Mars reviews Hocus Pocus and The All-New Sequel by A. W. Jantha

Hocus Pocus and the All-New Sequel cover

All her life, Poppy Dennison has known the story of the frightening and magical events that took place in Salem on Halloween night back in 1993. It’s otherwise known as the day her parents really met, or alternatively as the one time her cool Aunt Dani got kidnapped and almost eaten by witches. To be clear, the witches in this book are characters leftover from a coven that was decimated during the actual historical witch hunts of Salem, Massachusetts and not modern practitioners of a particular faith, and should not be taken as such.

The three witchy Sanderson sisters, their book of spells, and the special black flame candle that legend says will raise them from the dead are all still part of the popular Halloween lore that surrounds Salem. Her parents’ part of that story is virtually unknown, and Poppy is determined to keep it that way lest her mean girl nemesis Katie Taylor finds out and makes her last two years of high school its own kind of hell.

For readers who are not familiar with the lovely classic Halloween film Hocus Pocus, have no fear because the Part I of this book is a very close retelling of the movie and sets up Part II very well, detailing Poppy’s own involvement with the Sanderson sisters. Some witches just aren’t very good at staying dead.

This was a surprising and fun read that I just couldn’t put down. With more action, adventure, and character development than I expected, we follow Poppy, her best friend and wingman Travis, her mysterious dream girl Isabella, as well as other characters both new and familiar as they race to stop a new plot hatched by the Sanderson sisters to help them achieve immortality and rain hell on earth. With their witchy powers enhanced by the rare blood moon, the stakes have never been higher (no pun intended).

Much like the original Hocus Pocus (Part I), this story is as much about family, friendship, and loyalty as it is about evil witches enslaving humans and damning their souls for their own enjoyment. Poppy makes a really relatable protagonist. Who hasn’t dealt with trying to mitigate embarrassing family history while tripping over a monster crush?

Genevra Littlejohn reviews Out of Salem by Hal Schrieve

Out of Salem by Hal Schrieve cover

The night I was born, the attending nurse turned to my mother with a weird expression on her face. She noted that I had long delicate fingernails, and already a head of black hair; that a trail of fine baby hairs ran down my spine. “In the old days, you know, they’d have said she was a werewolf.” she told my mother. Mom, exhausted, laughed it off. It became a family story to tell later on–born on Halloween night, and a werewolf to boot! “In the old days,” Mom would laugh, “they’d have drowned you.”

It didn’t become a bitter story until she disowned me for being queer. “Why can’t you just choose to be straight?” she said. “I did. Why do you feel like you have to stand out like this?” In the old days, they would have drowned me. Now I had to find a way to keep my head above the waves.

In Hal Schrieve’s YA novel Out of Salem, everyone is treading water with a secret to keep. High school freshman Z’s just found out that they’re nonbinary–just in time to get into a car wreck with their entire family from which only they emerged, battered and freshly undead. Their classmate Aysel is Muslim, in 1990’s rural Oregon where anything but Christianity is a sure way to be ostracized–and she’s a werewolf, unregistered, which could easily be a death sentence if she gets caught. Their friend Tommy is constantly being accused of being either gay or an actual fairy, and while neither of those things is true, it doesn’t matter to his abusers. Even seeming just a little bit out of the norm is enough to put a target on his back.

And things aren’t about to get any less complicated for any of them when a local doctor is found dead. The police say he was murdered by a werewolf, throwing the town into an uproar of vigilantism and abuse against the other which is easily recognizable in today’s political climate. Every metaphysical minority is living in fear. The teenagers don’t feel that they have any reliable adults to turn to, or that if they tried, they’d only endanger them, so they have to handle things on their own.

I’m writing this review very narrowly, because I feel like this book was just that good. I don’t want to spoil any part of it. It’s urban fantasy of just-a-minute-ago, the Nineties as they almost were, but it’s also YA for people who weren’t born yet in the year it takes place; it balances teenage passion neatly against the now-slightly-foreign world of our past, only slightly sideslipped into the fantastic. Before cell phones, before the panopticon of stoplight cameras, but in a world that was not less dangerous to people who stand out. There’s a constant sense of being just a moment ahead of being caught, of barely outrunning the real monsters, and one can only keep running at that speed for so long before one’s energy gives out and something has to break.

I appreciated that the characters aren’t without teenage flaws. They’re all going through real, heartrending troubles in their daily lives, but also they make some choices out of inexperience that you’d believe a fourteen-year-old might make if they felt their back was against the wall. They reach for what small happiness they can find, they trust or mistrust, and none of it feels stilted or contrived. It all just feels like survival.

I was taken a bit aback at the first use of the word “transsexual,” as it’s not a term I’ve seen in sympathetic literature for a long time now. But it was the word used in the Nineties, and so it is the term used in the book. But of course the author isn’t unaware of that:

“Z, Aysel told me you were calling yourself like, genderqueer or something these days, right?” Z was a little taken aback by the conversation. “I guess,” they said. “Yeah.” They tightened their hold on Elaine’s shoulders. “The words change a lot,” Elaine said. “Doesn’t really matter.”

What matters more than the terminology, quoth the story, is the soul behind it, and these kids are figuring things out one mistake and injury and accidental insult at a time.

I was consistently balancing between amused at the bluntness and impressed at the deftness when it came to the use of metaphor in the story. Z’s a zombie, and they’re trans; more than once I’ve heard a trans friend tell me that their friends and family keep treating them like they’d died when they came out, and some other thing was shambling around in their skin. Aysel’s lycanthropy is treated a lot like I’ve experienced queerness being handled by the religious right, as something monstrous, something that needs to be caged or electrically shocked out of a person before they can be allowed in society. It was all on-the-nose enough that I got a bit of a tension ache between my shoulderblades. I so badly wanted the protagonists to find a way to freedom and safety, but what does that look like when the entire world is arrayed against you? And which of those needs do you choose, if everyone is telling you that you have to choose one or the other?

Even while all of society is insisting that the protagonists must be like them or die, even while most of the characters don’t see any way out but to run, the narrative suggests quietly that there’s another option. That there’s another demand for the characters to make. That building a community can build safety; that refusing to back down can protect someone else; that maybe you can transform the world into something new, something that has room for you in it, if only you are brave.

Final rating, a very rare-for-me five out of five stars.

Content Warning: Discussion of graphic injury to animated dead body (painless, but explicit); homophobia (from the bullies); physical abuse (same); mild mention of anti-Muslim bigotry; fat-shaming (bullies, again, these guys are *winners*), electroshock aversion “therapy,” racism, police violence (repeatedly), off-screen but explicit police murder of civilians.

Danika reviews An Absolutely Remarkable Thing by Hank Green

An Absolutely Remarkable Thing by Hank Green

About three years ago, I saw a post on tumblr from Hank Green, which read: “Remember when I said I was writing a story about a bisexual girl and a robot?” I was, of course, immediately intrigued. I’ve been following the Vlogbrothers for many years, and I’ve read almost all of John Green’s books (though they aren’t favourites of mine). I would already be interested in a book from Hank Green, but of course it having a bisexual girl main character really upped it. By the time An Absolutely Remarkable Thing came out, I had heard lots of excitement around the book, but nothing else about the queer content. Did it get written out? Did I only imagine that tumblr post?? I then began my usual research when I stumble on a book that maybe-possibly has queer women content. I’ll save you the Goodreads scrolling and assure you: yes, this book has a bisexual woman main character, and it’s not even a one-off line. Her relationship with another woman forms–I would argue–the emotional centre of the book, and frankly, it’s a little irritating that it took so much searching to confirm this.

On to the book itself! I listened to the audiobook, and I would highly recommend that process. The narrator was great. Before I say anything else, you should know that this is not a standalone book. I believe it will be a duology, but it’s definitely not the only book in this story (I wish I had known that before I reached the ending!)

If you’re a fan of Hank Green and Vlogbrothers, I would definitely say that this is worth picking up. Despite being a story about first contact and robots and a bisexual woman’s complicated relationship with her roommate/girlfriend, Hank’s voice really comes through. It’s a thoughtful book that has a lot to say about fame–internet fame in particular. April finds herself suddenly famous, and she leans into this. She makes herself a brand and has a media presence strategy. She becomes more and more invested in having her voice her, and trying to sway the general conversation. As that process continued, I became more and more uncomfortable, but never ever to say exactly where she might have crossed the line.

But if you are reading this review, you’re probably more interested about the representation. There is, understandably, some suspicion when a man is writing a queer woman character. Hank speaks to this in another tumblr post, which I recommend checking out if you have questions. I won’t deny that I went in with a more critical eye than I would from an #ownvoices author, but I don’t have any big objections to the representation.

[mild spoilers] There was a moment where I raised an eyebrow: April’s agent asks if there’s anything else they should know, anything that might come up… something that may be controversial, or secret… and April does not even think about bringing up her sexuality. When she is directly asked, she is open about it, but she doesn’t think of this as something that her agent might have to consider, which I personally felt would be pretty obvious for a queer woman.

After that, though, her agent asked: couldn’t you just be gay? You dated men, but you were gay all along? It would be easier. That seemed accurate to me. April says, “It was easier for her to sell a quirky lesbian than a quirky bi girl, so I was a quirky lesbian for her.” [end spoilers]

As for April herself, she is definitely a complicated character. She is deeply flawed, and although she acknowledges this, she’s not very apologetic about it. She can be ruthless in pursuing her goals, and callous when it comes from other people. She is insecure and pushes people away. She denies her own feelings. She is selfish and reckless. But she also has good intentions, and she feels so real and relatable. Her flaws feel personal, and her bad decisions are understandable, if not defensible. If you don’t like “unlikable” characters, you probably won’t like her. Personally, I kind of loved her.

[spoilers] The romantic relationship here is… painful. April is not a good girlfriend, though she is clearly in love. I really like her girlfriend, and I hope that April improves herself in the next book enough to be able to have a more stable and mutual relationship with her, because right now, she doesn’t seem capable of a healthy romantic relationship. [end spoilers]

I really enjoyed this! It gave me a lot to think about. Although I liked the audiobook narration, I feel like I want to reread this in a physical format just to have some time to process and think about the issues that it brings up. I’m looking forward to the next one!

Danika reviews Gossamer Axe by Gael Baudino

Gossamer Axe by Gael Baudino cover“A new magic has entered the realm of the Sidh–and its name is rock n’ roll!”
Gossamer Axe front cover blurb

I will admit that I picked this up primarily because of the cover. A woman in high fantasy/ancient Celt robes, hair billowing behind her, playing an electric guitar? Add in the cover blurb (and the promise of queer content), and I was on board. Because I bought it mostly for cover appeal–I collect lesbian pulp, so I clearly have a weakness for ridiculous covers–I didn’t rush to start reading it. Instead, I waited for a time when I felt like reading something fun and a little bit silly. Unbeknownst to me, Gossamer Axe takes its rock n’ roll Celtic fantasy premise very seriously.

Christa is a woman who grew up in ancient Ireland. She was an expert harpist, but when she attempted to learn from the Sidh–a fairy-like magical race–she and her lover got kidnapped into their unchanging realm as punishment for her hubris. Christa escaped, but she wasn’t powerful enough to bring her lover with her. Now, she bides her time in modern (80s) America, trying to improve her musical/magical prowess enough to rescue her. She finds possibility in an unlikely place, trading her harp for an electric guitar, and forming a girl band to collectively stage a final battle.

While  still think the premise sounds kitschy–Ancient Celt harpist rescues her girlfriend from a timeless dimension using the power of rock and roll!–the book is not light or silly. It deals with heavy subject matter. A lot of it. Child rape/incest, someone dying of AIDS, homophobia, racism (including slurs), misogyny, abuse–to name a few.

But it’s also about chosen family, healing, and rebirth. Christa is bi, and where/when she grew up, two women falling in love was a little unusual, but unremarkable. Only the Christians disapprove of their relationship. Although she is living in 80s America now, she carries with her the confidence and power she learned in her youth. While all the women in the novel deal with misogyny, Christa acts as a source of strength for them. A note, though: the girl band mentioned on the back cover of the novel doesn’t get together until more than 100 pages into the book. It is a bit of a slow build. They do form of the heart of the book, though. They are very different people, but they become a kind of family.

I especially appreciated the friendship between Christa and Monica, which does not begin from a very promising place. There’s a sort of unquestioning sisterhood formed here that I love, and that seems rooted in its 80s feminist context. Christa shares her beliefs with her friends, and even if they aren’t converts, they draw strength from it. Christa believes that all women are priestesses, and she uses her rituals to remind them of their own capabilities.

Despite the dark subjects covered, at its core, Gossamer Axe is about persistence and healing. Although the characters go through incredibly difficult things, they are able to survive it, and to re-emerge as new people. This was not the book I was expecting, but I enjoyed it. If you can handle the subject matter (and are okay with this being very 80s), I recommend it. I will be checking out more from this author (silly cover or no).

Mars reviews Ascension: A Tangled Axon Novel by Jaqueline Koyanagi

Ascension by Jacqueline Koyanagi cover

Please be aware that although I’ve tried to keep it minimal, this review contains spoilers.

Alana Quick is one of the best starship surgeons the non-gentrified City of Heliodor has to offer, or she would be if only someone gave her the chance to prove herself on a real starship. Unhappily trapped in the dusty chop shop she shares with her Aunt Lai on the planet Orpim, and bankrolled by her wealthy spirit guide sister, Alana and Aunt Lai struggle to make ends meet by working on whatever ship rolls their way. The two are desperate to afford the medication that keeps the worst symptoms of their shared condition, Mel’s Disorder, at bay, even to the degree that Aunt Lai would take extra hours working a call center job for the shady Transliminal Solutions, an “outsider” business whose mysterious, advanced technology has wiped out the local ship economy. Though she loves her aunt, Alana can’t shake her thoughts of escaping into the Big Quiet, and is consumed by her dream of making it off-world.

I can’t really get more into it without spoiling some awesome twists and turns, but suffice to say that Alana doesn’t stay grounded for long. One thing I can definitively say is that Ascension is a standout amongst its peers. Compelling characters meets space opera meets a uniquely metaphysical marriage of technology and astro-spiritualism. Our main protagonist breaks the mold as a queer, disabled woman of color. Breaks the mold in a genre sense, I mean, because Koyanagi gives us a lovable and diverse cast of characters to connect with, and Alana is only one of several significant characters who is affected by a disability, although none of them are defined by it.

This book hits the mark in so many ways, so I’ll try to give an overview of those to the searching reader. Non-traditional families abound here, including a rare accurate and healthy look at a functioning polyamorous relationship. Alana’s deep and true love for starship engines has spoiled many a human relationship for her. She suffers from the same condition that my favorite Law & Order: SVU detectives do – namely that she is married to her work. She will always, always choose the rush and thrill she gets from starships, for which she has not only a passion but a deep spiritual connection. Alana is burdened with the idea that traditional romance is over for her. Or so she thinks.

Also noteworthy is the exploration and growth of the sibling relationship between Alana and her sister Nova. There are few bonds in media that I feel are as underexplored as the one between siblings. Siblings can be complicated – they can be the greatest of allies or the greatest of enemies, or both at the same time – and the potential for such complexity and nuance is a device that is slowly gaining more traction among writers and media makers. Complex and contradictory is certainly a way to understand the Quick sisters.

A few things I should mention: there are super meta breakdowns of reality and conceptual universe-hopping at some point, so please be aware if that is going to be an existential red flag. There are descriptions of the painful physical symptoms Alana experiences with her Mel’s Disorder, dissociative experiences from another character, and descriptions of violence which are not gratuitous but may also be uncomfortable for certain readers.

Overall, I would highly recommend this book for anyone drawn to intergalactic adventures. As a sci-fi lover who is more than aware of how patriarchal and sexist traditional science fiction can be, I am very comfortable describing this book as not like that. If you enjoy this book, I would recommend Becky Chambers’ The Long Way to a Small, Angry Planet as a similarly sweeping, queer space opera.

Quinn Jean reviews The Apocalypse of Elena Mendoza by Shaun David Hutchinson

The Apocalypse of Elena Mendoza by Shaun David Hutchinson cover

[Please note: this novel contains occasional depictions of violence and this review mentions these in the first and final paragraphs]

Like its eponymous heroine, The Apocalypse of Elena Mendoza defies categorisation. Hutchinson’s novel never doubts the reader’s intelligence and jumps right into the centre of events at the start. Elena Mendoza is introduced as a sixteen-year-old bisexual Latina woman working at a Starbucks in a small town in Florida, who witnesses a teenage boy shoot her long-time crush and abruptly learns she has the power to heal people. The crush is a blue-haired artist called Freddie who unwittingly becomes part of Elena’s journey along with Elena’s best friend Fadil, a kind and thoughtful Muslim boy. Everyone who is exposed to the mystery of Elena’s healing ability offers her opinions on how to solve the puzzle and who to help with her power, while Elena is most concerned with keeping her loved ones safe and not hurting anybody, while also trying to figure out if Freddie maybe likes her too now. A side note to all these extreme events taking place early in the story is that Elena was the product of a virgin birth when her mother was a teenager, with science proving Elena was a statistical anomaly and was conceived through parthenogenesis. Elena has been bullied and stigmatised her entire life as a result of her famous history, which all leads her to question whether these otherworldly occurrences are miracles, science, coincidence, or something else entirely.

A novel with plot points this complex even just at the beginning of the narrative is bound to deal with countless themes, and Elena Mendoza does not disappoint there. The book trusts the reader to have the patience and focus to follow the various characters and story points and at various times Elena’s first-person narrations discusses the significance of religion, science, and ethics in the matters at hand. A big part of Elena’s growing bond with Freddie is the two of them debating and exploring different understandings of why Elena can heal and when and whether she should be healing people. There are times when the book comes off a bit patronizing, with Elena’s self-righteous rants about how to be a good person and treat other people fairly, but this could arguably just be intended as the character’s perspective rather than the author’s.

And despite the Big Idea monologues sometimes verging on being sanctimonious, for the most part Elena is a compelling, likeable and relatable main character who more than deserves her own young adult novel to lead. Elena herself points out that if her powers are God-given, she is an unexpected vessel as a queer woman of colour; the same is unfortunately true of YA protagonists. Similarly, the religious, big-hearted and open-minded Fadil is a wonderful foil to Elena’s sometimes pessimistic, doubtful and misanthropic tendencies. Their loving interfaith, interracial friendship as it is portrayed in the novel is as refreshing as it is rare.

Elena’s bisexuality and interest in Freddie is an important and key element of the story, without reducing either character to the role of pursuer or love-interest. The often prickly and inconsistent interactions the two girls have as a result of extreme circumstances are not romantic in any traditional sense. The way Freddie and Elena are forced to confront their preconceived ideas of the other and listen to uncomfortable truths explodes old notions of how intimacy and love are formed, and the novel and their bond are both better for it.

This novel is not exclusively young adult, or fantasy, or a queer love story, or a meditation on how to be a good person. It is all of those things and a lot more, all crammed into a relatively small amount of pages. Do note that the novel contains brief references to domestic violence and racism as well as the aforementioned gun violence. Ultimately aside from the odd preachy moment, the book is an excellent piece of writing, exploring important themes through engaging with very likeable and relatable characters.

Megan G reviews Unicorn Tracks by Julia Ember

Unicorn Tracks by Julia Ember cover

Located deep in the heart of Nazwimbe is a safari unlike any other. Tourists and researchers come from all around the world in hopes of catching a mere glance at the incredible creatures who roam nearby. The Harving’s, a father-daughter team hailing from Echalend, have come specifically in search of the mystical white unicorn, a creature they have spent their life studying. They are assigned to Mnemba, a sixteen-year-old tour guide who knows the safari like the back of her hand, and who has come to work for the safari after a tragedy drove her from her home. For Mr. Harving, this is the opportunity of a lifetime. For Kara Harving, this is her final chance at adventure before being forced to marry a man she doesn’t love. For Mnemba, this is simply business. As their time together progresses, however, it becomes clear that this tour will be none of the above.

One of the things I most enjoyed about Unicorn Tracks was the world building. Nazwimbe is an incredible country, and it’s amazing how much Ember conveys about its customs and beliefs in this short novel. I never felt overwhelmed by the amount of information given, as it is weaved so seamlessly into the story. Not only do we learn about the culture of this fictional country and its different towns, we also meet an array of incredible creatures, all of which are mythical in our world, but roam free in the plains of Nazwimbe. Often I felt as though I could see the creatures directly before me based on Ember’s words. It was as though I was on the safari alongside Mnemba and the Harving’s.

It takes a bit of time for the plot to get moving, but once it does it pulls you in. It’s unique, and exciting, and does an incredible job of showing the character of our protagonists without ever making it feel like too much. Once things get started they advance at a steady pace, bringing you to a satisfying conclusion in a way that feels natural. Again, I felt as though I was living this adventure alongside our heroines.

In the romance, Ember tackles some heavy issues, though for the most part I feel she does so well. Mnemba and Kara come from different worlds, and their clashing cultures cause tension occasionally. They learn to work together, though, both in their adventuring, and in their private lives. Although the story takes place over a short period of time, their romance unfolds sweetly. It does feel a bit fast, and yet it also feels natural that they would feel such strong affection for each other after everything they’ve gone through.

As I mentioned, this book does deal with heavy subject matter. Warnings include rape, physical assault and violence, sexual harassment, slavery, and animal cruelty. While these issues are dealt with well for the most part, there is one moment where [spoiler alert] Kara and Mnemba are becoming intimate and Kara comes across as quite insensitive to Mnemba’s traumatic past. This moment of insensitivity is never fully dealt with, and feels odd, as she has been previously quite supportive [end spoilers].

Overall, Unicorn Tracks is a delightful novel set in a fantastic world, with a sweet romance, and an intriguing plot. If you think you will be able to handle some of the heavier issues dealt with within the story, then I highly recommend it.

Danika reviews The Swan Riders by Erin Bow

The Swan Riders by Erin Bow coverAfter hearing only good things about the Scorpion Rules duology, I was eager to pick it up. Unfortunately, I read the first book during a readathon, and reading a crushing dystopian story about war and brutality was not the best choice to read all in one sitting. It was darker than I was expecting, so I wasn’t emotionally prepared for it. I was, though, interested in the ideas introduced in the book. So I took a few months break before I picked up the second book in the series, The Swan Riders, in the hopes that I would be more prepared this time.

I spend most of my time reading this book thinking This is the reading rule you seem to re-learn over and over: just because people say a book is great, doesn’t mean you, personally, will love it. I have long since realized that it doesn’t matter how high calibre the quality of a book is if it doesn’t immediately appeal to me. Still, I continued with the sequel, because I had heard it was an improvement from the last book. Perhaps I was less connected to the characters because of the break that I took between books, but I was having trouble pushing through.

I have, historically, been a fan of dystopian novels, but this one I found hard to deal with. It’s just so straightforward about the suffering experienced. The pain. The first book includes a detailed scene of torture that nauseated me. The second book describes the slow deaths of several characters, all involving increasingly close together seizures. While the first book has some semblance of an us vs. them clarity, Greta spends most of her time in The Swan Riders alongside the villain of the previous book.

By the end of the narrative, I had come around. The strength of this story is in its ideas, especially (for me) its exploration of personal identity and humanity. [spoilers for first book:] Greta is an AI now, and she begins to drift away from her humanity and empathy, assisted by Talis’s intervention. [end spoilers] It takes this idea, of an AI enforcing global peace, and shows how tangled it is. How can global peace be achieved? Can it? And what amount of sacrifice is worth it? Clearly, Talis’s strategy is not defended by Greta or the narrative, but there’s also not a tidy alternative.

As for the queer content, there is definitely no central romantic story here. In fact, Greta does not interact with Xie for the whole novel. But her presence is there, nonetheless. She is Greta’s tie to humanity, to retaining her true self. She is a memory that Greta clings to. She is, in some ways, the home that Greta spends each step of her journey longing to return to. So although she isn’t a central character, she is a very important one.

For all my ups and downs with this duology, I would still recommend it, but with some caveats: this is not a queer Canadian princess fantasy-esque story that the blurb had me prepared for. This is a dystopia that is focused on war and its casualties. It is thought-provoking, but brutal.

Shira Glassman Recommends F/F Sci Fi You Can Buy Outside of Amazon

A few weeks ago, I wrote a post full of links to f/f fantasy books I personally recommend, populated with buy links other than Amazon for any of you who don’t want to stop there or at least looking at cutting back on spending money there. I’d like to do another post like that, this time with some of my f/f science fiction recommendations. If you don’t see your favorite book on here, it might be that I haven’t personally read it, but it might also mean I couldn’t find a non-Amazon link for it. And happy endings only, of course. This is, after all, a Shira Glassman recs post!

First of all, you have to have anticipated that a post like this would start with a recommendation for Not Your Sidekick by CB Lee. This YA starring a bi Chinese/Vietnamese-American girl, written by same, kicks off a fun romp of a trilogy starring qpoc teen superheroes. The main character’s parents are superheroes, as is her older sister, but her powers haven’t kicked in yet. What if they never come? So in a fit of teenage pique she decides to start interning for the villain. Turns out things are a little more upside down than she anticipated. This is a good series for people who have been binging superhero fanfiction and people who want big happy queer friend groups instead of just romance.

Next, a wonderful, sweet piece about an outmoded android and a repair tech: The Cybernetic Tea Shop by Meredith Katz. The android woman still carries with her vast grief from missing her original human, and the path given to her by the plot is a metaphor for healing and vulnerability that really resonated with me.

You can read this one for free: “Né łe!” by Darcie Little Badger. Originally printed in Love Beyond Body, Space, and Time, a LGBTQ+ Native anthology, this is a romance between two Native women 1. in space 2. surrounded by 41 puppies. If that isn’t a heck of a selling point, I’m just going to go back to bed.

Ascension by Jacqueline Koyanagi is about disabled queer women in space fighting Big Pharma. The sci-fi plot takes you everywhere from space opera to multiverse theory, and the romantic plot resolves in several layers of overlapping polyamory. TW for some fridged family members, and for the description of how one of the women lost a limb.

Chameleon Moon by RoAnna Sylver takes us to Parole, a city the US government trapped under quarantine to control the population’s mutant powers. Evelyn Calliope is a trans woman with sonic powers, in a f/f/f triad with a woman with plant powers and a woman with mech powers (they also have a son, and, if I remember correctly, a robot dog?) Together with Anxious Lizard Man Regan and some other characters they try to find hope, water, and other resources in the dystopian mess. RoAnna’s writing is full of positivity and cheerleading.

Medic to the Hive Mind by Kayla Bashe coverWhat is a connection? What is trust? In Medic to the Hivemind, Kayla Bashe plays with some classic questions of both the romance and science fiction genres. A woman stranded in space is comforted by another woman over the Space Internet, without knowing much about her. Hard to describe without spoilers. Also, Jewish lead/author.

Amazingly, “f/f romance set in an arts school in outer space” is becoming its own subgenre somehow! First, I’ll recommend Sparks Fly by Llinos Cathryn Thomas, set in a dance school on a space colony, involving a kind of dancing that uses zero-gravity and floating pods. One of the heroines has been working at the school for years and thought she’d have the headmistress spot to herself eventually, but it turns out she has to share the top spot with an injured dance star taking some time to recover. It’s sort of rivals to friends to lovers, but more awkward than really rivals. Secondly, Flowers of Luna by Jennifer Linsky, starring a biracial Japanese girl written by same, takes place at fashion design college on the moon. A new student meets a cute girl who’s sort of sexually adventurous (she often goes out in public without underwear, for example.) This one has a very ‘New Adult’ feel as well as many details of the main character’s fashion career.

The Abyss Surrounds Us by Emily Skrutskie coverThe Abyss Surrounds Us by Emily Skrutskie is a futuristic dystopian adventure story in which a group of pirates, led by a vicious yet appealing woman captain, want control over a sea monster. The f/f is between a girl who’s been with the pirates for a while to support her family and the main character, who winds up with them initially against her will as part of their sea monster acquisition scheme. If teenage lesbians and a gigantic turtle are your jam, this is your book. TW for one of the pirate boys dying in a horrifying way. There’s a sequel I haven’t read yet. Side notes that this book is more likely to be in your local library without you having to request it than most of these others, and it also won’t out you to your parents or coworkers.

The Long Way To A Small Angry Planet by Becky Chambers is a mostly feel-good, episodic series of related adventures with one of those “the spaceship’s crew is like a family” setups. The f/f romance is only one of the side plots but does involve the main character. This is a book that has a lot of wonderfully neat alien species including polyamorous reptilians that have giant cuddle parties. Warning that you may want to read some reviews because there’s a disability related side plot unrelated to the f/f that some people found hurtful (I actually prefer the sequel, but it doesn’t have any romance and is more of a spinoff involving two minor side characters in Long Way.)

Cinnamon Blade by Shira Glassman coverThose are my offerings today! If you want to check out my own writing, the closest I’ve gotten to science fiction are either the short story “Aviva and the Aliens” in Tales from Perach, about how the queen’s girlfriend outsmarts the aliens who kidnap her in hopes that her cooking will be better than their spaceship’s replicator, or my brand-new superhero romance Cinnamon Blade: Knife in Shining Armor, in which an ex-thief who’s now the hero’s sidekick decides to finally ask out the damsel in distress she’s rescued several times. Can they ever have a normal date or are there too many monsters of the week?

Quinn Jean reviews Reign of the Fallen by Sarah Glenn Marsh

Reign of the Fallen cover

[this review contains minor spoilers and discusses depictions of violence and substance abuse in the novel, particularly in paragraph three]

Reign of the Fallen is a refreshing and original addition to both the fantasy and the queer YA genres, a welcome departure from more formulaic and predictable novels that populate both areas. Sarah Glenn Marsh’s protagonist is a flawed, confused, intelligent and charismatic young woman named Odessa. Her already complex and dangerous life as a mage who raises the dead becomes even more complicated when monsters and unseen enemies descend en masse into the mythical kingdom she calls home. Marsh spends much of the first third of the novel explaining the magical properties and politics of the kingdom and populating Odessa’s world with compelling supporting characters including a Princess who moonlights as an ingenious inventor, a coarse and brash but kind fellow necromancer, and a sea-faring pirate mistress who flirts with Odessa incessantly. At times this initial storytelling exposition gets slow and somewhat tedious but Odessa’s grounded and relatable first-person narration and the promise of more action and development prevents these chapters from feeling too stale.

While the book is labelled an “LGBT love story”, Odessa begins the story with a heterosexual male partner, Evander, who works with her as a necromancer; it is quite some time before there are any more than brief references to any characters’ queerness. Thankfully in this fantasy universe queerness is generally accepted without issue and Odessa herself as well as many of her friends are openly attracted to people of the same gender. But the queer overtones in the novel only really get going with the introduction of Evander’s sister Meredy about halfway through, a fiery and strong-willed beast mage. Oh, and a raging lesbian. Her presence becomes the motor behind much of the rest of the story and she prompts both Odessa and the novel to action. It is worth bearing with the more conventional beginnings of the novel, in regards to both fantasy and heterosexual norms, in order to reach the chapters that blow apart expectations and formulaic arcs. The ensuing drama is compelling and well worth the wait.

As may be expected in a novel starring a mage who raises the dead, there is quite a bit of violence in this book and much of it, while often unrealistic, is graphic. In addition, a major character becomes dependent on a substance that leads to their life unravelling and mental state rapidly deteriorating. While the substance is referred to as a “potion”, it is a clear metaphor for alcohol or mind-altering drugs, and some readers may find it distressing to see addiction depicted in such glaring detail. The novel is to be congratulated for how many bisexual, gay and lesbian characters it features, but it is disappointing that there are no trans characters where they could easily have been included also.

For the most part, Reign of the Fallen is a highly successful merging of the fantasy and queer coming-of-age genres, and the second half of the novel is a particularly fun and interesting read.