Danika reviews I’ll Call It Like I See It: A Lesbian Speaks Out by Sheila Morris

IllCallIt

I was expecting I’ll Call It Like I See It to be a memoir, but it’s actually a collection of essays (though most of them are autobiographical). The collection reads almost like a compilation of a local newspaper article, or a personal blog–which makes sense, because the author does have a blog by the same name. The essays cover a range of topics, and they were pretty hit or miss for me. A lot of time is spent setting the stage, establishing background for stories that don’t really go anywhere. (A couple of times, this background included statistics about cities, including citing a website in the text body.) There were also essays that concerned recent political events, which I’m sure would be interesting context ten years from now, but seemed redundant at this point. I do feel like I would probably have enjoyed or at least understood this book more if I had read her earlier books, which I understand are more traditional memoirs. This volume mostly concerns recent years and recent events. Topics like the commercialization of Christmas or the ups and downs of local football teams just didn’t capture my attention, though I’m sure they’d be more interesting if I knew the people or places involved.

There are some interesting tidbits here, though. I think the strongest element of I’ll Call It Like I See It is in the author’s relationship with her mother, and the detailing of her mother’s dementia. Morris also skims over really interesting material, which makes me wonder if they are covered in other books. For example, she mentions an affair with a preacher’s wife. Her description of her maternal grandmother makes it sound like she deserves a book of her own: this grandmother was widowed and raised her children during the great depression, while battling her own personal depression. Although this collection isn’t one of my favourites, it has made me curious enough about the author’s previous books that I might just pick one up anyways.

Link Round Up: Feb 19-27

TessaMasterson   1   Betweenyouandme

AfterEllen posted Your New School Library: Julie Anne Peters, Alex Sanchez, and Emily Franklin.

Autostraddle posted

Timmins   3   TheLastNude

Band of Thebes posted Sunday Times Short Story Prize Shortlist (Ali Smith).

Buzzfeed LGBT posted The Best Black Queer Books, Plays And Films.

Curve Magazine posted Jude Schell’s Latest Book & A Casting Call.

FY Lesbian Literature answered the question “Any suggestions for good historical fiction books (specially during second world war?)”

Gay.net posted Holy Wedding Bells! Batwoman Proposes to Girlfriend.

Nevada   Waitingupfortheend   writingwithscissors

Lambda Literary posted

Little Sisters posted Book Launch, Imogen Binnie’s Nevada.

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Queer Books Please posted

Topside Press posted about the Nevada by Imogen Binnie event at Little Sisters and the Nevada book launch and how you can help.

UK Lesbian Fiction posted UK MEET – GLBTQ FICTION and News Roundup.

Women and Words posted

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“From Cinderella to King and King – the rise of alternative fairytales” was posted at Channel4.

S. Bear Bergman posted Hello, Cruel World – a Defence of Reading.

Leslie Feinberg posted New Stone Butch Blues edition May Day 2013: STONE BUTCH BLUES— OFFICIALLY OUT OF PRINT.

Malinda Lo posted Call for self-published and ebook-only 2013 LGBTQ YA.

Jeanette Winterson posted Shape shifter: The joyous transgressions of Virginia Woolf’s Orlando.

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Sagebrush & Lace by Sugar Lee Ryder and J.D. Cutler was reviewed at Lambda Literary.

Orgasmology by Annamarie Jagose was reviewed at Lambda Literary.

L Is For Lion by Annie Rachele Lanzilloto was reviewed at Lambda Literary.

Incognito Street by Barbara Sjoholm was reviewed at Autostraddle.

Check out even more links at the Lesbrary’s twitter. We’re also on Facebook!

Clicking the book covers will lead you to their Amazon pages. If you buy something, I may get a small referral fee.

Sponsored Review: Danika reviews Hot Line by Alison Grey

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Before reading Hot Line, I hadn’t looked into the premise of the book. I just knew it was an erotic novella. From the first page, I could guess that the premise would be different from most romance novels/erotica stories I’ve read. (Which is great, because the thing I like least about romance/erotica novels is the repetition.) It begins with Christina (alias Chantal) answering calls at her job at a sex hot line. She gets a call from a woman, Lydia, who just wants to talk. Then, excuse the cliche, Lydia makes her an offer she can’t refuse.

For an erotica story, Hot Line is very much in the characters’ heads. We get a lot of insight into what both of them are thinking, including the awkwardness, hesitation, and double-guessing. Sometimes this could seem like over-explaining, and occasionally they seemed put off by pretty normal things, considering the circumstances. But for the most part, it gave much more characterization and honesty to what I’m used to from an erotic story. There were occasional awkward phrasings, but that could be the translation. (That’s another thing: it’s nice to read a lesfic story not set in the US. Hot Line is based in Germany.) Though, there is a bit of the old romance novel trope of needless angst. Both Christina and Lydia try to convince themselves that they don’t like each other, or that the other person doesn’t feel the same way, when there’s pretty ample evidence for what they feel.

What I was most impressed by in Hot Line is the progression of the relationship. Considering the premise and the length of the story, not to mention the genre, I found their relationship to be much better developed than I was expecting. [Mild/vague spoilers, highlight to read] Weeks pass. They get to know each other. [end spoilers] This is partly because of the novella’s tendency to dwell in their thoughts. It made their relationship more believable and oddly organic (again, considering the premise). The ending is a bit abrupt, but it really gives you all you need. I would recommend Hot Line if you’re intrigued by the premise or are looking for a lesfic novella.

This has been a sponsored review. You can see more about sponsored reviews at our Review Policy.

Danika reviews The Collection edited by Tom Leger and Riley Macleod

TheCollection

When I first heard about The Collection: Short Fiction from the Transgender Vanguard, I thought it sounded amazing, but I didn’t think it would be relevant to the Lesbrary. Luckily, I was completely wrong! There are about 9 stories that I consider relevant to the Lesbrary (either bisexual or lesbian women, or genderqueer/genderless/agender stories). That’s a third of the stories in The Collection!

This book really does something that hasn’t really been done before: it’s a professionally published anthology of literary short stories, all featuring trans main characters. There is such a lack of representation of trans people (especially main characters) in literature, that you might expect an anthology to have to stretch to find enough content. Instead, this is a hefty 400 page book which is packed with really high quality stories. Although as with all anthologies, I like some stories better than others, I found the overall quality of writing to be excellent: much better than I would expect from any anthology. Although there are a few fantastical stories, and a superhero story, most of the stories in this collection are realistic and down to earth (one focuses entirely on the main character’s miserable Tuesday working in a coffee shop, dealing with endless microaggressions). The writing flows together well, also. They seem to have similar styles, which makes it pretty easy to move from story to story without getting whiplash. I sometimes get irritated with short stories that end without a real conclusion, as if they were just excerpts from a novel. For the most part, I found the stories in The Collection to be well-crafted and satisfying by their conclusions. Satisfying does not necessarily mean uplifting, though. Many of the stories deal with prejudice, microaggressions, and general discomfort. It can be be uncomfortable to read someone being continually misgendered and misunderstood by the people around them, but they read honestly and as affirmations of many people’s realities, which is necessary and even hopeful in itself. There are also more positive stories included (the superhero one previously mentioned is one), but for the most part The Collection does reflect the reality of being trans in a cissexist world. (Though I am cisgender, so of course I can’t claim to fully understand that reality.)

Short descriptions/impressions of the les/bi/genderqueer/etc stories follow:

“To the New World” by Ryka Aoki: You know what I said about this collection sometimes being uncomfortable to read? The main character in this story, Millie, is completely loveable, but she is into Sierra, a “radical” lesbian who is casually transphobic and racist (Millie is Asian). It is painful to read, but sadly completely believable.

“Other Women” by Casey Platt: Another uncomfortable story. Sophie deals with a tense relationship with her family after coming out as trans, with microaggressions from friends along the way. Only her best friend, Megan, really seems to understand and accept her. And then that gets messed up, too. Sophie seems to be bisexual, but by the end of the story I’m not sure what to think. Really, I think she’s just looking for someone to see her the way she wants to be seen.

“Greenhorn” by K. Tait Jarboe: This was one of my favourites. Olivia is a non-binary bisexual person who happens to regularly be accidentally visiting another dimension. (I’m not sure if they identify as bi, but they are attracted to men and women in the story.) I loved the idea of the story, and the writing was fantastic. I kept stopping to read things aloud to my partner. Like this: “I did know two people from college, and I ruined everything with both of them that same way, which was with sex and my personality.”

“The Queer Experiment” by Donna Ostrowsky: This was another great story, though I couldn’t actually see what the trans content was. In any case, it’s a great lesbian short story. Jennifer is an engineer at a university in the 1920s and, along with another professor and an assistant, is attempting to build a machine that will allow them to see the mystical world of the homosexual. It’s hilarious, even if it technically ends tragically (you know Jennifer ends up in an asylum from the first page.)

“Runaways” by Calvin Gimpelevich: “Runaways” actually has a trans man main character, but it is primarily focused on his best friend and her girlfriend. I loved all of their interactions, and the tension of Nike trying to decide whether to flee her relationship for a less responsible one (her girlfriend is currently trying to take care of her 10-year-old sister while their dad is in jail). The characters are so strong. (Also, Travis is Black and Nike is Filipino, so the story also touches on the intersections of cissexism/heterosexism and racism. Travis especially struggles with this.)

“Winning the Tiger” by Katherine Scott Nelson: This story is about a couple, both non-binary, dealing with being continually misgendered at a state fair. In the author’s bio, Nelson says that this story was once rejected from a mainstream publication for being “too aggressive”, which I think is teaser enough.

“Malediction and Pee Play” by Sherilyn Connelly: Yes, it’s as weird as the title suggests. The main character is technically in an open relationship with her girlfriend, Vash, but while she’s been striking out, Vash is getting closer and closer to her new partner. She attempts to get closer to Vash again, to try to get the sparks of their kinky relationship back, by helping her with a Satanic Black Mass production. But the despite the weird, the emotions at play are very relateable, no matter what your opinion on pee play. Or Satanism.

“Birthrights” by M. Robin Cook: The main character’s wife walks in on her dressed as a woman. Awkwardness ensues.

“Entries” by Riley Calais Harris: I’m not sure how to describe “Entries”. It reads almost like a condensed autobiography. She describes a radical activist who dumped her because she shaves her legs. The last line is “Oh, you know what? That’s probably why I shave my legs.” It’s not a very linear story, but I liked it. The ending is oddly uplifting.

I hope that this convinces you to pick up The Collection, even if you’ve never read any trans books before. It has great stories, a high quality of writing, and several lesbian stories! What more can you ask for?

Danika reviews the Queer issue of Poetry Is Dead

poetryisdeadI have troubles reviewing poetry collections because I never really feel qualified. And some of the poetry included in Poetry Is Dead (Issues 2, Volume 3) didn’t help with that: one is entitled “Perfect Lovers (Gay Porn Story Removed (O’s Remain)), which is just two pages of the letter o with spaces between them. Another, “ff or letters to a fellow fluency” is described as “a sequence of poembriefs traversing the idioms of distance and the distances of idiom between felix and odile . . .” That one I had to put down several times before I found enough energy to finish it (though there are some beautiful moments, most of it sailed over my head). Mixed within the volume are interesting illustrations, like the cover.

Poetry Is Dead does have a good mix of poetry, however. Some of it is extremely abstract, and some very straightforward. Some of it is more prose, or even essay-like. I definitely think this volume is worth reading just for lisa foad’s poem “here be monsters”, which explores growing up and coming out in a conservative Christian family. Another favorite was “For queer grrls who considered silence/when the pap smear is too much”, which describes trying to get sexual health care as a queer woman.

I recommend this volume to queer poetry fans, but also to readers like me, who are more comfortable with concrete or linear stories. The queer issue of Poetry Is Dead might push your limits a little, and there are enough concrete stories to keep you engaged.

Laura reviews Sister Spit edited by Michelle Tea

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In the introduction to Sister Spit: Writing, Rants & Reminiscence from the Road, editor Michelle Tea proudly writes that Sister Spit is what she did instead of college. Reading this collection is like digging through a pile of her study group’s crumpled looseleaf notes at the end of the semester. It’s enough to get the gist of the lesbian-feminist-trans-vegan-poet-artist-addict-activist-adventurer curriculum, but by no means will you gain any mastery of it. You’ll just wish you’d enrolled in the classes, then lie awake at night questioning every major life decision you’ve ever made. In a good way. Really.

Sister Spit was formed in 1994, when Tea and Sini Anderson created a girls-only open mic night to get away from the Bukowski-worshipping bros dominating the San Francisco literary scene. Their show ran every Sunday for two straight years before they picked it up and hit the road. Together, Tea and Anderson led a roving band of queer poets and storytellers across the country in couple ramshackle rental vans, stopping in a new city every night to give live performances.

“Most Sister Spit shows are about class,” writes Tea. “About class and being female, or about class and not being female, about being trans, a faggot. There is feminism in everything, a punkness too.” The same gut feeling is also true for the works contained in Sister Spit (the book), and it is a pleasure to read.

Covering 15 years of Sister Spit’s best work, this anthology shows incredible range. The collection starts off strong from the very first piece: “Star,” a violent, bitchy, improper, fabulous poem by Samuel Topiary. A little further in, I loved “Training for Goddesses,” in which the hilarious Kat Marie Yoas describes her experiences at a dominatrix training camp. And “Real Paper Letter” by Tamara Llosa-Sandor was funny and wonderful in a gentler, contemplative sort of way.

My favorite piece of writing in Sister Spit is “High Five for Ram Dass” by Harry Dodge. Consider:

Chuck Mangione, Late Zeppelin and a Streisand are stuffed under the bleachers in a throbbing gyroscopic heap. Late Zeppelin’s head is banging into the aluminum bench at a pace that makes me feel like doing “The Bus Stop.” I watch them for a long minute and the crickets rev up their nighttime calypso. Buttes the color of ash and pumpkin ascend until mercifully, they eclipse the sun. A totally relaxing primal event. I feel looser. The air is soft, exactly the temperature of my skin and fragrant to boot. Orange blossoms. Tuna. Whimpers, screams, yells replace the metallic fuck-gonging and before long the trio emerges into the soft dark night smiling. Stumbling on loose hips.

Beautiful, isn’t it? It’s from a story about formerly feral children resynthesizing into contemporary culture.

Perhaps my least favorite segments in Sister Spit were the ones “from the road.” I found the constant name dropping to be distracting and annoying. Still, I loved reading the tales. I love knowing that these people — interesting, creative, inventive and resourceful as they are — existed and exist. I love that they’ve documented their stories and that I can access them whenever I want. And, okay, “Where Is My Soul?” with Cristy C. Road’s reflections from the road, equal parts inspirational and relatable, are pretty wonderful. “How do you do this?” she asks. “How do you grow so gracefully, achieving levels of confidence and success while maintaining your grit and spirit? Your anger and identity? How do I become Eileen Myles?” Oof. This. Or alternatively, how do I become Michelle Tea?

Sister Spit’s Spring 2013 literary tour begins in just a few short weeks! For a full list of tour stops, check out the City Lights website.

Link Round Up: February 6-19 (Click on covers for their Amazon pages)

YouSetMeOnFire   Ladyfish   TheLastNude

The Advocate posted Books for Young LGBT Folks and Anyone Who Wants to Understand Them.

The 2013 Alice B. Reader Appreciation Awards were announced!

Autostraddle posted Lez Liberty Lit #13: Silence And A Dark Room and A Prairie Homo Companion: 5 Prairie Homo Writers You Should Know.

Band of Thebes posted Lesbian Autobiography Beats Clinton, Obama for Spoken Word Grammy and Lesbian “Ladder” in Smithsonian’s American Stories.

Bella Books posted their February newsletter.

Casey the Canadian Lesbrarian posted Best Lesbian Books of 2012.

Elisa posted 2013 Rainbow Awards Guidelines.

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GLAAD Celebrates Black History Month Honoring LGBT African Americans.

Lambda Literary posted ‘The Ladder’ Makes History Again and LGBT Center Bars Sarah Schulman Reading [Updated].

Plunge Magazine: queer. women. genre. posted their first issue!

queer book club posted Reading queer books is awesome. Giving queer books is awesome too!

Queer Books Please posted

Sistahs On the Shelf Literary Promo Blog posted SOTS Books to Check Out – February 2013.

UK Lesbian Fiction posted Coming soon: new novels by Kiki Archer, Andrea Bramhall, Amy Dunne and Lesley Davis and News Roundup: Nicola Griffith, Free Stuff! and the Rainbow Awards open for Business.

Women and Words posted Check This Out – 2/16 and Some Thoughts on Writing – Sex, Aging, Humor, and Complexity by Sally Bellerose.

Imbolc   6   Ostara

“Virginia Woolf’s fun side revealed in unseen manuscripts” was posted at The Guardian.

The portrayals of LGBT sex life and sexuality in YA lit were discussed at Huffington Post.

Sarah Diemer (aka Elora Bishop) posted

Stella Duffy was interviewed at UK Lesbian Fiction.

Depression   AfterMrsHamilton   Daisuki

After Mrs. Hamilton by Clare Ashton was reviewed at C-Spot Reviews.

Daisuki by Hildred Billings was reviewed at Loving Venus – Loving Mars.

Family Jewels by Kate Christie & Tactical Pursuit by Lynette Mae were reviewed at The Rainbow Reader.

Depression: A Public Feeling by Ann Cvetkovich was reviewed at Lambda Literary.

Down to the Bone by Mayra Lazara Dole was reviewed at La Bloga.

When We Become Weavers: Queer Female Poets on the Midwestern Experience edited by Kate Lynn Hibbard was reviewed at Lambda Literary.

I Am Your Sister: Collected and Unpublished Writings of Audre Lorde was discussed at Sista Outsider.

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Collected Poems by Naomi Replansky was reviewed at Lambda Literary.

Moonglow by Charlie Romo was reviewed at Piercing Fiction.

Empty Without You:The Intimate Letters of Eleanor Roosevelt and Lorena Hickok by Eleanor Roosevelt and Rodger Streitmatter was reviewed at Loving Venus – Loving Mars.

Every Waking Hour by Paisley Smith was reviewed at Loving Venus – Loving Mars.

Frozen by Carla Tomaso was reviewed at The Rainbow Reader.

The Furthest City Light by Jeanne Winer was reviewed at Lambda Literary.

As always, check out the Lesbrary’s twitter for even more links! We have a Facebook page, too!

This post has the covers linked to their Amazon pages. If you click through and buy something, I might get a small referral fee.

Erica Gillingham posted Between You & Me by Marisa Calin

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MY BEDROOM. SEPTEMBER. EVENING.

CLOSE-UP. HEART-SHAPED PINK SUNGLASSES. HIDING A FACE. MUSIC PLAYS. THE SUN FALLS ACROSS THE BEDROOM IN A BRIGHT SHAFT OF LIGHT. CUT TO: WIDE SHOT. GIRL LIES ON HER BED, PROPPED ON HER ELBOWS, CHIN IN HER HANDS.

Phyre, sixteen, that’s me! And this is my life. Or how I picture it. The door swings open and I smile up at you.

ME

Come in. Close the door behind you.

Between You & Me by Marisa Calin is written as a film script. Short scenes, dialogue-heavy, and easily visualized, the format takes a brief adjustment but overall adds to the pace of this young adult novel. The narrator and protagonist Phyre dictates the film-like shots but her control ends there: she’s helpless in high-pressure situations. Without giving too much away, I’ll say briefly if you love theatre, ladylove triangles, and a slow burner, give this novel a read.

If you’re willing to have a few more details, Phyre is a sixteen-year old girl who aspires to be an actress one day. Her best friend is only known as “you”—we know some vague details about her, but never her name. The beginning of the school year brings student teacher, Mia, who will be teaching the fall semester’s theatre class. As soon as she walks on stage, Phyre is absolutely captivated. No one else exists but Mia but who is mesmerized by Phyre?

What I really like about this novel is the lovely, nuanced relationship between Phyre and her best friend. Yes, the title could indicate that this relationship will be central to the plot, but I was pleasantly surprised by the execution. In Between Me & You, Calin delivers a real, honest friendship between two girls that is tender and low-drama. I was alongside Phyre in her unrequited love for teacher Mia (who hasn’t been there, right?) and rooting for ‘you’ to finally say what she wants to say.

If you’re a reader of young adult novels with lesbian or bi characters, you’ll know that sometimes the big ‘gay’ issue can dictate the plot. Refreshingly, this is not the case here. When Phyre realizes her crush on Mia, there is no big fuss, stressful freak out, or coming out talk. In fact, there is no mention of labels or identity crises at all. Just attraction, infatuation, and one glorious kiss to seal the deal. Happy reading!

Between Me & You is the debut novel by Marisa Calin.

Jill reviews Hear Us Out: Lesbian and Gay Stories of Struggle, Progress, and Hope, 1950 to the Present by Nancy Garden

 

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Written by Nancy Garden of Annie on my Mind fame, Hear Us Out is essentially three quarters short story collection, one quarter history lesson. The stories are divided into decades of time, covering the 1950s through the 2000s. Each section begins with a brief essay about the events and atmosphere of the time in gay history, followed by two short stories full of characters and places that could fit into that time frame, although many of the stories could definitely cross into timeless places, as well. Before I even started this book, I thought the entire idea and organization of it was brilliant: covering a smorgasbord of real political issues made personal through Garden’s fictionalized worlds, this book is a little hard to classify. And typically, I adore books that are hard to classify. The library where I found it, interestingly, had it classified as non-fiction. But while it is in one way very much a history text, it’s also a clear work of literary fiction at the same time. The blurb on the jacket actually sums it up much better than I just did: “This unique approach gives not only the facts but the feelings, too.”

One thing that’s certain, though, is that it is geared towards youth, and the non-fiction historical essays are definitely written in a relatively simplified and straightforward manner, which is only negative if you’re overly opposed to reading books for youth as a whole. I happen to love non-fiction geared towards youth in particular because it can often simply be more enjoyable than the adult stuff, while still enlightening when done right, as Garden does. It’s clear and engaging, while avoiding being derisive. And one of my favorite parts was that in each historical essay, after the main events of the time were described, she made sure to focus on what that decade meant for youth in particular, or how youth helped to galvanize change for themselves and for the community, an aspect that’s often wanting in other historical queer texts.

As for the stories themselves, there are many tropes that we have seen before, to the point that they’re often looked on as conclusions we should be moving away from now: that being gay necessitates rejection, violence, running away, death. Yet in light of the point of this project, I think they make sense: that was how many people experienced gayness in the 50s, and many of these things do still even happen today, too, amidst all the progress. And importantly, one thing is true in all the stories, even the darker ones: even if the characters feel like giving up or face enormous odds, none of them deny who they are, or believe that they should.

Some of my favorite stories included both of the stories from the 60s: “Cold Comfort,” a classically Southern-feeling tale of two girls in a small town, and “Stonewall,” documenting when one man got to lose his virginity and witness the birth of a movement all in one night. I also found “My Father’s Buddha,” from the 80s, particularly moving, touching briefly on both the ghosts of Vietnam and the all-too-present horror of AIDS, and the search for solace in the pain of both. Another highlight as a whole was being that Garden was at the helm, the majority of the stories, other than these two I just mentioned, do in fact deal with lady love. And in my own experience with queer short story collections, the scale is normally tipped towards the dudes, so it was refreshing to experience the opposite.

While rejecting gender norms, particularly by women, was addressed in many of the stories, I did wish that there could have been at least one specifically trans story included (although she does include them in the essays), but I suppose one author and one book can’t be everything for everybody.

Short story collections can also often be a strange beast in terms of the ratio of wins to disappointments, but when they’re all from the same author, it feels consistent enough to be steadily satisfying, while the plots and writing styles still vary enough with each story to keep it interesting.

Overall, this entirely accessible volume reaches out to youth to not only bring comfort about a variety of situations readers might relate to in one story or the other, but to show the hope in how far we’ve come. The hiding and the rejection and the injustice in some of these stories are all very real parts of our history and parts we can’t forget, and parts that youth need to know about, as well. This book was published in 2007, and even reading through the introductory essay for the 2000s decade (the one essay that seemed a little overlong to me), it felt slightly surreal in terms of all the gains we’ve made just in the last five years since its publication. Accordingly, while that section by itself is easily outdated, a fact Garden acknowledges to be inevitable, the rest of the book could stand the test of time forever. While being up to date on queer books for youth is sort of my thing, I feel this one has flown under the radar a bit: I hadn’t really heard of it before I stumbled onto it in the library, and I wish that was a different story, and that it was widely available to youth (and just people) everywhere. (An updated, slightly more hip cover wouldn’t hurt, either.) Highly recommended.

Katie reviews Project Unicorn Vol I: A Lesbian YA Extravaganza! by Jennifer Diemer and Sarah Diemer

ProjectUnicorn

Project Unicorn: A Lesbian YA Extravaganza! by Jennifer Diemer and Sarah Diemer is a free fiction project that was created, in the authors’ words, “because of the obvious lack of lesbian heroines in the Young Adult genre, and the critical need for them.” Typically updated twice a week, this project provides short genre-fiction stories that feature lesbian characters.

I’m reviewing Project Unicorn: Volume I, which includes The Dark Woods, The Monstrous Sea, and Uncharted Sky. I really can’t tell you how delighted I am that these stories are being written and published – for free, no less – in the first place. I’ve always been a genre fiction girl at heart, and I’ve sharply felt the lack of lesbian characters in genres like fantasy, sci-fi, horror, and historical fiction. Not only is the quality of the stories in Project Unicorn: Volume I extremely high, there 30 stories to enjoy in this volume, more on the authors’ website (http://muserising.com), and more to come. The stories are extremely diverse, from mermaids to ghosts to werewolves to aliens. They span all sorts of time periods, and elements of romance appear in varying levels of focus. I loved the sweetness of the relationships in “Finding Mars” and “The Gargoyle Maker” as much as I appreciated that romance wasn’t forced to take the spotlight in “Melusine”. The characters are all lesbian, but their lesbianness doesn’t necessarily define who they are. There was a balance of stories in which being a lesbian was a non-issue and ones in which the characters had to deal with the discrimination and hardships that lesbians face in reality. I found the balance very satisfying, because I get tired of all stories featuring lesbians focusing mostly on their lesbianness, but at the same time I understand the importance of acknowledging what we go through.

Some of my favorites from the anthology include Jennifer Diemer’s “Dreaming Green,” about a woman on a sterile space station who finds a mysterious seed in space and defies regulations by planting it; her “The Girl on the Mountain”, which follows the relationship of a young girl in a mountain village with a sky-being who her people consider to be a deity; Sarah Diemer’s “The Gargoyle Maker,” about a woman who creates stone monsters to protect a medieval town; and her “Nike,” a stunningly beautiful story about a bullied girl who reaches the depths of despair and learns how to raise herself out of them. Also among my favorites are “Kyrie” and “Mirror,” two extra stories not published on the website that are included in Volume I.

The writing quality ranges from charming to exquisite. There were a handful of stories that left me wanting more and felt like snapshots of a larger story, but the majority of them were well-rounded. These are stories I’ll gladly curl up with and read again when I need comfort or crave escape.