Emily Joy reviews The War Outside by Monica Hesse

The War Outside by Monica Hesse

The War Outside by Monica Hesse is a historical fiction novel set inside an American internment camp during WWII. It follows the friendship of two young prisoners, Haruko and Margot, as they deal with discrimination, family conflict, and their own growing feelings for each other. 

This book takes a look at a lesser known part of WWII history which is rarely taught in schools, although it should be. In fact, although I knew about Japanese internment and have done some reading about it, I did not know until this book that some Germans living in America were also interned. There’s a lot you could learn from this well-researched novel. 

In Crystal City, a historical internment camp located in Texas, Haruko and Margot live on different sides of the camp, and the Japanese and Germans are both distrustful of the other. Margot and her parents are careful to keep to themselves, not wanting to associate with the Germans who support the Nazi party, and Margot is one of the few German students to attend the federal high school rather than the unaccredited German school. It is there that she meets Haruko. Haruko is suspicious of her father, and worries that he might have helped the Japanese government, and is also concerned for her brother who is a member of the all-Japanese 442nd unit in the American military. 

In the midst of the tension, Margot and Haruko become unlikely friends, talking honestly together about their worries and fears. I loved reading about their relationship as they grew closer, and the trust they developed for each other was very sweet. As they slowly realize that their feelings may not be entirely platonic, the awkwardness between them is very cute, and their dreams for after they leave Crystal City and the apartment they’ll have together are so sweet and lovely. It was easy to root for them. However, their small romance does take a back seat to the other drama happening around camp, especially within their own families.  

The storyline I found most intriguing was actually what happens with Haruko’s brother. As a member of the 442nd unit, he is not present for most of the book, but his absence is felt in a very real way. He also has a very frank discussion with Haruko about his depression, and I found that to be a particularly poignant moment in this novel.

Another thing that I loved was how Margot seems to be coded as autistic. I was a little disappointed that the book never addresses it directly, but it seemed too intentional to be coincidence. I talked about it with my autistic girlfriend, and she agreed. I only wish it had been stated directly in the text so I could say for certain that this was the author’s intention. 

Overall, I thought this book was interesting, and the setting choice is one that I don’t see often in WWII historical fiction, so I appreciated that. However, I did have a few issues, mostly with the ending. I’ll keep this mostly spoiler-free, but by nature of discussing the ending, it will give some things away so please read ahead at your own discretion. 

(Spoiler section begins, highlight to read) I felt like the ending was abrupt, and it honestly feels like the last couple chapters were ripped out. None of the characters get any closure, and, as a reader, I didn’t either. 

 

Both Margot and Haruko seem incredibly out of character, and both of them make such cruel decisions. It was so painful to read the ending, and while I understand what the book was trying to say…. I don’t know if either character is truly justified in her actions. “War makes people do terrible things” doesn’t seem to be applicable to their situations, and it felt unnecessary and forced. 

 

The ending also feels anti-climactic. The relationship that I was rooting for collapsed before it was even acknowledged, which was a real shame. I wouldn’t neccessarily call it queer-baiting, because it was so obviously alluded to, and the feelings themselves were quite clear, but the word ”gay” or “lesbian” was never used. Neither of the girls ever addresses their feelings earnestly, even internally. So that was a disappointment to me. (Spoiler section ends)

I would recommend this book to anyone who likes historical fiction, and wants to explore a different part of WWII. Although it is not a perfect book, the setting, atmosphere, and the characters are excellent. 

The Lesbrary is Looking for More Lesbrarians!

Do you love reading queer women books? Feel like talking about them at least once a month? Want to be buried in an insurmountable pile of free bi & lesbian ebooks? Join the Lesbrary!

Once again, I am looking for more reviewers at the Lesbrary! You just have to commit to one review a month of any queer women book and in return you get forwarded all of the les/bi/etc ebooks sent to us for possible review. You also get access to the Lesbrary Edelweiss and Netgalley accounts, where you can request not-yet-released queer titles.

If you’re interested in joining the Lesbrary, send me an email at danikaellis at gmail with a sample of your writing. We’d love to have you on board!

Lesbrary Ad Sale!

2019 has seen so many amazing queer women books come out, and I want to celebrate them all! One way to do it is through featuring books on the Lesbrary sidebars. They’re looking a little bare right now, so I thought, why not have a little June promotion?

Lesbrary ad sale: advertise with us for 2 or more months, get the month of June free! (Book June & July, get June free.)

Advertise with us for 3 or more months, get an additional 20% off!

If you’re an author or publicist of a queer women book, why not advertise where the entire audience is made up of fans of bi & lesbian lit? Check out the Advertise with the Lesbrary page for more details. The free June ad will only last as long as June ad spots are still open, so first come, first served! If you have any questions, please email me at danikaellis at gmail.

Updated Recommendations List

Did you know there is a master list of all my (Danika’s) queer women book recommendations? It’s just been updated! In this post, the newest additions are bolded. Most will have my review linked, though some have reviews in the works, and others were before I started reviewing or are titles that slipped through the cracks. These are not all the bi & lesbian books I’ve read–it’s only the ones I would freely recommend! (These were all 4-5 star reads for me.)

The Lesbrary has been around since 2010, so we’ve covered a lot of books here! It can be overwhelming. You can browse by genre, rating, and representation, but if you’re looking for a shorter list, here are a few of my personal favorites by genre. These are just my (Danika’s) picks, so be sure to browse the site for all the other Lesbrarians’ favorite books!

Classics:

Mystery/Thrillers:

Fiction:

Historical Fiction:

Poetry:

Young Adult & Middle Grade:

SFF Young Adult:

Sci Fi:

Fantasy:

Horror/Zombies/Vampires:

Romance and Erotica:

Comics/Graphic Novels/Manga:

Memoirs and Biographies:

Nonfiction:

If you like what we do here and want to see more of it, buy us a coffee, or support the Lesbrary on Patreon for $2 or more a month and be entered into monthly book giveaways!

Exclusive Lesbrary Email List

Patreon has recently changed its policies to not allow raffles or giveaways as rewards. But I still want to be able to get those books to you! So now I’ve created an exclusive Lesbrary email list. $2 and up Patrons get added to the list, and I’ll hold giveaways there. Every month, one person is randomly selected to win a queer woman book! $5 and up Patrons will get 2 entries a month.

I had to delete all references to giveaways on the page, but it will still be working in the same way! It’s just being held off of Patreon now.

One more thing:

Once the Lesbrary Patreon hits $200 a month, we will be having 2 giveaways every month! That’s twice the chances to win!

Julie Thompson reviews Across a Crowded Room by Jane Alden

Across a Crowded Room by Jane Alden cover

Across a Crowded Room, reminiscent of “The Price of Salt” by Patricia Highsmith, opens just before Christmas 1950 in New Canaan, Connecticut. Towards year’s end, Bennie Grant leaves an unhappy marriage for an unknown future. All she knows is that she can no longer be the society housewife her husband Will and his domineering mother, Olivia, want her to be. When the couple met during the heady rush of World War II, becoming engaged and married within a whirlwind span of a few months, Bennie hadn’t fully grasped her personal identity and needs.

The trajectory of Bennie’s journey symbolically marches through a harsh New England winter towards the liberating warmth and new growth of summer. Fall-out from her confession of a short-lived affair with her best friend Alice, which occurs before the novel begins, sets events in motion. Bennie soon takes on a short-term position at her alma mater as the drama teacher, while she works out divorce details and custody of their daughter, Livie. It seems like the perfect place to hole up, until she meets the school’s new board member, Laura Clayborn. They develop an easy rapport that plays out in carefully planned situations. Misunderstandings arise, however, and thrust Bennie still further out into unknown territory. As Bennie struggles to find her footing, she discovers queer community and possibilities in unlooked for places. Alden’s exploration of the duality of queer life at this time introduces both challenges and hopeful prospects.

Alden also ably depicts constrained freedoms and continued societal and legal restrictions facing women in this era. Bennie is an especially bold character, given the high stakes involving her daughter. One of the driving questions for Bennie is the impact of her decisions on her young daughter’s development and worldview. She agonizes over a conundrum familiar to women throughout time: can I be a good mom, and still pursue a career and personal fulfillment? Will and Olivia use the child as a pawn in various situations throughout, culminating in difficult choices for Bennie.

I’ll probably re-read this immersive novel in December, when I can curl up against the cold with my cats and space heater, imagining the holiday decor of my dad’s 1950’s childhood that graced the walls and trees of my own youth. Alden’s weaves in period details, simple as a cup of coffee or turn of phrase, that conjure images of bustling cityscapes, insulated small suburban life, and interconnected theatrical community. Readers keen on historical fiction set in this era will appreciate the author’s authentic voice and tone.

Mallory Lass reviews the Alpennia Series by Heather Rose Jones

The Alpennia Series never stopped surprising me and often put a smile on my face or pulled a laugh from my lips. The theme of “found family” runs through this series and gave me so many warm and fuzzy feelings. I’ve also wanted to give at least one or two of the characters in each book a good shake. I will talk about each book in turn but I wanted to tell you why you should read all three (a fourth is forthcoming). You certainly can read them as stand alone novels, but Heather rewards those who read the series with little threads (both plot points and characters) dropped early on, woven without resolution, and then picked up in later books when you least expect it. The richness of the world of Alpennia, the city of Rotenek, and the characters that inhabit this fictional European place are skillfully built line by line, and by the end you can almost feel the Rotenek river breeze against your face. I am not religious at all, but I found the magical protections, steeped in ancient church rituals, gripping.

These novels are set in the early 19th century and straddle multiple genres with ease. They are historical fiction with a touch of fantasy and a generous sprinkling of romance (not much sex on the page, but the intimacy shown is breathtaking). All three books in this series have a high level of intrigue and mystery at the center of the plot. The characters confront issues of class, gender, race and sexuality. Even though I’m not a big consumer of modern gossip/celebrity news, the societal happenings in Rotenek drew me in and kept me hungry for more, book after book.

Each chapter is written from a different character’s perspective, and by the third book, the cast has grown, and there are six diverse perspectives creating a brilliant tapestry that should be enjoyed with leisure.

Minor spoilers were unavoidable as I discuss later books in the series, but its more the “what” than the “how”, which is the exciting part, so I don’t think it will ruin anything.

Daughter of Mystery

Margerit Sovitre is the goddaughter of Baron Saveze, but aside from providing her a governess, she has little contact with him. She lives with her aunt and uncle in the country and dreams of nothing more than getting to attend university and be a scholar. She has reached a marriageable age and is expected to be presented at society balls in hopes of attracting a suitable husband. Finding a husband is the last thing on her mind.

Barbara is the masculine of center, chivalrous, caring, breeches-wearing character of my dreams. Indeed, she is my favorite of this series. She is an orphaned child, sold into Baron Saveze’s household, and trained up into his armin. A female armin is certainly unique, but the Baron is a bit of an eccentric and he ensures Barbara is trained by the best, so her position is never questioned openly. Being the Baron’s armin shaped her into an incredibly intelligent, strong, loyal woman. She is a keen observer. Known only as Barbara, her identity and past has always been just out of reach for her and the Baron is unwilling to give her the answers she seeks.

Though protecting her charge and anticipating danger is Barbara’s job as an armin, she is frequently called on to leverage those talents to protect those closest to her and she does it with a deftness I find disarming and sexy. Margerit is whip smart, but a bit naive. She has a talent for mysteries that hasn’t been understood or acknowledged. Her determination to control her own destiny and become a scholar is certainly swoon-worthy. The Baron’s death puts these two formidable women in the same orbit, but will his means meet a happy ending, or will it backfire in an unexpected way when his nephew makes a play for the fortune? There is no clear path to freedom, but Barbara and Margerit are destined to walk it together, despite the very real danger lurking in the shadows. Barbara seeks the freedom of knowing who she is, and Margerit the freedom to chart her own course as a scholar, both things neither are in a position to expect. Discovering the mystery of Barbara’s lineage and the expanse of Margerit’s power is a fulfilling journey. Watching their shared love of scholarship grow into friendship with the potential to blossom into something more is one of many delights of this first volume. This story took a while to settle into my bones, but I kept thinking about Barbara and what was next for her and Margerit. Ultimately I wanted more and am grateful this is a series.

The Mystic Marriage (My favorite of the three)

The Mystic Marrage by Heather Rose Jones coverVicomtesse “Jeanne” de Cherdillac is a widower socialite who plays puppet master and matchmaker for Rotenek’s upper crust. She uses her status as both a French Countess and a widower to shroud her numerous flings with various younger female artists, dancers, and singers–and long ago, one notable armin. She is an original cougar, and whoa is she sultry. Her love of women is a bit of an open secret, and as long as her engagements are exclusive to the artist sector of society, her skills in social engineering are in enough demand for people to overlook who she might share her bed with.

Antuniet Chazillen flees Rotenek at the end of the first novel, after her brother’s bid for her uncle Baron Saveze’s fortune meets a perilous end, and the noble Chazillen name is in ruins. She vows to use her skills and passion as a alchemist to benefit Alpennia and restore her family name. She appears in Daughter of Mystery as a bit standoffish and maybe even a little conceited, but also she read queer for me. We share a bit of that “I will be so successful you wont care when you find out I’m queer” vibe. She puts Margerit on the path to discover the expanse of her powers, and I found her intriguing. We get to see her truly vulnerable in this book and she shines. Slowly, through pure desperation she begins forming friendships and alliances again. She seeks out Jeanne early on in hopes that she can find her a female patron for her Alchemy. Jeanne becomes the only person Antuniet feels she can rely on. Jeanne finds herself drawn in by Antuniet’s uniqueness and when she realizes she is in love with her it comes as a great surprise. Antuniet is artfully portrayed as someone who we would now define as demisexual. When Jeanne asks if she would consider a male patron Antuniet replies, “‘I have neither the aptitude nor the inclination to please a man in exchange for his support.’ She left the implications hanging between them.” The tension between Jeanne’s free spirited ways and Antuniet’s reserved nature is deliciously drawn out and negotiated. The dance between them is a courtship for the ages. To work within the constraints of the language and understanding of sexuality in the early 19th century, Heather enlists some endearing metaphors to create a shared understanding of what burns between them. There is more than a little angst here, and it’s all worth it.

In exile, Antuniet discovers a lost alchemist text and hatches a plan to bestow a gift of enhanced gems on Princess Annek to strengthen her court, something valuable enough to restore her name. Unsavory parties are after that same text and maybe her and her work as well. In an effort to outrun those chasing her, she ends up back in Rotenek, a demoted noble with little more than determination to guide her forward. Her motto repeated throughout is “no way out but forward” and she embodies that at every turn and setback. She shares a milder version of Margerit’s power, but her passion lies in the science of alchemy. Will Jeanne be just the person to mend Antuniet’s relationship with Margerit and Barbara and help restore her place in society? Or, will they become the scandal of the city? Can Antuniet really pull off her great vision or will the shadows of the past make themselves known? There are many problems to work through and that kept me on the edge of my seat. I was nervous it would wrap too quickly or unbelievably, but I should have known I was in good hands. That said, as soon as I was done with this one I started the third book!

Mother of Souls

Serafina Talarico, born in Ethiopia and raised in Rome, first makes her appearance at the end of The Mystic Marriage. The wife and assistant of a Vatican archivist, who comes across Margerit’s mysteries and travels to Alpennia seeking out her tutelage for she shares some of the same powers. Her husband travels frequently in search of rare materials keeping him away for sometimes years at a time. Their marriage is more a formality than a reality, but it affords her an allowance which brings her to Alpennia. Serafina is a foreigner to Alpennia in both tongue and body. While the earlier books deal with gender, class, and sexuality issues, Serafina is the catalyst for issues of race to push to the forefront. We see her exoticized and fetishized, even by those close to her. Malice doesn’t color all of the interactions, but Heather does a beautiful job of portraying the pain of otherness. Serafina’s deepest desire is to fit in, a desire Jeanne calls an unfortunate thing to want. That wanting however, leads her to Luzie.

Luzie Valorin is an aspiring composer as well as music teacher and owner of a boarding house by necessity. She is a lonely widow and mother to two boys who attend a boarding school far away. When Serafina takes lodging at Luzie’s house, Luzie’s compositions hold a power she never imagined. Margerit recognizes the power but is skeptical of what role music might play in theological mysteries. Luzie can’t see the power she has so she is skeptical of them both, but finds herself swept up in Margerit’s circle. Jeanne having launched an aspiring violinist in the previous book is poised to launch Luzie as the first female composer of Operas in Rotenek.

While Serafina has had female lovers in the past, and knows the common thread among Margerit and most of Jeanne’s inner circle, Luzie has not been so initiated. In the early days of Serafina’s lodging they forge a connection, in part because of Luzie’s music and Serafina’s ability to see its magic, but also because they both find themselves alone and increasingly lonely. Everyone will need to come together to fight against the mystical attack being waged against Alpennia. One Margerit has been unknowingly on the trail of since her earliest mystical discoveries. Will the bond shared over music composition transport Luzie and Sarafina into something more, just as shared studies did for Barbara and Mergerit? Will they be able to protect Alpennia from outside forces or will it be another misdirection?

If you are looking for a story to spin out like a spool of yarn and then wrap you up into a knitted scarf, get started on this series. The turns of phrase and quiet moments are where Heather’s immense writing talent soars. We are lucky to be the voyeurs of these amazing women loving women of Alpennia and beyond.

Supporting characters of note:

René LeFevre, the well respected business manager of the Baron, and eventually of Barbara and Margerit, is in a romantic relationship with his male assistant, Iannipirt. He is one of Barbara’s oldest friends and serves as a confidant, accomplice, and much more to both Barbara and Margerit. He stole my heart from the beginning.

Tavit, an armin that arrives on the scene in the later half of The Mystic Marriage expresses thoughts in a few different conversations that we would likely classify as gender dysphoria today. Early 19th Century Trans rep, how rad is that?

Bonus: Check out the free short story, “Three Nights at the Opera”, a prequel to Daughter of Mystery, though I think it is more enjoyable if read afterward.

Link Round Up: February 1 – 14

Her Body and Other Parties Carmen Maria Machado cover   Chameleon Moon by RoAnna Sylver cover   Lyric Sexology Vol 1 by Trish Salah cover   Bruja Born by Zoraida Cordova cover   Villains Don't Date Heroes by Mia Archer cover

Autostraddle posted 8 Books to Read If You Loved Carmen Maria Machado’s “Her Body and Other Parties”.

Bella Books is holding multiple giveaways through their Facebook page.

Book Riot posted 7 Fantastic Queer Sequels Coming Out in 2018 and 10 Unmissable LGBTQ+ Poets.

Casey the Canadian Lesbrarian posted Three New Must-Read Queer Canadian Poetry Books.

Lambda Literary posted New in February: Joseph Cassara, Saundra Mitchell, Jeffrey C. Stewart, and Karin Kallmaker.

LGBTQ Reads posted New Releases: February 2018 and Valentine’s Day Reads for Under $5!

Ylva posted Inside India: Writing Lesbian Fiction from the East.

Bingo Love by Tee Franklin cover   Fun Home by Alison Bechdel cover         All Out: The No-Longer-Secret Stories of Queer Teens throughout the Ages by Saundra Mitchell cover

“The Lesbian Grandma Romance In “Bingo Love” Will Melt Your Cold, Cold Heart” was posted at Logo.

“Lesbian media representation changed my life” discusses Fun Home and the podcast “Nancy.”

“Remembering ‘Tipping The Velvet,’ The “Joyous” Lesbian Romance That Changed Television” was posted at Decider.

In Croatia, an “enlarged effigy of My Rainbow Family, a picture book created for kindergarten-age children, was put to flames in front of several hundred children and parents on Sunday” at a children’s carnival. Here’s the link to their Indiegogo page to support the authors and get your own copy of the book!

Queerly Loving Vol 1 edited by G Benson and Astrid Ohletz cover   White Houses by Amy Bloom cover      Let's Talk About Love by Claire Kann cover   Loving Her by Ann Allen Shockley cover

Queerly Loving (Volume 1) edited by G Benson and Astrid Ohletz was reviewed at Lambda Literary.

White Houses by Amy Bloom was reviewed at TBO.

What Weaponry by Elizabeth J. Colen was reviewed at Lambda Literary.

The Legend of Korra Turf Wars Part Two by Michael Dante DiMartino and Irene Koh was reviewed at Okazu.

Bingo Love by Tee Franklin, Jenn St-Onge, and Joy San was reviewed at Lambda Literary.

Let’s Talk About Love by Claire Kann was reviewed at Rich In Color.

An Outsider Inside by R J Samuel was reviewed at Curve.

Loving Her by Ann Allen Shockley was reviewed at Black Lesbian Literary Collective.

Flowers of Luna by Jennifer Linsky was reviewed at Okazu.

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Anna Marie reviews Women Lovers, Or the Third Woman by Natalie Clifford Barney 

Women Lovers or the Third Woman by Natalie Clifford Barney is an intense and poetic modernist novel about three women (N, L and M) deeply devoted and in love with each other, and chronicles the transformation of their relationship. The idea of the “Third Woman” is not only a reference to one of the women in the novel being left out by the others, but also to the idea that being a lesbian was being part of a “third sex” (something also explored at around the same time by Radclyffe/John Hall in The Well Of Loneliness and by various sexologists circling around at the time). The novel is also an exceedingly thinly veiled autobiography about Barney’s relationship with Mimi Franchetti and Liane de Pougy, both key figures in sapphic Parisian (generally immigrant) circles in the 1920s.

The language of the novel (in translation from French) is electric and so alive and sensual, just as the love story and relationships it depicts are. L is a decadent woman whilst M is frenzied and soft – “Her hands are more evolved than she herself is, and they get hurt on everything, just as souls do.” Barney’s description of herself, of the character N, is a potent snapshot of a person who constantly feels like the odd one out: “she communes with humans through joyful pleasure, even though she seems to miss out on it in every other way”. I think something in this novel that made it even more captivating than a queer love and loss story might have been is this positioning of some people as “thirds”, as constantly missing out because they don’t have a singular partner or relationship that consistently puts them first. It reminded me a little of this article that Caleb Luna wrote about being “denied intimacy and care… who reserve it for others” the ways that people undermine platonic relationships by focusing so intensely on romantic coupling. Obviously N in the novel has multiple other pairings, so its not an entirely accurate comparison, but I think it adds interesting current contexts for the novel.

The earthy but whimsical tone of Women Lovers as well as the descriptions charmed and inspired me so much. As someone studying the period, it’s also interesting to see who else weaves their way into and through the narrative, from their “Dearest Friend” (the artist and long term partner to Barney, Romaine Brooks) to “The Newly Miserable Woman” (Djuna Barnes author of Nightwood and The Ladies Almanack), as well as references to Radclyffe/John Hall and her partner Lady Troubridge.

Although this word is never used in the novel, it is clear that N and the women she is involved with are in some way polyamorous: they generally participate in and create non-monogamous relationships with each other, overlapping intimacies, so it’s a record of the way that historical queers connected separately and related to their communities and their partners/lovers/friends. The other really enjoyable part of reading this novel is the many ways in which the current sapphic and queer community I witness and participate in mimics these wild lesbian and bi+ women from almost 100 years ago! Just like when I read The Ladies Almanack, this novel/autobiography made me really feel like nothing has changed – we make the same jokes, we care about the same things, we use similar imagery and vocabularies, we have the same issues to work through, we are all dating each others exes and so on!


Megan Casey reviews Swamp Girl by Iza Moreau 

There was a recent article in The Washington Post about young adult novels written from the queer perspective. The gist of the article was that these novels “have begun to feel mainstream.” I’m sure that this is true to some extent; that a queer point of view is becoming increasingly more accepted by today’s readers, especially if these books are being published by traditional publishers. For some queer readers, finding a romance or a fantasy or even a mystery novel with queer protagonists comes as “a happy surprise.”

This last phrase—a happy surprise—is probably the most important idea in the article. Queer teens—or teens who are questioning their sexuality—need these types of books desperately. And not just coming-out stories or romances that end in tragedy—but books where the main characters just happen to be gay and live lives that are as normal as possible in our current society. That’s why Iza Moreau’s first Lesbian YA novel is so refreshing and, yes, important.

First of all, the book is a boisterous adventure that features a cast of almost Dickensian characters. The protagonist, “Sixteen-year-old Trixie McQueen—called Sixteen by her friends—wends her questing way from an abandoned subway tunnel in New York City to the mangrove-wild expanse of the Florida Everglades, where she is threatened by poachers and saved by a group of odd swamp dwellers—some of whom spent hard time as circus acts. Much of the plot involves the attempt of Sixteen and her new friends to uproot the criminals and drive them back to where then came from.

One of the oddest of all the characters is a bangle-and-short-shorts-wearing Valley girl named Raven, who is visiting her estranged mother. Sixteen—who has always accepted her orientation as a lesbian—and Raven—who has not—immediately bump heads, and Sixteen’s attempt to straighten her out—while combating her increasing attraction for the girl—round out the plot.

The first-person point of view is—I doubt if this is accidental—reminiscent of Tom Sawyer or Huck Fin, who have their own adventures to relate and crooks to foil. And, with the help of Voodoo-savvy Burundi, alligator-wrestling Large Lurleen, ex-Marine Big Ned Briscoe, circus-geek Señor Skin, Dorie the philosophy professor, and her other new friends, she manages to do just that. And in doing so, she not only rids the Glades of unwanted vermin, but provides a good, clean adventure for lesbian and questioning teens to enjoy, put on their shelves, and take out again occasionally throughout their lives.

Moreau has announced on her website that she is putting the finishing touches on the first three books in a new lesbian teen mystery series that will give lesbian and questioning teens a Nancy Drew type of hero. It should be interesting because, as far as I know, it will be the first such series. Until then, though Swamp Girl is as thoroughly enjoyable an entertainment as you could want.

Note: I received a review copy of this book that was kindly provided by the publisher in e-book form through Lesbrary.

For over 250 Lesbian Mystery reviews by Megan Casey, see her website at http://sites.google.com/site/theartofthelesbianmysterynovel/  or join her Goodreads Lesbian Mystery group athttp://www.goodreads.com/group/show/116660-lesbian-mysteries