Thanks To Our Sponsors!

You might have noticed that the Lesbrary now has a few ads! I’ve always been firm in not wanting to put randomly generated ads on the site that would be irrelevant at best and offensive at worst (no diet products on this site, thank you!) Recently, however, I’ve been reaching out to publishers and authors of lesbian and bi women books, and now we have ads that not only help keep the lights on, but are actually relevant to readers! I’m really happy with this development, and I wanted to thank some of the first advertisers with the Lesbrary!


You’ll be seeing a lot of Ylva Publishing! They are the top ad spot for all of 2018!

Ylva Publishing is the home of quality lesbian books. Our ever-growing catalogue of award-winning fiction includes everything from lesbian romance to mystery, erotica, and thriller.




The Year of the Knife by G.D. Penman, which also was a Sponsored Review! Check out my full review here.

Agent “Sully” Sullivan is one of the top cops in the Imperial Bureau of Investigation. A veteran witch of the British Empire who isn’t afraid to use her magical skills to crack a case. But Sully might need more than a good education and raw power to stop the string of grisly murders that have been springing up across the American Colonies. Every one of them marked by the same chilling calling card, a warning in the form of a legion of voices screaming out through the killers’ mouths: “It IS tHe YEAr oF the KNife.”


Wanderlust for Beginners by Alice Casey:

Welcome to the Moonlit Road is a joyously far-fetched fantasy novel with a queer family focus.

Ngaire and Katy settle in a small town, and set baby plans underway. The baby daddy is Ngaire’s cousin, Nigel, a dairy-farming wizard, and when it turns out that the baby has Down Syndrome, Ngaire asks Nigel to help. He finds an old spell and consecrates an owl to the Welsh Goddess Blodeuwedd, assigning it to watch over the pregnancy and later, the child as she grows up.


My Own Human by Arizona Tape:

At only 265 years young, vampire Adrianna has her whole life ahead of herself. But instead of planning out her future, she is fascinated by human history. So far she knows that humans were smart and resourceful, made both love and war, and are undeniably extinct. So can you imagine her surprise when she stumbles upon Heather, a young woman that loves fresh air, dances in the rain, and likes her heartbeat regular. Oh, and is as human as they come.

Travel 2000 years into the future where the vampire race has taken over our Earth. Discover with Heather who those vampires really are and exactly what they are capable of. And maybe, you might find out why they aren’t so different from us after all…

Thanks so much to our sponsors!

Julie Thompson reviews Sugar Town (issues 1-4) by Hazel Newlevant

Sugar and spice and everything nice is what adorable graphic novels featuring queer women are made of. Sugar Town is a sweet story about two women who meet in a bar in Portland, Oregon and fall in love. It’s polyamory and open relationships and queer sexuality. There’s no angst, no heart-stricken-dark-night-of-the-soul about loving more than one person simultaneously. This isn’t to say that the characters lack depth or haven’t wrangled with difficult personal histories, but that’s background to what happens in this volume. Overall, it’s fun fluff that pairs nicely with a lazy night on the couch and a glass of wine.

Author and illustrator Hazel Newlevant blends story and art in a delectable combination. Hazel’s relationships with Gregor, her comic artist boyfriend, in New York City and her burgeoning romance with Argent (“Hazel Hawthorne”), a Portland-based dominatrix, gives me the warm fuzzies. The illustrations are chock full of details that draw out how the characters feel and the overall mood of a scene. Take for instance that magic moment within the first few pages in which the dancers part and Hazel’s heart-shaped pupils lock onto Argent for the first time. It’s a magical moment worthy of the epic swells of Heart’s Alone. Every time I read Sugar Town, I discover new flourishes. And really, isn’t that part of what makes the world go ‘round?

Queer Books That Should Be Made Into Movies

I think everyone can agree that even as an increasing number of books are published about queer women, and written by queer women, we can always use more. In addition to being a writer and avid reader, I’m also a huge fan of movies and TV—the different media highlights different things about characters and world, and I love consuming both. Recently, I’ve been a writer for Tremontaine, a serial story from Serial Box Publishing based on Ellen Kushner’s very queer Riverside series. Because we work and publish on a TV model with a writers’ room, with show runners and a schedule where new episodes go live once a week, I’ve been thinking a lot more about the intersections of story-telling between novels and TV in particular.

As we’ve seen with properties like the Lord of the Rings movies and A Game of Thrones, when big fantasy projects are made into amazing movies and shows people start to pay attention to the genre and even more books are bought and sold. Of course, those two examples have T-E-R-R-I-B-L-E queer representation. My optimistic side thinks that one or two hugely successful movies or shows with queer ladies at the helm, telling queer stories, would go a long way to normalizing such things.

With that in mind, here are five queer books I’d LOVE to see made into movies or TV shows. All of them have queer ladies as main characters or the world itself is queered, and most are by queer authors. (And they’re all fantastic books—you should go right out and read all of them.)

Dread Nation by Justina Ireland

This book is amazing—it takes place in an alternate USA about seventeen years after the Civil War was disrupted by the dead rising from their graves! Jane, our bisexual heroine, is being trained at Miss Preston’s School of Combat for Negro Girls to learn to kill the undead and serve as an Attendant to some rich white family. The story travels from war-and-zombie-ravaged east coast out west, and Jane is always getting into trouble. In a world like this, zombies are sometimes the least of her concerns. The scope of the story, the wild west horror, and Jane’s entertaining style would make this a fantastic movie.


Black Wolves by Kate Elliott

I’ve long wanted one—any!—of Kate Elliott’s series to be made into a sweeping TV series. She is one of the best epic fantasy writers alive, and they all include queer people to various degrees. Her worlds are intricate, her characters and their conflicts layered and intriguing. Black Wolves has everything Game of Thrones has, but better, including a bisexual protagonist. In fact, if HBO wanted to start with the Crossroads trilogy to which this is a companion series, they’d have years of quality programming with 100% less rape, racism, and homophobia.



The House of Shattered Wings by Aliette de Bodard

The imagery of this book (and its sequel) is so haunting I was already imagining it as a movie the first time I read it. It takes place in a Paris that never was, where fallen angels struggle against each other for power. The dark nostalgia and intense atmosphere of post-war love, suffering, and community-building would make this a fascinating movie that I think would really linger in viewers’ minds.


Ancillary Justice by Ann Leckie

This hard-core space opera is one of my favorite queer reads, because the queerness—while also present in every layer of culture and world—is inherently a part of the language with which Leckie tells the story. Every character is linguistically gendered female, regardless of how they’re coded in other ways (which run the gamut of gender, not just male/female), which is both a fascinating experiment as well as indicative of the colonial themes in the novel. It would be very difficult to capture in film or television for the reasons I mentioned above: they’re such different media from books. But I’d love to see an ambitious filmmaker try it. And the story itself is thrilling enough to pull viewers along with the experiment.

The Killing Moon by N.K. Jemisin
While all Jemisin’s book stick with me because of their incredible characters, worlds, and intense emotional arcs, this first book in her Dreamblood Duology is the one that reads most cinematically to me. Not only is it a murder mystery and thriller, but the characters are so tightly written, and the setting is absolutely alive. It takes place entirely within the city-state of Gujaareh, and these neighborhoods are drawn so vividly, their political flavors so clear, that I felt like I’d visited it myself. There is queer love at the heart of it, and aside from being well written, the main characters are just so cool. It is easy to image them rushing along the shadowy rooftops, like the silent assassins they are. (Jemisin’s The Broken Earth trilogy HAS been optioned for TV, which is super exciting).
Tessa Gratton is the author of the Blood Journals Series and Gods of New Asgard Series, co-author of YA writing books The Curiosities and The Anatomy of Curiosity, as well as dozens of short stories available in anthologies and on Though she’s lived all over the world, she’s finally returned to her prairie roots in Kansas with her wife. Her current projects include Tremontaine at Serial Box Publishing, her 2018 YA fantasy Strange Grace from McElderry, and her adult fantasy debut, The Queens of Innis Lear, coming in 2018 from Tor. She is the associate director of Madcap Retreats. Visit her at

Tremontaine season 3 is out now from Serial Box.

Elinor reviews The Rules Do Not Apply by Ariel Levy

I have long-standing love for Ariel Levy’s work, so I was eager to read her memoir The Rules Do Not Apply. For those who’ve read her essay “Thanksgiving in Mongolia,” about her miscarriage at 19 weeks pregnant, you have some idea what you’ll be getting in this book. Essentially, it’s a brutally sad story told gorgeously. The memoir gives context to Levy’s loss of her pregnancy, marriage, and home, all within a single month, and delves into her life before, during and after this central tragedy.

Much of the book explores Levy’s adventures as a successful writer, interviewing fascinating people all over the world, and how her work informed her ideas about gender, family, work, queerness, marriage, and a meaningful life. Alongside this is the story of Levy’s personal life, from a childhood spent witnessing her mother’s long-term affair and the dissolution of her parent’s marriage, to dating men and women as an adult. When Levy falls in love with and marries a woman before such a marriage was legally recognized, you can feel the heady excitement. Together the pair bought a home and wrestled with question when and how to become parents. Though Levy’s marriage was loving, it was complicated by Levy’s destructive affair with a creepy ex and her spouse’s increasingly serious drinking problem. Still, when they decide to have a child after many years together, she believes that they have things under control, that they’d weathered storms and gotten bad behavior out of their systems. Then the unthinkable happens and the story takes a turn Levy never expected.

Levy resists the cultural rules for women throughout her life, managing to have brilliant ambition, professional success, lust, love, adventure and a rich domestic life. But those are only a superficial rejection of the “rules” that the title references. This memoir rejects tidy lessons, platitudes, and the idea that loss is avoidable. Often in stories like Levy’s, the unstated rule is that it all works out in the end, that there’s a silver lining, or that everything happens for some ultimately rewarding cosmic reason. Levy refuses to pretty up her pain or to resolve the story neatly. Here, there is no happy ending. In fact, the book ends ambiguously, with Levy stepping out into an uncertain future.

The rawness and incredible writing draw you in, and leave you unsettled. You might want to line up something soothing after this. I was very glad I didn’t read it until after my child was born, because if I’d been pregnant or trying to get pregnant I would have been an anxious wreck reading this book. Having said that, I still highly recommend it. It’s a fascinating, honest, unique book.

Elinor Zimmerman is the author of Certain Requirements, which will be released by Bold Strokes Books in Spring 2018. Her website is

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Megan Casey reviews The Shirley Combs/Dr. Mary Watson Series by Sandra de Helen

The Hounding  (Shirley Combs/Dr. Mary Watson Series Book 1)

Pastiche: “a literary, artistic, musical, or architectural work that imitates the style of previous work.” For decades, the word pastiche was commonly used to refer to stories about Sherlock Holmes that were not written by A. Conan Doyle. Perhaps the most famous is The Seven-Percent Solution, which was a best seller for Nicholas Meyer in 1974. More recently, Laurie R. King (who also writes lesbian mysteries featuring Kate Martinelli) has created the Mary Russell Mystery Series, which features the iconic sleuth. Holmes also appears in Carole Nelson Douglas’ Irene Adler series. In fact, lists over 7000 paperbacks inspired by Holmes.

As far as the lesbian mystery genre goes, characters based on Holmes and Watson appear in Nene Adams’ Gaslight Series, Olivia Stowe’s Charlotte Diamond Series, Debra Hyde’s Charlotte Olmes Series. There is more than a subtle similarity to Holmes and Watson in Iza Moreau’s The XYZ Mysteries, with Xande Calhoun as Holmes and her sister Yolande as Watson. There are stories about Holmes and Watson as lesbians and Holmes and Watson as gay. Now, Sandra de Helen has become one of the latest pasticheurs with her series about Shirley Combs and her friend Dr. Mary Watson. In the first novel, The Hounding, neither character is either gay or lesbian, or even hetero. But we’ll get to that in a paragraph or two.

We don’t hear the word pastiche much any more. Today, it’s called “fan fiction.” I suspect that The Hounding began as fan fiction, and perhaps that’s why it isn’t as strong as it could be. For one thing, the author makes over 15 references to Sherlock Holmes himself. A couple of the characters joke about the Sherlock Holmes/Shirley Combs vocal similarity. And the language sometimes is just too Holmesian (despite the story being set in modern-day Oregon) to be anything but fan fiction. Here are a couple of for instances:

“I have been engaged by Miss Goldenhawk Vandeleur to enquire into the circumstances surrounding the death of her mother, Pricilla Leoin.”

“Only a slight upward movement of Shirley’s left eyebrow would have given away her surprise, and only an observer as keen as Shirley herself would have seen it.”

Now there’s nothing wrong with fan fiction, which may be the newest literary genre. In The Hounding, the writing is strong and the mystery is worthy of the master himself. In short, a woman is mauled by dogs, causing her to have a heart attack and die. But who set the dogs on her and where are they now? Shirley Combs, private investigator and portfolio analyst, takes on the job of finding the answer. But unless an author is actually writing about the real Holmes and Watson, it is not a good idea to stick too close to the original.

There is little backstory about either Shirley or Mary. Both consider themselves asexual and both live alone: Shirley in Portland, Oregon and Mary in nearby Lake Oswego. And neither, unfortunately, seems to have a very interesting personality. Of the two, though, it is Mary—the primary narrator—who has the most promise. It is she who gets an odd feeling when she sees an attractive woman and it is she who continually questions her strange relationship with Shirley. Shirley seems to question nothing.

And I can’t let this review go without discussing point of view. As you will remember, most—but not all—of the original Sherlock Holmes stories are narrated in their entirety by Watson, who sees all and hears all. Holmes includes him in his adventures just so that Watson is in attendance, not only as a friend, but as an observer. De Helen knows this well, but often finds it difficult to insert her Watson into the action, although this action is important to the story. Here’s how Mary Watson explains her ability to do it. Evidently, like Archie Goodwin in Rex Stout’s Nero Wolfe detective series, Shirley has a photographic memory and is able to give a thorough account of her outings, as when Mary says, “she dictated her word by word account for me.” Then Mary continues, “I use my creative license to add what I imagine to be the thoughts and emotions of all the players.” She adds later, “It’s easy to imagine what happened next.” This is one of the cleverest point-of-view ploys I’ve ever seen, but it’s still a glitch in the artistry.

But that’s enough skating around. As fan fiction, The Hounding is as good as most–as creative literature, not so much. But despite everything, it is an interesting and well-developed mystery. I recommend it for any Holmes/Watson obsessives.

The Illustrious Client (Shirley Combs/Dr. Mary Watson Series Book 2)

One of the many good things about this, the second novel in the Shirley Combs/Dr. Mary Watson series, is that it stands alone very well. Conversely, perhaps the best way to review this novel is by contrasting it to its predecessor.

Let’s start with the Holmes/Watson comparisons. In the first book, de Helen refers to the original iconic detective no less than 15 times. Well, guess how many comparisons she makes this time? Answer: zero. What this means is that the author has become more confident in her talents and more creative in her thinking. Ditto about her “explanations” about inconsistent point of view. Although her narrative shifts once or twice from Dr. Watson to omniscient, the author genuinely tries to stay within Watson’s experience. Not perfect, but a vast improvement.

The plot is fairly complex, as was the previous book’s. Shirley is hired to dissuade a famous young pop star, Oceane, from her romance with international playgirl Zaro, who was once (while disguised as a male) a soldier in the Afghan army. But when Zaro is attacked with acid, the sleuth’s job becomes one of finding the culprit. Although, as I said, the story is a good one, the main merit of this book is the growth of Mary Watson. Although in the first book there were a couple of exquisitely tiny hints that Mary might not be quite as asexual as she believes, in this book she discovers, quite by surprise, her lesbian identity. Although from puberty, she assumed she was simply asexual, she suddenly found that “something had awakened in me,” when she met real estate agent Beth Adams. The idea of a romance—maybe even a sexual relationship!—causes her to gush, “I was excited to the point of near-hysteria.” This is really good stuff: details that are all-too-rare in lesbian fiction, although we have all been there.

A touch worth noting, Shirley’s new “administrative assistant” has the greatest first name in lesbian literature: Lix. Hopefully in the next book we will learn her last name and some backstory. And maybe some more about Shirley, too. Or maybe Lix and Shirley will get it on. Whoo weee. I can’t wait. And Lix should get her own series. You heard it all here first.

Finally—and I rarely comment on this—the formatting of the e-book for this novel is the most sophisticated I have ever seen. And I’ve seen a lot. It may presage the day when e-books can look identical to print versions.

Negatives? Well the POV thing is still a little glitchy, as is Shirley’s lack of real individuality. And now that Sherlock himself is absent from de Helen’s pages, maybe it is time to stray from rewriting actual or nearly actual Conan Doyle titles.

Bottom line, give this one close to a 4; it is certainly worth a read. With the author continuing to hone her talents, I am looking forward to the next one.

For more than 250 other Lesbian Mystery reviews by Megan Casey, see her website at  or join her Goodreads Lesbian Mystery group at

Support the Lesbrary

Newest change to the Lesbrary: I’ve added a Support the Lesbrary page! I appreciate anyone who reads the Lesbrary at all: you’re the reason this site (and youtube and tumblr and twitter) exists at all! But if you feel like helping out in other ways because you’re an incredible and generous person, keep on reading!

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I also have goals for Patreon: at the $100 mark, I will start the Lesbian Literature 101 series: a project that details the history of queer women literature through a combination of posts and videos. We’re so close to meeting this goal! After that, additional money will go towards carving out time to improve the tagging system, produce additional content, and maybe even start a podcast!

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Holly reviews Last Room at the Cliff's Edge by Mark McNease

In the interest of full disclosure, I would like to make it known that this is the first murder mystery that I have read.  Due to my unfamiliarity with this genre, I admit that I may not be fully skilled in appreciating the nuances.  I think it’s important to note that this book contains descriptions of violence and sexual violence, which may be triggering for some readers.
This story takes place in the eastern United States.  The majority of the action occurs in a small town in which nearly everyone is queer, an accessory to murder, or both.  As the title suggests, the action centres around the Cliff’s Edge Motel, a local eyesore that residents of the town tend to steer clear of, unless they have nefarious actions that need to be carried out in a place of ill repute.  The protagonist is Linda Sikorsky, a retired police detective.  She and her wife, Kirsten McClellan, are driving to a writer’s retreat in Maine so that Kirsten can polish the final draft of her first novel.  When they are waylaid by inclement weather, they find themselves at the Cliff’s Edge Motel.  They decide to stay for the night in hopes of waiting out the storm.  Linda wakes to the sound of a struggle taking place in the next room, and the story goes from there.
This isn’t so much of a murder mystery, or at least not how I imagine a murder mystery should be laid out.  We know immediately who the murderers are and see who is working for whom.  I guess the interesting part of the read is supposed to be watching the retired detective work her magic in discovering useful tidbits of information and piece together the clues.  Major revelations regarding the back story of the characters and the underlying motives of the villain are made towards the end of the book, but by that point we have been presented with so many grisly and disturbing actions that these barely raise an eyebrow.  Sure, they explain the reasons behind the characters’ actions, but they are just drops in a bucket of indecency.
Linda’s partner seems to primarily act as a prop with which the author lays out Linda’s thought process for the reader to see.  Kirsten asks the, “why did you do that?”-type questions, and then we, the reader, learn the motives and methods of the detective through her response.  The relationship between Linda and Kirsten is unusual to me.  There isn’t a lot of affection shown between the characters, and a lot of the time it seems like Linda is merely tolerating her partner’s questions, not really appreciating her presence.  Maybe this is part of the cut and dry, rational, methodical, cold temperament of a former police detective, but to me it seems like there is distance between these two people.  You deserve better, Kirsten.
To me the most interesting character in this story is not the protagonist, but the villain.  McNease succeeded in writing a bad gal that you love to hate.  Meredith is manipulative and evil.  This deranged personality type is fascinating in a morbid, terrible way.  I am so glad to not associate with people like this in real life, and personally, I’m glad that I don’t spend too much time reading about theses types of people, either.
One thing in this book that I thought interrupted the flow was that all of the queer characters instinctively knew that the others were queer, and the author made a point of detailing this.  Everyone’s gaydar is off the charts.  As a person who is guilty of incorrectly assuming that every woman in a cowichan sweater is queer, I am baffled by the laser-like accuracy that these homos have in pinning one another down.
I am not the kind of person who watches crime shows because I have a difficult time watching people be mean to one another.  It seems that this aversion to ingesting suffering for the sake of entertainment also extends to reading descriptions of cruelty and malice.  I’m not saying that this book is poorly written or not well thought out, but I am saying that it’s not my cup of tea.  I like to read books that make me come away feeling happy or hopeful or thoughtful, or that contain beautiful prose, or that give me a different lens through which I can view the world.  Although it didn’t meet this high standard, this book did keep me occupied during a 13 hour drive from Smithers to Vancouver, so for that I’m grateful.

Kalyanii reviews Trouble and Her Friends By Melissa Scott


Within an inventory of my virtues, I guarantee that patience will not be listed as one. Thus, had I not been relegated to bed for a week in order to ride out a nasty virus, chances are that I would have abandoned Trouble and Her Friends within the first fifty pages.  However, lacking the energy or even the motivation to venture toward my bookshelf for a different title, I stuck with the novel ‘til the end – and now feel extremely fortunate for that fact.

After Evans-Tildale passes, Cerise returns home to discover her apartment half-empty and her lover, Trouble, nowhere to be found. Trouble, after all, had made it quite clear that if the new law meant to police the net were put into effect, she would be leaving the shadows. It was far too dangerous to continue “cracking” (hacking) within an environment controlled by real-world authorities.

Three years later, Cerise and Trouble as well as most of their friends, have abandoned their activities, relegating themselves to working within the “bright lights,” often as consultants or syscops themselves. Yet, after Cerise’s company, Multiplane, is hacked by someone calling themselves Trouble, whose immature and sloppily destructive style shows him as an imposter, the crew finds themselves reunited in an effort to stop the one who has upset the net and usurped Trouble’s name.

There is no denying that, especially within the first half, the novel moves so very slowly due to the amount of detail provided. Yet, what kept me going was my desperate need to know what would transpire once Cerise and Trouble reunited against a common enemy. The strength of their connection remained palpable in spite of Trouble’s absence, yet the nuances of their relationship were revealed without any of the professions of love that typically send me running.

Both Trouble and Cerise are, after all, incredibly competent hackers. They’re simply not wired for overt sentimentality, well aware that allowing emotion to override intellect may well prove deadly. Not only does this make for a much more interesting story, but that coolness comes across as incredibly sexy, especially as worn by Trouble, herself.

Published in 1994, Trouble and Her Friends engages with the virtual world in a manner that reflects the time. It actually rendered me a bit nostalgic for the early days of the Internet – minus the pay-by-the-minute usage rates. However, given the way in which the complexity of the plot was executed, the badass and incredibly likable protagonists and the subtly philosophical undertones, Trouble and Her Friends remains far from obsolete. Rather, it just might be considered something of a cyberpunk classic.

Danika reviews Sister Mine by Nalo Hopkinson


It’s hard to describe a book like Sister Mine. It would probably suffice to say it is just as surreal as the cover would suggest, but I’ll make an attempt anyways.

Makeda is a twin–originally conjoined twins–and is trying to strike out on her own. She and her sister have always been very close, but Makeda is sick of Abby’s controlling and overprotective attitude. It doesn’t help that while they are both mortal demigods, Abby has a magical gift with music, while Makeda is left with no mojo at all. She wants to make it on her own in the claypicken (human) world–but it’s not easy escaping from her supernatural family, when the unreal seems to follow her around.

There is a lot going on in this book. While it starts off following Makeda’s attempts at getting an apartment and establishing a “normal” life for herself, it quickly slides back into Fantasy. She’s being followed (hunted?) by a haint, her sister is dating the magical embodiment of Jimi Hendrix’s guitar, her mother is cursed into being a sea monster, her father is temporarily human and has Alzheimer’s, and there’s something unnatural about her apartment complex. Phew.

Although there’s a ton going on in terms of gods, mojo, and the Fantasy world-building, Toronto as a setting is given just as much detail and life, which includes addressing the casual racism that Makeda deals with in the claypicken world.

Nalo Hopkinson throws you into the deep end in terms of introducing characters and lore. I wasn’t always completely sure what was going on–especially with the revelations around Abby and Makeda’s birth–but I was always immersed and fascinated. I love her writing. Everything I’ve read by her has been surreal and sometimes overwhelming, but always satisfying.

The queer aspect to Sister Mine requires a little bit of explanation that may be considered spoilers. Basically, the gods and demigods in this world don’t have a lot of qualms about sex and romance, which means that basically they’re all polyamorous and pansexual–oh, and also have sex with family. So even though Makeda in her claypicken life doesn’t seem to have any romantic or sexual interest in women (and makes a gay joke at one point?), she does have sex and date god/demigod women. Including her twin sister. To be honest, it made sense while I was reading it, and it didn’t occur to me until afterwards that it might be controversial.

If you’re looking for a surreal, immersive read, this is definitely one I would recommend.