weave so many societal critiques together. Their teacher presenting it as an “inclusive” and “diverse” musical, only for him to deeply misunderstand and misrepresent his students’ racial backgrounds and ethnicities during the casting process, was a very accurate portrayal of people co-opting specific terms and ideologies to make themselves seem good and progressive, without actually having to care about the issues at hand. The story as a whole empathizes with teens who don’t know how to stand up for themselves and who realize the system is working against them, but also gives them some specific tools for calling out bigotry and abuse, especially when it comes from people in positions of power.

And, of course, I adored the sapphic romance in this. I was rooting for Shay and Ana the entire time, and it was so entertaining to watch our main character be so foolishly oblivious, in a way that is extremely realistic for a young, teenage lesbian. The rivalry between them makes it very easy for readers to become invested in their relationship and I loved how Brophy developed their love story in a way that felt very messy—i.e.: realistic for their age—as well as absolutely adorable. I also appreciate that Brophy didn’t shy away from using the term “lesbian” multiple times throughout the story, as it still feels very rare for authors in mainstream publishing to allow their young main characters to specifically label themselves as such.

If you’re looking for an easy read that is at times fun and light, but that nonetheless packs a punch when it comes to exploring its themes and the ultimate message, this is the perfect read.

Representation: Black, biracial, lesbian main character; Cuban, bisexual love interest; Filipina side character

Content warnings: grooming and manipulation by a teacher, racism, homophobia

Messy Roots: a Graphic Memoir of a Wuhanese American by Laura Gao

the cover of Messy Roots: A Graphic Memoir of a Wuhanese-American

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Messy Roots is Laura Gao’s memoir of her childhood and coming of age, first in Wuhan, China, then an early move to Texas, and finally through her choices of college in Pennsylvania and a job in the Bay area. As a Chinese American immigrant, Gao depicts her struggle to reconcile her childhood in Wuhan with the expectations of her friends and classmates in America via a direct and honest look at her own internalized biases and struggles, illustrated by a flowing and charming art style. I found Messy Roots to be a heartwarming and fast-paced read, and I’m really glad a friend recommended it to me.

Gao is brutally honest in her depiction of herself. She starts out by describing her efforts to fit in with her classmates in Texas, including by taking an American-ized name and minimizing hobbies and traits that mark her out as too obviously an immigrant. She finds her Chinese lessons burdensome and resents having to attend Chinese events at her family’s church. When she moves to college, she both connects more with the Chinese student community and realizes that she is attracted to women. Free from being directly under the eye of her family and people who knew her growing up, Gao, like many college students, starts to figure out for herself who she wants to be as a person. I felt like Gao’s personal journey really resonated from the page, because it was messy and not linear. I personally really empathized with how Gao’s attraction to women was evident through her early years with the benefit of hindsight, but not fully realized until college and near adulthood. Laura also struggles with who and how to come out to people, and especially to her family, but even when they are struggling to communicate, Gao depicts a complex and affectionately nuanced showing of family. I think memoirs like this are important, because real life does not reflect a neat narrative like in fiction. Reading this really focuses in on how you keep growing and learning as a person, and things that you think you had moved on from can later become important to you, and I really think this perspective is important for the teen audience this is intended for, although older readers can certainly appreciate that aspect as well.

In the final part of the book, Gao tells about moving to San Francisco after college, and rooming with a group of her immigrant friends. Buoyed by the strong Chinese community in the area and the city’s diverse and modern atmosphere, Gao starts to feel like she is putting down her own roots. But when the pandemic hits in 2020, Wuhan goes from an obscure location to a household name in America. As waves of racism and hatred impact her life and her family, Gao once again struggles to make sense of her identity and her life. It’s a terribly poignant and personal look at a time most of us would rather not look to closely at. It’s sort of refreshing to see a narrative that actively includes the pandemic as a time period that had real impact on people, and not just through the possibility of getting sick. Gao’s narrative highlights the some of the real ripple effects that this global event had, and I think that is also important to show in literature. 

Messy Roots is Laura Gao’s effort to document her journey through her identity.  Unlike a conventional, fictional coming of age story, Gao shows that life is messy and most people’s development is not linear. Her unflinching introspection and willingness to shine a light on the complex and less pretty parts of personal development make for an inspiring and insightful read. I am definitely glad to have read her perspective, and think this would be an excellent book for both adults and teens looking for a new viewpoint about growing up, coming out, and finding yourself. 

An Underrated Fantasy Western: The Good Luck Girls by Charlotte Nicole Davis

the cover of The Good Luck Girls

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I am actually going to talk about two books in this review, because while I thought the first book was fantastic, it was not until I finished the sequel that I fully realized exactly how good I thought these books were.

The Good Luck Girls by Charlotte Nicole Davis follows a pair of sisters, Aster and Clementine, as well as a few of their friends as they escape what is known as a welcome house after Clementine accidentally kills a wealthy patron.  While the first book is a journey story and the second dives much deeper into the nitty-gritty of revolution, both books are very much fantasy Westerns set in a bleak world inspired by the United States, with heavy themes of justice, inequality, and survival in spite of it all.

Oh boy, did I not expect to love this series as much as I did. I almost didn’t read it at all because even though it is YA, I still feared it would be too bleak for me, the themes of sexual trauma too heavy and too real for me to be able to handle. Fortunately, I decided to give it a shot anyway, because this is a perfect example of why I keep reading YA. I loved all of the characters and their relationships, but more than that, I loved how seriously the book took each of them and their struggles, while also holding them accountable for the ways they hurt people because of it. I loved that it let them be flawed and make mistakes and still deserve love—still deserve better than what the world gives them. And I loved that it let them be angry.

I also appreciated that even though it was YA, it never felt like it was talking down to its readers. These books have a very clear perspective (as they should, and as pretty much every book does), but the author uses the story, rather than the narration, to get that perspective across, which, to me, felt more effective.  I don’t want to say too much, but what I will say is of all the YA I’ve read, I think this series engages the most maturely with revolution and oppression, with the hard choices it requires and the ways oppression pits people against each other when they should be on the same side. While it is certainly for and about teenagers, it doesn’t simplify or sugarcoat. It is harsh and it is hard and it is dark, but it is also a fight worth making.  For all of that, though, there is an optimism that remains, sometimes dimmer but always there.

I really wish more people would read these books because they are so damn good. They are exactly the kind of books I deserved to have in high school and am grateful current teenagers have now. I can’t wait to see what Charlotte Nicole Davis does next.

F/F Jamaican-Inspired YA Fantasy with Dragons: So Let Them Burn by Kamilah Cole

the cover of So Let Them Burn

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Any other Eragon girlies out there? Check out So Let Them Burn, a Jamaican-inspired F/F young adult fantasy that delivered from beginning to end! This moving and action-packed debut has made me a Kamilah Cole fangirl and I can’t wait for the second book in the duology!

This book switches between the POVs of two sisters Faron and Elara Vincent. Faron can channel the power of the gods, which made her the secret weapon of her country’s revolution against the dragon-riding Langley Empire. Faron is fiery, mischievous, and unwilling to play the part of wise and composed chosen-one. Elara is calm, diplomatic, and has felt like she’s been both living in her sister’s shadow while also being charged with “managing” Faron’s hot-headed emotions. At what was supposed to be an international peace summit, Elara ends up bonding with a Langley Empire dragon and the dragon’s other rider, Signey. Elara must then go to the dragon riding academy on enemy ground, both as a spy for her country and to try to figure out if there’s a way to reverse the bond so she can return home to sister. Among battles of gods and dragons, bubbling rage (against colonizers, the gods, the situation), and impossible choices, Elara and Signey find themselves falling for each other. Two badass dragon riders discovering enemy secrets, plotting revenge, and falling in love?! Yes please.

There are so many things that I love about this book. First off, I am a sucker for dragons. I appreciated the world building and how the dragons and bonded riders can all communicate with each other telepathically. They become their own unique family, in tune with each other’s emotions and thoughts. 

I also liked the focus on friend relationships. Especially in a moment when the romantasy genre is taking off, I appreciated how in this book, the friendships were treated as equally important relationships. The sapphic romance plot line was wonderful, but one of my favorite relationships in the book was the deeply honest and vulnerable friendship between Elara and her best friend, Reed. Reed has his own role to play in the book, as the son of the Langley Empire’s leader whose betrayal of his family in the war was key to shifting the tide and winning the revolution. Both Elara and Reed often feel misunderstood by the rest of their country—Elara as merely Faron’s sister and Reed as an outsider—but they see and support each other even when others don’t. Their relationship is refreshingly never romantic while being so important to both of them. 

Lastly, I loved how Cole normalizes queerness. There is great queer representation in this book, including lesbian, bisexual, and demisexual rep, but their queer identities were not the defining elements of the characters. I love how queerness was beautifully everywhere in this book while also not being the focus. Elara isn’t written as a GAY DRAGON RIDER, but rather just an incredible dragon rider—oh, and she happens to fall in love with a woman. 

I highly recommend you check this one out!  

Content Warnings: explicit language, depictions of PTSD (nightmares, unwanted memories/flashbacks, dissociation, anxiety, mistrust, hypervigilance, self-destructive behavior), explicit descriptions of war, blood, and corpses, grief (expressed in healthy and unhealthy ways), racism (challenged), minor character deaths, a near-fatal beating, and stolen body/mind autonomy.

A Rich Fantasy Novella: The Empress of Salt and Fortune by Nghi Vo

the cover of Empress of Salt and Fortune

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I don’t know why I put off The Empress of Salt and Fortune by Nghi Vo for so long despite all of the good reviews. Maybe it was the short length, novellas sometimes being an awkward pace. Or maybe it was the fact that all too often I mistake “high fantasy” for “too much exposition” with all of those battles and complex magic systems that just aren’t my cup of tea. Either way, it was my loss. This slim book is packed to the brim with court intrigue and politics of war, sure, but it does so by quietly unpacking the stories of characters traditionally kept to the sidelines. Nghi Vo’s work is always filled with such depth and lyrical writing, but this series in particular has quickly become one of my all-time favorites because of the way in which it insists on telling a different sort of fantasy story.

The book follows Cleric Chih from the Singing Hills abbey who is traveling with their talking hoopoe Almost Brilliant to record history, in this case the story of the recently deceased empress In-yo. Through a constellation of lost objects and the words of the empress’s former servant, Vo shows the outlines of a life in what it leaves behind. The story unfolds delicately through this collection of remnants. The book feels like a refutation of traditional history-making, Chih’s character almost fading into the background as they focus on listening and learning how to read the subtext. So much is left to interpretation, to tone, to understanding secret codes and double meanings. This is reflected, too, in the way the book refuses to overly-explain its setting, leaving the reader to tease apart the worldbuilding like a puzzle.

It’s a beautiful book that I’ve been recommending to everyone. With its short length you’ll only be giving up an hour or two, so I encourage you to give it a shot even if you aren’t typically a fan of high fantasy. With the fourth book just recently out (Mammoths at the Gate) and a fifth on its way in May (The Brides of High Hall), it’s nice timing to catch up on the books now. Each novella is meant to serve as a standalone entry point so you can’t go wrong with any of them—or really any of Vo’s works—but it’s worth starting with this one.

Trigger warnings: death, misogyny, war, suicide, murder

Sapphic Books by Black Authors Out in 2024

a collage of the book covers listed with the text Sapphic Books By Black Authors Out in 2024

It’s Black History Month, so I wanted to highlight some of the sapphic books out this year from Black authors! Quite a few came out in January, so you can buy those now, but this is also the perfect time to preorder the books coming out later this year.

I want to throw some quick disclaimers out there: I tried to double-check each of these for both sapphic content and that they are, in fact, by Black authors, but please let me know if I got anything wrong: reliable information about upcoming releases is always harder to find. If you’re an author of one of these books and would rather it wasn’t included in this list for any reason, let me know and I’ll remove it.

Also, let me know in the comments if I missed any sapphic books by Black authors out this year! I’m always looking for more. At this point, there isn’t a lot of information out there about books coming out in the back half of the year, so this list ends in June.

Scroll down for the publisher descriptions of all of these titles, or you can browse through them on Bookshop.org.

January:

Dead in Long Beach, California by Venita Blackburn (Queer Fiction)

the cover of Dead in Long Beach, California

Coral is the first person to discover her brother Jay’s dead body in the wake of his suicide. There’s no note, only a drably furnished bachelor pad in Long Beach, California, and a cell phone with a handful of numbers in it. Coral pockets the phone. And then she starts responding to texts as her dead brother.

Over the course of one week, Coral, the successful yet lonely author of a hit dystopian novel, Wildfire, becomes increasingly untethered from reality. Blindsided by grief and operating with reckless determination, she doubles –and triples–down on posing as her brother, risking not only her own sanity but her relationship with her precocious niece, Khadijah. As Coral’s swirl of lies slowly closes in on her, the quirky and mysterious alien world of Wildfire becomes enmeshed in her own reality, in the process pushing long-buried memories, traumas, and secrets dangerously into the present.

A form-shifting and soul-crunching chronicle of grief and crisis, Venita Blackburn’s debut novel, Dead in Long Beach, California, is a fleet-footed marvel of self-discovery and storytelling that explores the depths of humankind’s capacity for harm and healing. With the daring, often hilarious imagination that made her an acclaimed short-fiction innovator, Blackburn crafts a layered, page-turning reckoning with what it means to be alive, dead, and somewhere in between.

Broughtupsy by Christina Cooke (Lesbian Fiction)

the cover of Broughtupsy

At once cinematic yet intimate, Broughtupsy is an enthralling debut novel about a young Jamaican woman grappling with grief as she discovers her family, her home, is always just out of reach

Tired of not having a place to land, twenty-year-old Akúa flies from Canada to her native Jamaica to reconnect with her estranged sister Tamika. Their younger brother Bryson has recently passed from sickle cell anemia–the same disease that took their mother ten years prior–and Akúa carries his remains in a small wooden box with the hope of reassembling her family.

Over the span of two fateful weeks, Akúa and Tamika visit significant places from their childhood, but time spent with her sister only clarifies how different they are, and how years of living abroad have distanced Akúa from her home culture. “Am I Jamaican?” she asks herself again and again. Beneath these haunting doubts lie anger and resentment at being abandoned by her own blood. “Why didn’t you stay with me?” she wants to ask Tamika.

Wandering through Kingston with her brother’s ashes in tow, Akúa meets Jayda, a brash stripper who shows her a different side of the city. As the two grow closer, Akúa confronts the difficult reality of being gay in a deeply religious family, and what being a gay woman in Jamaica actually means.

By turns diasporic family saga, bildungsroman, and terse sexual awakening, Broughtupsy is a profoundly moving debut novel that asks: what do we truly owe our family, and what are we willing to do to savor the feeling of home?

Pomegranate by Helen Elaine Lee (Queer Woman Fiction) (Paperback Rerelease)

the cover of Pomegranate by Helen Elaine Lee

Ranita Atwater is “getting short.”

She is almost done with her four-year sentence for opiate possession at Oak Hills Correctional Center. Three years sober, she is determined to stay clean and regain custody of her two children. Ranita is regaining her freedom, but she’s leaving behind her lover Maxine, who has inspired her to imagine herself and the world differently.

My name is Ranita, and I’m an addict, she has said again and again at recovery meetings. But who else is she? Who might she choose to become? Now she must steer clear of the temptations that have pulled her down, while atoning for her missteps and facing old wounds. With a fierce, smart, and sometimes funny voice, Ranita reveals how rocky and winding the path to wellness is for a Black woman, even as she draws on family, memory, faith, and love in order to choose life.

Pomegranate is a complex portrayal of queer Black womanhood and marginalization in America from an author “working at the height of her powers” (Tayari Jones, New York Times bestselling). In lyrical and precise prose, Helen Elaine Lee paints a humane and unflinching portrait of the devastating effects of incarceration and addiction, and of one woman’s determination to tell her story.

Faebound by Saara El-Arifi (Sapphic Fantasy)

the cover of Faebound

Two elven sisters become imprisoned in the intoxicating world of the fae, where danger and love lie in wait. Faebound is the first book in an enchanting new trilogy from the Sunday Times bestselling author of The Final Strife.

Yeeran was born on the battlefield, has lived on the battlefield, and one day, she knows, she’ll die on the battlefield.

As a warrior in the elven army, Yeeran has known nothing but violence her whole life. Her sister, Lettle, is trying to make a living as a diviner, seeking prophecies of a better future.

When a fatal mistake leads to Yeeran’s exile from the Elven Lands, both sisters are forced into the terrifying wilderness beyond their borders.There they encounter the impossible: the fae court. The fae haven’t been seen for a millennium. But now Yeeran and Lettle are thrust into their seductive world, torn among their loyalties to each other, their elven homeland, and their hearts.

Escaping Mr. Rochester by L.L. McKinney (Sapphic YA Jane Eyre Retelling)

the cover of Escaping Mr. Rochester

In this fresh reimagining of Charlotte Brontë‘s classic novel by acclaimed author L. L. McKinney, Jane Eyre and Bertha Mason must save each other from the horrifying machinations of Mr. Rochester in this intrigue-filled, empowering young adult romance.

Jane Eyre has no interest in a husband. Eager to make her own way in the world, she accepts the governess position at Thornfield Hall.

Though her new employer, Edward Rochester, has a charming air–not to mention a handsome face–Jane discovers that his smile can sharpen in an instant. Plagued by Edward’s mercurial mood and the strange wails that echo through the corridors, Jane grows suspicious of the secrets hidden within Thornfield Hall–unaware of the true horrors lurking above her very head.

On the topmost floor, Bertha Mason is trapped in more ways than one. After her whirlwind marriage to Edward turned into a nightmare, he locked her away as revenge for withholding her inheritance. Now his patience grows thin in the face of Bertha’s resilience and Jane’s persistent questions, and both young women are in more danger than they realize.

When their only chance at safety–and perhaps something more–is in each other’s arms, can they find and keep one another safe before Edward’s dark machinations close in around them?

So Let Them Burn by Kamilah Cole (Lesbian and Demisexual Fantasy)

the cover of So Let Them Burn

Whip-smart and immersive, this Jamaican-inspired fantasy follows a gods-blessed heroine who’s forced to choose between saving her sister or protecting her homeland–perfect for fans of Iron Widow and The Priory of the Orange Tree.

Faron Vincent can channel the power of the gods. Five years ago, she used her divine magic to liberate her island from its enemies, the dragon-riding Langley Empire. But now, at seventeen, Faron is all powered up with no wars to fight. She’s a legend to her people and a nuisance to her neighbors.

When she’s forced to attend an international peace summit, Faron expects that she will perform tricks like a trained pet and then go home. She doesn’t expect her older sister, Elara, forming an unprecedented bond with an enemy dragon–or the gods claiming the only way to break that bond is to kill her sister.

As Faron’s desperation to find another solution takes her down a dark path, and Elara discovers the shocking secrets at the heart of the Langley Empire, both must make difficult choices that will shape each other’s lives, as well as the fate of their world.

March:

The Poisons We Drink by Bethany Baptiste (Bisexual YA Fantasy) (March 5)

the cover of The Poisons We Drink

Love potions is a dangerous business. Brewing has painful, debilitating side effects, and getting caught means death or a prison sentence. But what Venus is most afraid of is the dark, sentient magic within her.

Then an enemy’s iron bullet kills her mother, Venus’s life implodes. Keeping her reckless little sister Janus safe is now her responsibility. When the powerful Grand Witcher, the ruthless head of her coven, offers Venus the chance to punish her mother’s killer, she has to pay a steep price for revenge. The cost? Brew poisonous potions to enslave D.C.’s most influential politicians.

As Venus crawls deeper into the corrupt underbelly of her city, the line between magic and power blurs, and it’s hard to tell who to trust…Herself included.

The Poisons We Drink is a potent YA debut about a world where love potions are weaponized against hate and prejudice, sisterhood is unbreakable, and self-love is life and death.

These Letters End in Tears by Musih Tedji Xaviere (Sapphic Fiction) (March 12)

the cover of These Letters End In Tears

Set in a country where being gay is punishable by law, These Letters End in Tears is the heart-wrenching forbidden love story of a Christian girl with a rebellious heart and a Muslim girl leading a double life.

Bessem notices Fatima for the first time on the soccer field–muscular and focused, she’s the only woman playing and seems completely at ease. When Fatima chases a rogue ball in her direction, Bessem freezes, mesmerized by the athlete’s charm and beauty. One playful wink from Fatima, and Bessem knows her life will never be the same.

In Cameroon, a country where same-sex relationships are punishable by law, the odds are stacked against Bessem and Fatima from the start. And when Fatima’s older brother, a staunch Muslim, finds out about their affair, he intervenes by physically assaulting them, an incident that precedes a police raid at the only gay bar in town. After spending days in jail, Fatima goes missing without a trace, and Bessem is left with only rumors of her whereabouts. Has Fatima been sentenced to an unknown prison? Has she been banished from her community, or married off, as some have suggested? Or something even more sinister?

Thirteen years later, Bessem is now a university professor leading a relatively quiet life, occasionally and secretly dating other women. However, she has never forgotten Fatima. After spotting a mutual friend for the first time in years–the last person who may have seen Fatima–Bessem embarks on a winding search for her lost love.

Those Beyond the Wall (The Space Between Worlds #2) by Micaiah Johnson (Sapphic Science Fiction) (March 12)

the cover of Those Beyond the Wall

Faced with a coming apocalypse, a woman must reckon with her past to solve a series of sudden and inexplicable deaths in a searing sci-fi thriller from the Compton Crook Award-winning author of The Space Between Worlds.

In Ashtown, a rough-and-tumble desert community, the Emperor rules with poisoned claws and an iron fist. He can’t show any sign of weakness, as the neighboring Wiley City has spent lifetimes beating down the people of Ashtown and would love nothing more than its downfall. There’s only one person in the desert the Emperor can fully trust–and her name is Scales.

Scales is the best at what she does: keeping everyone and everything in line. As a skilled mechanic–and an even more skilled fighter, when she needs to be–Scales is a respected member of the Emperor’s crew, who’s able to keep things running smoothly. But the fragile peace Scales helps to maintain is fractured when a woman is mangled and killed before her eyes. Even more incomprehensible: There doesn’t seem to be a murderer.

When more bodies start to turn up, both in Ashtown and in the wealthier, walled-off Wiley City, Scales is tasked with finding the cause–and putting an end to it by any means necessary. To protect the people she loves, she teams up with a frustratingly by-the-books partner from Ashtown and a brusque-but-brilliant scientist from the City, delving into both worlds to track down an invisible killer.

But the answers Scales finds are bigger than she ever could have imagined, leading her into the brutal heart beneath Wiley City’s pristine façade and dredging up secrets from her own past that she would rather keep hidden. If she wants to save the world from the earth-shattering truths she uncovers, she can no longer remain silent–even if speaking up costs her everything.

Where Sleeping Girls Lie by Faridah Àbíké-Íyímídé (Sapphic YA Horror) (March 19)

the cover of Where Sleeping Girls Lie

In Where Sleeping Girls Lie — a YA contemporary mystery by Faridah Àbíké-Íyímídé, the New York Times-bestselling author of Ace of Spades  a girl new to boarding school discovers dark secrets and coverups after her roommate disappears.

It’s like I keep stumbling into a dark room, searching for the switch to make things bright again…

Sade Hussein is starting her third year of high school, this time at the prestigious Alfred Nobel Academy boarding school after being home-schooled all her life. Misfortune has been a constant companion all her life, but even Sade doesn’t expect her new roommate, Elizabeth, to disappear after Sade’s first night. Or for people to think she had something to do with it.

With rumors swirling around her, Sade catches the attention of the girls collectively known as the ‘Unholy Trinity’ and they bring her into their fold. Between learning more about them–especially Persephone, who Sade is inexplicably drawn to–and playing catchup in class, Sade already has so much on her plate. But when it seems people don’t care enough about what happened to Elizabeth to really investigate, it’s up to she and Elizabeth’s best friend to solve it.

And then a student is found dead.

As they keep trying to figure out what’s going on, Sade realizes there’s more to Alfred Nobel Academy and its students than she thought. Secrets lurk around every corner and beneath every surface…secrets that rival even her own.

Dead Girls Walking by Sami Ellis (Sapphic YA Horror) (March 26)

the cover of Dead Girls Walking

Sami Ellis’s Dead Girls Walking is a shocking, spine-chilling YA horror slasher about a girl searching for her dead mother’s body at the summer camp that was once her serial killer father’s home–perfect for fans of Friday the 13th and White Smoke.

Temple Baker knows that evil runs in her blood. Her father is the North Point Killer, an infamous serial killer known for how he marked each of his victims with a brand. He was convicted for murdering 20 people and was the talk of countless true crime blogs for years. Some say he was possessed by a demon. Some say that they never found all his victims. Some say that even though he’s now behind bars, people are still dying in the woods. Despite everything though, Temple never believed that her dad killed her mom. But when he confesses to that crime while on death row, she has no choice but to return to his old hunting grounds to try see if she can find a body and prove it.

Turns out, the farm that was once her father’s hunting grounds and her home has been turned into an overnight camp for queer, horror-obsessed girls. So Temple poses as a camp counselor to go digging in the woods. While she’s not used to hanging out with girls her own age and feels ambivalent at best about these true crime enthusiasts, she tries her best to fit in and keep her true identity hidden.

But when a girl turns up dead in the woods, she fears that one of her father’s “fans” might be mimicking his crimes. As Temple tries to uncover the truth and keep the campers safe, she comes to realize that there may be something stranger and more sinister at work–and that her father may not have been the only monster in these woods.

April:

Something Kindred by Ciera Burch (Bisexual YA Gothic) (April 2)

the cover of Something Kindred

Welcome to Coldwater. Come for the ghosts, stay for the drama.

Jericka Walker had planned to spend the summer before senior year soaking up the sun with her best friend on the Jersey Shore. Instead she finds herself in Coldwater, Maryland, a small town with a dark and complicated past where her estranged grandmother lives–someone she knows only two things about: her name and the fact that she left Jericka’s mother and uncle when they were children. But now Jericka’s grandmother is dying, and her mother has dragged Jericka along to say goodbye.

As Jericka attempts to form a connection with a woman she’s never known, and adjusts to life in a town where everything closes before dinner, she meets “ghost girl” Kat, a girl eager to leave Coldwater and more exciting than a person has any right to be. But Coldwater has a few unsettling secrets of its own. The more you try to leave, the stronger the town’s hold. As Jericka feels the chilling pull of her family’s past, she begins to question everything she thought she knew about her mother, her childhood, and the lines between the living and the dead.

May:

Thirsty by Jas Hammonds (Sapphic YA Contemporary) (May 14)

the cover of Thirsty by Jas Hammonds

It’s the summer before college and eighteen-year-old Blake Brenner and her girlfriend, Ella, have one goal: join the mysterious and exclusive Serena Society. The sorority promises status and lifelong connections to a network of powerful, trailblazing women of color. Ella’s acceptance is a sure thing–she’s the daughter of a Serena alum. Blake, however, has a lot more to prove.

As a former loner from a working-class background, Blake lacks Ella’s pedigree and confidence. Luckily, she finds courage at the bottom of a liquor bottle. When she drinks, she’s bold, funny, and unstoppable–and the Serenas love it. But as pledging intensifies, so does Blake’s drinking, until it’s seeping into every corner of her life. Ella assures Blake that she’s fine; partying hard is what it takes to make the cut . . .But success has never felt so much like drowning. With her future hanging in the balance and her past dragging her down, Blake must decide how far she’s willing to go to achieve her glittering dreams of success–and how much of herself she’s willing to lose in the process.

The 7-10 Split by Karmen Lee (F/F Romance) (May 21)

the cover of The 7-10 Split

This is how love rolls…

For teacher Ava Williams, some subjects are not up for debate. Like history–specifically, the one she has with Grace Jones, bowling pro and local celeb. Who is now, for no identifiable reason, teaching at the same small-town Georgia high school as Ava. Once upon a time, they were thick as thieves, best friends, rivals who pushed each other, and total bowling nerds. Then they shared a kiss, sweet and confusing…and after that, they split and nothing was ever the same.

Ava is pretty sure she has every reason to hate Grace. Especially when the school’s soggy potato of a principal announces–finally–that the students can have the bowling team Ava has been pushing for, for years…only to hand it to Grace.

Now they’re expected to be partners and lead their new bowling team to victory in six months. And with that, their rivalry is back. Fierce, ultracompetitive…and with an undeniable attraction that pushes, pulls and crashes together. It’s history. It’s chemistry. And it’s just a matter of time before it explodes…one way or the other.

Second Night Stand by Karelia Stetz-Waters and Fay Stetz-Waters (F/F Romance) (May 21)

the cover of Second Night Stand

Prima ballet dancer Lillian Jackson is all about control–on stage and in bed. Which is precisely why she keeps her hook-ups to one night, and one night only. No strings. No phone numbers. No scones in the morning. There’s no room for mistakes, especially now that her dance company’s survival depends entirely on winning a million-dollar cash prize in one of America’s biggest reality competitions. That is, until one night with a certain curvy, blue-haired siren changes everything . . .

As burlesque dancer “Blue Lenox,” Izzy Wells is the queen of on-stage seduction. Almost no one knows that she’s close to losing everything–her theater, her home, and her troupe–unless she wins this competition. Now she’s going toe-to-toe with a gorgeous ballerina in front of the world. The chemistry between them is hot, but even more distracting are the feelings they’re starting to develop. There’s no way Lillian can fit Izzy into her life, and Izzy knows better than to fall for someone who can’t put her first. But if they can make it through the show with their hearts and dreams intact, they just might win the biggest prize of all.

A Little Kissing Between Friends by Chencia C. Higgins (F/F Romance) (May 28)

the cover of A Little Kissing Between Friends

Music producer on the rise Cyn Tha Starr knows what she likes, from her sickening beats in the studio to the flirty femmes she fools around with. Her ever-rotating roster has never been a problem until her latest fling clashes with Jucee, her best friend and the most popular dancer at strip club Sanity.

It makes Cyn see Jucee in a different light. One with far fewer boundaries and a lot more kissing.

Juleesa Jones makes great money dancing the early shift and spends most evenings with her son, her Sanity family or at Cyn’s house. Relationships are not high on the priority list–until she’s forced to admit that maybe friendship isn’t the only thing she wants from her bestie.

But hooking up with your ride-or-die is risky. Jucee isn’t just Cyn’s best friend–Jucee is her muse. When Cyn lays down her beats, it’s Jucee she imagines in the club throwing it back to every note. If they aren’t careful, this could crash and burn…but isn’t real love worth it?

June:

The Ballad of Jacquotte Delahaye by Briony Cameron (F/F Pirate Historical Fiction) (June 4)

the cover of The Ballad of Jacquotte Delahaye

This epic, dazzling tale based on true events illuminates a woman of color’s rise to power as one of the few purported female pirate captains to sail the Caribbean, and the forbidden love story that will shape the course of history.

In the tumultuous town of Yáquimo, Santo Domingo, Jacquotte Delahaye is an unknown but up-and-coming shipwright. Her dreams are bold but her ambitions are bound by the confines of her life with her self-seeking French father. When her way of life and the delicate balance of power in the town are threatened, she is forced to flee her home and become a woman on the run along with a motley crew of refugees, including a mysterious young woman named Teresa.

Jacquotte and her band become indentured servants to the infamous Blackhand, a ruthless pirate captain who rules his ship with an iron fist. As they struggle to survive his brutality, Jacquotte finds herself unable to resist Teresa despite their differences. When Blackhand hatches a dangerous scheme to steal a Portuguese shipment of jewels, Jacquotte must rely on her wits, resourcefulness, and friends to survive. But she discovers there is a grander, darker scheme of treachery at play, and she ultimately must decide what price she is willing to pay to secure a better future for them all.

An unforgettable tale told in three parts, The Ballad of Jacquotte Delahaye is a thrilling, buccaneering escapade filled with siege and battle, and is also a tender exploration of friendship, love, and the search for freedom and home.

Sleep Like Death by Kalynn Bayron (Bisexual YA Fantasy) (June 25)

the cover of Sleep Like Death

Cinderella is dead, but Snow White fights on . . .

New York Times bestselling author Kalynn Bayron makes her highly anticipated return to the realm of fairy tales with this thrilling twist on the classic story of Snow White.

Princess Eve was raised with one purpose: to destroy the Knight, an evil sorcerer who terrorizes Queens Bridge with his wicked magic. Her own unique magic–the ability to conjure weapons from nature–makes her a worthy adversary. Far too many of subjects of Queens Bridge have been devastated by the Knight’s trickery.

As she approaches her seventeenth birthday, Eve is ready to battle. But her mother, Queen Regina, has been acting bizarrely, talking to a strange mirror alone every night. Then a young man claiming to be the Knight’s messenger appears and shares a shocking truth about Eve’s past. Unsure of who to trust or what to do next, Eve must find the courage to do what she’s always done: fight. But will it be enough to save her family and her queendom?


You might also be interested in Reading Black Joy: 27 F/F Romances by Black Authors. You can also browse the Black Author tag for Lesbrary reviews of sapphic books by Black authors.

A Memoir of Medical Bias—Bless the Blood: A Cancer Memoir by Walela Nehanda

the cover of Bless the Blood

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Bless The Blood: A Cancer Memoir is a striking book that gets under your skin and stays there for days afterward. Though billed as a YA book, the writing and story hold a depth of feeling and insight that will engage far older readers, too. Hospitals, homes, intimate relationships and even one’s own skin are explored as sites playing host to complex histories. Framed by references to Cynthia Parker Ohene and Audre Lorde, Walela Nehanda threads a poetics of class, race and gender that shows how those constructs tangibly mediate who has access to certain spaces and their attendant expectations of care.

There is wisdom in Nehanda’s depiction of the ways relationships function as spaces for the people in them. And inversely, how spaces are shaped by the connections people make there. Some books really get to the heart of that old saying “a house is not a home”—this is one of the few that goes further by suggesting that a body isn’t always a home, either.

Teeming with generational trauma and an aching love-hunger that breaks through in paragraphs and poems about sickness, recovery, affection, intimacy, and history, this is a book that refuses to be reducible to inspiration porn. There is a lot of unvarnished pain here: it beats and seeps and leaps out of the page, sinking into the sorest parts of anyone who has ever found themselves at odds with their body, anyone who has ever felt the acute violence of having their bodies treated as alienable. 

But these recollections are accompanied by memories of healing and true connection that remind me of one of my favorite aspects of queer media: the defiance of portraying communal moments of revelry and unapologetic joy. These moments offer a small antidote to the seemingly incessant indignities Nehanda encounters in trying to access care through institutions that diminish compassion into a sort of charity contingent on the seeker’s performance of acceptable respectable acquiescence to unjust norms. It is a keenly relevant story, and only becoming more so as the conversation and activism around medical bias gains momentum.

The book’s archetypal figures and icons are also from a media moment that younger readers (I’m including twenty-somethings in this), will find timely. Close readers might be left wondering why there is more “prestige” in the exploits of long-dead hellenics than Captain American or Black Panther—and how our insistence on pretending that the former are more universal than the latter only goes to show how deeply those stories have been decontextualized in service of modern myths about what is “natural” or just.

I will admit fully that I am very partial to this sort of mythic deconstruction. I appreciate authors who staunchly refuse the opiate of presumed objectivity and instead fiercely reckon with the implicit messages and specificity of our shared stories. There is a passion in these pages that I found refreshing, and which I hope this review does justice to.

Who Will Enjoy This: People who thought The Remedy was poignant, timely and want to read more deeply personal stories about the struggles of accessing care (both medical and otherwise) as a gender-expansive person of color (here, a Black person in America). People who enjoy memoirs in verse, or poetry about the poet’s relationship with their body and others. People who think “formalism” is another word for “limitation”. People who enjoy science fiction metaphors for biomedical ideas.

(Seriously, Nehanda’s description of leukemia and their body as a besieged planet is all I’ve been talking about to anyone who will listen for the past week)

Who Might Think Twice: If you’re currently dealing with healthcare bias and difficulties of your own, this book will either reassure you that you are not alone or leave you emotionally exhausted. Your miles may vary. Nehanda pulls no punches in either their remembrances of or their viscerally unflinching depiction of their pain.

A Lesbian Poet Teen Finds Her Voice: Kween by Vichet Chum

the cover of Kween

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Kween is a character-centric book about Soma Kear, a Cambodian teen whose life in Lowell, MA has been deeply shaken. Soma’s Ba has been deported, her Ma is in Cambodia with him, her Bridezilla sister is in charge… and Soma just wants to make sense of things. With a viral TikTok video, an upcoming poetry contest, a loyal best friend, and a (hopefully!) new girlfriend, Soma just might be able to find her voice.

The queer content in this book is nice. Truly, “nice” is the best word for it. The relationship is comfortable and easy. Soma’s parents are supportive when she comes out; though they do worry she may experience challenges outside the home, these challenges do not occur on the page. This is a safe book for a lesbian protagonist to explore her identity and feelings.

However, when that holds true for all facets of the narrative, it becomes a problem. Soma is always safe to explore her feelings. That may sound like a positive, but for me, it felt indulgent and excessive and made for a deeply frustrating reading experience. Soma wants to find her voice… but she already has her voice. She’s already facing a parent-teacher meeting for an essay she wrote a bit too loudly. Her TikTok video goes viral in the first few chapters. Her poetry is encouraged and praised and everyone believes in her.

All of that could be positive, if Soma weren’t so acutely cruel. I have never hated a main character as much as I hate Soma, maybe because I was bullied in high school and Soma is a high school bully. She’s not trying to find her voice. She’s using it. When she’s not lashing out actively at others, she’s filling the first-person narrative with complaints about the sister who uprooted her own life to help her family, the best friend who does nothing but support and cheer for her, the lonely classmate who just wants a friend. All of this seems somehow excusable to the greater narrative. She rarely faces consequences, and when she does, it all comes wrapped up in words of encouragement, reassurance, and admiration.

Again, this could be great. I love the idea of a character allowed to be messy without being condemned, but that character needs to address if they cause hurt, and Soma does. The entire book, all she cares about is herself. Of course she makes an apologetic gesture at the end, but even then, it seems to come from a sense of her own grandeur, not actually caring about anyone else. Soma is a deeply flawed, deeply flat character experiencing a narrative of encouragement and indulgence.

From a narrative standpoint, this book is unbalanced. I said earlier that the queer content is nice, and that’s true. It also feels almost perfunctory. The book lacks a central focus—it wants that focus to be the poetry contest, but it’s not. The contest is the second-act climax and has no impact on the rest of the book other than being dismissed when Soma is done having feelings about it. And that’s honestly representative of the whole book.

A well-intentioned but deeply flawed reading experience, overall.

A Dazzling Debut: How Far the Light Reaches by Sabrina Imbler

the cover of How Far the Light Reaches

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I first learned about Sabrina Imbler (they/them) last year when my girlfriend and I traveled to Seattle to watch the UConn Women’s Basketball team compete in the Sweet 16. Whenever I travel, I like to visit a local bookstore, which is how we ended up in the gorgeous Elliott Bay Book Company, a woman and queer owned business located in the heart of Seattle’s Capitol Hill neighborhood. When I asked one of the booksellers what LGBT books she recommended, she enthusiastically suggested Imbler’s gay volcano chapbook Dyke (geology) and a signed copy (Imbler’s name flanked by two cute goldfish) of How Far the Light Reaches: A Life in Ten Sea Creatures. Two gorgeous books by a queer person of color? I was elated.

Imbler is a writer and science journalist with a gift for storytelling. How Far the Light Reaches is organized into ten essays wherein Imbler masterfully weaves facts about sea creatures and phenomena with meditations on survival, identity, body image, family, relationships, and community. While the essays stand alone and can theoretically be read out of order, they have a clear throughline. As a reader who began How Far the Light Reaches with limited knowledge of marine biology, I was shocked by how many facts I retained from each essay. Imbler’s essays are crafted with care and intentionality. They don’t just state facts about each sea creature, they reflect on their essence, treating each with reverence.

In “My Mother and the Starving Octopus,” Imbler introduced readers to Graneledone boreopacifica and highlighted one of the most renowned of these purple octopuses: a mother who starved herself for 53 months (four and a half years) while she focused on the task of brooding her eggs. Imbler interspersed reflections on their mother’s sacrifices and on how Imbler learned to find their own body desirable through reveling in queer bodies.

In “Pure Life,” Imbler marveled at deep sea dwellers—vent bacteria, tube worms, and yeti crabs—which survive by using chemosynthesis for energy in the absence of sunlight.  Imbler likened hydrothermal vents in the ocean to queer spaces and communities—both representing oases providing rest, nourishment, and safety: “Life always finds a place to begin anew, and communities in need will always find one another and invent new ways to glitter, together, in the dark.”

In “Hybrids,” Imbler juxtaposed their biracial identity (half Chinese, half White) with a hybrid butterflyfish, the offspring of two different species. Imbler examined how The Question: “What are you?” is itself an act of taxonomy. They also reflected on the irony of their frustration with The Question, but also their endless curiosity about other mixed people.

In a word, How Far the Light Reaches is spectacular. The more I reflect upon it, the more I love it. I read it over the course of a few days, but Imbler’s writing is so thought-provoking, you may want to savor the book over time. I really hope Imbler will write another book, but in the meantime, you can check them out at Defector, an employee-owned sports and culture website, where they cover creatures.

Trigger warnings for sexual assault, lack of consent, rape, body mutilation, racism, body image, disordered eating, and animal death/harm.

Raquel R. Rivera (she/her/ella) is a Latina lawyer and lady lover from New Jersey.  She is in a lifelong love affair with books and earned countless free personal pan pizzas from the Pizza Hut BOOK IT! program as a kid to prove it.

Haunted by the Past: She is a Haunting by Trang Thanh Tran

the cover of she is a haunting

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Horror is a very broad genre, and, I am inclined to say, a particularly personal one, seeing as what scares one person may not scare another, or, on the other hand, it might scare them too much. I myself love a good haunted house, but psychological horror freaks me out in concept alone, to the point that I won’t touch a book when I see it labeled that way. Trang Thanh Tran’s She is a Haunting, I am pleased to report, is my favorite kind of horror, that particular style where it’s kind of about the ghosts, but it’s not really about the ghosts. Or rather, it is, but it’s about what the ghosts represent more than the don’t-look-behind-you scariness.

That’s not to say this book isn’t scary, of course. I personally do not tend to get scared while reading books, so I am not the best judge, but I thought the book did a good job creating a creepy atmosphere and some really unsettling images (all those bugs *shudder*). The scariest thing in this book, though, is not the ghosts themselves but the very real horrors of colonialism, as well as the impacts of it that linger through to today. While this book is aimed at teenagers, it does not shy away from those atrocities, but nor does it dwell on them, exactly.

Beyond those horrors, however, this is also the story of Jade, a closeted seventeen-year-old wrestling with a complicated family dynamic and her relationship to Vietnam as a Vietnamese American who is visiting the country for the first time. As a protagonist, I adored Jade. I thought she felt very authentically seventeen, which is to say that while she was occasionally frustrating, she was trying her best. 

I also thought all of the relationships in the book were well-drawn. Her romance with “bad girl” Florence was endearing, and their interactions made me giggle a few times. The more complex dynamics with the parents worked equally well for me, and in fact I found her mom to be a standout character for me by the end.

Regarding the ending, I will say there were one or two elements that felt on the edge of overly dramatic, but I thought the book did enough well that I didn’t really mind. Emotions were running high, after all, and real life can be overly dramatic too. Regardless, I felt the book ended on a high and, frankly, down-to-earth note that left me satisfied.

I look forward to more horror from Trang Thanh Tran, and reading more horror in general this year, because this book reminded me that it is a genre I enjoy when it is done in the particular way I most vibe with, as this one was. If you are looking for a creepy haunted house that’s grounded in both the past and the present and the ways they affect each other, I highly recommend She is a Haunting.